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LIVE from LINCOLN CENTER “Falsettos” TCA Biographies ANDREW C. WILK Andrew C. Wilk Is a Multiple Emmy Award-Winning Producer
LIVE FROM LINCOLN CENTER “Falsettos” TCA Biographies ANDREW C. WILK Andrew C. Wilk is a multiple Emmy Award-winning producer and director whose career has encompassed leading roles in many areas of commercial and educational content. Since his arrival at Lincoln Center in 2011, he has served as executive producer of Live From Lincoln Center episodes ranging from classical music to dance to theatre. Prior to his work at Lincoln Center, Wilk served as Chief Creative Officer at Sony Music Entertainment, where he oversaw all visual content for Sony’s label groups and spearheaded Sony’s digital expansion. He also served as Founding Programmer and Executive Vice President of Programming and Production for the National Geographic Channel, where he launched the channel and developed its initial programming and scheduled and commissioned new programs, including specials with PBS and NBC. Wilk has won five Emmy Awards and received 15 nominations. Over the course of his career, he has produced or directed more than 1,000 television shows, ranging from children’s programming to news to commercial entertainment, in addition to continuing his work as a conductor of live music concerts. JAMES LAPINE James Lapine collaborated with Stephen Sondheim as author and director for Sunday in the Park With George; Into the Woods; Passion; and the multi-media revue Sondheim on Sondheim. He also directed Merrily We Roll Along as part of Encores at New York City Center. With William Finn, he has collaborated on March of the Falsettos and Falsettoland, later presented on Broadway as Falsettos and recently revived in 2016; A New Brain; Muscle; and Little Miss Sunshine. -
Queering William Finn's a New Brain
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2019 Trouble in His Brain: Queering William FNicihnolnas 'Ksri satof eNr Reichward sBonrain Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF FINE ARTS “TROUBLE IN HIS BRAIN”: QUEERING WILLIAM FINN’S A NEW BRAIN By NICHOLAS KRISTOFER RICHARDSON A Thesis submitted to the School of Theatre in partial fulfillment of the requirements for the degree of Master of Arts 2019 © 2019 Nicholas Kristofer Richardson Nicholas Kristofer Richardson defended this thesis on April 16, 2019. The members of the supervisory committee were: Aaron C. Thomas Professor Directing Thesis Mary Karen Dahl Committee Member Chari Arespacochaga Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I have so much for which to be thankful and I am indebted to a great number of people. I will try my best to limit this section to those who helped me specifically with this thesis and these past two years of graduate school. First, I offer heartfelt thanks to my most admirable chair, Dr. Aaron C. Thomas. Thank you for guiding me through this thesis regardless of my many insecurities. Thank you for demanding rigor from me and my work. Thank you for your patience. Thank you for your faith in me. It’s been a pleasure to learn from you and work with you. -
Teacher Resource Guide Falsettos.Titlepage.09272016 Title Page As of 091516.Qxd 9/27/16 1:51 PM Page 1
Teacher Resource Guide Falsettos.TitlePage.09272016_Title Page as of 091516.qxd 9/27/16 1:51 PM Page 1 Falsettos Teacher Resource Guide by Nicole Kempskie MJODPMO!DFOUFS!UIFBUFS André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Jujamcyn Theaters presents Music and Lyrics by William Finn Book by William Finn and James Lapine with (in alphabetical order) Stephanie J. Block Christian Borle Andrew Rannells Anthony Rosenthal Tracie Thoms Brandon Uranowitz Betsy Wolfe Sets Costumes Lighting Sound David Rockwell Jennifer Caprio Jeff Croiter Dan Moses Schreier Music Direction Orchestrations Vadim Feichtner Michael Starobin Casting Mindich Chair Tara Rubin, CSA Production Stage Manager Musical Theater Associate Producer Eric Woodall, CSA Scott Taylor Rollison Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Choreography Spencer Liff Directed by James Lapine Lincoln Center Theater is grateful to the Stacey and Eric Mindich Fund for Musical Theater at LCT for their leading support of this production. LCT also thanks these generous contributors to FALSETTOS: The SHS Foundation l The Blanche and Irving Laurie Foundation The Kors Le Pere Foundation l Ted Snowdon The Ted and Mary Jo Shen Charitable Gift Fund American Airlines is the Official Airline of Lincoln Center Theater. Playwrights Horizons, Inc., New York City, produced MARCH OF THE FALSETTOS Off-Broadway in 1981 and FALSETTOLAND Off-Broadway in 1990. TABLE OF CONTENTS INTRODUCTION . 1 THE MUSICAL . 2 The Story . 2 The Characters . 4 The Writers . 5 Classroom Activities . -
ATT Edition 5 | 2018-2019
WHAT’S INSIDE Dear Patrons | 5 Theatre Information | 9 Falsettos | 11 Cast | 12 Musical Numbers | 14 Who’s Who in the Cast | 15 Staff | 19 Donors | 24 Center Staff | 35 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2019. All rights reserved. Printed in the U.S.A. DEAR PATRONS © Carter Rose Welcome to the Winspear Opera House on the AT&T Performing Arts Center campus, and to the Lincoln Center Theater Production of Falsettos. I’m so glad we have this show here for Valentine’s Day. At its heart, Falsettos is about love. It’s the perfect piece of art for contemplating what love means, what we’re willing to do for it, and how it fits into our lives. The power of musical theatre! Speaking of love, if it’s Broadway you love then next up in the AT&T Performing Arts Center’s Broadway Series is the hilarious The Play That Goes Wrong; followed by Beautiful – The Carole King Musical (back by popular demand); direct from London is Bat Out of Hell; then the scrumdiddlyumptious Charlie and the Chocolate Factory. All of this will happen right here in the beautiful Winspear Opera House. And soon we’ll announce our exciting 2019/2020 Broadway season. This will be our first season in partnership with Dallas Summer Musicals, which will provide even more opportunities for North Texas audiences to enjoy the best of Broadway. -
PIANO TRAX SCORES As of 09/16/14 These Scores Are NOT for SALE
PIANO TRAX SCORES As of 09/16/14 These scores are NOT FOR SALE. To request songs from these scores please contact: [email protected] !Dr. Horribles Sing-Along Blog.pdf A Connecticut Yankee.pdf AC-Fosse Time-full score.pdf 6 Women with Brain Death (PV) [159].pdf A Day In Hollywood A Night in the Ukraine - Across The Univ. Part 1.pdf Complete Score.pdf 7 Brides 7 Brothers.pdf Across The Univ. Part 2.pdf A Doll's Life (PC) [282].pdf 9 to 5 - Complete Vocal Score.pdf Addams Family - Lippa.pdf A Funny Thing Happened On The Way To 13 - Jason Robert Brown.pdf The Forum.pdf Adding Machine (PC) [295].pdf 25th Annual Putnam County Spelling Bee.pdf A Joyful Noise (M).pdf Adele - 21.pdf 35MM (VS).pdf A Little Night Music.pdf Adventures In Love (PV) [229].pdf 42nd Street.pdf A Little Princess (PV) [267].pdf Adventures Of Tom Sawyer,The.pdf 70 Girls 70.pdf A Long Gay Book (Loving Repeating).pdf Aida.pdf 110 in the Shade - Complete Score.pdf A Man of No Importance.pdf Ain't Misbehavin (PC) [310].pdf 1600 Pennsylvania Ave (RP) [274].pdf A My Name is Alice.PDF Aladdin Jr PV.pdf 1776 score.pdf A My Name is Still Alice.PDF Alan Menken Songbook (VS).pdf 1940s Radio Hour (PC).pdf A New Brain.pdf Alicia Keys A Catered Affair (L).pdf A Slice of Saturday Night - Complete All American.pdf Score.pdf A Chorus Line - Complete Score.pdf All I Need To Know, I Learned in A Very Potter Musical.pdf Kindergarten (Fulghum & Caldwell) - PC.pdf A Chorus Line.pdf A Word on my Ear - Flanders and Swann All Shook Up National Tour Conductors A Christmas Carol (PC) [291].pdf (S).pdf -
Artistry Presents William Finn's Autobiographical Musical a NEW BRAIN, Opening October 18
Bloomington Center for the Arts 952-563-8575 1800 W Old Shakopee Rd artistrymn.org Bloomington, MN 55431 FOR IMMEDIATE RELEASE Contact: Devon Cox, Associate Producer & Director of Theater Marketing 952-563-8564, [email protected] Artistry Presents William Finn's Autobiographical Musical A NEW BRAIN, opening October 18 (Bloomington, MN) Artistry is excited to present A New Brain, taking place in the Schneider Theater October 18 – November 9, 2019, directed by Benjamin McGovern. Gordon Schwinn is the frustrated composer of a children’s TV show who, on one otherwise ordinary day, collapses into his lunch and wakes up in the hospital. As doctors and nurses fly in and out of his room, trying to figure out what’s wrong with his brain, Gordon drifts in and out of consciousness as he contemplates his life, legacy, and the meaning of music—all while navigating his relationships with his best friend, mother, and boyfriend. Oh, and he’s also being haunted by Mr. Bungee, an imaginary frog and the star of the children’s show he’s supposed to be composing for. A semi-autobiographical musical by Tony Award-winning composer William Finn, A New Brain features Finn’s signature lyricism and is an unexpectedly funny, relatable, and ultimately touching meditation on how beautiful the world is when we slow down enough to look. Tony-winning composer and lyricist William Finn is known for his quirky, witty and heartfelt musicals. His best-known shows, Falsettos and The 25th Annual Putnam County Spelling Bee, were both Tony-award winners. Finn is a heavily autobiographical writer, and as a result his musicals often feel extremely intimate and personal. -
Michael John Lachiusa's STORIES of AMERICA
LARGE PRINT PROGRAM ThE ALLEN ROOM JAZZ AT LINCOLN CENTER’S fREdERICk P. ROSE hALL LincoLn center presents AmericAn songbook JAnuAry 22 – June 12, 2014 sponsored by prudential investment management Saturday Evening, February 1, 2014, at 8:30 hEARTbREAk COuNTRy: MIChAEL JOhN LAChIuSA’S STORIES Of AMERICA with kate baldwin, Sherry d. boone, Marc kudisch, bryce Ryness, Andrew Samonsky, Emily Skinner, and Mary Testa mary-mitchell campbell, Musical Director and Piano David gardos, Piano PLEASE TuRN PAGES quIETLy (program continued) 2 steven Lyon, Reeds Laura bontrager, Cello marc schmied, Bass Damien bassman, Drums Jack cummings iii, Conception and Director This evening’s program is approximately 75 minutes long and will be performed without intermission. major support for Lincoln center’s American songbook is provided by Fisher brothers, in memory of richard L. Fisher; and Amy & Joseph perella. Wine generously donated by William Hill estate Winery, official Wine of Lincoln center. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. steinway piano please make certain your cellular phone, pager, or watch alarm is switched off. 3 Lincoln Center’s Large Print and braille programs are made possible thanks to a generous endowment established by frederick P. Rose, daniel Rose, and Elihu Rose in honor of their mother, belle b. Rose. Additional support for Lincoln center’s American songbook is provided by the brown Foundation, inc., of Houston, the Dubose and Dorothy Heyward memorial Fund, the shubert Foundation, Jill and irwin cohen, the g & A Foundation, inc., great performers circle, chairman’s council, and Friends of Lincoln center. -
The Music of William Finn
Edge Publications runs a series of different entertainment websites geared to the gay communities of Boston, Chicago, Dallas, Fire Island, Ft. Lauderdale, Las Vegas, Los Angeles, Miami, New York City, Philadelphia, Providence, Provincetown and San Francisco April 22, 2011 Songs Of Innocence & Experience: The Music Of William Finn By J. Peter Bergman In thirteen songs drawn from six of songwriter William Finn’s many projects, novice recording artist Lisa Howard presents a picture of Finn’s world and mind and illuminates with talent and style the inner inspirational force of the creator of these ditties. What emerges, really, is the unique style of his work. The stage works represented go back to 1989’s Romance in Hard Times and Falsettos in 1992 and continue through The Royal Family of Broadway (1994), A New Brain (1998) and Elegies: A Song Cycle (2003) with two songs from 2005’s Songs of Innocence and Experience. Among the best of them is "I Don’t Know Why You Love Me" from The Royal Family... A genuine period sound pervades this minor show-stopper sung with Derrick Baskin who scats with the best. In fact all four of the songs from this show are gems. They are also the only ones that sound like another composer was involved in the work. Finn’s songs tend to become one long number without the four cited above, somewhat similar to one another. Two other exceptions to this represent the best and worst of his work. "Sailing," beautifully performed by Howard with guitar accompaniment by Matt Hinkley from "A New Brain" is one of the finest pieces in Finn’s lexicon. -
A New Brain Playbill
PRODUCTION STAFF Director and Choreographer...........................................................................Alicia Sweeney Music Director.................................................................................................Jessica Deskin Assistant Director............................................................................................Shannon Benil Producer...............................................................................................................Tim Brown Stage Manager..................................................................................................Shirley Panek Assistant Stage Managers.........................................Bernadette Arvidson, Andy McLendon Lighting Designer................................................................................................John Purnell Assistant Lighting Designer and ETC Programmer..........................................Jennifer Smith Set Designer...................................................................................................Carol Youmans Costume Designers..................................................................Fran Marchand, Lura Meyers Properties Designer.................................................................................Charlotte Robinson Sound Designer....................................................................................Richard Atha-Nicholls Assistant Sound Designer........................................................................Kaelynn Bedsworth Set Decoration/Floor -
Into the Woods Program
O C T OUT OF THE BOX O B E R THEATRICS 2 6 - N presents O V E M B E R 9 , 2 0 1 8 MUSIC & LYRICS BY STEPHEN SONDHEIM BOOK BY JAMES LAPINE PRESENTED IN THREE LOCATIONS JEFFERSON MARKET LIBRARY P R E V I E W S : O C T O B E R 2 6 - 2 7 O P E N I N G N I G H T : O C T O B E R 2 8 RIZZOLI BOOKSTORE O C T O B E R 3 0 - N O V E M B E R 1 NANCY MANOCHERIAN’S THE CELL THEATRE N O V E M B E R 2 - N O V E M B E R 9 @ootbtheatrics CAST Amara J. Brady Gabriella Garcia Alie B. Gorrie* Alicia Krakauer* Alaina Mills* Celena Vera Morgan Sydney Ronis Brian Charles Katherine Yacko* Rooney* * Actors' Equity Association MUSICAL NUMBERS ACT I Prologue: "Into the Woods" "Hello, Little Girl" "I Guess This is Goodbye" "Maybe They're Magic" "I Know Things Now" "A Very Nice Prince" "Giants in the Sky" "Agony" "It Takes Two" "Stay With Me" "On the Steps of the Palace" "Ever After" ACT II Prologue: "So Happy" "Agony" "Lament" "Any Moment' "Moments in the Woods" "Your Fault" "Last Midnight" "No More" "No One is Alone" Finale: "Children Will Listen" MUSICIANS Piano.....................................................................................................Anessa Marie Into the Woods will be performed with an intermission. Run Time: 2 hours 40 minutes Opening Night: October 28, 2018 nancy manocherian’s Jefferson Market Library RIzzoli Bookstore the cell theatre 425 Avenue of the Americas 1133 Broadway 338 W. -
About the Author Jason Robert Brown
BRAZOSPORT COLLEGE THEATRE DEPARTMENT PROUDLY PRESENTS Originally Produced for the New York stage by Arielle Tepper and Marty Bell Orginally Produced by Northlight Theatre Chicago, IL Costume Design Lighting Design Shannon Averett Byron Gernand Musical Director Director Clayton Roberts Michael McIntosh Featuring Samantha Blackmar MaKayla Dunn Mason Rod Tomás Whitmarsh April 15-19, 2021 Shakespeare in the Glen Theatre Brazosport College Theatre Department Brazosport College | Lake Jackson TX Shakespeare in at Brazosport College Cast Samantha Blackmar .............................................Cathy MaKayla Dunn .......................................................Cathy Mason Rod .................................................................Jamie Tomás Whitmarsh ..................................................Jamie Songs Still Hurting Shiksa Goddess See, I’m Smiling Moving Too Fast I’m a Part of That The Schmuel Song A Summer in Ohio The Next Ten Minutes A Miracle Would Happen Climbing Uphill If I Didn’t Believe in You I Can Do Better Than That Nobody Needs to Know Goodbye Until Tomorrow/ I Could Never Rescue You Pianist Clayton Roberts THE LAST FIVE YEARS will be performed without an intermission. STREAMING IS PRESENTED BY SPECIAL ARRAGEMENT OF MUSIC THEATRE INTERNATIONAL (MTI) NEW YORK, NY. All authorized performance materials are also supplied by MTI. mtishows.com. Any video and/or audio recording of this production is strictly prohibited. Staff for The Last Five Years Video Streaming Specialist .............Kyle Parrinello Stage -
American Jewish Theater and the Politics of Representation
ABSTRACT Title of Dissertation / Thesis: A STAGE FOR A BIMA: AMERICAN JEWISH THEATER AND THE POLITICS OF REPRESENTATION . David Lyle Solomon, Ph.D. , 2004 Dissertation / Thesis Directed By: Professor Jackson R. Bryer, Department of English This dissertation examines how contemporary American Jewish playwrights and performers have presented Jewish identities in light of multicultural ism . Although American Jews have by large been supporters of the multicultural movement, in practice multicu lturalism has been problematic for Jews because of its privileging of race and gender: are Jews different enough to be included in a multicultural portrait ? Jews see themselves as outsiders to an American establishment, but are viewed as insiders. I inve stigate how contemporary Jewish voices in American theater have portrayed “Jewishness” as a permanent attribute of Jewish identity. In doing so, they articulate Jewish difference through the rhetoric of multiculturalism so that Jews are clearly positioned as distinct from an American mainstream . Contemporary Jewish playwrights have responded to popular culture’s schizophrenic representation of Jews, questioning its portrayal of Jews as everymen figures while revisiting its stereotypical representations of Jews that were intended to mark Jews as different from mainstream America. Though Jewish American culture has sought to escape stereotypes, Jewish playwrights continue to evoke them, even as they debate the value of such tropes. If stereotypes disappear , does an articulated Jew ish difference disappear with them ? In chapter one, I discuss my theoretical approach and the difficulties in defining stereotypical “Jewishness .” In chapter two, I discuss how Jewish playwrights and performers have responded to the shifting definitions of race in their presentations of Jewish identity by portraying contemporary Jewish identity through the model of the African -American experience .