A Survey of Libraries in the Museums and Related Institutions of the Greater London Area; Together with a Study on the Evolution of the Museum Library in England

Total Page:16

File Type:pdf, Size:1020Kb

A Survey of Libraries in the Museums and Related Institutions of the Greater London Area; Together with a Study on the Evolution of the Museum Library in England THE MUSEUM LIBRARY: A SURVEY OF LIBRARIES IN THE MUSEUMS AND RELATED INSTITUTIONS OF THE GREATER LONDON AREA; TOGETHER WITH A STUDY ON THE EVOLUTION OF THE MUSEUM LIBRARY IN ENGLAND Ann Elizabeth Borda Thesis submitted in the fulfilment of the requirennts of the degree of Doctor of Philosophy in Library and Information Studies University College London University of London November 1996 BIBL LOUD N UNIV. ACKNOWLEGEMENTS I wish to acknowledge the generous and kind assistance provided me by the eighty-four survey institutions discussed in this dissertation. I also wish to note the cooperative responses of those organisations I contacted during the course of my data gathering, but could not include in the final study. I am further grateful to my Department, both faculty and staff, and sincere thanks are especially extended to my supervisors; to Professor Robin Aiston for his many helpful comments, particularly on the historical aspects of the survey, and to Dr. I. C. Mdllwaine for her expert guidance and invaluable support in the overall supervision of my research. A special acknowledgement is also due to the following individuals whose assistance in the course of this study was notably generous and appreciated: Mrs. Anne Yandle, Librarian Emerita; Alex Roberts, Museums and Galleries Commission; Dr. Leonard Will and Alice Grant, Science Museum; Mary Shephard, National Maritime Museum; Christopher Mills, Natural History Museum; Peter Elliott, Royal Air Force Museum; Philip Abbott, Royal Arrnouries; Gillian Varley, National Art Library; Meg Duff, Tate Gallery; Bob Aspinall, Museum in Docklands; Elizabeth Graham, Weilcome Centre; Liz Oma of Orna/Stevens Associates; B.C. Bloomfield, LA Rare Books Group; and Joanna Bowring, British Museum Central Library. And finally, I should like to forward very grateful thanks to my family who encouraged me to undertake a programme of doctoral research and who enthusiastically supported me throughout the process. 2 ABSTRACT The central focus of the present research is a survey of libraries located in, and associated with, the museums and related institutions of the Greater London area. This investigation arises from an awareness of a general absence in the literatures of both the library and museum professions concerning the role and function of these special libraries. A first means of analysis involved an historical survey illustrating the evolution of museums and libraries in England, with particular reference to the South East. This preliminary stage in the research confirmed the historical significance of London in terms of the development of the two communities, locally and nationally, as well as providing a contextual basis from which to approach the present state and status of the museum library. A statistical survey of eighty-four museum institutions and their libraries in the Greater London area comprised the second stage of analysis. The survey population was grouped by sectors as defined, with some modification, by the official advisory body, the Museums and Galleries Commission. Five categories represented the survey sectors under examination: National, Central Government, Local Authority, University and Independent. During the 1993-94 period, data were gathered on individual institutions in each sector through the use of a designed questionnaire and in-person interviews concerning various aspects of library operation and function, namely; Administration and Staff; Finance; Collections; Catalogues; Services; and Networks. Findings suggested that broad parameters existed in what constituted a museum library, i.e., ranging from a service facility to an informal curatorial collection. Consequently, organisation of the library and its role in relation to the parent body varied accordingly. More defmed roles generally corresponded to those 3 institutions supporting libraries which were formally organised and professionally staffed. The levels of public access, collections management and services were also significantly related to the sector under which an institution was grouped. These designations indicated, for instance, that the Nationals had the most comprehensive library facilities and services, whereas smaller institutions across the remaining sectors showed considerable variation in library provision. By default, the funding arrangements specific to certain groups and/or maintaining bodies had a documented effect on the state of the museum libraries surveyed. In general, a greater number of libraries are housed in or associated with museums than described in available sources. However, their role as information partner to the museum organisation is not significant on all levels of provision, particularly as an internally networked resource for the study of respective collections and as an accessible facility for the research public. This limitation in potential may be due to its perception within both the organisation and the wider community, although insufficient allocations to the parent body and the library itself are additional factors. 4 TABLE OF CONTENTS TitlePage................................................................................................................1 Acknowlegements ..................................................................................................2 Abstract..................................................................................................................3 Tableof Contents ...................................................................................................5 Listof Tables .........................................................................................................9 Termsof Reference ................................................................................................11 SurveyPopulation..................................................................................................12 1. Historical Introduction: Evolution of the Museum Library 1.1. From the beginnings to the founding of the British Museum.............................19 1.2. The 18th and 19th Centuries.............................................................................39 1.3. The 20th Century to the Present........................................................................ 53 2. Methodology 2.1. Scope and Definition ........................................................................................73 2.1.1.Museum........................................................................................................73 2.1.2. Museum library............................................................................................. 75 2.2. Survey population.............................................................................................77 2.2.1. Museums ......................................................................................................77 2.2.2. Museum libraries...........................................................................................79 2.2.3. Survey total ...................................................................................................81 2.3. Survey instrurncnt............................................................................................. 85 2.4. Survey limitations.............................................................................................88 3. Administration and Staff 3.1. Organisation type and status.............................................................................92 3.1.1. Geographical distribution of population.........................................................94 3.2. MGC Registration ...........................................................................................96 3.3. Governing body................................................................................................98 3.4. Position of the library in the organisation..........................................................104 3.4.1. Position of the library and MGC Registration ...............................................108 3.5. Administrative body to which the library reports .............................................110 3.6. Qualification of official responsible .................................................................112 3.7. Total number of staff .......................................................................................115 3.8. Ratio of library qualified staff to non-qualified.................................................118 4. Finance 4.1.Sources of museum funding..............................................................................124 5 4.1.1. Museum fmance (figures) .129 4.2. Sources of library funding .131 4.2.1. Library fmance (figures)................................................................................135 5.Colleclions 5.1 .Founding collection............................................................................................139 5.1.1. Museum........................................................................................................139 5.1.2. Museum library.............................................................................................142 5.2. Subject scope of collections..............................................................................145 5.3. Holdings (by medium)......................................................................................150 5.4. Holdings (figures).............................................................................................155 5.4.1. Monographs (vols.) .......................................................................................155
Recommended publications
  • Details for Projects and Events Funded by the Windrush Day Grant 2019
    Details for projects and events funded by the Windrush Day Grant 2019 Lead Organisation Event Name Location Date & Time Website/More info Thurrock Council Tilbury Carnival Flag Tilbury & Purfleet. Various Multiple Dates, see website for more http://tott.org.uk/tilbury-carnival- Making Workshops locations. info 2019-flag-making- workshops/?fbclid=IwAR3tpeSAxCV PIZYZpIZkiRo8Fn_FkvvjB8Js4dSrC ppuZN3C01HiOTObr_s. acta Weekly Radio Ujima Radio Mondays 1.30pm – 2pm www.ujimaradio.com Shows 3rd June – 1st July Alive and Kicking Drama Primary schools in Bradford & All to start at 9.30am and open to http://www.aliveandkickingtheatreco Theatre Company Performances and Leeds family/community members: mpany.co.uk/project/eh-kwik-eh- Workshops kwak-windrush-day-events-booking- Wednesday 12th June – Burley and now Woodhead Primary To book places please call 0113 295 Monday 17th June – Appleton 8190 Academy Tuesday 18th June – Copthorne Primary Wednesday 19th June – Horton Grange Primary London Borough of Windrush Exhibition Museum Croydon 12th June – 31st October https://jus- Croydon 10.30am – 4pm tickets.com/events/croydon- Tuesday - Saturday windrush-celebration/ Bernie Grant Arts Windrush and Me - Theatre, Bernie Grant Arts Centre Thursday 13th June from 7.30pm https://www.berniegrantcentre.co.uk/ Centre Talk by David see/david-lammy/ Lammy MP Details for projects and events funded by the Windrush Day Grant 2019 Bernie Grant Arts Pool of London Film Theatre, Bernie Grant Arts Centre Thursday 13th June from 7.00pm https://www.berniegrantcentre.co.uk/ Centre Screening see/film-pool-of-london-1951/ Bernie Grant Arts Rudeboy Film Theatre, Bernie Grant Arts Centre Saturday 15th & 21st June – 7pm https://www.berniegrantcentre.co.uk/ Centre Screening see/film-rudeboy/ London Borough of Windrush Highgate Library, Hornsey Library, 15th – 22nd June During library https://www.haringey.gov.uk/sites/ha Haringey Generation Displays St.
    [Show full text]
  • The British Museum Report and Accounts for the Year
    The British Museum REPOrt AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2012 HC 400 £14.75 The British Museum REPOrt AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2012 Presented to Parliament pursuant to Museums and Galleries Act 1992 (c.44) S.9(8) Ordered by the House of Commons to be printed 12 July 2012 HC 400 London: The Stationery Office £14.75 The British Museum Account 2011-2012 © The British Museum (2012) The text of this document (this excludes, where present, the Royal Arms and all departmental and agency logos) may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context The material must be acknowledged as The British Museum copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. This publication is also for download at www.official-documents.gov.uk ISBN: 9780102976199 Printed in the UK by The Stationery Office Limited on behalf of the Controller of Her Majesty’s Stationery Office ID 2481871 07/12 21557 19585 Printed on paper containing 75% recycled fibre content minimum The British Museum Account 2011-2012 Contents Page Trustees’ and Accounting Officer’s Annual Report 3 Chairman’s Foreword 3 Structure, governance and management 5 Constitution and operating environment 5 Governance statement 5 Subsidiaries 10 Friends’ organisations 10 Strategic direction and performance against objectives 10 To manage and research the collection more effectively 10 Collection 10 Conservation
    [Show full text]
  • London National Park City Week 2018
    London National Park City Week 2018 Saturday 21 July – Sunday 29 July www.london.gov.uk/national-park-city-week Share your experiences using #NationalParkCity SATURDAY JULY 21 All day events InspiralLondon DayNight Trail Relay, 12 am – 12am Theme: Arts in Parks Meet at Kings Cross Square - Spindle Sculpture by Henry Moore - Start of InspiralLondon Metropolitan Trail, N1C 4DE (at midnight or join us along the route) Come and experience London as a National Park City day and night at this relay walk of InspiralLondon Metropolitan Trail. Join a team of artists and inspirallers as they walk non-stop for 48 hours to cover the first six parts of this 36- section walk. There are designated points where you can pick up the trail, with walks from one mile to eight miles plus. Visit InspiralLondon to find out more. The Crofton Park Railway Garden Sensory-Learning Themed Garden, 10am- 5:30pm Theme: Look & learn Crofton Park Railway Garden, Marnock Road, SE4 1AZ The railway garden opens its doors to showcase its plans for creating a 'sensory-learning' themed garden. Drop in at any time on the day to explore the garden, the landscaping plans, the various stalls or join one of the workshops. Free event, just turn up. Find out more on Crofton Park Railway Garden Brockley Tree Peaks Trail, 10am - 5:30pm Theme: Day walk & talk Crofton Park Railway Garden, Marnock Road, London, SE4 1AZ Collect your map and discount voucher before heading off to explore the wider Brockley area along a five-mile circular walk. The route will take you through the valley of the River Ravensbourne at Ladywell Fields and to the peaks of Blythe Hill Fields, Hilly Fields, One Tree Hill for the best views across London! You’ll find loads of great places to enjoy food and drink along the way and independent shops to explore (with some offering ten per cent for visitors on the day with your voucher).
    [Show full text]
  • United Kingdom Report by Sara Selwood University of Westminster with Maurice Davies, Museums Association
    A Guide to European Museum Statistics United Kingdom Report by Sara Selwood University of Westminster with Maurice Davies, Museums Association Introduction - Key Issues It is increasingly the case that hard data is required for a multiplicity of reasons: to support advocacy, not least to present the case for support to government; to assess museums´ efficiency in relation to funding; to inform decision making; to establish, develop and evaluate policies; to identify trends; to measure the progress that the sector is making, not least in terms of delivering government objectives. A current preoccupation is with measuring the impact of museums. Responsibility for national museum statistics falls to Museums, Libraries and Archives Council (MLA), the government's advisory body, which succeeded the Museums & Galleries Commission in April 2000. Following the devolution of Scotland, Wales and Northern Ireland, MLA´s remit is primarily confined to England. At the time of writing (October 2003) there is no dedicated statistical time series on museums, which covers the whole of the UK. The Museums & Galleries Commission's DOMUS database (see below) was abandoned after the 1999 survey, and the only other UK-wide, year-on-year time series are, Sightseeing in the UK and Visits to Visitor Attractions. These present the findings of annual surveys conducted by the National Tourist Boards of England, Scotland, Wales and Northern Ireland, which monitor trends in the visitor attraction market including museums. There are, however, an increasing number of regular reports, which cover local and regional trends (in particular, financial statistics) and the activities of different types of museums. Pulling together a national picture depends on the collation of existing data sets.
    [Show full text]
  • Experts in Central London Planning & Development
    EXPERTS IN CENTRAL LONDON PLANNING & DEVELOPMENT PLANNING & DEVELOPMENT Gerald Eve’s planning and development advisory business is one of the most respected in the UK. Consisting of over 100 professionals, we are one of the only fully integrated planning and development teams in our industry. The vast majority of the team are based in central London, working on some of the capital’s largest and most complex projects. Active in all London Acted for Advised all major central boroughs and the London developers and City of London REITS, including British Land, Derwent London, 50% Great Portland Estates, of London First's property Landsec and Stanhope and housing members We act for all the major London million estates, including The Bedford 15 sq ft £12.5 billion Estates, Capital & Counties Covent Garden, The Church of commercial gross development Commissioners, City of London, floorspace approved value The Crown Estate, Grosvenor Britain & Ireland, The Howard de Walden Estate, The Portman Estate, and Soho Estates 2 EXPERTS IN CENTRAL LONDON PLANNING & DEVELOPMENT OUR CENTRAL LONDON CLIENTS OUR CENTRAL LONDON CLIENTS 3 YOUR INTELLIGENT ADVISOR Gerald Eve is recognised among the UK’s leading experts in planning and development. Our clients look to us to help them realise or improve asset value. One of the largest fully integrated planning and development teams in the sector Deep understanding of the entire planning system Harnessing imaginative strategies and a tenacious approach to optimise outcomes Agile, flexible and adaptable to changing
    [Show full text]
  • Access Guide Piccadilly Main Building Is Burlington House, London W1J 0BD on Piccadilly, Which Includes the Keeper’S House
    Burlington House and Please note Keeper’s House The Royal Academy of Arts is Burlington House housed on two separate sites. Our Access Guide Piccadilly main building is Burlington House, London W1J 0BD on Piccadilly, which includes the Keeper’s House. Our other building, Burlington Gardens Burlington Gardens, is situated 6 Burlington Gardens directly behind Burlington House. London Currently, there is no direct access W1S 3ET between the two sites. To get from one site to the other, you need to General Enquiries: 020 7300 8000 use Old Bond Street, Sackville Street or Burlington Arcade which has General opening hours ramped access on request. 10am to 6pm Saturday–Thursday (last admission to galleries 5.30pm) Contact the Access Team To find out more about the RA’s 10am to 10pm Friday dedicated programmes and services (last admission to galleries 9.30pm) for disabled audiences, please visit our website or contact us: Opening times and access to the Website royalacademy.org.uk Keeper’s House and John Madejski Email [email protected] Fine Rooms do vary. Telephone 020 7300 5732 R BURLINGTON GARDEN E S G BU E OL SA N R T D L I CK NG S B Burlington T R ON T VI ON Gardens E E LLE T AR D ST CA ST D E Burlington House PICCADILLY ILLY S ICCAD T. P HA JA YM ME JERMYN STREET Green Park A S’ RK S ET ST REGISTERED CHARITY NUMBER 212798/DESIGN 01.02/ILLUSTRATIONS BY RUSSELL BELL/PRINTED BY TRADEWINDS/PHOTO BY ROY MATTHEWS, © ROYAL ACADEMY OF ARTS OF ACADEMY ROYAL © MATTHEWS, ROY BY TRADEWINDS/PHOTO BELL/PRINTEDBY RUSSELL BY 01.02/ILLUSTRATIONS
    [Show full text]
  • Barnet Borough Arts Council R This Barnet Arts Magazine Is an Independent Charity
    The Art Club of Edgware What’s On in London’s largest stockists of the Borough B NET Winsor and Newton and Liquitex paints, sponsor the Diary of Events by BBAC’s production of 3000 copies of 100 member societies. each edition of Barnet Borough Arts Council R this Barnet Arts magazine is an independent charity. A Spring 2013 www.barnetarts.org.uTSk KEEP IN TOUCH A reminder that BBAC membership subscriptions fall due for renewal MOVING ON on the 1st April. £35 for member societies and £5 for individuals – THANKFULLY IT IS NOW AGREED that the HOWEVER EAST FINCHLEY are all set to or £15 for three years. volunteers occupying Friern Barnet Library may hold their Festival on Sunday 23rd June, and East stay in the building, while the details of a lease are Barnet’s Music & Dance weekend is from 5th – DIARY worked out, perhaps on similar lines than that set 7th July. Both were hit by the monsoon 9/3 POETRY & MUSIC h t conditions last year up by the Borough Council for Hampstead r o Following the annual prizegiving w and had to cancel Garden Suburb library. The Friends of Friern s for BBAC’s poetry competition, its n i for the first time A Barnet Library continue to run a busy book signing by the judges at 6pm y r r because of the and open mic for poets and programme of events, as well as organising their a B waterlogging of the acoustic musicians from 7pm at library of 8000 books, and will welcome y b The Bull Theatre 8441 5010 n parks.
    [Show full text]
  • The Parthenon Sculptures Sarah Pepin
    BRIEFING PAPER Number 02075, 9 June 2017 By John Woodhouse and Sarah Pepin The Parthenon Sculptures Contents: 1. What are the Parthenon Sculptures? 2. How did the British Museum acquire them? 3. Ongoing controversy 4. Further reading www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary 2 The Parthenon Sculptures Contents Summary 3 1. What are the Parthenon Sculptures? 5 1.1 Early history 5 2. How did the British Museum acquire them? 6 3. Ongoing controversy 7 3.1 Campaign groups in the UK 9 3.2 UK Government position 10 3.3 British Museum position 11 3.4 Greek Government action 14 3.5 UNESCO mediation 14 3.6 Parliamentary interest 15 4. Further reading 20 Contributing Authors: Diana Perks Attribution: Parthenon Sculptures, British Museum by Carole Radatto. Licenced under CC BY-SA 2.0 / image cropped. 3 Commons Library Briefing, 9 June 2017 Summary This paper gives an outline of the more recent history of the Parthenon sculptures, their acquisition by the British Museum and the long-running debate about suggestions they be removed from the British Museum and returned to Athens. The Parthenon sculptures consist of marble, architecture and architectural sculpture from the Parthenon in Athens, acquired by Lord Elgin between 1799 and 1810. Often referred to as both the Elgin Marbles and the Parthenon marbles, “Parthenon sculptures” is the British Museum’s preferred term.1 Lord Elgin’s authority to obtain the sculptures was the subject of a Select Committee inquiry in 1816. It found they were legitimately acquired, and Parliament then voted the funds needed for the British Museum to acquire them later that year.
    [Show full text]
  • Conservation Area Statement Hampstead 2
    Conservation area statement Hampstead 2 Conservation & Urban Design Team London Borough of Camden Environment Department Town Hall Extension Argyle Street London WC1H 8ND Telephone: 020 7974 1944 Produced by Camden Design & Print END200/01 4279 Tel: 020 7974 1985 page 3 Location page 8 History page 12 Character page 46 Audit page 57 Current Issues page 59 Guidelines page 68 Road Index HAMPSTEAD Conservation Area Statement The aim of this Statement is to provide a clear indication of the Council’s approach to the preservation and enhancement of the Hampstead Conservation Area. The statement is for the use of local residents, community groups, businesses, property owners, architects and developers as an aid to the formulation and design of development proposals and change in the area. The statement will be used by the Council in the assessment of all development proposals. Camden has a duty under the Planning (Listed Buildings and Conservation Areas) Act 1990 to designate as conservation areas any “areas of special architectural or historic interest, the character or appearance of which it is desirable to preserve or enhance.” Designation provides the basis for policies designed to preserve or enhance the special interest of such an area. Designation also introduces a general control over the demolition of unlisted buildings. The Council’s policies and guidance for Conservation Areas are contained in the Unitary Development Plan (UDP) and Supplementary Planning Guidance (SPG). This Statement is part of SPG and gives additional detailed guidance in support of UDP policies. The Statement describes the character of the area, provides an outline of the key issues and identifies development pressures which are currently a cause of concern.
    [Show full text]
  • Barnet Society
    CAMPAIGNING FOR A BETTER COMMUNITY SINCE 1945 THE INSIDE: Page 6 I Whalebones relief Page 7 I Café society Barnet Page 8 I You’re so vane Society Page 9 I The way we were SPRING 2021 | £1 Page 11 I Tudor Park plea of Barnet. Teams of battlefield archaeologists, including volunteers from Barnet Museum, conducted extensive metal-detecting searches and excavations in fields and woodland around Kitts End Lane and Wrotham Park. At the start of the project in 2015, Mr Foard joined metal detectorists who searched one of the fields between Kitts End Lane and the St Albans Road. Some artefacts were recovered but they failed to find military archaeology that linked the site Mystery remains over definitively to the battle. Volunteers at Barnet Museum, exactly where the 1471 under the direction of Sam Battle of Barnet took place Wilson, cleaned and recorded all the various items that were found. However, most of the The Battle of Where? objects recovered were modern “junk”. report into the Glenn Foard, Reader in Military The report’s four-year project Archaeology at the University of conclusion is that the to discover the site Huddersfield, led the 2015-18 Barnet slight scatter of finds – of the 1471 Battle of battlefield project, which was and the discovery of round ABarnet explains why a team of funded by the Hadley Trust. ▲ Top, the shot by other metal detectorists military historians still cannot Their 116-page report explores recently in previous years – suggests the provide answers to the mystery the many historic accounts of the cleaned main action of the confrontation monument surrounding the precise location battle and compares and contrasts at Hadley between the forces of Edward IV of an epic confrontation during this data with the latest experiences Highstone to and Warwick the Kingmaker lay the Wars of the Roses, writes Nick in battlefield archaeology and the the battle.
    [Show full text]
  • Foundations of Cataloging a Sourcebook
    Foundations of Cataloging A Sourcebook Edited by Michael Carpenter and Elaine Svenonius 1985 Libraries Unlimited, Inc. • Littleton, Colorado xii- Preface 6. What criteria have been used for making fonn of name decisions in the past? Are they still relevant today? 7. What bibliographic relationships need to be built into a catalog to make it more than just a fmding list? Has thinking on this matter changed over the last 150 years? Criteria for Selection Rules for the Compilation An attempt was made to include in this sourcebook readings that provide intellectual depth and matter for thought. Most of the selected readings are well of the Catalogue known; a few, however, are little read but included as gems that deserve to be known. Panizzi's letter to Lord Ellesmere, for example, reflects in miniature the British Museum whole of the Anglo-American cataloging experience. Inevitably, the selections have an Anglo-American bias; particularly notable by their absence are representatives of the Indian and German schools. Some restriction was necessary to keep the volume to a manageable size, and, since it was felt that the literature written in English and about the Anglo-American tradition would be of most immediate Editor's Introduction interest, it is this writing that is represented. The vo lume includes relatively few recent contributions. This is a consequence of the fact that much recent writing Why should rules for a dead catalog be of interest today? is devo ted to the engineering of online catalogs and to the mechanics of interface, Because the history of cataloging shows that controversies rather than to the more philosophical issues of the purposes of the catalog and the recur, although why these controversies should be perennial means to achieve these.
    [Show full text]
  • Statutes and Rules for the British Museum
    (ft .-3, (*y Of A 8RI A- \ Natural History Museum Library STATUTES AND RULES BRITISH MUSEUM STATUTES AND RULES FOR THE BRITISH MUSEUM MADE BY THE TRUSTEES In Pursuance of the Act of Incorporation 26 George II., Cap. 22, § xv. r 10th Decembei , 1898. PRINTED BY ORDER OE THE TRUSTEES LONDON : MDCCCXCYIII. PRINTED BY WOODFALL AND KINDER, LONG ACRE LONDON TABLE OF CONTENTS CHAPTER I. PAGE Meetings, Functions, and Privileges of the Trustees . 7 CHAPTER II. The Director and Principal Librarian . .10 Duties as Secretary and Accountant . .12 The Director of the Natural History Departments . 14 CHAPTER III. Subordinate Officers : Keepers and Assistant Keepers 15 Superintendent of the Reading Room . .17 Assistants . 17 Chief Messengers . .18 Attendance of Officers at Meetings, etc. -19 CHAPTER IV. Admission to the British Museum : Reading Room 20 Use of the Collections 21 6 CHAPTER V, Security of the Museum : Precautions against Fire, etc. APPENDIX. Succession of Trustees and Officers . Succession of Officers in Departments 7 STATUTES AND RULES. CHAPTER I. Of the Meetings, Functions, and Privileges of the Trustees. 1. General Meetings of the Trustees shall chap. r. be held four times in the year ; on the second Meetings. Saturday in May and December at the Museum (Bloomsbury) and on the fourth Saturday in February and July at the Museum (Natural History). 2. Special General Meetings shall be sum- moned by the Director and Principal Librarian (hereinafter called the Director), upon receiving notice in writing to that effect signed by two Trustees. 3. There shall be a Standing Committee, standing . • Committee. r 1 1 t-» • 1 t> 1 consisting 01 the three Principal 1 rustees, the Trustee appointed by the Crown, and sixteen other Trustees to be annually appointed at the General Meeting held on the second Saturday in May.
    [Show full text]