Warez Trading and Criminal Copyright Infringement by Eric Goldman*
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Online Software Piracy of the Last Millennium.Sxw
Online Software Piracy of the Last Millennium By Ben Garrett aka Ipggi Ever since there has been the ability to store data on a personal computer and commercial software for sale, there has been the existence of pirating. Pirating, cracking and even pirate scenes go all the way back to the late seventies, and maybe even earlier. By the early eighties some machines (such as the BBC Macro in Europe) where so riddled with pirates that the programming companies gave up. They discontinued producing and porting software for the affected computers because there was simply no money to be made. This article has been written with only the PC scene in mind. Table of Contents 1. The IBM PC Scene Beginnings Page 1 2. Bulletin Board Systems And Couriers 2 3. The Death of the Bulletin Board System and the Rise of the Internet 4 4. Software Suppliers 5 5. Text Files 5 6. Scene Art 6 7. The Emergence of Europe 6 8. The Death of the Floppy Disk 6 9. Evolution to the ISO scene 7 10.Bibliography 8 1. The IBM PC Scene Beginnings With the large amount of 8-bit computers around during the early eighties, otherwise known as the Golden Age. And then with the subsequence scenes that followed, most people will agree that the Commodore 64 scene was the greatest at the time. But the Commodore 64 1 wasn't the first computer system to have an organised international pirate scene. It was probably the Apple II users in the very late seventies 2 that can be credited with creating the first remnant of a pirate scene that would be familiar in todays internet warez world. -
United States Court of Appeals for the Ninth Circuit
Case: 10-55946 04/03/2013 ID: 8576455 DktEntry: 66 Page: 1 of 114 Docket No. 10-55946 In the United States Court of Appeals for the Ninth Circuit COLUMBIA PICTURES INDUSTRIES, INC., DISNEY ENTERPRISES, INC., PARAMOUNT PICTURES CORPORATION, TRISTAR PICTURES, INC., TWENTIETH CENTURY FOX FILM CORPORATION, UNIVERSAL CITY STUDIOS LLLP, UNIVERSAL CITY STUDIOS PRODUCTIONS, LLLP and WARNER BROS. ENTERTAINMENT, INC., Plaintiffs-Appellees, v. GARY FUNG and ISOHUNT WEB TECHNOLOGIES, INC., Defendants-Appellants. _______________________________________ Appeal from a Decision of the United States District Court for the Central District of California, No. 06-CV-05578 · Honorable Stephen V. Wilson PETITION FOR PANEL REHEARING AND REHEARING EN BANC BY APPELLANTS GARY FUNG AND ISOHUNT WEB TECHNOLOGIES, INC. IRA P. ROTHKEN, ESQ. ROBERT L. KOVSKY, ESQ. JARED R. SMITH, ESQ. ROTHKEN LAW FIRM 3 Hamilton Landing, Suite 280 Novato, California 94949 (415) 924-4250 Telephone (415) 924-2905 Facsimile Attorneys for Appellants, Gary Fung and isoHunt Web Technologies, Inc. COUNSEL PRESS · (800) 3-APPEAL PRINTED ON RECYCLED PAPER Case: 10-55946 04/03/2013 ID: 8576455 DktEntry: 66 Page: 2 of 114 TABLE OF CONTENTS page Index of Authorities ..….....….....….....….....….....….....….....….....…....…... ii I. The Panel Decision Applies Erroneous Legal Standards to Find ..…... 1 Fung Liable on Disputed Facts and to Deny Him a Trial by Jury II. The Panel Decision and the District Court Opinion Combine to ……... 5 Punish Speech that Should Be Protected by the First Amendment III. The Panel Decision Expands the Grokster Rule in Multiple Ways ….. 7 that Threaten the Future of Technological Innovation A. The “Technological Background” set forth in the Panel ………. -
Two Defendants Plead Guilty in Internet Music Piracy Crackdown
________________________________________________________________________ FOR IMMEDIATE RELEASE CRM FRIDAY, APRIL 20, 2007 (202) 514-2008 WWW.USDOJ.GOV TDD (202) 514-1888 TWO DEFENDANTS PLEAD GUILTY IN INTERNET MUSIC PIRACY CRACKDOWN WASHINGTON – Two defendants pleaded guilty to conspiracy to unlawfully reproduce and distribute copyrighted music over the Internet, Assistant Attorney General Alice S. Fisher of the Criminal Division and U.S. Attorney Chuck Rosenberg of the Eastern District of Virginia announced today. Arthur Gomez, 25, of La Habra, Calif., pleaded guilty before U.S. District Judge Leonie M. Brinkema. His sentencing has been scheduled for July 13, 2007 at 9:00 a.m. Sergey Ribiakost, 21, of Bardonia, N.Y., pleaded guilty on April 17, 2007, before U.S. District Judge James C. Cacheris. His sentencing is scheduled for July 10, 2007, at 1:00 p.m. Both defendants pleaded guilty to one count of conspiracy to commit copyright infringement and face up to five years in prison, a fine of $250,000, and three years of supervised release. Gomez and Ribiakost were leading members in the illegal software, game, movie and music trade online, commonly referred to as the warez scene. The defendants were active members of the pre-release music group Apocalypse Crew (APC), one of a handful of organized online criminal groups that acted as “first-providers” of much of the pirated music available on the Internet. As a pre-release music group, APC sought to acquire digital copies of songs and albums before their commercial release in the United States. The supply of such pre-release music was often provided by music industry insiders, such as radio DJs, employees of music magazine publishers, or workers at compact disc manufacturing plants, who frequently receive advance copies of songs prior to their commercial release. -
79385 AMA Conference Cover:Mppcover2
79385_AMA_conference Cover:MPPCover2 4/17/08 4:53 PM Page 1 2008 MARKETING and 2008 PUBLIC POLICY Conference Proceedings MARKETING VOLUME 18 and EDITORS PUBLIC POLICY John Kozup Charles R. Taylor Ronald Paul Hill Conference Proceedings May 29–May 31, 2008 Loews Hotel Philadelphia, Pennsylvania VOLUME 18 Life, Liberty, and the Pursuit of Sound Policy: Research at the Birthplace of Our Democracy Marketing and Public Policy Conference Proceedings 2008 “Life, Liberty, and the Pursuit of Sound Policy: Research at the Birthplace of Our Democracy” May 29–31, 2008 Loews Hotel Philadelphia, Pennsylvannia Editors: John Kozup Charles R. Taylor Ronald Paul Hill Volume 18 311 South Wacker Drive, Suite 58 • Chicago, Illinois 60606 PROGRAM COMMITTEE Natalie Adkins, Creighton University Gregory T. Gundlach, University of North Florida Kathryn Aikin, Food and Drug Administration Jane Hoek, Massey University Alan Andreasen, Georgetown University Jeanne Hogarth, Federal Reserve Board J. Craig Andrews, Marquette University Pauline Ippolito, Federal Trade Commission Lauren Block, Baruch College/CUNY Alan Levy, Food and Drug Administration Paul N. Bloom, Duke University Ingrid M. Martin, California State Univ. Long Beach Scot Burton, University of Arkansas Rob Mayer, University of Utah Jack Calfee, American Enterprise Institute Michael Mazis, American University Les Carlson, Clemson University Julie Ozanne, Virginia Polytechnic Institute Mary Culnan, Bentley College Janis K. Pappalardo, Federal Trade Commission Pam Scholder Ellen, Georgia State University Connie Pechman, University of California, Irvine Gary Ford, American University Ross Petty, Babson College Copyright © 2008, American Marketing Association Printed in the United States of America Composition by Marie Steinhoff, Southeast Missouri State University Cover design by Jeanne Nemcek ISBN: 0-87757-332-8 All rights reserved. -
Oil Wells Seized in ICE Money Laundering Case
Oil Wells Seized In ICE Money Laundering Case n ICE investigation into a drug Amoney laundering scheme resulted 3 Red Flag Indicators in the January 25 seizure of an Arizona • Frequent or unusual use of trust funds in oil company and 43 oil wells in business transactions or financial activity. northwest Pennsylvania. • Financial transactions to countries known to be tax havens. A number of the company’s trusts and • Frequent use of nominee business owners acting bank accounts in Europe were also seized as representatives in transactions. as a result of the investigation, which stemmed from the 1981 drug smuggling The seized company, Shaboom Oil Inc., conviction of Paul Hindelang. headquartered in Phoenix, Arizona, owned numerous operating wells and Safeguarding America Through “Like no other case in recent memory, this held the mineral rights to approximately Financial And Trade Investigations investigation demonstrates our perseverance in tracking down the ill-gotten gains of 1,100 acres of land in the Allegheny Volume II: No. 1 • February 2005 international crime lords,” said Jesus Torres, National Forest in northwest Pennsylvania. ICE’s Special Agent-in-Charge for Miami. In addition, ICE seized all ownership Inside this Issue shares of Shaboom Investments Inc., In the 1970s, Hindelang headed one of the a holding company based in Panama Cornerstone Investigations Updates: country’s biggest marijuana smuggling that owns the oil company. Selected Recent Cases . 2 enterprises, operating out of Florida. He Industry Alert: Stopping The Flow pled guilty to importing roughly 250 tons The oil company and associated assets seized Of Counterfeit Drugs . 3 of marijuana into the United States and in January were valued at $6.5 million— conspiring to import an additional bringing the total seized from Hindelang’s ICE Agents Honored For illicit investments to more than $70 mil- Intellectual Property Protection . -
Piracy Landscape Study
Piracy Landscape Study: Analysis of Existing and Emerging Research Relevant to Intellectual Property Rights (IPR) Enforcement of Commercial-Scale Piracy Prepared for the U.S. Patent and Trademark Office Solicitation Number: 1333BJ19Q00142004 Brett Danaher Michael D. Smith Rahul Telang Chapman University Carnegie Mellon University Carnegie Mellon University This Version: March 20, 2020 Table of Contents Executive Summary ...................................................................................................................... 3 1. The Piracy Ecosystem........................................................................................................... 4 1.1 Piracy of Physical Goods................................................................................................ 6 1.1.1 Manufacturing......................................................................................................... 7 1.1.2 Discovery ................................................................................................................ 7 1.1.3 Distribution ............................................................................................................. 8 1.1.4 Communication, Payment Processing and Fulfillment ......................................... 11 1.2 Piracy of Digital Goods ................................................................................................ 11 1.2.1 Sources.................................................................................................................. 12 1.2.2 -
Warez All That Pirated Software Coming From?
Articles http://www.informit.com/articles/printerfriendly.asp?p=29894 Warez All that Pirated Software Coming From? Date: Nov 1, 2002 By Seth Fogie. Article is provided courtesy of Prentice Hall PTR. In this world of casual piracy, many people have forgotten or just never realized where many software releases originate. Seth Fogie looks at the past, present, and future of the warez industry; and illustrates the simple fact that "free" software is here to stay. NOTE The purpose of this article is to provide an educational overview of warez. The author is not taking a stance on the legality, morality, or any other *.ality on the issues surrounding the subject of warez and pirated software. In addition, no software was pirated, cracked, or otherwise illegally obtained during the writing of this article. Software piracy is one of the hottest subjects in today's computerized culture. With the upheaval of Napster and the subsequent spread of peer-to-peer programs, the casual sharing of software has become a world-wide pastime. All it takes is a few minutes on a DSL connection, and KazaA (or KazaA-Lite for those people who don't want adware) and any 10-year-old kid can have the latest pop song hit in their possession. As if deeply offending the music industry isn't enough, the same avenues taken to obtain cheap music also holds a vast number of software games and applications—some worth over $10,000. While it may be common knowledge that these items are available online, what isn't commonly known is the complexity of the process that many of these "releases" go through before they hit the file-sharing mainstream. -
Revolutionary Industry and Digital Colonialism Dylan E
Old Dominion University ODU Digital Commons Philosophy Faculty Publications Philosophy & Religious Studies 2008 Revolutionary Industry and Digital Colonialism Dylan E. Wittkower Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/philosophy_fac_pubs Part of the Communication Technology and New Media Commons Repository Citation Wittkower, Dylan E., "Revolutionary Industry and Digital Colonialism" (2008). Philosophy Faculty Publications. 6. https://digitalcommons.odu.edu/philosophy_fac_pubs/6 Original Publication Citation Wittkower, Dylan E. "Revolutionary Industry and Digital Colonialism." Fast Capitalism 4, no. 1 (2008): 31. This Article is brought to you for free and open access by the Philosophy & Religious Studies at ODU Digital Commons. It has been accepted for inclusion in Philosophy Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. Revolutionary Industry and Digital Colonialism D.E. Wittkower Copyright-based industries have become revolutionary. That is, the machinery of production of digital wares has itself taken on the role of the revolutionary class within the political economy of digital production. The progress of capitalist production in this industry has undermined the conditions of its own possibility, not because it has driven the proletariat to rise against an oppressive system, but because the means of production, through digital media, have simultaneously made communist production -
Copyright and DRM
CHAPTER 22 Copyright and DRM The DeCSS case is almost certainly a harbinger of what I would consider to be the defining battle of censorship in cyberspace. In my opinion, this will not be fought over pornography, neo-Nazism, bomb design, blasphemy, or political dissent. Instead, the Armageddon of digital control, the real death match between the Party of the Past and Party of the Future, will be fought over copyright. — John Perry Barlow Be very glad that your PC is insecure — it means that after you buy it, you can break into it and install whatever software you want. What YOU want, not what Sony or Warner or AOL wants. — John Gilmore 22.1 Introduction Copyright, and digital rights management (DRM), have been among the most contentious issues of the digital age. At the political level, there is the conflict alluded to by Barlow in the above quotation. The control of information has been near the centre of government concerns since before William Tyndale (one of the founders of the Cambridge University Press) was burned at the stake for printing the Bible in English. The sensitivity continued through the estab- lishment of modern copyright law starting with the Statute of Anne in 1709, through the eighteenth century battles over press censorship, to the Enlight- enment and the framing of the U.S. Constitution. The link between copyright and censorship is obscured by technology from time to time, but has a habit of reappearing. Copyright mechanisms exist to keep information out of the hands of people who haven’t paid for it, while censors keep information out of the hands of people who satisfy some other criterion. -
Resource Materials on Technology-Enabled Crime
Resource materials on technology-enabled crime Gregor Urbas Kim-Kwang Raymond Choo Technical and Background Paper No. 28 © Australian Institute of Criminology 2008 ISSN 1445-7261 ISBN 978 1 921185 70 0 Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act 1968 (Cth), no part of this publication may in any form or by any means (electronic, mechanical, microcopying, photocopying, recording or otherwise) be reproduced, stored in a retrieval system or transmitted without prior written permission. Inquiries should be addressed to the publisher. Project no. 0074a Published by the Australian Institute of Criminology GPO Box 2944 Canberra ACT 2601 Tel: (02) 6260 9272 Fax: (02) 6260 9299 Email: [email protected] Website: http://www.aic.gov.au Please note: minor revisions are occasionally made to publications after release. The online versions available on this website will always include any revisions. Disclaimer: The views expressed do not necessarily represent the policies of the Australian Government or AHTCC. Edited and typeset by the Australian Institute of Criminology Resource materials on technology-enabled crime Gregor Urbas Kim-Kwang Raymond Choo Technical and Background Paper No. 28 Contents Foreword and acknowledgements v Introduction 1 Background 2 Terminology and definitions 2 Brief historical background 3 Main types of technology-enabled crime 5 Future trends 6 Prevalence and costs of technology-enabled crime 6 Issues for law enforcement agencies, prosecutors -
Counterfeiting and Theft of Tangible Intellectual Property: Challenges and Solutions
S. HRG. 108–771 COUNTERFEITING AND THEFT OF TANGIBLE INTELLECTUAL PROPERTY: CHALLENGES AND SOLUTIONS HEARING BEFORE THE COMMITTEE ON THE JUDICIARY UNITED STATES SENATE ONE HUNDRED EIGHTH CONGRESS SECOND SESSION MARCH 23, 2004 Serial No. J–108–62 Printed for the use of the Committee on the Judiciary ( U.S. GOVERNMENT PRINTING OFFICE 98–207 PDF WASHINGTON : 2005 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2250 Mail: Stop SSOP, Washington, DC 20402–0001 VerDate 0ct 09 2002 08:21 Feb 07, 2005 Jkt 098207 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 S:\GPO\HEARINGS\98207.TXT SJUD4 PsN: CMORC COMMITTEE ON THE JUDICIARY ORRIN G. HATCH, Utah, Chairman CHARLES E. GRASSLEY, Iowa PATRICK J. LEAHY, Vermont ARLEN SPECTER, Pennsylvania EDWARD M. KENNEDY, Massachusetts JON KYL, Arizona JOSEPH R. BIDEN, JR., Delaware MIKE DEWINE, Ohio HERBERT KOHL, Wisconsin JEFF SESSIONS, Alabama DIANNE FEINSTEIN, California LINDSEY O. GRAHAM, South Carolina RUSSELL D. FEINGOLD, Wisconsin LARRY E. CRAIG, Idaho CHARLES E. SCHUMER, New York SAXBY CHAMBLISS, Georgia RICHARD J. DURBIN, Illinois JOHN CORNYN, Texas JOHN EDWARDS, North Carolina BRUCE ARTIM, Chief Counsel and Staff Director BRUCE A. COHEN, Democratic Chief Counsel and Staff Director (II) VerDate 0ct 09 2002 08:21 Feb 07, 2005 Jkt 098207 PO 00000 Frm 00002 Fmt 5904 Sfmt 5904 S:\GPO\HEARINGS\98207.TXT SJUD4 PsN: CMORC C O N T E N T S STATEMENTS OF COMMITTEE MEMBERS Page Biden, Hon. Joseph R., Jr., a U.S. -
NO COPY Ist Unter Der Creative Commons Lizenz Als E‐Book Frei Kopierbar
Das Buch NO COPY ist unter der Creative Commons Lizenz als e‐Book frei kopierbar. >> BESTELLEN Creative Commons Namensnennung ‐ Nicht‐kommerziell ‐Keine Bearbeitung 2.0 Den kompletten Creative Commons Lizenzvertrag finden Sie am Ende des eBooks oder unter http://www.no‐copy.org/cc-buch.html Lizenzbeschreibung Kurzfassung Sie dürfen den Textinhalt vervielfältigen, verbreiten und öffentlich aufführen, zu den folgenden Bedingungen: 1. Namensnennung: Sie müssen den Namen der Autoren Evrim Sen und Jan Krömer nennen, sowie die Website http://www.no‐copy.org hinzufügen (bei Webauftritten mit einer funktionalen cc – carbon copy books no. 24 Verlinkung). 1. Auflage 2006 2. Keine kommerzielle Nutzung 2. Auflage als eBook 2007 Dieser Inhalt darf nicht für kommerzielle Zwecke verwendet 2007 Tropen Verlag werden www.tropen‐verlag.de 3. Keine Bearbeitung Gestaltung und Satz: Tropen Studios, Leipzig Der Inhalt darf nicht bearbeitet oder in anderer Weise Gesamtherstellung: Fuldaer Verlagsagentur verändert werden. Im Falle einer Verbreitung müssen Sie Printed in Germany anderen die Lizenzbedingungen, unter die dieser Inhalt fällt, mitteilen. Jede dieser Bedingungen kann nach schriftlicher Einwilligung des Rechtsinhabers aufgehoben werden. ISBN 3‐932170‐82‐2 Jan Krömer, geb. 1979, besaß bereits im Alter von dreizehn Jahren den legendären Computer »Amiga«, der ihn erstmals mit den Themen Raubkopie und Untergrund- szene in Berührung brachte. Später arbeitete er bei einem Marktforschungsunter- nehmen und bei SternTV. Derzeit ist er für ein IT-Beratungsunternehmen tätig. Evrim Sen, geb. 1975, programmierte schon im Alter von zehn Jahren und war Mit- glied in verschiedenen »Hacker«-Szenegruppen. Er ist Autor der Kultbücher Hacker- land und Hackertales. Als Journalist publizierte er zahlreiche Artikel zur Cyberkultur in Computermagazinen.