February 2019 Vol

Total Page:16

File Type:pdf, Size:1020Kb

February 2019 Vol LOOK HERE www.framinghamlibrary.org FIRST AFRICAN AMERICAN/BLACK HISTORY MONTH February 2019 Vol. 5 I No. 2 Join us as we celebrate African American/Black History Month with a variety of programs. Wednesday February 6, 7pm – Main Library, Costin Room Main Library From Slavery to Freedom: A Slave Narrative 49 Lexington Street I 508-532-5570 Monday-Thursday 9-9 of Aunt Sally Williams as recorded by Edna Dean Proctor Friday-Saturday 9-5 Edna Dean Proctor, buried in Framingham, spent many years at the New York Sunday 1-5 (see schedule for home of publisher Henry Bowen. When Aunt Sally showed up at Bowen’s closed Sundays) offices in 1857, Edna was asked to record her story of slavery to freedom. Christa McAuliffe Storyteller Libby Franck will portray abolitionist Edna Dean Proctor and Branch Library Adrienne Williams will sing songs of the period. In collaboration with the Framingham History Center. 746 Water Street I 508-532-5636 Monday-Thursday 9:30-9 Tuesday February 19, 7-8:45pm – McAuliffe Branch, Community Room Friday-Saturday 9:30-5 No Short Climb: “Race Workers” and America’s Sunday Noon-4 (see schedule for Documentary: closed Sundays) Defense Technology Holiday Hours Framingham State University Professor Both Libraries will be closed Sunday Robert Johnson, Jr. will screen his film February 17 and Monday February 18 and discuss the important contributions for Presidents’ Day. made to science and technology by African-Americans prior to and during WWII. Wednesday February 27, 7pm – Main Library, Costin Room The Kevin Harris Project presents “Embers” did you New York-based jazz pianist Kevin Harris presents a timely performance. It’s easy for many to ignore racism, classism, sexism, know and the likes when it takes place in much poorer neighborhoods, The Main Library now offers a countries, and continents, outside of our comfort zones. These VHS viewing station? in the third compositions are not about blame or taking sides…just the floor reference area. Sign up at courageous ability to say and do what is right. Kevin will be joined the Reference Desk to watch your by Zach Lober on Acoustic Bass and Tyson Jackson on drums. old VHS tapes or items from our collection. Call the Desk for Thursday February 28, 7pm – more information, 508-532-5570, Main Library, Costin Room Freedom’s Agenda: African- x 4361. Lifelong Learning Lecture American Petitions to the Massachusetts Government Series: Black Writers and 1600–1900 Be AMAZED Boston Publishing – At the Turn Books are just Month long exhibit – February 1-28 – the beginning! of the 20th Century Christa McAuliffe Branch Library African American Come see this unique exhibit of anti-slavery and CONNECT WITH US ON: literature was just anti-segregation legislative petitions, from the beginning to attract Commonwealth Museum. national attention. Black writers published their work for a Funding for this newsletter is provided by predominantly white audience. This talk, COMING MARCH 3-7 The Friends of the Framingham Library. presented by Dr. Lucas Dietrich, Visiting Lecturer, Sunday Concert Series: Greater Funding for Library programs and Worcester Opera – Leonard Bernsteins’ refreshments is provided in part by Framingham State University, explores two the Friends of the Framingham Library. important authors, W.E.B. DuBois and Broadway March 3, 3pm – Main Library Additional refreshments generously Charles W. Chesnutt, who were both Lifelong Learning Lecture: Art of provided by Trader Joe’s. published by Boston’s Houghton Mifflin & Co. Ancient Peru March 7, 7pm – Main Library SUNDAY CONCERT FILMS SERIES: Matt Graybil and FRIDAY NIGHT FLICKS: The Wife Rhiannon Banerdt (2018) 1 hr. 40 min. Rated R Sunday February 24, Friday February 8, 7pm – Main Library, Costin Room Enter on the Lexington Street side between 6:30-7:15pm. 3pm – Main Library, Glenn Close stars as a wife who questions her life choices as she Costin Room travels to Stockholm with her husband, where he is slated to Graybil has performed receive the Nobel Prize for Literature. as a recitalist, concerto soloist and chamber musician throughout FILMS AROUND THE WORLD North America and Europe. Banerdt is the SERIES: Humanity in Close-up assistant concertmaster Discussion Leader: Dr. Arthur Nolletti, Jr., with the Cape Symphony, Professor Emeritus, Framingham State University on the violin faculty at Bloomingdale School of Aftermath (Poklosie) (2013) 110 min. Music and a violinist for Monday February 11, 2pm – Main Library, Costin Room the Ulysses String Quartet in New York Called “the most controversial Polish film ever,” this stunning thriller City. Together, they represent a small focuses on two brothers who uncover a dark secret about their but mighty group of emerging musicians family’s history and their country’s past. Polish with English subtitles. who are eager to keep classical music relevant—particularly to young ears. Close-Up (Namaye-e Nazdik) (1990) 98 min. “Music represents who someone is, and Monday February 25, 2pm – Main Library, Costin Room that’s sort of the central question for a A fascinating investigation into the nature of identity, this film young person exploring different aspects combines real documentary footage and fictional reenactments to of their identity,” Banerdt says. “Music tell the story of a young man who impersonates his idol, Iranian is about personal expression, and that’s filmmaker Mohsen Makhmalbaf. Persian with English subtitles. something we all share.” They will be performing works by Chopin, de Falla, Saint Saens and Prokofiev. Refreshments. Celebrating The Fandom Life The series is sponsored in part by Metro Credit Union, Roche Brothers Markets, Brookdale Senior Living Featuring Documentary Filmmaker Solutions, St. Mary’s Credit Union and Friends of the Hansi Oppenheimer Framingham Library. Saturday February 9, 2-4pm – Main Library, Costin Room Hansi Oppenheimer, Director of the documentary series “Squee!” will be screening her film as well as shorts from other women directors that examine what it means to be part Doggos Drop-In of the Fandom Life. Artist Kat Ell and costume player Chana Odom will Monday February 11, 7pm – be joining us for a discussion following the films. Costumes encouraged! Refreshments served. McAuliffe Branch Library, Community Room Join us for our second Doggos Drop-In. Pets Poetry Workshop Stretch and Meditate and People Foundation Tuesdays February 5, 12, 19 with Laila Vehvilainen will return with their and 26, 7-9pm – lovable pets Tuesdays February 5, to help you Main Library, 12 and 26, 1-1:45pm – Trustees Room de-stress Christa McAuliffe after a long Led by Alan Feldman, Branch Library, day. This month’s program will feature Professor Emeritus at Community Room Framingham State Univ. board games. Drop in to play a game and pet a pup. Look forward to Mondays This drop-in class welcomes again. No registration necessary. Geared serious poets of all ages and levels of Adult Coloring Night towards ages 20 and up. experience who would like to participate First and Third Thursdays of the Month, for one or more sessions. We begin with 6:30-8:30pm – Main Library, Homework a discussion of a topic in poetry leading Center. Join us for coloring, tea, and music. to a brief in-class assignment. Poets who We provide colored pencils and coloring wish to have their work discussed should pages, or bring your own materials. bring copies. Framingham Community Makerspace Sparks Creativity Song Circle The Framingham Public Library Foundation is raising funds to equip a Makerspace in Saturdays at 3-4:45pm the Main Library. Makerspace visitors will be able to learn, collaborate and create using February 16 – McAuliffe Branch, 3D printers, textiles, coding software and devices, electronic components, building Community Room equipment, photography equipment, and craft materials. To help us reach our $27,000 March 16 – McAuliffe Branch, target, please send a check to the FPLF, 49 Lexington St., Framingham, MA 01702 Community Room or donate online at www.fplf.org. For more information call or email Ruth Winett, Everyone can sing! 508-877-1938 or [email protected]. Take a look at what your donation could help create: Come join us in singing old favorites and learning new songs too. Folk music from many traditions, the 60s folk revival, rounds, hymns, gospel and more. Bring your Use your Make electronic Use tools and Sew, knit, or felt Create posters imagination and objects like motors building materials something beautiful and more with instrument and play along! Kid-friendly, create fun and and radios, or and get crafty with with our sewing design software, and refreshments provided. useful objects with make a robot or a variety of art machine and a laminator and a a 3D printer. software. supplies. materials. large format printer. The Seed Lending Library Re-opening at both Libraries on The Homework Center March 2! The Seed Lending Library Brown has scheduled three seed-packaging The Homework Center Program provides free tutoring, homework and “parties” in preparation for their re- Bag Learning (Brown Bag school project help to all Framingham opening and is looking for volunteers. Brain Boost) Series students K-12. We are open Monday Monday February 11, 1-3pm Join us from 12-1pm one Friday a month through Thursday 2:30-5:30pm. Main Library, Children’s Craft Room for an educational and entertaining free For more information and to schedule Thursday February 14, 7-8:30pm lunch time program featuring speakers tutoring, please contact Jgatlin@ McAuliffe Branch Library, Craft Room from local businesses and organizations. minlib.net. Wednesday February 27, 7-8:30pm Guests are welcome to bring their lunch; Please Main Library, Children’s Craft Room refreshments will be provided. note locations. LVM Literacy Unlimited FEBRUARY 1: Be Heart Healthy: Are you interested in tutoring Citizenship Corner News Presented by with Literacy Unlimited? Are you interested in becoming Prevention Strategies Kitty Mahoney – Main Library, Children’s Come to an information a citizen? Come to a workshop on Program Room session to find out more Opioid Tuesday February 19, 7-8:30pm in MARCH 1: Understanding the about our adult tutoring the Citizenship Corner (Framingham Epidemic Presented by Kelly E.
Recommended publications
  • The Terminator by John Wills
    The Terminator By John Wills “The Terminator” is a cult time-travel story pitting hu- mans against machines. Authored and directed by James Cameron, the movie features Arnold Schwarzenegger, Linda Hamilton and Michael Biehn in leading roles. It launched Cameron as a major film di- rector, and, along with “Conan the Barbarian” (1982), established Schwarzenegger as a box office star. James Cameron directed his first movie “Xenogenesis” in 1978. A 12-minute long, $20,000 picture, “Xenogenesis” depicted a young man and woman trapped in a spaceship dominated by power- ful and hostile robots. It introduced what would be- come enduring Cameron themes: space exploration, machine sentience and epic scale. In the early 1980s, Cameron worked with Roger Corman on a number of film projects, assisting with special effects and the design of sets, before directing “Piranha II” (1981) as his debut feature. Cameron then turned to writing a science fiction movie script based around a cyborg from 2029AD travelling through time to con- Artwork from the cover of the film’s DVD release by MGM temporary Los Angeles to kill a waitress whose as Home Entertainment. The Library of Congress Collection. yet unborn son is destined to lead a resistance movement against a future cyborg army. With the input of friend Bill Wisher along with producer Gale weeks. However, critical reception hinted at longer- Anne Hurd (Hurd and Cameron had both worked for lasting appeal. “Variety” enthused over the picture: Roger Corman), Cameron finished a draft script in “a blazing, cinematic comic book, full of virtuoso May 1982. After some trouble finding industry back- moviemaking, terrific momentum, solid performances ers, Orion agreed to distribute the picture with and a compelling story.” Janet Maslin for the “New Hemdale Pictures financing it.
    [Show full text]
  • Two Centuries of Wheelchair Design, from Furniture to Film
    Enwheeled: Two Centuries of Wheelchair Design, from Furniture to Film Penny Lynne Wolfson Submitted in partial fulfillment of the Requirements for the degree Master of Arts in the History of the Decorative Arts and Design MA Program in the History of the Decorative Arts and Design Cooper-Hewitt, National Design Museum, Smithsonian Institution and Parsons The New School for Design 2014 2 Fall 08 © 2014 Penny Lynne Wolfson All Rights Reserved 3 ENWHEELED: TWO CENTURIES OF WHEELCHAIR DESIGN, FROM FURNITURE TO FILM TABLE OF CONTENTS LIST OF ILLUSTRATIONS ACKNOWLEDGEMENTS i PREFACE ii INTRODUCTION 1 CHAPTER 1. Wheelchair and User in the Nineteenth Century 31 CHAPTER 2. Twentieth-Century Wheelchair History 48 CHAPTER 3. The Wheelchair in Early Film 69 CHAPTER 4. The Wheelchair in Mid-Century Films 84 CHAPTER 5. The Later Movies: Wheelchair as Self 102 CONCLUSION 130 BIBLIOGRAPHY 135 FILMOGRAPHY 142 APPENDIX 144 ILLUSTRATIONS 150 4 List of Illustrations 1. Rocking armchair adapted to a wheelchair. 1810-1830. Watervliet, NY 2. Pages from the New Haven Folding Chair Co. catalog, 1879 3. “Dimension/Weight Table, “Premier” Everest and Jennings catalog, April 1972 4. Screen shot, Lucky Star (1929), Janet Gaynor and Charles Farrell 5. Man in a Wheelchair, Leon Kossoff, 1959-62. Oil paint on wood 6. Wheelchairs in history: Sarcophagus, 6th century A.D., China; King Philip of Spain’s gout chair, 1595; Stephen Farffler’s hand-operated wheelchair, ca. 1655; and a Bath chair, England, 18th or 19th century 7. Wheeled invalid chair, 1825-40 8. Patent drawing for invalid locomotive chair, T.S. Minniss, 1853 9.
    [Show full text]
  • As I Hear My Voice Calling: Issues and Matters in Autobiography1
    As I Hear My Voice Calling: Issues and Matters in Autobiography1 João de Mancelos (Universidade da Beira Interior) Palavras-chave: Autobiografia, narrativa ficcional, estratégias narrativas, Maya Angelou, Bob Dylan, Michael J. Fox Keywords: Autobiography, fictional narrative, narrative strategies, Maya Angelou, Bob Dylan, Michael J. Fox 1. True lies In the novel The Naked Civil Servant (1968), Quentin Crisp defines autobiography as “an obituary in serial form with the last installment missing” (Crisp, 1997: 212). Any more serious attempt to precise the concept of autobiography is probably doomed to fail, due to the complexity inherent to this genre. As James Olney argues, “everyone knows what biography is, but no two observers, no matter how assured they may be, are in agreement” (Olney, 1980: 3). The definitions a researcher finds in a dictionary do not survive a rigorous scrutiny and rise more questions than they offer reassuring answers. For instances, the Collins English Dictionary presents autobiography as “An amount of a person’s life written or otherwise recorded by that person” (Collins, 1991: 102). In my perspective, this definition is far from deserving to be inscribed on a marble slab, for three reasons: a) Numerous autobiographies are not written by the self, but by ghost writers who organize the recollections of an unarticulated football player or of a politician more inclined to an ideological speech. In those cases, there is an authorial coincidence between the biographer that remembers but does not write, and the biographer who writes but does not remember. b) It is arguable that biographical narratives are precise, since what an author presents is the fragmented memory of a restricted number of events.
    [Show full text]
  • (75F60a5) the New York Times Guide to the Best 1,000 Movies Ever
    The New York Times Guide To The Best 1,000 Movies Ever Made Vincent Canby, Janet Maslin, Peter M. Nichols - book pdf free by Vincent Canby, Janet Maslin, Peter M. Nichols The New York Times Guide to the Best 1,000 Movies Ever Made, Free Download The New York Times Guide to the Best 1,000 Movies Ever Made Full Version Vincent Canby, Janet Maslin, Peter M. Nichols, Vincent Canby, Janet Maslin, Peter M. Nichols ebook The New York Times Guide to the Best 1,000 Movies Ever Made, Download Free The New York Times Guide to the Best 1,000 Movies Ever Made Book, The New York Times Guide to the Best 1,000 Movies Ever Made Ebook Download, The New York Times Guide to the Best 1,000 Movies Ever Made Free Download, PDF The New York Times Guide to the Best 1,000 Movies Ever Made Full Collection, The New York Times Guide to the Best 1,000 Movies Ever Made Books Online, The New York Times Guide to the Best 1,000 Movies Ever Made by Vincent Canby, Janet Maslin, Peter M. Nichols Download, Read Online The New York Times Guide to the Best 1,000 Movies Ever Made E-Books, Download The New York Times Guide to the Best 1,000 Movies Ever Made E-Books, Read The New York Times Guide to the Best 1,000 Movies Ever Made Book Free, read online free The New York Times Guide to the Best 1,000 Movies Ever Made, Download Online The New York Times Guide to the Best 1,000 Movies Ever Made Book, The New York Times Guide to the Best 1,000 Movies Ever Made Free PDF Online, The New York Times Guide to the Best 1,000 Movies Ever Made Full Collection, Download The New York Times Guide to the Best 1,000 Movies Ever Made E-Books, pdf download The New York Times Guide to the Best 1,000 Movies Ever Made, full book The New York Times Guide to the Best 1,000 Movies Ever Made, The New York Times Guide to the Best 1,000 Movies Ever Made by Vincent Canby, Janet Maslin, Peter M.
    [Show full text]
  • Eddie Murphy in the Cut: Race, Class, Culture, and 1980S Film Comedy
    Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-10-2019 Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy Gail A. McFarland Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation McFarland, Gail A., "Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy." Thesis, Georgia State University, 2019. https://scholarworks.gsu.edu/aas_theses/59 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EDDIE MURPHY IN THE CUT: RACE, CLASS, CULTURE, AND 1980S FILM COMEDY by GAIL A. MCFARLAND Under the Direction of Lia T. Bascomb, PhD ABSTRACT Race, class, and politics in film comedy have been debated in the field of African American culture and aesthetics, with scholars and filmmakers arguing the merits of narrative space without adequately addressing the issue of subversive agency of aesthetic expression by black film comedians. With special attention to the 1980-1989 work of comedian Eddie Murphy, this study will look at the film and television work found in this moment as an incisive cut in traditional Hollywood industry and narrative practices in order to show black comedic agency through aesthetic and cinematic narrative subversion. Through close examination of the film, Beverly Hills Cop (Brest, 1984), this project works to shed new light on the cinematic and standup trickster influences of comedy, and the little recognized existence of the 1980s as a decade that defines a base period for chronicling and inspecting the black aesthetic narrative subversion of American film comedy.
    [Show full text]
  • Otherness, Appropriation, and Identity in Thunderheart
    The Best of Both Worlds: Otherness, Appropriation, and Identity in Thunderheart Pack, Sam. Wicazo Sa Review, Volume 16, Number 2, Fall 2001, pp. 97-114 (Article) Published by University of Minnesota Press DOI: 10.1353/wic.2001.0028 For additional information about this article http://muse.jhu.edu/journals/wic/summary/v016/16.2pack.html Access Provided by CAPES-Fundação Coordenação de Aperfeiçoamento de Pessoal de NÃ-vel Superior at 07/28/11 2:58PM GMT The Best of Both Worlds Otherness, Appropriation, and Identity in Thunderheart Sam Pack n many respects, Thunderheart1 (1992) is a refreshing departure from Iits predecessors in the Native American film genre. While seemingly enlightened, I will argue that the film still relies upon too many Holly- wood crutches in depicting Native Americans, which is particularly evident in its utilization of three tropes: the construction of the “other,” the appropriation of native spirituality, and the formation of identity. I will also analyze several film reviews to demonstrate how the critical reception of Thunderheart reflects mainstream America’s ambivalence to- ward Native Americans. Thunderheart tells the story of a mixed-blood FBI agent (Ray Levoi) who ventures onto the Pine Ridge Indian Reservation in South Dakota to solve a murder but finds his Indian identity in the process. When he realizes that the government is involved in a murder and a plot to mine uranium on the reservation, Levoi teams with tribal policeman Walter Crow Horse and traditional elder Grandpa Sam Reaches to stop the plot and preserve the environment of the reservation.
    [Show full text]
  • Bamcinématek Presents Under the Influence: Scorsese/Walsh, a 12
    BAMcinématek presents Under the Influence: Scorsese/Walsh, a 12-film series pairing Martin Scorsese works with their inspirations from Raoul Walsh’s seminal oeuvre, Mar 12—26 Opens with Walsh’s Regeneration, featuring live piano by acclaimed silent film accompanist Steve Sterner The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Feb 12, 2014—From Wednesday, March 12 through Wednesday, March 26, BAMcinématek presents Under the Influence: Scorsese/Walsh, pairing six Scorsese classics with their inspirations from Raoul Walsh’s seminal oeuvre. The still-undervalued Walsh’s lean, mean portraits of gangsters, knack for evoking gritty urban locales, and assured handling of white- knuckle action provide a virtual template for modern-day maestro (and avowed Walsh admirer) Martin Scorsese’s work. Viewed side by side, the films of these two iconic auteurs reveal a fascinating and ongoing creative dialogue across the generations. One of the great action directors of the Hollywood studio era, Raoul Walsh was the swaggering, manly-man artist behind some of the best movies to star James Cagney, Humphrey Bogart, and Errol Flynn. ―Walsh’s explosive outcast characters were bigger than life,‖ said Martin Scorsese, whose own violent, masculine oeuvre is just as full of explosive outcasts. ―Their lust for life was insatiable, even as their actions precipitated their tragic destiny. The world was too small for them.‖ Walsh was ―probably Scorsese’s single most important influence,‖ wrote critic Dave Kehr (Moving Image Source), even if Scorsese’s debts to Michael Powell, Luchino Visconti, and other filmmakers have been more widely acknowledged over the years.
    [Show full text]
  • 18 Gender, Race, and the Ma(S)King of 'Joni Mitchell'
    18 Gender, race, and the ma(s)king of ‘Joni Mitchell’ kevin fellezs I thought I was black for about three years. I felt like there was a black poet trapped inside me, and [‘The Jungle Line’] was about Harlem – the primitive juxtaposed against the Frankenstein of mod- ern industrialization; the wheels turning and the gears grinding and the beboppers with the junky spit running down their trumpets. All of that together with that Burundi tribal thing was perfect. But people just thought it was weird. (joni mitchell)1 Art is short for artificial. So, the art of art is to be as real as you can within this artificial situation. That’s what it’s all about. That’s what art is! In a way, it’s a lie to get you to see the truth. (joni mitchell)2 Joni Mitchell has always been weird, even by her own account. Personifying as well as versifying the tensions, contradictions, and affinities between the footloose and the fenced-in that is a main theme running through her work, she has remained one of pop music’s enduring enigmas despite over five decades in the music business.3 By turns, she has described herself or been characterised by others as an idiosyncratic singer-songwriter, the ‘consum- mate hippy chick’, ‘Annie Hall meets urban cowgirl’, the ‘babe in bopperland, the novice at the slot machines, the tourist, the hitcher’, a poet, a painter, a reluctant yet ambitious superstar.4 Who, in fact, are we confronting in a ‘self-confessional singer-songwriter’ who withholds her ‘real’ name? Born Roberta Joan Anderson to parents preparing for a son named Robert John on November 7, 1943, the artist better known as Joni Mitchell concocted her name through a combination of youthful pretensions and her first, brief marriage.
    [Show full text]
  • Redalyc.FROM EMMA to CLUELESS: IRONIC REPRESENTATIONS of JANE AUSTEN
    Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Azerêdo, Genilda FROM EMMA TO CLUELESS: IRONIC REPRESENTATIONS OF JANE AUSTEN Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 51, julio-diciembre, 2006, pp. 235-263 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348689013 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative From Emma to Clueless: ironic representation... 235 FROM EMMA TO CLUELESS: IRONIC REPRESENTATIONS OF JANE AUSTEN1 Genilda Azerêdo Universidade Federal da Paraíba Abstract This essay discusses the constructions and functions of irony in Amy Hecherling’s Clueless (1995), a contemporary and loose filmic adaptation of Jane Austen’s Emma (1816). The analysis reveals that Heckerling plays with the intersection of past and present and parodies, through an explicit ironical look, both Austen’s and our contemporary world. Keywords: irony; parody; adaptation. A first great distinction between Diarmuid Lawrence’s (1996) and Douglas McGrath’s (1996) adaptations of Emma and Amy Heckerling’s Clueless (1995) is related to the acknowledgment of the ‘original’ source, Austen’s novel, in the construction of the adapted text, and consequently the question of faithfulness to what they consider to be Austen’s world and values. Whereas the period-piece adaptations make great efforts to reconstruct and recreate Austen’s past village life in pre-industrial England in minute details—attention is given to historical locations, accurate period decor, authentic dances, period music, food, costumes, Ilha do Desterro Florianópolis nº 51 p.
    [Show full text]
  • Reading Group Guide Spotlight
    Spotlight on: Reading Group Guide Happiness Sold Separately Author: Lolly Winston Born c. 962, in Hartford, CT; married Anders Wallgren Name: Lolly Winston (a consulting software engineer). Education: Attended Born: 962 Simon’s Rock College; Bard College, B.A.; Sarah Education: Attended Lawrence College, M.F.A. Addresses: Home: CA. Simon’s Rock College; Email: [email protected]. Bard College, B.A.; Sarah Lawrence College, M.F.A. Address: CA. Email: lolly@ lollywinston.com Career: Writer. Previously worked as a waitress, corporate copywriter, public affairs officer for a trauma hospital, and freelance journalist; taught English as a second language and classes in writing. Writings: Good Grief (novel), Warner Books (New York, NY), 2004. Happiness Sold Separately (novel), Warner Books (New York, NY), 2006. Contributor of short stories and essays to anthologies, including The Third Berkshire Anthology; Girls’ Night Out; Kiss Tomorrow Hello Doubleday, 2006; and Bad Girls. Contributor of articles to periodicals, including Redbook, Family Circle, Working Mother, New Woman, Sunset, Automotive News, and Lifetime; contributor of short stories to periodicals, including the Sun and Southeast Review. Good Grief has been published in fifteen languages. Media Adaptations: Happiness Sold Separately has been made into an audiobook by Hachette Audio and is being adapted for a film produced by Julia Roberts. Sidelights: Author Lolly Winston has been writing in some form or another for most of her adult life, ranging from copywriting to articles automotive magazines. Fiction, however, remained her first love, and she set herself a goal of writing her first novel by the time she was forty.Good Grief is the result of Winston’s vow.
    [Show full text]
  • Hard to Stop Image and Authorship in the Films of Steven Seagal
    Hard To Stop Image and Authorship in the Films of Steven Seagal BY Michael Van Esler Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ______________________________ Chairperson: Dr. Chuck Berg ______________________________ Dr. Michael Baskett ______________________________ Prof. Robert Hurst Date Defended: April 18th, 2011 Acceptance Page The Thesis Committee for Michael Van Esler certifies that this is the approved version of the following thesis: Hard To Stop: Image and Authorship in the Films of Steven Seagal _____________________________ Chairperson: Dr. Chuck Berg Date Approved: ii Abstract Little serious scholarly work has been done on the career of Steven Seagal which is surprising given his immense popularity in the early 1990s. In addition to suggesting more work be done on less traditional stars, this thesis asks what factors lead to an understanding of Steven Seagal as a working class action hero. It makes the case for understanding Seagal as a star because of the impressive box office success of his films along with his immense popularity during that time frame. The thesis focuses mainly on Seagal‘s films from 1988 until 1995, with only occasional references to his later, less commercially successful work which nonetheless helps explicate the essence of the Seagal persona. The main theoretical texts utilized in this thesis are Richard Dyer‘s Stars, which examines both the sociological and semiotic implications of stardom, and Rick Altman‘s Film/Genre, which explores the evolution of the working class action film.
    [Show full text]
  • Study of the Gender Representations Within the Aliens Series
    University of Rhode Island DigitalCommons@URI Open Access Master's Theses 2001 Study of the Gender Representations within the Aliens Series Whitney Anspach University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Anspach, Whitney, "Study of the Gender Representations within the Aliens Series" (2001). Open Access Master's Theses. Paper 1356. https://digitalcommons.uri.edu/theses/1356 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. STUDY OF THE GENDER REPRESENTATIONS WITHIN THE ALIEN SERIES BY WHITNEY ANSPACH A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN COMMUNICATION STUDIES UNIVERSITY OF RHODE ISLAND 2001 MASTER OF ARTS THESIS OF WHI1NEY ANSPACH APPROVED: Thesis Committee DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2001 Abstract This study employed a detailed examination of and comparison between and among each of the four films within the Alien series to explore and demonstrate distinct differences in gender representation in the series. This study has also determined that there exists a relationship between these differing gender representations and concurrent changes in the gender norms of films created for the primary target audience the United States with secondary international audiences. This determination was aided by a detailed examination of the gender norms in multiple genres including science fiction, action, horror, and hybrid mixtures of these three.
    [Show full text]