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Grateful Dead Shakedown Street Mp3, Flac, Wma
Grateful Dead Shakedown Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul Album: Shakedown Street Country: Australia Released: 1978 Style: Folk Rock, Country Rock, Funk, Disco MP3 version RAR size: 1920 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1484 mb Rating: 4.1 Votes: 873 Other Formats: VQF MP3 MP2 AAC AIFF AUD MP4 Tracklist Hide Credits Good Lovin' A1 4:51 Written-By – A. Resnick*, R. Clark* France A2 4:03 Written By – Hart/Weir/HunterWritten-By – Bob Weir, Mickey Hart, Robert Hunter Shakedown Street A3 4:59 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter Serengetti A4 1:59 Written By – Hart/KreutzmannWritten-By – Bill Kreutzmann, Mickey Hart Fire On The Mountain A5 3:46 Written By – Hart/HunterWritten-By – Mickey Hart, Robert Hunter I Need A Miracle B1 3:36 Written By – Weir/BarlowWritten-By – Bob Weir, John Perry Barlow From The Heart Of Me B2 3:23 Horns – Steve SchusterWritten-By – D. Godchaux* Stagger Lee B3 3:25 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter B4 All New Minglewood Blues 4:12 If I Had The World To Give B5 4:50 Written By – Garcia/HunterWritten-By – Jerry Garcia, Robert Hunter Companies, etc. Manufactured By – EMI (Australia) Limited Credits Artwork By – Gilbert Shelton Co-producer – Dan Healy Engineer – Bob Matthews Harp – Matthew Kelly Mastered By – George Horn Percussion – Jordan Amarantha Producer – Lowell George Barcode and Other Identifiers Matrix / Runout (Runout Side A): AB.4198A Matrix / Runout (Runout Side B): AB.4198B-2 Other -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1. -
New Riders of the Purple Sage – Nrpsmusic.Com in the Summer Of
New Riders of the Purple Sage – nrpsmusic.com In the summer of 1969, John Dawson was looking to showcase his songs while Jerry Garcia was looking to practice his brand new pedal steel guitar. The two played in coffeehouses and small clubs initially, and the music they made became the nucleus for a band—the New Riders of the Purple Sage. That same year, David Nelson, expert in both country and rock guitar, joined the group on electric lead guitar. Filling out the rhythm section in those early days were Grateful Dead drummer Mickey Hart and engineer Bob Matthews on bass, who was later replaced by Phil Lesh. In 1970, Dave Torbert took over on bass and the New Riders played every chance they got. Soon enough, smoky clubs all over the San Francisco bay area were filling up with whooping, foot-stomping crowds as their music got tighter and more dynamic. They began to tour extensively with the Dead, and in December of 1970, Spencer Dryden, who had previously showed his impeccable drumming style with the Jefferson Airplane, had stepped in on drums. One of the many gigs with the Dead included the Trans-Canadian Festival Express with Janis Joplin, The Band, and other American and Canadian artists like Ian and Sylvia, who had with them a brilliant, innovative pedal steel player named Buddy Cage. When Garcia's busy schedule made it increasingly difficult for him to play with the New Riders, the talented Cage was the perfect choice to fill the pedal steel spot. He moved from Toronto where he had been working in Anne Murray's band, to California in the fall of 1971 to join the New Riders. -
Jgb751231.Pdf
Set ONE 1. LET IT ROCK 2. MOTHER NATURE’S, SON 3. IT Aint NO USE 4. GOD SAVE THE QUEEN 5. THEY LOVE EACH OTHER 6. PIG’S BOOGIE Set TWO 1. NEW YEAR’S COUNTDOWN 2. HOW SWEET IT IS (TO BE LOVED BY YOU) 3. CATFISH JOHN 4. MYSTERY TRAIN> 5. DRUMS>NEW YEAR’S JAM> 6. MYSTERY TRAIN Set Three 1. TORE UP OVER YOU 2. TUNING 3. C.C. RIDER 4. (I’M A) ROAD RUNNER RECORDED LIVE AT THE KEYSTONE, BERKELEY, CA DECEMBER 31ST, 1975 The music contained herein present the Jerry Garcia Band’s lone New Year’s Eve performance. Originally captured to analog reels and later transferred to digital audio tape, the enclosed recordings have been meticulously mastered for release. While certain minor sonic imperfections impervious to even the latest in digital wizardry remain, rest assured this vibrant performance transcends any inherent limitation in fidelity. Listen comfortably with our promise that every effort was made to produce this performance for release in a manner which honors the spirit of its creation. photo: © Ed Perlstein / MusicImages.com Jerry Garcia played more than 200 shows in various configurations After several years with Merl Saunders and Martin Fierro, Garcia at the Keystone Berkeley, a tiny and beloved club owned by his and Kahn contemplated a change in personnel in mid-1975. longtime friend Freddie Herrera. It was a decidedly unspectacular Then-manager Richard Loren recalls, “I’d been getting these feelings… venue, both architecturally and acoustically, but it was the scene I’d hear stuff when they came off the stage, and I was privy to of countless memorable musical moments, as I and any number of conversations between John and Jerry.” Bay Area music lovers of a certain age can attest. -
DRAGONS WIN ECC Drexel Readies for SEPTA Strike
DRAGONS WIN ECC Drexel Readies for SEPTA Strike by Dave Chartier Maps and information are available Special to the Triangle at the Creese Student Center desk, and at the Commuter Coalition s ofice at The proposed SEPTA strike by 3027 MacAlister. Drexel and the union workers will start March 15 if University of Pennsylvania have a contract is not ratified with SEPTA prepared emergency strike sanctions management. This strike will shut to alleviate the transportation problems down the Philadelphia area from in case a strike is prolonged. public transportation and force Drex If an actual strike does w cur. Drcxel el commuters to make alternative has issued a memorandum proposing travel arrangements. Presently, 40% contingency plans for emergency of the Drexel population live outside transportation and parking. Travel the University City area. Because of from 69th Street Terminal will be pro this volume, Drexel is bracing the staff vided by a U. of P. bus that will pick for the strike. up Penn and Drexel personnel with The Commuter Coalition is organiz proper ID at the lot area east of the ing carpools and providing strike in terminal. formation. There will be an emergency This bus will depart at 7:30 a.m. and travel seminar on Monday, March 10, travel east on Market to 34th Street. at 1 p.m . in the Living Arts Lounge A Drexel bus will leave from the same to register carpools for the Delaware location at 8:30 a.m. and proceed Valley Regional Planning down Market and pick up additional Commission. passengers on its way to 32nd street. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ SHO-BGP-026 1988-09-21 P-1 --------- 1988-09-21 / SHO BGP-026 CP006513 / CP01763 Eric Clapton, Buckwheat Zydeco at Shoreline Amphitheater, Mountain View - Mountain View, Private Notes: BGP-026 Artist: Heirographics (Arlene Owseichik) - Art Director Venue: Shoreline Amphitheater, Mountain View Promoter: Bill Graham Presents BGP Items: Original poster SHO-BGP-026 Edition 1 / CP006513 / CP01763 (13 x 19-1/4) Price: 95.00 Performers: 1988-09-21: Shoreline Amphitheater, Mountain View Eric Clapton / Buckwheat Zydeco 1988-09-22: Arco Arena Eric Clapton / Buckwheat Zydeco 1988-09-26: Portland Coliseum Eric Clapton / Buckwheat Zydeco ------------------------------ 1989-08-10 P --------- 1989-08-10 / CP060114 / CP060114 Allman Brothers Band at Concord Pavilion Benefit: 20th Anniversary Tour Artist: Randy Tuten Venue: Concord Pavailion, Concord Promoter: Bill Graham Presents Items: Original poster / CP060114 / CP060114 (11 x 18-1/8) Performers: 1989-08-10: Concord Pavailion, Concord Allman Brothers 1989-08-11: Shoreline Amphitheater, Mountain View Allman Brothers 1989-08-12: Cal Expo Amphitheater, -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. [email protected] ------------------------------ GRK-BGP-003 1985-09-13 P-1 --------- 1985-09-13 / GRK BGP-003 CP006489 / CP01739 Ub40, Fine Young Cannibals at Greek Theater at University of California at Berkeley - Berkeley, CA Notes: This poster has no number Private Notes: BGP-003 Artist: Heirographics (Arlene Owseichik) - Art Director Venue: Greek Theater at University of California at Berkeley Promoter: Bill Graham Presents BGP Items: Original poster GRK-BGP-003 Edition 1 / CP006489 / CP01739 (13-3/8 x 18-1/8) Price: 1225.00 Performers: 1985-09-13: Greek Theater at University of California at Berkeley UB40 / Fine Young Cannibals ------------------------------ GRK-BGP-004 1985-09-26 P-1 --------- 1985-09-26 / GRK BGP-004 CP006490 / CP01740 REM, Guadalcanal Diary at Greek Theater at University of California at Berkeley - Berkeley, CA Notes: This poster has no number Private Notes: BGP-004 Artist: Heirographics (Arlene Owseichik) - Art Director Venue: Greek Theater at University of California at Berkeley Promoter: Bill Graham Presents BGP Items: Original poster GRK-BGP-004 Edition 1 / CP006490 / CP01740 (14 x 19) Price: 1525.00 Performers: 1985-09-26: Greek Theater at University of California at Berkeley R.E.M. / Guadalcanal Diary ------------------------------ GRK-BGP-005 1985-09-27 P-1 --------- 1985-09-27 / GRK BGP-005 -
The Ultimate Complete Michael Bloomfield Discography
The Ultimate Complete Michael Bloomfield Discography Michael Bloomfield December 7, 1964 “The music you listen to becomes the soundtrack of your life....” Michael Bloomfield Feb. 13, 1981 Compiled by René Aagaard, Aalekaeret 13, DK-3450 Alleroed, Denmark - [email protected] www.the-discographer.dk - Copyright September 2014 Version 9 Michael Bernard Bloomfield was born July 28, 1943, in Chicago, Illinois and was found dead in his car in San Francisco, California on February 15, 1981. Between these dates he made a lasting impression on the world of music. Today he is still considered one of the greatest and most influential white guitarists from the USA. He learned by listening to all the great black musicians that played Chicago in the ’50s and early ’60s - people like Howlin’ Wolf, Muddy Waters, Big Joe Williams, Sleepy John Estes and many more. He was always eager to join them on stage and made quite a name for himself. He also played with many white musicians his own age, like Barry Goldberg, Charlie Mussel- white, Nick Gravenites and whoever toured Chicago. In the early ’60s, barely 20 years old, he was the musical director of a Chicago blues club called The Fickle Pickle. Here he hired many of the old, black blues legends, and he treated them so well that Big Joe Williams even mentions him in a song about the club, “Pick a Pickle”. In 1964 Michael Bloomfield was “discovered” by legendary producer John Hammond, Sr., who went to Chicago to hear and record Bloomfield, and then invited him to New York to audition for Columbia Records. -
Airwaves (1979-10)
AIRW\VES A Service of Continuing Education and Extension - University of Minnesota, Duluth october In this issue: MARATHON FOR WDTH RADIO OCT.18-21 INTERVIEW WITH BROWNIE MCGHEE CALENDAR AND PROGRAMING GUIDE . SUBSCRIPTION INFORMATION ---------l5il UNIVERSITY OF MINNESOTA-------'---- ouLUTH lnfervie\,\/: with Brownie McGhee Amidst an outstanding group have to do is stay out of the play guitar. you must pick of performers at the 6th hospital and the graveyard.." it".He stopped me from Annual Winnipeg Folk Festi- strumming, I know that. And val 1979, one man stood out This is Brownie McGhee's story my writing ability .•. I come as something special, his in his own words from the to put stories together be- name was Walter Brown McGhee Winnipeg Folk Festival July cause my father sang about one of. the giants of the 8th, 1979: his daily life. His work, blues. his hard.ships, his persecu- tions and being young. I As a singer, songwriter, and JZ: I'm talking with a man didn't know very well, but guitar playing blues legend, who, I hope you don't mind if as I grew older, I realized Brownie McGhee together with I call you a legend in your what he was singing about. harmonica player Sonny Terry own time. have become household words JZ: You have fond remember- among fans of the blues. BM: If you want to. ances of your father, I They have performed for the think, one time, you said his last four decades all over JZ: I want to. His name is hands were like a steam this country as well as Brownie McGhee, and I've en- shovel, reaching many remote parts joyed you at a workshop and of the globe. -
CHRIS SHAW.Pdf
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ 1990 P --------- 1990 / CP700555 / CP700555 Stop the Fascist Dirtheads Notes: This item appears in the book 'The Art of Modern Rock' as AMR # 109 Artist: Chris Shaw Items: Original poster / CP700555 / CP700555 (11-1/2 x 17) Performers: 1990: ------------------------------ ARC-BGP-068 1992-12-31 P-1 --------- 1992-12-31 / ARC BGP-068 CP006543 / CP01793 Tesla, Saigon Kick at Arco Arena - Sacramento, CA Private Notes: BGP-068 Artist: Chris Shaw Venue: Arco Arena Promoter: Bill Graham Presents BGP Items: Original poster ARC-BGP-068 Edition 1 / CP006543 / CP01793 (13 x 19-1/4) Price: 53.00 Performers: 1992-12-31: Arco Arena Tesla / Saigon Kick / Atomic Circus ------------------------------ WAR-BGP-069 1992-12-31 P-1 --------- 1992-12-31 / WAR BGP-069 CP006544 / CP01794 Neville Brothers, Salsa Caliente at Warfield Theater - San Francisco, CA Private Notes: BGP-069 Artist: Chris Shaw Venue: Warfield Theater Promoter: Bill Graham Presents BGP Items: Original poster WAR-BGP-069 Edition 1 / CP006544 / CP01794 (13 x 19-1/4) Price: 53.00 Performers: 1992-12-31: Warfield Theater Neville Brothers / Salsa Caliente / Gin Blossoms ------------------------------