PDF Download Rough Justice : the DC Comics Sketches of Alex Ross

Total Page:16

File Type:pdf, Size:1020Kb

PDF Download Rough Justice : the DC Comics Sketches of Alex Ross ROUGH JUSTICE : THE DC COMICS SKETCHES OF ALEX ROSS PDF, EPUB, EBOOK Alex Ross | 224 pages | 11 Sep 2012 | Random House USA Inc | 9780307378781 | English | India Rough Justice : The DC Comics Sketches of Alex Ross PDF Book Best Seller. Refresh and try again. Learn how to enable JavaScript on your browser. And it's not really all black and white, there are a few pieces painted quickly with colour for quick colour tests. My only real disappointment about the book is that there is no "start to finish" piece presented. A beautifully designed book bringing you some amazing sketches and roughs from comic artist Alex Ross. Special Interest. When an artist reveals his or her process, it is a lot like a magician showing how a magic trick works. Home 1 Books 2. Pantheon Graphic Novels Series. Have one to sell? Issue ST. Rp , Rp 97, PEC. Learn More - opens in a new window or tab Any international shipping and import charges are paid in part to Pitney Bowes Inc. Item Number JUL His commentary on what DC chose and rejected was also enlightening, though, sadly, unsurprising. Art by Alex Ross. Mary Jane Byrd, Leon C. If I have to pick from the three books, probably, Jim Lee's Icons because it's the thickest. Womankind - UK Feb - Apr A beautifully designed book bringing you some amazing sketches and roughs from comic artist Alex Ross. Rp 88, Rp 70, PEC. But make no mistake, the same flair and realism is still there on every page. You get to see the final pencil stage, before shadows and paint are added, as he focuses on the contours and surfaces. Want to Read Currently Reading Read. In this collection of DC Comics crossovers, Dark Horse brings never republished material featuring a There are also design sketches for the Justice Batmobile, logo designs and concepts he did for a literacy campaign which shows Batman hanging from a stone gargoyle from some skyscraper while reading a book. Hardcover , pages. Great coffee table read!! Nice look into Alex Ross' work and snippets of text offer insight into both his conception of the work and his working relationship with DC. The fifth season of BBC's Shetland wraps in a compelling finale. Get A Copy. Makes me jealous! Rough Justice : The DC Comics Sketches of Alex Ross Writer As another reviewer summed up "little of the promised insight" and that is the problem with this book. Pantheon Graphic Novels Series. Which is a true shame. Many of the sketches, like various iterations for covers, are appearing from the first time. Post was not sent - check your email addresses! Opens image gallery Image not available Photos not available for this variation. Welcome back. You are covered by the eBay Money Back Guarantee if you receive an item that is not as described in the listing. AK Mama Reads — Aug 12, Which is a true shame. Readers also enjoyed. Any international shipping and import charges are paid in part to Pitney Bowes Inc. Save on Nonfiction Trending price is based on prices over last 90 days. Release Date It will stay attached throughout the life of the series. Item Information Condition:. While not all of the sketches are fully rendered, Alex Ross fans already know that he is a great painter, for years he has dazzled readers with his realistic renderings of characters for both Marvel and DC. This item is not in stock. The drawings look really quite different without the colours and I could barely recognise to compared with the original paintings from his previous book. Rp 1,, See other items More However, rarely are we given the opportunity to see the behind the scenes foundations of those paintings. Title says it all. Art by Alex Ross. For a better shopping experience, please upgrade now. Also included are his ideas for a Captain Marvel revamp — inspired by the long-forgotten Shazam! He is a genius and his early works Marvels and Kingdom Come are must haves for any serious comic fan's bookshelf. Rough Justice : The DC Comics Sketches of Alex Ross Reviews I would thank you for your enlightening response to my question. Refresh and try again. Your support runs this blog. If you only know Alex Ross from his extensive work with the DC Comics superheroes, get ready to be exposed to not just one but many new universes he has explored over the past several years as cover artist for Dynamite Comics. Publisher Pantheon Books. Explore Departments. With a graphic novel for Vertigo Uncle Sam , several projects for Marvel Comics and six oversized graphic novels starring DC's iconic heroes collected in The World's Greatest Heroes , he continues to bring comics to a broader audience. Taxes may be applicable at checkout. ELT References. Essentials of Human Welcome back. As a record of a pivotal era in comics history, "Rough Justice "is a must for Alex's legion of fans, as well as anyone interested in masterly comic book imagination and illustration. United States and many other countries See details. The JLA take on the most frightening hunters in the universe--the Predators--in adaptive superhero form! Add to Watchlist. More filters. Makes me jealous! Leave this field blank. I would much rather reread Mythology again. From deleted scenes and altered panels for the epic Kingdom Come to proposals for revamping such classic properties as Batgirl, Captain Marvel, and an imagined son of Batman named Batboy, to unused alternate comic book cover ideas for the monthly Superman and Batman comics of , there is much to surprise and delight those who thought they already knew all of Alex's DC Comics work. Rochester, New York, United States. Email Address: Sign me up! Is there any elegant way to make a custom book wrapper protecting artbooks? Rough Justice : The DC Comics Sketches of Alex Ross Read Online Roth, Roberta M. Rp 48, Rp 38, PEC. Watch list is full. I love the artwork of Alex Ross. See details. Pluto: Urasawa X Tezuka Learn more - opens in a new window or tab. ComicNerdSam —. Date This week Last week Past month 2 months 3 months 6 months 1 year 2 years Pre Pre Pre Pre Pre s s s s s s Search Advanced. Soledad P — May 27, Write a Review Please write your review for this series. More information about text formats. Thanks for the preview! Remove from Wishlist Add to Wishlist. Published by Random House. The preparatory work contained in this volume holds a lot more dynamism than his finished art. Product Details About the Author. Sign in to Purchase Instantly. DC Comics: Bombshells Design Anthology - HK 1-year. Well, I haven't review many instructional art books on that, or I can't remember any particularly good one right now. Hot Best Seller. Release Date Great coffee table read!! Your shelf must have unlimited space. Format Artbook. They are still okay with very slight wear. National Geographic - US 1-year. The one OTHER reason for a book like this other than to see some wonderful pencil art is to get a little hint behind the mind of the art If I have to pick from the three books, probably, Jim Lee's Icons because it's the thickest. Earn up to 5x points when you use your eBay Mastercard. See details for additional description. Here are direct links to the book: Amazon. I'm a big fan of Alex Ross. Handling time. Check your email and spam folder to confirm your subscription. Women Interest. Studio Ghibli. The Nile. Available Stock Add to want list This item is not in stock. Visit store. Issue ST. Enabling JavaScript in your browser will allow you to experience all the features of our site. Ratings and Reviews Write a review. WF ProdCode A beautifully designed book bringing you some amazing sketches and roughs from comic artist Alex Ross. Review Title: Review Text:. Available Stock Add to want list This item is not in stock. I've to add that the scans are really good also, showing off the marvelous shading and grain. https://files8.webydo.com/9582851/UploadedFiles/0E95233A-F7AD-908F-F82B-A72EE708C73C.pdf https://files8.webydo.com/9583180/UploadedFiles/49887651-A856-2F5D-6871-128F23F44EAE.pdf https://files8.webydo.com/9583314/UploadedFiles/2964297F-E24E-F1AF-B0AF-A4537D526F22.pdf https://files8.webydo.com/9584226/UploadedFiles/7870FA83-F831-7A27-47A6-FF462F0FBD1E.pdf https://files8.webydo.com/9584661/UploadedFiles/C5F43B7B-9D0C-71FB-2BC0-B6E7E06BD6C8.pdf https://cdn.starwebserver.se/shops/ronjajohanssonhk/files/conversations-with-the-universe-how-the-world-speaks-to-us-846.pdf https://files8.webydo.com/9583917/UploadedFiles/AEFE8C32-C51E-1BEA-AD93-7A1D5D67FAE7.pdf.
Recommended publications
  • British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
    University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact donna.omalley@uvm.edu. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children.
    [Show full text]
  • United States History: Colonization Through Reconstruction. a Curriculum Guide for Grade 7
    DOCUMENT RESUME SO 008,454 ED. 109 025 ;K. AUTHOR Hughes, Wayne; And Others 1 TITLE United States History: Colonization through Reconstruction. A Curriculum Guide for Grade 7. INSTITUTION / Carton County Public, Schools, Westminster,.Md: SPONS AGENCY Maryland State Dept. of EducationBaltimore. PUB DATE 74 it NOTE. 270p: . AVAILABLE FROMDonald P. Vetter, Supervisor of Social q dies, . Carroll County Board of Education, Westmns -r, Maryland 21157 ($15.04; ages 66 and 169 hav een rem ved to Conform with coyright laws' EDRS PRICE MF-$0.76 HC-$13.32 PLUS POSTAGE , Cartoons; Class Activities; Colonial History(United , DESCRIPTORS States); Concept Teaching; Curriculum Guides; Grade -'7; Junior High Schools; *Learning Activities; , leconstrudtion Era; *Social Studies; *Social Studies J Units; *United States History ABSTRACT This curriculum guide of seventh gradematerials for United States history, colonization through reconstruction,is prepared for the Carroll County PublicSchOols. Learning activities Of the-hnits are based on material available in theCarroll County Schools. The purpose of the program is tohive students discover meaning and relevance in the study of the pastthrough development of the analyticil Concepts of cause .and effect,loyalty to one's y, empathy, theindustrialization-urbanization syndrome, the historical method,. and sociaol change. Major,topicsof study include the establishment, of colonies, theRevolutionary War, political cartoons, establishment of the government,the Jacksonian Era, the growth of the United States, and
    [Show full text]
  • France and the United States: Borrowed and Shared National Symbols
    FRANCE AND THE UNITED STATES: BORROWED AND SHARED NATIONAL SYMBOLS Katlyn Marie Crawford, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2011 APPROVED: Marie-Christine Koop, Major Professor, and Chair of the Department of Foreign Languages Christophe Chaguinian, Committee Member Lawrence Williams, Committee Member James D. Meernik, Acting Dean of the Toulouse Graduate School Crawford, Katlyn Marie. France and the United States: Borrowed and Shared National Symbols, Master of Arts (French), May 2011, 68 pp., 41 titles. This thesis analyzes and demonstrates the similarities and differences between some of the national symbols of France and the United States. This includes the shared and borrowed aspects of each one and the ways in which each culture is reflected through, and built around them. The flags, national anthems, and several national icons such as France’s Marianne and Uncle Sam are discussed. This analysis deals with the historical contexts and cultural meanings of the symbols, showing the changes each has undertaken in form and in national and international importance. Through the study of national symbols, this thesis reveals the similarities along with the differences between the two nations, which are often perceived as being highly dissimilar and even opposing in belief systems, cultures, and histories. Copyright 2011 By Katlyn Marie Crawford ii TABLE OF CONTENTS CHAPTER 1: INTRODUCTION ............................................................................. 1 CHAPTER 2: FLAGS ............................................................................................
    [Show full text]
  • Grade 11 – United States History Unit 1: Colonial America
    Grade 11 – United States History Unit 1: Colonial America & the Revolution, 1607-1783 Length of Unit: 3-4 weeks Essential Standards and National Standards for Social Studies NCSS1: CULTURE What is culture and how does it influence political, economic, religious, social, intellectual and artistic aspects? NCSS2: TIME, CONTINUITY, AND CHANGE How do historical experiences among or within societies, peoples and nations reveal patterns of continuity and change? NCSS3: PEOPLE, PLACES, AND ENVIRONMENTS How do geography and the environments affect the development of human populations? NCSS4: INDIVIDUAL DEVELOPMENT AND IDENTITY What is the influence of people, places, and environments on personal development? NCSS5: INDIVIDUALS, GROUPS, AND INSTITUTIONS How do political, economic, social, religious and intellectual and artistic institutions affect societies? NCSS6: POWER, AUTHORITY, AND GOVERNANCE How do people create, interact with and change structures of power, authority, and/or governance? NCSS7: PRODUCTION, DISTRIBUTION, AND CONSUMPTION How do people organize resources for the production, distribution and consumption of goods and services? NCSS9: GLOBAL CONNECTIONS How do global connections influence political, economic, religious, social, intellectual and artistic interactions among nations? NCSS10: CIVIC IDEALS AND PRACTICES How are the ideals, principles and practices of citizens influenced by individual rights and responsibilities within a democratic society? UNIT FOCUS Questions Thinking Skill What were the major reasons for the What were the major causes of the How did the turning points of the Category regional differences among the American Revolution? (NCSS1, American Revolution impact America colonies? (NCSS3, NCSS6, NCSS7, NCSS2, NCSS3, NCSS4, NCSS5, and its relationships with other NCSS9, NCSS10) NCSS6, NCSS10) countries during and after the war? (NCSS2, NCSS5, NCSS9, NCSS10) Content Knowledge Objectives Initial Locate the areas where people settled.
    [Show full text]
  • American Second World War Comics and Propaganda
    Heroes and Enemies: American Second World War Comics and Propaganda Andrew Kerr A thesis submitted in partial fulfilment of the requirements of the University of Lincoln for the degree of Doctor of Philosophy. July 2016 1 Contents: Dedication – p. 3 Acknowledgements – p. 4 Abstract – p. 5 Introduction – p. 8 Comics as a Source – p. 21 Methodology – p. 26 Literature Review – p. 33 Comics and Propaganda – p. 41 Humour – p. 47 Heroes and Enemies – p. 51 The Physiognomy and Ideology of the Hero and Enemy – p. 62 Myth and the American Dream – p. 67 Mythic Criticism – p. 72 Stereotypes and Role Models – p. 76 Chapter One: Comics, Propaganda and the Office of War Information – p. 83 The Value of Comics As Advertising Media – p. 85 Comics, Publishers and the OWI – p. 90 The Hero and Enemy in ‘Report 15’ – p. 105 Chapter Conclusion – p. 107 Chapter Two: Types of Hero in Second World War American Comics – p. 110 The Political Hero – p. 112 Attributes of the Political Hero: Foreign Language Acquisition – p. 115 Attributes of the Political Hero: Sport and Horsemanship – p. 119 Attributes of the Political Hero: Foresight – p. 123 Attributes of the (Foreign) Political Hero: Recklessness – p. 127 The Soldier Hero – p. 131 Spectacular Violence – p. 140 The Symbolic Hero – p. 151 The Cooperation of the Categories of the Hero – p. 163 Unpublished Second World War Comics By Members of the United States Armed Forces – p. 168 Chapter Conclusion – p. 182 Chapter Three: Types of Enemy in Second World War American Comics – p. 195 Ideological Enemies – p. 190 Enemy Leaders – p.
    [Show full text]
  • Istvan Banyai: Stranger in a Strange Land
    portfoliomarch - june 2o13 distinguished illustrator s e r i e s Istvan Banyai: Stranger in a Strange Land on view March 9 through May 5 Norman Rockwell Museum’s Distinguished Illustrator Series honors the unique contributions of outstanding visual communicators today. Presented by the Rockwell Center for American Visual Studies, the nation’s first research institute devoted to the art of illustration, the Distinguished Illustrator Series reflects the impact and evolution of Norman Rockwell’s beloved profession, exploring a diverse and ever- changing field. The Museum is pleased to present the incisive work of illustrator Istvan Banyai, whose influential visual commentary for books, publications, and advertisements will be explored. Istvan Banyai: What Makes Sense The following article is an excerpt from the complete essay published in the exhibition catalogue. by Steven Heller Istvan Banyai is mad. Not angry nor despondent, but mad in the transcendent sense. He is perpetually in a state of creative lunacy that only a gifted artist can achieve – if lucky. Banyai is possessed by many inspirations, what he calls “an organic combination of turn-of-the-century Viennese Retro, interjected with American pop, some European absurdity added for flavor, served on a cartoon-style color palette.” His signature sinuous linearity is at once beguiling and hypnotic, lulling his viewers into a moment of wonderment, while inviting them to take part in his madness. Rather than draw from the observed world, Banyai trusts his fertile imagination to frame an internal world, refusing to inject what he calls “social realism” to his work. Perhaps this is a remnant of his early life in Hungary (born in Budapest in 1949) following the failed “uprising” in 1956, when after tightly shutting the iron curtain, the Soviet occupiers sucked the life out of the nation’s creative arts, replacing it with dreary Communist visual propaganda.
    [Show full text]
  • List of Superhero Debuts
    List of SuperHero debuts The following is a list of the first known appearances of various superhero fictional characters and teams. A superhero (also known as a super hero) is a fictional character "of unprecedented physical prowess dedicated to acts of derring-do in the public interest."[1] Since the debut of the prototypal superhero Superman in 1938, stories of superheroes — ranging from brief episodic adventures to continuing years-long sagas — have dominated American comic books and crossed over into other media. A female superhero is sometimes called a superheroine or super heroine. By most definitions, characters need not have actual superhuman powers to be deemed superheroes, although sometimes terms such as costumed crimefighters[2] are used to refer to those without such powers who have many other common traits of superheroes. 1850-1900 Penny Dreadful Character / Team / Year Debuted Creator/s First Appearance Series George A. Sala or Spring-Heeled Jack, Spring Heeled Jack 1867 Alfred Burrage as the Terror of London "Charlton Lea" The folkloric Spring Heeled Jack came to be featured in a series of Penny Dreadfuls, first as a villain, then as a crime-fighter with a disguise, secret lair, and gadgets, hallmarks of superheroes.[3] 1900-1909 Play Character / Team / Year Debuted Creator/s First Appearance Series Baroness Emmuska The Scarlet Pimpernel 1903 The Scarlet Pimpernel Orczy The often cited as perhaps the earliest superhero akin to those to become popularized through American comic books.[4][5][6][7] 1910s Magazine Character / Team / Year Debuted Creator/s First Appearance Series Varick Vanardy[8] The Night Wind 1913 (Frederick Van Alias the Night Wind Rensselaer Dey) Doctor Syn: A Tale of The Scarecrow 1915 Russell Thorndike the Romney Marsh "The Curse of Zorro 1919 Johnston McCulley Capistrano" All Weekly Story 1920s Notable non-superhero characters that influenced the superhero genre Character Year Creator/s Media Comment / Team Debuted Adapted from the story Armageddon 2419 A.D.
    [Show full text]
  • Comics and Conflict: War and Patriotically Themed Comics in American Cultural History from World War Ii Through the Iraq War Cord A
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loyola eCommons Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2011 Comics and Conflict: War and Patriotically Themed Comics in American Cultural History From World War Ii Through the Iraq War Cord A. Scott Loyola University Chicago Recommended Citation Scott, Cord A., "Comics and Conflict: War and Patriotically Themed Comics in American Cultural History From World War Ii Through the Iraq War" (2011). Dissertations. Paper 74. http://ecommons.luc.edu/luc_diss/74 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact ecommons@luc.edu. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2011 Cord A. Scott LOYOLA UNIVERSITY CHICAGO COMICS AND CONFLICT: WAR AND PATRIOTICALLY THEMED COMICS IN AMERICAN CULTURAL HISTORY FROM WORLD WAR II THROUGH THE IRAQ WAR A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY CORD A. SCOTT CHICAGO, ILLINOIS AUGUST 2011 Copyright by Cord A. Scott, 2011 All rights reserved. ACKNOWLEDGEMENTS This dissertation is not the product of a single person, but also reflects the contributions of many who helped in its creation and refinement. While the final result (and mistakes) are mine alone, I was assisted by many people whose help and input must be acknowledged.
    [Show full text]
  • Companioncompanion
    presents: A celebration of the forgotten publisher of Plastic Man, from the 1940s to today! COMPANIONCOMPANION by Mike Kooiman & Jim Amash Written and designed by Mike Kooiman with invaluable input and research from Jim Amash. Edited and proofread by John Morrow and Jim Amash. Front cover and front cover logo design by Michael Kronenberg. Front cover illustration by Dick Giordano, originally commissioned by Roy Thomas several years ago when the idea for this book was first discussed. We had hoped to have Mr. Giordano add Uncle Sam’s hidden hand in front of the Capitol Building, but alas, his passing last year prevented that from happening. Color is by Tom Ziuko. Headline fonts in this book were custom made by Mike Kooiman. They’re called Blimpy and King Cole, and are modeled on the letter forms of Jack Cole. Editorial package © 2011 Jim Amash, Mike Kooiman, and TwoMorrows Publishing. All rights in the Quality Comics characters were assigned to DC Comics. Blackhawk and Plastic Man are registered trademarks of DC Comics. Courtesy DC Comics. DC Comics does not endorse or confirm the accuracy of, or the views expressed in, this book. The Spirit, Lady Luck and Mr. Mystic © 2011 Will Eisner. Dedications From Mike Kooiman From Jim Amash To my partner Jeff, and to everyone who has ever To my wife Heidi, and to all the people who tolerated my obsession with comic books. And to worked at Quality who graciously consented to be John Morrow and Jim Amash for their blind faith interviewed by me over the years. and patience.
    [Show full text]
  • Columbia and Her Sisters: Personifying the Civil War
    Columbia and Her Sisters 31 Columbia and Her Sisters: Personifying the Civil War Allison M. Johnson A month after the bombardment of Fort Sumter and the beginning of hos- tilities between the Union and the newly formed Confederacy, Columbia, the female personification of the United States, slumbers peacefully amid the tu- mult. S.J.A.’s poem “Not Dead” (1861), printed in Harper’s Weekly, the leading periodical of the day, begins with an epigraph taken from a “motto on a New York banner”—a flag most likely designed and produced by local women for a regiment: “The Union is not dead but sleeping.”1 Through the “dark night of wickedness” caused by the rebellion, the people of the North must guard both “our Union and our liberty.” S.J.A. calls on “each soldier’s arm to grasp the sabre,” since only the return of “each star by traitor bands disgraced”—each seceded state—will allow the Union to “joyously” awake from her slumber and “never sleep again.” The personified Union’s slumber and intact state promise hope for future reconciliation and reunion but also warn of her vulnerability and need for protection. These characteristics make S.J.A.’s womanly Union representative of a wartime trope ubiquitous in print and visual culture on both sides of the conflict. Analogous female personifications of the Confederacy and, more often, individual states appear in Southern periodicals and illustrations; despite their similarities to Northern counterparts, they serve categorically op- posed rhetorical purposes. While Columbia, traditionally interchangeable with the goddess of liberty, represents the Northern states and the hope of reunifica- 0026-3079/2016/5501-031$2.50/0 American Studies, 55:1 (2016): 31–57 31 32 Allison M.
    [Show full text]
  • Finding Aid to the Military Collection, XI. World War I Papers, XVI. Posters Milcoll.WWI.Posters Finding Aid Prepared by Aaron Cusick
    Finding Aid to the Military Collection, XI. World War I Papers, XVI. Posters MilColl.WWI.Posters Finding aid prepared by Aaron Cusick This finding aid was produced using the Archivists' Toolkit September 18, 2012 Describing Archives: A Content Standard State Archives of North Carolina August 2012 109 E. Jones Street 4614 Mail Service Center Raleigh, N.C., 27699-4614 (919) 807-7310 archives@ncmail.net Finding Aid to the Military Collection, XI. World War I Papers, XVI. Posters Table of Contents Summary Information ................................................................................................................................. 3 Scope and Contents note............................................................................................................................... 5 Organization of the Collection...................................................................................................................... 5 Administrative Information .........................................................................................................................6 Related Materials ........................................................................................................................................ 6 Controlled Access Headings..........................................................................................................................6 Collection Inventory.....................................................................................................................................
    [Show full text]