Hes So Fine Free

Total Page:16

File Type:pdf, Size:1020Kb

Hes So Fine Free FREE HES SO FINE PDF Jill Shalvis | 352 pages | 30 Sep 2014 | Little, Brown & Company | 9781455529490 | English | United States He's So Fine - The Laurie Records Story (, CD) | Discogs Right: The Chiffons' single Harrison was said to have plagiarized. If you've noticed George Harrison's "My Sweet Lord" sounds a bit like "He's So Fine" Hes So Fine The Chiffons, you're not alone -- ina judge ruled that the ex-Beatle's big hit and spiritual declaration had ripped off the girl- group oldie. The accusation of plagiarism was news to Harrison, who swore up and down he didn't steal the melody. Well, not knowingly -- and that was, in fact, the rub in this important case. It turns out an artist can steal a tune without even knowing he or she is doing it, and can be held legally liable for what the judge called "subconscious" theft. The song that spawned many lawsuits, My Sweet Lord. The Beatles made sublime music together, the likes of which people had never heard. Once people Hes So Fine that point of deity, they sometimes want to branch out and go on their own. Harrison looking a lot like the Lord. If there's a soul we must perceive it. Otherwise, it's better not to believe. It's better to be an outspoken atheist than a hypocrite. Inwhen he and the Beatles went to India, Harrison became interested in Eastern philosophy and transcendental meditation. And don't ask questions. Whereas the Swami's saying, Hes So Fine there's a God we must see him. I thought, Right on, that's the one for me! If there's a Hes So Fine, I want to see him. Harrison getting lessons from Ravi Shankar on the Sitar. In his words, "First, it's simple. The thing about Hes So Fine mantra, you see It has this power within it. It's just hypnotic. As Harrison saw it, "Hallelujah and Hare Krishna are quite the same thing. Paul Spector sang backup with the blessing of Harrison and Lennon but against the objections of McCartney. Bobby Whitlock remembers the strange scene, "All during the sessions, the door would pop open and in would spring three or four or five Hare Krishnas in their white robes and shaved heads with a pony tail coming out the top. They were all painted up, throwing rose petals and distributing peanut butter cookies. The song Harrison was accused of stealing from. According to Harrison, he wrote the song while playing Hes So Fine the group Delaney and Bonnie in Denmark. The judge felt Harrison never intentionally copied the song but found him guilty of "subconscious plagiarism. The joys of legalese. Harrison learning about Eastern philosophy. Naturally, the long ordeal took its toll on Harrison. He took three years off writing and told Rolling Stone magazine, "It's difficult to just start writing again after you've been through that. Even now when I put the radio on, every tune I hear sounds like something else. On a flight from L. He told an Indian magazine, Back to Godhead"I know for me, the difference between making it and not making it was actually chanting the mantra. Toggle Hes So Fine. More from Groovy History. Welcome Back Kotter - Up your nose with a rubber hose! Share On Facebook. Hes So Fine is an avid traveler, surfer and lover of NBA basketball. He wishes he could have grown up in the free love era! Remember the Good Times. Fall in love again Famous Faces. Remember how it was Culture Change. Was George Harrison's 'My Sweet Lord' Really A 'He's So Fine' Ripoff? Lirik Internasional A - Z. Lyrics Sitemap. Yovie dimulai dengan Y, klik Y. Lihat daftar lagu, dan dapatkan yang Anda cari. Misal: tiada berarti berdiri cahaya dekapan. Hindari kata-kata yang berkemungkinan memiliki ada dua versi atau lebih. Misal: tanpamu dapat ditulis tanpa mu. Bila masih tidak dapat menemukan lirik yang Anda cari, mungkin kami bisa membantu Anda. Silakan menghubungi kami. He's so fine Wish he were mine That handsome boy over there The one with the wavy hair I don't know how I'm gonna do it But I'm gonna make him mine Be the envy of all the girls It's just a matter of time He's a soft-spoken guy Also seems kind of shy Makes me wonder Hes So Fine I Should even give him a try But then again he can't shy He can't shy away forever And I'm Gonna make him mine If it takes me forever He's so fine Gotta be mine Sooner or later I hope it's not later We've got to get Hes So Fine The sooner the better I just can't wait I just can't wait To be held in his arms If I were Hes So Fine Queen And he asked me to leave my throne I'd do anything that Hes So Fine asked Anything to make him my own For he's so fine So fine So fine. He's So Fine (Lucky Harbor, #11) by Jill Shalvis Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error Hes So Fine book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. For Olivia Bentley, Lucky Harbor is more than Hes So Fine town where she runs her new vintage shop. It's the place where folks are friendly to strangers-and nobody knows her real name. Olivia does a good job of keeping Hes So Fine past buried, not getting too cozy with anyone. Suddenly she's rushing into the surf, getting up close and personal with the For Olivia Bentley, Lucky Harbor is more than the town where she runs her new vintage shop. Suddenly she's rushing into the surf, getting up close and personal with the hottest guy she's ever laid hands on. Charter boat captain Cole Donovan has no problem with a gorgeous woman throwing her arms around his neck in an effort to "save" him. In fact, he'd like to spend a lot more time skin-to-skin with Olivia. He's just not expecting that real trouble is about to come her way. Hes So Fine it bring her deeper into Cole's heart, or will it be the end of Olivia's days in little Lucky Harbor? Get A Copy. Mass Market Paperbackpages. Published September 30th by Grand Central Publishing. More Details Original Title. Lucky Harbor Cole DonovanOlivia Bentley. Lucky Harbor, Washington United States. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about He's So Fineplease sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. With Olivia's guarded approach to life and Cole's quick, charming and oh-so-sexy sexy wit, they balance each other perfectly Hes So Fine make this a feel good story that kept me reading and smiling well into the night! It's the place where folks are friendly to 5 'need me a Captain Hottie' stars! The bottom line No matter the couple, no matter their story, it's always great Hes So Fine be back in Lucky Harbor! In appreciation I've given them an honest review. View all 14 comments. Quick summary Cole Donovan is a dream and everyone seems to adore him. He's a good friend and is the consummate handyman, always equipped with whatever tools needed to fix something on the spot. But, he's just running in place after having been dumped by his girlfriend two years ago. That is until Olivia Bentley comes to his rescue, even though he didn't believe he needed saving. The big issue Olivia's keeping a whopper of Hes So Fine secret and she's developing a relationship with a man who believes in com Quick summary Cole Donovan is a dream and everyone seems to adore him. The big issue Olivia's keeping a whopper of a secret and she's developing a relationship with a man who believes in complete honesty. Cole's an open book and she's struggling with when or whether to fess up. Either way, given her history, she believes he'll walk away no matter what. What works Cole is just wonderful. He seems perfect He loves his family and hangs in there with Olivia even when she blocks him time and again. Hes So Fine romance smokes and his relationship with his partners is another bonus. The dialogue is pithy and the banter clever. My only quibble was Hes So Fine Olivia's failure to come clean far earlier than she did. Cole gave her plenty of openings and it was a bit frustrating. The bottom line Cole may just be my favorite in this series. It's a fun, sexy story with a tragic heroine who recreates herself nicely with a man who's worthy of her trust. I just wish that conflict wasn't protracted and more time was devoted to Cole's issues. No matter, though, as I thoroughly enjoyed the story. It's always a treat to return to Lucky Harbor. Dec 30, Jaime Arkin rated it it was amazing Shelves: contemporarynetgalleyread-inromanceon-my-real-shelves I seriously feel like Hes So Fine broken record every single time I read a Jill Shalvis book and then try to write a review.
Recommended publications
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Transposition, 6 | 2016 Copying Machines 2
    Transposition Musique et Sciences Sociales 6 | 2016 Lignes d’écoute, écoute en ligne Copying machines Unconscious musical plagiarism and the mediatisation of listening and memory John Shiga Electronic version URL: http://journals.openedition.org/transposition/1569 DOI: 10.4000/transposition.1569 ISSN: 2110-6134 Publisher CRAL - Centre de recherche sur les arts et le langage Electronic reference John Shiga, « Copying machines », Transposition [Online], 6 | 2016, Online since 20 March 2017, connection on 30 July 2019. URL : http://journals.openedition.org/transposition/1569 ; DOI : 10.4000/ transposition.1569 This text was automatically generated on 30 July 2019. La revue Transposition est mise à disposition selon les termes de la Licence Creative Commons Attribution - Partage dans les Mêmes Conditions 4.0 International. Copying machines 1 Copying machines Unconscious musical plagiarism and the mediatisation of listening and memory John Shiga 1 Introduced into musical copyright discourse in the early twentieth century, the notion of cryptomnesia or unconscious plagiarism highlights a key tension in copyright law. On the one hand, copyright acts as a recognizing authority for claims to authorship and originality, thus providing economic incentives to authors whose work is “original,” which in turn encourages cultural innovation. On the other hand, copyright facilitates ownership and control of cultural works by institutions rather than by authors, since its minimal notion of “originality” and extended period of protection encourage the production
    [Show full text]
  • Three Chords and the Truth Part II
    Three Chords and the Truth Part II By Peter C. Lemire of Leyendecker & Lemire, LLC A Colorado Intellectual Property & Business Law Firm In the fist installment of this article, we examined the case of Bridgeport Music, Inc. V. Dimension Films which surrounds digital sampling. Additionally I put forth the opinion of Peter Gutmann, an attorney who wrote an article in the October issue of IP Law and Business critiquing the decision and ultimately making his case for why music should not be afforded copyright protection. In this installment of the article we will look a bit more at Mr. Gutmann’s reasons why he believes music should not be entitled to copyright protection, as well as an analysis of a famous copyright case involving George Harrison. Gutmann uses the "independent fixation of the sounds captured in a recording" concept of section 114(c) as a gateway into a fractured and strained reasoning on why music should not be afforded copyright protection. He points out that there are potential pitfalls for the individual relying on 114(c) due to the fact that certain case law exists that could pose pitfalls to the unwary. In particular, he cites the 1981 case of Abkco Music, Inc. v. Harrisongs Music, Ltd ., 508 F. Supp. 798 (S.D.N.Y. 1981), aff’d 722 F.2d 988 (2d Cir. 1983). For anyone who practices copyright or is into the commercial side of music, the Harrisongs case should ring some bells. At heart in this case was the question of whether George Harrison’s 1971 "My Sweet Lord" infringed on the Chiffons 1963 hit "He’s So Fine".
    [Show full text]
  • Legendary Performer Bette Midler to Release New Studio Album, “It’S the Girls” Release 10
    2014-09-24 11:49 CEST LEGENDARY PERFORMER BETTE MIDLER TO RELEASE NEW STUDIO ALBUM, “IT’S THE GIRLS” RELEASE 10. NOVEMBER Multiple Grammy Award®-winning singer and legendary performer Bette Midler returns to the studio to release “It’s The Girls,” a stunning new album that pays tribute to girl groups through the ages. “It’s The Girls” is a jaunty and celebratory collection of some of the greatest harmonies performed by girl groups such as The Ronettes, The Boswell Sisters, The Andrew Sisters, The Chiffons as well as Motown acts like Martha Reeves and The Vandellas, and The Marvelettes, among others. “A long time ago I fell in love with voices in harmony,” said Midler. “In particular, the sound of female voices singing together. There were so many great girl groups in those days, I still listen as avidly as I ever did. This record is a small attempt to honor them for all the joy they brought to me and the world.” “It’s The Girls” reunites Bette Midler with long-time collaborator and Award- winning composer Marc Shaiman who produced the album. “It’s The Girls” features 15 songs that span time from The Andrews Sisters’ original performance of “Bei Mir Bist Du Schön” in 1937 to R&B group TLC’s 1994 hit song, “Waterfalls.” On the title track, Midler offers a brilliant rendition of The Boswell Sisters (known for their unpredictable harmonies and key changes) tempo-shifting pop classic “It’s The Girl.” The album effortlessly showcases Midler’s distinctive and versatile vocal range while honoring timeless classic melodic harmonies.
    [Show full text]
  • Chapter 2: Pop-Rock of the 50S and 60S
    The Development of Rock & Roll by Dr. Daniel Jacobson © 2016 All Rights Reserved CHAPTER 2 POP-ROCK OF THE 50S AND 60S INTRODUCTION Softer “pop” music styles have played important roles in the development of rock, especially from c1953 to 1966 and in the early 70s. Various pop-related styles in the 50s and early 60s include: • Doo-Wop (1950s and early ‘60s; combined Pop, Gospel and soft R & B elements) • Teen Idol “Crooners” (late ‘50s/early ‘60s; Dick Clark early rock era; soft R & B) • Surf Music (late ‘50s/early ‘60s) • Brill Building/Aldon Music (‘60s pop; extension of “Tin Pan Alley” tradition) • Early Motown (early 1960s; “Soul-pop” music) I. THE CHANGING OF THE GUARD IN 50s ROCK During the years 1957 to 1961, Rock & Roll lost the impact of at least ten of its most prominent trendsetters. • March 1956: While on his way to perform for The Perry Como Show in New York City, Carl Perkins was involved in a car crash in which he suffered a fractured shoulder and skull. Perkins lost his chance for major fame, and was soon overshadowed by the rise of Elvis Presley. • October 1957: Little Richard renounced Rock and Roll for the ministry of the Seventh Day Adventist Church. • November 1957: Jerry Lee Lewis married his 13-year-old third cousin (while “forgetting” to divorce his first wife.) The scandal that followed destroyed his career. • March 1958: Elvis Presley was drafted into the army, serving in Germany until 1960. • February 1959: a small-plane crash near Fargo, North Dakota killed Buddy Holly, J.P.
    [Show full text]
  • The Chiffons Sweet Talkin' Guy Mp3, Flac, Wma
    The Chiffons Sweet Talkin' Guy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Sweet Talkin' Guy Country: US Released: 1966 Style: Vocal MP3 version RAR size: 1743 mb FLAC version RAR size: 1474 mb WMA version RAR size: 1573 mb Rating: 4.4 Votes: 470 Other Formats: MIDI MOD MP1 WMA VOC DXD MP2 Tracklist Hide Credits Sweet Talkin' Guy A1 2:25 Written-By – Doug Morris, Eliot Greenberg Up On The Bridge A2 2:57 Written-By – E. Maresca*, L. Zerato* Nobody Knows What's Goin' On (In My Mind But Me) A3 2:23 Written-By – Brute Force Thumbs Down A4 2:23 Written-By – Stephen Friedland Just A Boy A5 2:13 Written-By – Margo-Margo-Medress-Siegel* Down, Down, Down A6 2:36 Written-By – R. Miranda*, D. Liebert* Out Of This World B1 2:07 Written-By – Doug Morris, Eliot Greenberg My Boyfriends' Back B2 2:05 Written-By – R. Feldman*, G. Goldstein*, R. Gottehrer* Open Your Eyes (I Will Be There) B3 2:14 Written-By – Ernie Maresca March B4 2:17 Written-By – Margo-Margo-Medress-Siegel* Keep The Boy Happy B5 1:49 Written-By – Margo-Margo-Medress-Siegel* See You In September B6 2:18 Written-By – S. Edwards*, S. Wayne* Companies, etc. Pressed By – Capitol Records Pressing Plant, Jacksonville Manufactured By – Capitol Records, Inc. Manufactured For – Capitol Record Club Published By – Roznique Music, Inc. Published By – Elmwin Music Inc. Published By – S & J Music Pub. Corp. Published By – Bright Tunes Music Corp. Published By – Blackwood Music Inc. Published By – Vibar Music Credits Design [Cover] – Max Bodden* Producer – Bright Tunes Productions, Inc.* Notes Capitol Record Club edition, pressed at Capitol Records Pressing Plant, Jacksonville.
    [Show full text]
  • Recordings by Women Table of Contents
    '• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem­ CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September.
    [Show full text]
  • The Rise of the “Girl Groups”
    THE RISE OF THE “GIRL GROUPS” OVERVIEW ESSENTIAL QUESTION Were the Girl Groups of the early 1960s voices of female empowerment or reflections of traditional female roles? OVERVIEW Tucked between the popularity of the early Rock and Rollers and the mid-1960s British Invasion was the phenomenon known as the “Girl Groups.” With names like the Bobbettes, the Shangri-Las, the Ronettes and the Chantelles, they offered a style rich in vocal harmonies that was eagerly embraced by a wide audience. A number of Girl Group hit songs were co-written by female songwriters, including Carole King, Ellie Greenwich, Cynthia Weil, and Florence Greenberg (who also launched her own record label and whose life served as the basis for the 2011 Broadway musical Baby It’s You). If, up to that point, male voices and male songwriters dominated the popular music scene, things were changing. Rock and Roll had a new female sound that produced a string of hits. The Girl Groups rarely if ever performed material they had written themselves and rarely if ever played the instruments featured on their recordings, a job left to male studio musicians. Lyrically, most of their songs -- from the Dixie Cups’ “Chapel of Love” to the Angels’ “My Boyfriend’s Back” -- focused on the males in their lives and the promise of a satisfying relationship with that perfect guy. But there was nonetheless something new at work: a female voice was emerging despite it all. In this lesson, students will evaluate what the emergence of the Girl Groups says about the roles of girls and women in the early 1960s, as the nation sat on the threshold of a new Women’s Rights movement that would challenge traditional female roles.
    [Show full text]
  • Little Jimmy & the Tops
    Little Jimmy & The Tops by Charlie Horner Contributions from Pamela Horner In one of the most fascinating stories in R&B harmony history, a group from Harlem recorded but two sides, only to have a regional hit record ninety miles away in Philadelphia. Their record was released six times in the space of three years, and their lead singer lip-synced the song on American Bandstand, yet the group was never called back for a second re- lease. Such was the story of Little Jimmy & the Tops. Four childhood friends began singing street corner harmony in the mid-1950’s as the Young Lads. The original group, consisted of Vernon Rivers, his younger brother Jimmy Rivers, Eddie Bonelli and Louis Brown. Vernon and Jimmy Rivers were born in Bishopville, SC, a small town between Columbia and Florence. They moved to Harlem when Vernon was about 12 years old, Jimmy about 9. Their new home base was 126th Street at Morningside Avenue. “That’s where we grew up, started playing CYO (Catholic Youth Organization) basketball at Co- Only known photo of Jimmy & the Tops’ original group. lumbia University and started singing,” recalled Left to right, top: Sylvia Peterson, Moses Groves Eddie Vernon Rivers. Bonelli, Vernon Rivers. Bottom: Little Jimmy Rivers. Eddie Bonelli was born in New York City in (Photo courtesy of Moses Groves.) 1941 and raised on the East Side, 117th Street, until he was in the third grade. He too then moved with his They had a record out. A year or two later, a group family to 126th Street.
    [Show full text]
  • A Toolbox for Inspection of Music Plagiarism
    20th European Signal Processing Conference (EUSIPCO 2012) Bucharest, Romania, August 27 - 31, 2012 AUDIO FORENSICS MEETS MUSIC INFORMATION RETRIEVAL - A TOOLBOX FOR INSPECTION OF MUSIC PLAGIARISM Christian Dittmar, Kay F. Hildebrand*, Daniel Gaertner, Manuel Winges, Florian Muller*,¨ Patrick Aichroth Fraunhofer IDMT, Department Metadata, Ilmenau, Germany *University of Munster,¨ Department of Information Systems, Munster,¨ Germany ABSTRACT the qualified cases, and to lower the costs associated with settling disputes. This paper presents a toolbox that has been developed in or- Typically, when music plagiarism cases are brought to der to facilitate the inspection of suspected music plagiarism court, independent music experts, often musicologists, are as- cases. The basic concept is the use of techniques from Music ked to analyze the similarities between two songs, and the Information Retrieval for semi-automatic inspection of origi- judges rely on their opinion. We believe that, in order to sup- nal and suspect song. Basic types of music plagiarism are port such analysis, specialized software can be provided to discussed. Several signal processing approaches suitable to analyze musical features of the suspected music recordings. reveal these types are introduced. They are intended to be Similarities can be identified by applying well-described pat- used under supervision of a human expert. Evaluation of the tern matching algorithms from the Music Information Retrie- proposed methods in a non-supervised scenario is not within val (MIR) literature. Moreover, such software can display the scope of this paper. similarities in a way that experts can not only use to evaluate Index Terms— Music Information Retrieval, Music Pla- their importance, but also to visualize and explain it to an un- giarism, Audio Forensics trained audience.
    [Show full text]
  • <I>Malt Shop Memories</I>
    names, Vol. 57 No. 3, September, 2009, 162–174 Selling Decency and Innocence: Names of Singing Groups in the Malt Shop Memories Collection Margaret G Lee Hampton University, USA This study examines the names of sixty-fi ve male and female singing groups in the Malt Shop Memories collection and their economic, social, and cultural infl uences. Record companies’ efforts to sell the emerging rock’n’roll to teenagers of mid-1950s to mid-1960s affl uent America resulted in group names intended to reduce the negative attitudes toward the music. Non-threatening group names were designed to exude images of whole- someness and purity to appease parents and the public who regarded rock’n’roll as chaotic, vulgar, and the cause of America’s social ills. These names, refl ecting such ordinary categories as Birds and Animals, Place Names, Mystique and Wonder, and more, combined with a mandated dress code to sell an image of decency and innocence in the face of a rebellious new style of music. keywords Malt Shop group names, Rock’n’roll group names, Doo-wop group names, 1950s-60s singing groups, Rock music group names, Girl group names, Vocal group names Introduction and background Malt Shop Memories is a Time Life, 150-song, ten-CD collection of oldies classics by the original artists. Released in 2006, the collection encompasses the period, as described in its television advertisement, “between the birth of rock ‘n’ roll in the mid-50’s to the British Invasion of the mid-60’s [. .] when American pop music took the world by storm.” This was one of the most innovative and dynamic periods in America’s music history.
    [Show full text]
  • 2 One Act Plays by Pearl Cleage Hospice + Pointing at the Moon Directed by Timothy Douglas
    2 One Act Plays By Pearl Cleage Hospice + Pointing at the Moon Directed by Timothy Douglas March 23 – April 15, 2018 Fulton County Southwest Arts Center 915 New Hope Road, SW, Atlanta, GA 30331 Study Guide for Grades 9-12 Created as part of the Alliance Theatre Institute Dramaturgy by Students program by students from Benjamin E. Mays High School and Maynard Jackson High School under the guidance of Theresa Davis, Teaching Artist and Garnetta Penn and Adrienne Edwards, Teachers Table of Contents The Playwright: Pearl Cleage………………………………………………………………………………………………………………………..page 2 Hospice + Pointing at the Moon: Curriculum Connections ………….……………………………………………………………….page 3 Section I: Hospice Hospice: Synopsis………………………………………………………………………………………………………………………………………...page 4 Hospice: Pre- and Post-Show Discussion Questions…………………………………………………………………………………… page 4 Hospice: Written Response Prompts…………………………………………………………………………………………………………… page 5 Hospice: Characterization Graphic Organizer..................................................................................................... page 6 Hospice: Historical Figures……………………………….…………………………………………………………………………….…………….pages 7-10 Hospice: Historical Events and Places……………………………………………………………………………………………………..….. page 11 Hospice: Vocabulary …………………………………………………………………………………………………………………………………….page 12 Hospice: Works Cited…………………………………………………………………………………………………………………………………...page 13 Section II: Pointing at the Moon Pointing at the Moon: Synopsis……………………………………………………………………………………………………………………page 14 Pointing at the
    [Show full text]