Assessing and Improving the Vvoip Call Quality
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Ts 102 527-1 V1.3.1 (2012-01)
ETSI TS 102 527-1 V1.3.1 (2012-01) Technical Specification Digital Enhanced Cordless Telecommunications (DECT); New Generation DECT; Part 1: Wideband speech 2 ETSI TS 102 527-1 V1.3.1 (2012-01) Reference RTS/DECT-NG0260 Keywords 7 kHz, audio, codec, DECT, GAP, IMT-2000, interoperability, mobility, profile, radio, speech, TDD, TDMA ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.: +33 4 92 94 42 00 Fax: +33 4 93 65 47 16 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice Individual copies of the present document can be downloaded from: http://www.etsi.org The present document may be made available in more than one electronic version or in print. In any case of existing or perceived difference in contents between such versions, the reference version is the Portable Document Format (PDF). In case of dispute, the reference shall be the printing on ETSI printers of the PDF version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at http://portal.etsi.org/tb/status/status.asp If you find errors in the present document, please send your comment to one of the following services: http://portal.etsi.org/chaircor/ETSI_support.asp Copyright Notification No part may be reproduced except as authorized by written permission. -
MIGRATING RADIO CALL-IN TALK SHOWS to WIDEBAND AUDIO Radio Is the Original Social Network
Established 1961 2013 WBA Broadcasters Clinic Madison, WI MIGRATING RADIO CALL-IN TALK SHOWS TO WIDEBAND AUDIO Radio is the original Social Network • Serves local or national audience • Allows real-time commentary from the masses • The telephone becomes the medium • Telephone technical factors have limited the appeal of the radio “Social Network” Telephones have changed over the years But Telephone Sound has not changed (and has gotten worse) This is very bad for Radio Why do phones sound bad? • System designed for efficiency not comfort • Sampling rate of 8kHz chosen for all calls • 4 kHz max response • Enough for intelligibility • Loses depth, nuance, personality • Listener fatigue Why do phones sound so bad ? (cont) • Low end of telephone calls have intentional high- pass filtering • Meant to avoid AC power hum pickup in phone lines • Lose 2-1/2 Octaves of speech audio on low end • Not relevant for digital Why Phones Sound bad (cont) Los Angeles Times -- January 10, 2009 Verizon Communications Inc., the second-biggest U.S. telephone company, plans to do away with traditional phone lines within seven years as it moves to carry all calls over the Internet. An Internet-based service can be maintained at a fraction of the cost of a phone network and helps Verizon offer a greater range of services, Stratton said. "We've built our business over the years with circuit-switched voice being our bread and butter...but increasingly, we are in the business of selling, basically, data connectivity," Chief Marketing Officer John Stratton said. VoIP -
Ardour Export Redesign
Ardour Export Redesign Thorsten Wilms [email protected] Revision 2 2007-07-17 Table of Contents 1 Introduction 4 4.5 Endianness 8 2 Insights From a Survey 4 4.6 Channel Count 8 2.1 Export When? 4 4.7 Mapping Channels 8 2.2 Channel Count 4 4.8 CD Marker Files 9 2.3 Requested File Types 5 4.9 Trimming 9 2.4 Sample Formats and Rates in Use 5 4.10 Filename Conflicts 9 2.5 Wish List 5 4.11 Peaks 10 2.5.1 More than one format at once 5 4.12 Blocking JACK 10 2.5.2 Files per Track / Bus 5 4.13 Does it have to be a dialog? 10 2.5.3 Optionally store timestamps 5 5 Track Export 11 2.6 General Problems 6 6 MIDI 12 3 Feature Requests 6 7 Steps After Exporting 12 3.1 Multichannel 6 7.1 Normalize 12 3.2 Individual Files 6 7.2 Trim silence 13 3.3 Realtime Export 6 7.3 Encode 13 3.4 Range ad File Export History 7 7.4 Tag 13 3.5 Running a Script 7 7.5 Upload 13 3.6 Export Markers as Text 7 7.6 Burn CD / DVD 13 4 The Current Dialog 7 7.7 Backup / Archiving 14 4.1 Time Span Selection 7 7.8 Authoring 14 4.2 Ranges 7 8 Container Formats 14 4.3 File vs Directory Selection 8 8.1 libsndfile, currently offered for Export 14 4.4 Container Types 8 8.2 libsndfile, also interesting 14 8.3 libsndfile, rather exotic 15 12 Specification 18 8.4 Interesting 15 12.1 Core 18 8.4.1 BWF – Broadcast Wave Format 15 12.2 Layout 18 8.4.2 Matroska 15 12.3 Presets 18 8.5 Problematic 15 12.4 Speed 18 8.6 Not of further interest 15 12.5 Time span 19 8.7 Check (Todo) 15 12.6 CD Marker Files 19 9 Encodings 16 12.7 Mapping 19 9.1 Libsndfile supported 16 12.8 Processing 19 9.2 Interesting 16 12.9 Container and Encodings 19 9.3 Problematic 16 12.10 Target Folder 20 9.4 Not of further interest 16 12.11 Filenames 20 10 Container / Encoding Combinations 17 12.12 Multiplication 20 11 Elements 17 12.13 Left out 21 11.1 Input 17 13 Credits 21 11.2 Output 17 14 Todo 22 1 Introduction 4 1 Introduction 2 Insights From a Survey The basic purpose of Ardour's export functionality is I conducted a quick survey on the Linux Audio Users to create mixdowns of multitrack arrangements. -
Communications
Oracle Enterprise Session Border Controller with Zoom Phone Premise Peering ( BYOC) and Verizon Business SIP Trunk Technical Application Note COMMUNICATIONS Disclaimer The following is intended to outline our general product direction. It is intended for information purposes only, and may not be incorporated into any contract. It is not a commitment to deliver any material, code, or functionality, and should not be relied upon in making purchasing decisions. The development, release, and timing of any features or functionality described for Oracle’s products remains at the sole discretion of Oracle. 2 | P a g e Contents 1 RELATED DOCUMENTATION ............................................................................................................................... 5 1.1 ORACLE SBC ........................................................................................................................................................................ 5 1.2 ZOOM PHONE ....................................................................................................................................................................... 5 2 REVISION HISTORY ................................................................................................................................................. 5 3 INTENDED AUDIENCE ............................................................................................................................................ 5 3.1 VALIDATED ORACLE VERSIONS ....................................................................................................................................... -
Polycom Voice
Level 1 Technical – Polycom Voice Level 1 Technical Polycom Voice Contents 1 - Glossary .......................................................................................................................... 2 2 - Polycom Voice Networks ................................................................................................. 3 Polycom UC Software ...................................................................................................... 3 Provisioning ..................................................................................................................... 3 3 - Key Features (Desktop and Conference Phones) ............................................................ 5 OpenSIP Integration ........................................................................................................ 5 Microsoft Integration ........................................................................................................ 5 Lync Qualification ............................................................................................................ 5 Better Together over Ethernet ......................................................................................... 5 BroadSoft UC-One Integration ......................................................................................... 5 Conference Link / Conference Link2 ................................................................................ 6 Polycom Desktop Connector .......................................................................................... -
Vysoke´Ucˇenítechnicke´V Brneˇ
VYSOKE´ UCˇ ENI´ TECHNICKE´ V BRNEˇ BRNO UNIVERSITY OF TECHNOLOGY FAKULTA INFORMACˇ NI´CH TECHNOLOGII´ U´ STAV POCˇ ´ITACˇ OVE´ GRAFIKY A MULTIME´ DII´ FACULTY OF INFORMATION TECHNOLOGY DEPARTMENT OF COMPUTER GRAPHICS AND MULTIMEDIA SYSTEM FOR RECORDING VIDEO FROM IP VIDEOCAMERAS DIPLOMOVA´ PRA´ CE MASTER’S THESIS AUTOR PRA´ CE Bc. JIRˇ ´I TRAVEˇ NEC AUTHOR BRNO 2015 VYSOKE´ UCˇ ENI´ TECHNICKE´ V BRNEˇ BRNO UNIVERSITY OF TECHNOLOGY FAKULTA INFORMACˇ NI´CH TECHNOLOGII´ U´ STAV POCˇ ´ITACˇ OVE´ GRAFIKY A MULTIME´ DII´ FACULTY OF INFORMATION TECHNOLOGY DEPARTMENT OF COMPUTER GRAPHICS AND MULTIMEDIA SYSTE´ M PRO ZA´ ZNAM STREAMOVANE´ HO VIDEA Z IP KAMER SYSTEM FOR RECORDING VIDEO FROM IP VIDEOCAMERAS DIPLOMOVA´ PRA´ CE MASTER’S THESIS AUTOR PRA´ CE Bc. JIRˇ ´I TRAVEˇ NEC AUTHOR VEDOUCI´ PRA´ CE Mgr. JANA SKOKANOVA´ SUPERVISOR BRNO 2015 Abstrakt Tato diplomová práce je zaměřená na pøenos multimédií v reálném èase z IP kamer. Jejím hlavním cílem je vysvětlit teoretické základy pøenosu v reálném èase pøes počítačovou síť a popsat vývoj nahrávacího systému. Tento nahrávací systém je urèen pøevážně k nahrávání pøedná¹ek ve ¹kolách. Práce obsahuje popis vývoje serverové nahrávací aplikace a webového administračního rozhraní. Teoretická èást vysvětluje témata spojená s pøenosem médií v reálném èase, počítačovými sítěmi a zpracováním multimédií, jako například real-time streaming protokoly, kódování, komprese, síťová odezva, zahlcení sítě a další. Abstract This diploma thesis focuses on multimedia streaming from IP cameras. Its main goal is to explain theoretical background of real-time streaming via computer networks, and describe development of a recording system. This recording system is meant to be used mainly in schools for lecture recording purposes. -
THE FUTURE of IDEAS This Work Is Licensed Under a Creative Commons Attribution-Noncommercial License (US/V3.0)
less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page i THE FUTURE OF IDEAS This work is licensed under a Creative Commons Attribution-Noncommercial License (US/v3.0). Noncommercial uses are thus permitted without any further permission from the copyright owner. Permissions beyond the scope of this license are administered by Random House. Information on how to request permission may be found at: http://www.randomhouse.com/about/ permissions.html The book maybe downloaded in electronic form (freely) at: http://the-future-of-ideas.com For more permission about Creative Commons licenses, go to: http://creativecommons.org less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page iii the future of ideas THE FATE OF THE COMMONS IN A CONNECTED WORLD /// Lawrence Lessig f RANDOM HOUSE New York less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page iv Copyright © 2001 Lawrence Lessig All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Random House and colophon are registered trademarks of Random House, Inc. library of congress cataloging-in-publication data Lessig, Lawrence. The future of ideas : the fate of the commons in a connected world / Lawrence Lessig. p. cm. Includes index. ISBN 0-375-50578-4 1. Intellectual property. 2. Copyright and electronic data processing. 3. Internet—Law and legislation. 4. Information society. I. Title. K1401 .L47 2001 346.04'8'0285—dc21 2001031968 Random House website address: www.atrandom.com Printed in the United States of America on acid-free paper 24689753 First Edition Book design by Jo Anne Metsch less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page v To Bettina, my teacher of the most important lesson. -
ACCESS Multirack Manual
Product Manual ACCESS MultiRack Manual I. Introduction 12 Applications 12 Audio Coding 12 Transmission Modes and Delay 13 Switchboard Server 13 CrossLock 13 Additional Features 14 AES67 Protocol 14 HTML5 14 II. Diagrams and Installation 15 Rear Panel Diagram and Descriptions 15 Front Panel Diagram and Descriptions 16 Mono vs. Stereo 17 Pinouts - Balanced Audio 17 Pinouts - Contact Closures 17 Pinouts - Serial Port (Instance 1) 18 Pinouts - Serial Port (Instances 2-5) 18 ACCESS MultiRack • November 2019 III. Quick Start - Connections With MultiRack 20 More About Profiles 20 Using The Console 20 About MultiRack Instances 21 Making Switchboard Connections 21 Receiving Incoming Connections 22 IV. Using The Device Manager Program 23 Updating Firmware Using Device Manager 25 Network Recovery Mode 26 V. Configuring MultiRack 28 Login 28 Controlling MultiRack Instances 28 Instance Pages And Global Settings 29 Interface Page Sections 29 Connections Tab 30 Dashboard Tab 30 Performance Tab 31 Active Connections 31 Codec Channel Field 32 CrossLock Field 32 Packet Loss Graph 33 Utilization Graph 33 CrossLock Settings 34 Profile Manager Tab 35 Building a Profile 36 Profile Settings: Local & Remote Encoders 36 Advanced Local & Remote Options 37 Instance Settings Tab 39 Security Settings 40 Connections 40 Contact Closures 40 Switchboard Server 41 Alternate Modes 41 Advanced Instance Settings 42 Auxiliary Serial 42 Switchboard Server 42 Advanced Instance Settings Under Alternate Modes 42 BRIC Normal Settings 42 HTTP Settings 43 Modem (Instance 1) 43 Standard RTP Settings 43 EBU3326/SIP Settings 43 TCP Settings 44 Miscellaneous 45 VI. Global Settings and Network Manager 46 Global Settings 46 CrossLock VPN Settings 46 AES67 System Settings 47 Advanced Global Settings 47 Advanced CrossLock VPN Settings 47 Network Manager Tab 48 Ethernet Port Settings 49 Network Locations 50 WLAN Adapter 50 3G/4G Connections 51 Advanced Ethernet Port Settings 52 VII. -
Intelligibility of Selected Speech Codecs in Frame-Erasure Conditions
NTIA Report 17-522 Intelligibility of Selected Speech Codecs in Frame-Erasure Conditions Andrew A. Catellier Stephen D. Voran report series U.S. DEPARTMENT OF COMMERCE • National Telecommunications and Information Administration NTIA Report 17-522 Intelligibility of Selected Speech Codecs in Frame-Erasure Conditions Andrew A. Catellier Stephen D. Voran U.S. DEPARTMENT OF COMMERCE November 2016 DISCLAIMER Certain commercial equipment and materials are identified in this report to specify adequately the technical aspects of the reported results. In no case does such identification imply recommendation or endorsement by the National Telecommunications and Information Administration, nor does it imply that the material or equipment identified is the best available for this purpose. iii PREFACE The work described in this report was performed by the Public Safety Communications Research Program (PSCR) on behalf of the Department of Homeland Security (DHS) Science and Technology Directorate. The objective was to quantify the speech intelligibility associated with selected digital speech coding algorithms subjected to erased data frames. This report constitutes the final deliverable product for this project. The PSCR is a joint effort of the National Institute of Standards and Technology and the National Telecommunications and Information Administration. v CONTENTS Preface..............................................................................................................................................v Figures......................................................................................................................................... -
NTT DOCOMO Technical Journal
3GPP EVS Codec for Unrivaled Speech Quality and Future Audio Communication over VoLTE EVS Speech Coding Standardization NTT DOCOMO has been engaged in the standardization of Research Laboratories Kimitaka Tsutsumi the 3GPP EVS codec, which is designed specifically for Kei Kikuiri VoLTE to further enhance speech quality, and has contributed to establishing a far-sighted strategy for making the EVS codec cover a variety of future communication services. Journal NTT DOCOMO has also proposed technical solutions that provide speech quality as high as FM radio broadcasts and that achieve both high coding efficiency and high audio quality not possible with any of the state-of-the-art speech codecs. The EVS codec will drive the emergence of a new style of speech communication entertainment that will combine BGM, sound effects, and voice in novel ways for mobile users. 2 Technical Band (AMR-WB)* [2] that is used in also encode music at high levels of quality 1. Introduction NTT DOCOMO’s VoLTE and that sup- and efficiency for non-real-time services, The launch of Voice over LTE (VoL- port wideband speech with a sampling 3GPP experts agreed to adopt high re- TE) services and flat-rate voice service frequency*3 of 16 kHz. In contrast, EVS quirements in the EVS codec for music has demonstrated the importance of high- has been designed to support super-wide- despite its main target of real-time com- quality telephony service to mobile users. band*4 speech with a sampling frequen- munication. Furthermore, considering In line with this trend, the 3rd Genera- cy of 32 kHz thereby achieving speech that telephony services using AMR-WB tion Partnership Project (3GPP) complet- of FM-radio quality*5. -
The Growing Importance of HD Voice in Applications the Growing Importance of HD Voice in Applications White Paper
White Paper The Growing Importance of HD Voice in Applications The Growing Importance of HD Voice in Applications White Paper Executive Summary A new excitement has entered the voice communications industry with the advent of wideband audio, commonly known as High Definition Voice (HD Voice). Although enterprises have gradually been moving to HD VoIP within their own networks, these networks have traditionally remained “islands” of HD because interoperability with other networks that also supported HD Voice has been difficult. With the introduction of HD Voice on mobile networks, which has been launched on numerous commercial mobile networks and many wireline VoIP networks worldwide, consumers can finally experience this new technology firsthand. Verizon, AT&T, T-Mobile, Deutsche Telekom, Orange and other mobile operators now offer HD Voice as a standard feature. Because mobile users tend to adopt new technology rapidly, replacing their mobile devices seemingly as fast as the newest models are released, and because landline VoIP speech is typically done via a headset, the growth of HD Voice continues to be high and in turn, the need for HD- capable applications will further accelerate. This white paper provides an introduction to HD Voice and discusses its current adoption rate and future potential, including use case examples which paint a picture that HD Voice upgrades to network infrastructure and applications will be seen as important, and perhaps as a necessity to many. 2 The Growing Importance of HD Voice in Applications White Paper Table of Contents What Is HD Voice? . 4 Where is HD Voice Being Deployed? . 4 Use Case Examples . -
Sonnox Fraunhofer Pro-Codec User Guide
Contents 1 Introduction 5 2 Terminology 6 3 Supported Codecs and Formats 7 4 Summary of Codec Features and Applications 8 4.1 iTunes+ ....................................... 9 4.2 MPEG Surround .................................. 9 4.3 HD-AAC ....................................... 10 4.4 AAC-LC ....................................... 10 5 The Pro-Codec Plug-In 11 5.1 User Interface and Workflow Overview ...................... 11 5.2 Input and Output Panels .............................. 15 5.2.1 Surround Channel Mapping ........................ 16 5.3 Online Auditioning and Configuring Codecs ................... 17 5.3.1 The NMR Indicator ............................. 20 5.3.2 Downsampling When Using Higher Sample Rates ........... 21 5.3.3 Overloading Pre-Codec (Codec Headroom) ............... 22 5.3.4 Overloading Post-Codec (Audition Level Matching) .......... 22 5.4 Bitstream Level (TRIM Tab) ............................ 23 5.5 Data Compression Factor (COMP Tab) ...................... 24 5.6 A-B Auditioning and A-B-X Testing (A-B Tab) .................. 25 5.6.1 A-B Auditioning .............................. 25 5.6.2 A-B-X Testing ................................ 25 5.7 Processing Sequence ............................... 27 5.8 Online Encoding .................................. 28 5.9 HD-AAC ....................................... 31 5.9.1 Auditioning HD-AAC ............................ 31 5.9.2 Bit Depth .................................. 33 5.9.3 Dither and Truncation ........................... 34 5.9.4 Internal Dither and Truncation ....................... 37 5.9.5 Overloading HD-AAC ........................... 41 5.9.6 Reasons to Audition HD-AAC ....................... 41 5.10 Description of Controls .............................. 43 6 Preset Manager Toolbar 53 6.1 Presets and Project/Session Data Handling ................... 54 6.1.1 Internal Data Rules ............................. 54 6.2 Plug-In Signal and Control Flow Diagram .................... 55 7 The Pro-Codec Manager Application 56 7.1 Folder Browser ..................................