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My Scientology Movie
BBC FILMS & BBC WORLDWIDE Present A RED BOX FILMS PRODUCTION Directed by: John Dower Presented by: Louis Theroux Written by: John Dower & Louis Theroux Produced by: Simon Chinn MY SCIENTOLOGY MOVIE U.K. production R/T: 99 minutes Shot on Sony F55 and Canon CS00-PL (Panasonic HE120 and Flip Mino HD) TFF 2016- For further publicity information please contact: Emma Griffiths EMMA GRIFFITHS PR [email protected] www.eg-pr.com TIFF 2016: US Sales Contact: Josh Braun-Submarine [email protected] International Sales Contact: Mark Lane- HanWay Select- [email protected] SHORT SYNOPSIS Not your typical exposé. BBC doc-maker and journalist Louis Theroux teams up with director John Dower and double Academy Award winning producer Simon Chinn (Searching for Sugar, Man On Wire) to explore the self-mythologizing Church of Scientology. Following a long fascination with the religion and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Theroux won’t take no for an answer when his request to enter the Church’s headquarters is turned down. Inspired by the Church’s use of filming techniques, and aided by ex-members of the organization, Theroux uses actors to replay some incidents people claim they experienced as members in an attempt to better understand the way it operates. In a bizarre twist, it becomes clear that the Church is also making a film about Louis Theroux. Suffused with a good dose of humor and moments worthy of a Hollywood script, MY SCIENTOLOGY MOVIE is as outlandish as it is revealing. -
Bob Iger Kevin Mayer Michael Paull Randy Freer James Pitaro Russell
APRIL 11, 2019 Disney Speakers: Bob Iger Chairman and Chief Executive Officer Kevin Mayer Chairman, Direct-to-Consumer & International Michael Paull President, Disney Streaming Services Randy Freer Chief Executive Officer, Hulu James Pitaro Co-Chairman, Disney Media Networks Group and President, ESPN Russell Wolff Executive Vice President & General Manager, ESPN+ Uday Shankar President, The Walt Disney Company Asia Pacific and Chairman, Star & Disney India Ricky Strauss President, Content & Marketing, Disney+ Jennifer Lee Chief Creative Officer, Walt Disney Animation Studios ©Disney Disney Investor Day 2019 April 11, 2019 Disney Speakers (continued): Pete Docter Chief Creative Officer, Pixar Kevin Feige President, Marvel Studios Kathleen Kennedy President, Lucasfilm Sean Bailey President, Walt Disney Studios Motion Picture Productions Courteney Monroe President, National Geographic Global Television Networks Gary Marsh President & Chief Creative Officer, Disney Channel Agnes Chu Senior Vice President of Content, Disney+ Christine McCarthy Senior Executive Vice President and Chief Financial Officer Lowell Singer Senior Vice President, Investor Relations Page 2 Disney Investor Day 2019 April 11, 2019 PRESENTATION Lowell Singer – Senior Vice President, Investor Relations, The Walt Disney Company Good afternoon. I'm Lowell Singer, Senior Vice President of Investor Relations at THe Walt Disney Company, and it's my pleasure to welcome you to the webcast of our Disney Investor Day 2019. Over the past 1.5 years, you've Had many questions about our direct-to-consumer strategy and services. And our goal today is to answer as many of them as possible. So let me provide some details for the day. Disney's CHairman and CHief Executive Officer, Bob Iger, will start us off. -
Send Subscriptions to the Irving Rambler
IrvingIrving RamblerRambler www.irvingrambler.com “Irving’s weekly community newspaper” August 14, 2008 Local artists compete Obituaries Page 8-9 Movies Page 4 HIS WEE in shows Police Page 2 TK Puzzles Page 10 Page 6 YYYearearearlylyly TTTransporransporransportationtationtation SummitSummitSummit rocksrocksrocks ononon By Jess Paniszczyn it, there was an expert available to able of which seemed to have their cheon. Mr. Simpson spoke about time.’ Ladies and gentlemen, it is Featuring more than 120 speak about it. Experts in topics own sort of special-interest group- finding solutions to America’s fuel really time,” Mr. Simpson said dur- speakers, the 11th Annual Trans- such as public-private partnerships, ies. and transportation problems now ing his speech. portation Summit took place in the streamlining intermodalism, trans- Among those reaching rocker and the increasing role public trans- “We get myopic if we don’t Omni Mandalay Hotel this week. If portation infrastructure, high- heights was James Simpson, Ad- port will play in national mobility in leave the country. When I first got you can fly it, ride it, drive it, float speed transport and transportation ministrator of the Federal Transit the future. to the FTA, we had a budget to it, sail it, steer it, travel across it, funding were treated like rockstars. Administration and keynote “Have you heard of Paul travel overseas. I would say, ‘I’ve transport people on it or put fuel in The most popular and knowledge- speaker for Wednesday’s lun- Masson Wine? There used to be been overseas. I really shouldn’t commercials on T.V. that would say, travel, because it is a waste of the ‘We will serve no wine until its time.’ taxpayers’ dollars.’ I have to tell you, In Washington, we operate under, it is not a waste of money. -
Louis Theroux: My Scientology Movie
louis theroux: my scientology movie Louis Theroux laat je in zijn documentaires van auditie doen voor de rollen van Tom Cruise en binnenuit kennismaken met gesloten David Miscavige en laat die beoordelen door gemeenschappen en mensen die net even Marty Rathbun, voormalig topman van buiten de maatschappij staan. Zijn argeloze Scientology. Rathbun is de kerk uitgezet omdat nieuwsgierigheid levert fascinerende TV op. In hij te loslippig was, maar weet als geen ander zijn eerste bioscoopfilm zoekt hij één van de hoe het eraan toegaat. Hij maakt er geen meest gesloten, maar tegelijk ook meest geheim van dat hij zelf ook gelovigen besproken clubs op: de Scientology kerk. hardhandig aanpakte. Theroux’ werkwijze leidt Scientology is vooral bekend door de Hollywood- tot veelzeggende beelden, bijvoorbeeld wanneer sterren die de levensovertuiging aanhangen – de acteurs een vergadering naspelen waarin topacteurs Tom Cruise en John Travolta voorop. Miscavige helemaal uit zijn dak gaat. Oorspronkelijk was Scientology vooral een Het is een wat ongewone manier van filmen, zelfverbeteringsprogramma. Door peperdure maar MY SCHIENTOLOGY MOVIE geeft een cursussen te volgen kon je een beter mens interessant inkijkje in de manier waarop de kerk worden en verdiende Scientology goudgeld aan te werk gaat. De droge en zeer Britse vragen en zijn volgelingen. Langzamerhand kreeg de kerk opmerkingen van Theroux zorgen bovendien echter steeds meer sektarische trekjes. voor een vermakelijke documentaire. Scientology laat Theroux echter niet toe. Leider David Miscavige weigert met hem te praten, en regie: John Dower sterker nog: geen enkel lid van Scientology mag met: Louis Theroux met Theroux praten. De kerk probeert Theroux GBR 2016 • documentaire • 99 min. -
After Years in Hollywood (Married to Someone You May Have Heard Of), Justin Theroux Is Single, Back in New York City, and Doing
Theroux in the West Village with a single- speed bicycle he bought in Australia. (MARRIED TO SOMEONE YOU MAY HAVE AFTER YEARS IN HOLLYWOOD IS SINGLE, BACK IN NEW YORK CITY, AND HEARD OF ), JUSTIN THEROUX DOING WHATEVER THE HELL HE WANTS. BY JESSE WILL PHOTOGRAPHS BY ALEXEI HAY articles that speculate as to why. Theroux seriously compelling plotline. and Aniston have been relatively silent about Theroux’s character is complicated, of it. In the New York Times, Theroux called it course. “He’s one of those guys who was obvi- “kind of the most gentle separation” and ously on the side of what RBG was trying to regretted saying even that. On this day, he accomplish, but also has his own ingrained refuses to talk about the relationship. But the ideas of equality,” Theroux says. “I don’t think cameras remain. he understands—at least in the script—how Despite the relentless coverage, and despite clever she was being.” major roles in some of the best movies and TV Theroux’s character gets called a relent- series of the past few decades, from Mulhol- less prick—but also provides comic relief. On land Drive to The Leftovers, to blockbuster writ- the Basis of Sex director Mimi Leder, who also ing credits, Theroux manages to evade being directed Theroux in The Leftovers, says Ther- defined by any one gig. No one shouts lines at oux was the only guy for the role. “He draws him on the street. He escapes in plain sight. from the deep well of his own life, and what he cares about, and reads between the lines on the script,” says Leder. -
Television Academy Awards
2020 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance Big Mouth • How To Have An Orgasm • Netflix • Netflix Maya Rudolph as Connie the Hormone Monstress Central Park • Episode One • Apple TV+ • 20th Century Fox Television Leslie Odom, Jr. as Owen Crank Yankers • Bobby Brown, Wanda Sykes & Kathy Griffin • Comedy Central • Kimmelot, ITV, Central Productions, LLC Wanda Sykes as Gladys The Mandalorian • Chapter 8: Redemption • Disney+ • Lucasfilm Ltd. Taika Waititi as IG-11 The Simpsons • Better Off Ned • FOX • Gracie Films in association with 20th Century Fox Television Nancy Cartwright as Bart Simpson, Nelson, Ralph, Todd The Simpsons • Frinkcoin • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Professor Frink, Moe, Chief Wiggum, Carl, Cletus, Kirk, Sea Captain Outstanding Animated Program Big Mouth • Disclosure The Movie: The Musical! • Netflix • Netflix Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer Mark Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Co-Executive Producer Kelly Galuska, Supervising Producer Gil Ozeri, Supervising Producer Ben Kalina, Supervising Producer Shannon Prynoski, Supervising Producer Chris Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Mike L. Mayfield, Co-Supervising Director Nate Funaro, Produced by Emily Altman, Producer / Writer Victor Quinaz, Writer Bob Suarez, Director David Bastian, Animation Timer Edgar Larrazabal, Animation Timer Maureen Mlynarczyk, Animation -
From Hollywood to Hanging Rock Victoria Secures Hbo
Friday, 3 June, 2016 FROM HOLLYWOOD TO HANGING ROCK VICTORIA SECURES HBO HIT ‘THE LEFTOVERS’ Victoria has landed a Hollywood coup, securing filming of the third and final season of star-studded HBO and Warner Bros. series The Leftovers in Melbourne. Premier Daniel Andrews was joined by HBO's Senior Vice Presient of West Coast Production Jay Roewe at Warner Bros. Studios in Los Angeles, to make the exciting announcement. Creating more than 250 local jobs and injecting around $20 million into the state’s economy, The Leftovers is the largest international television production deal since Childhood’s End was shot in early 2015. Created by Damon Lindelof and Tom Perrotta, based on Perrotta’s best-selling novel of the same name, The Leftovers is a drama that explores a world in shock and the lives that are changed forever, when 140 million people inexplicably vanish. The first two seasons featured a star-studded cast including Justin Theroux, Carrie Coon, Amy Brenneman, Christopher Eccleston, Liv Tyler, Regina King and Ann Dowd. Broadcast across the US in 2015, the second season was the third-most watched drama, attracting around 6 million viewers every episode. It’s the second time American entertainment powerhouses HBO and Warner Bros. have chosen Victoria as a filming location. Warner Bros. chose Victoria to film its visually stunning feature Where the Wild Things Are, and HBO selected Victoria as the backdrop to its award-winning 10 part television miniseries, The Pacific. A range of unique Melbourne and regional locations will set the scene for the final instalment of the series, with filming to commence in June 2016. -
The Danish Girl
March-April 2016 VOL. 31 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 2 IN THIS ISSUE The Danish Girl | ALA Notables | The Brain | Spotlight on Fitness | Emptying the Skies | The Mama Sherpas | Chi-Raq | Top Spin scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified buyers ensure titles are available and delivered on time DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music shelf-ready specifications SKILLED Supportive Sales Representatives with an average of 15 years industry experience KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review The Danish Girl is taken aback. Married for six years, Einar enjoys a lusty conjugal life with Gerda—un- HHH1/2 til, one day, she asks him to don stockings, Universal, 120 min., R, DVD: $29.98, Blu-ray: tutu, and satin slippers to fill in for a miss- ing model. Sensing his delight in posing in Publisher/Editor: Randy Pitman $34.98, Mar. 1 Eddie Redmayne feminine finery, she suggests Einar attend a Associate Editor: Jazza Williams-Wood followed up his Os- party, masquerading as a cousin named Lili. Copy Editor: Kathleen L. Florio car-winning turn as What neither of them expects is that demure Lili will attract amorous attention. -
Anu Schwartz Production Designer
Anu Schwartz Production Designer Selected Film | Television MANIAC [Supervising Art Director] Producers | Cary Fukunaga, Emma Stone, Mauricio Katz, Patrick Somerville, Michael Sugar, Doug Wald, Caroline Williams, Ashley Zalta Anonymous Content, Netflix Director | Cary Fukunaga Cast | Emma Stone, Jonah Hill THE KITCHEN [Supervising Art Director] Producers | Andrea Berloff, Michael De Luca, Marcus Viscidi New Line Cinema, Warner Bros. Director | Andrea Berloff Cast | Elisabeth Moss, Melissa McCarthy, Tiffany Haddish, Common, Margo Martindale GOTHAM (Art Director) Producers | Bruno Heller, Danny Cannon, John Stephens Primrose Hill Productions Directors | Various Cast | Ben McKenzie, Donal Logue, Morena Baccarin, Richard Kind AUDITION (Post-Production) Producer|Director | Matt Herron Schenk Productions Cast | Lolita Foster, Leah Dowdy, Margaret Keane Williams, Angel Pai, Jess Brown THE HISTORY OF THE FUTURE FOLK Producers | Jon Bulette, Andrew Goldman, Smokey Nelson, Jeremy Kipp Walker Maida Vale Films, Wayfare Entertainment Directors | John Mitchell, Jeremy Kipp Walker Cas | Nils d’Aulaire, Jay Klaitz, Julie Ann Emery WE ARE NEW YORK Producer | Bob Perkis Schenck Productions Directors | Various Cast | Jennica Carmona, Vincent D’Arbouze, Kenneth Maharaj, Sandor Tecsy LIMITLESS (Art Director) Producers | Bradley Cooper, Tom Forman, Heather Kadin, Ryan Kavanaugh, Alex Kurtzman, Roberto Orci, Todd Phillips, Craig Sweeny, Tucker Tooley, Marc Webb, Neil Burger K/O Paper Products Directors | Various Cast | Bradley Cooper, Jake McDorman, Michael Devine, Jennifer Carpenter Anu Schwartz Production Designer | Cont’d PUBLIC MORALS (Art Director) Producer | Paul F. Bernard Amblin Television, TNT Director | Edward Burns Production Designer | Dina Goldman Cast | Katrina Bowden, Edward Burns, Matt McGorry, Michal Rapaport, Lyndon Smith, Elizabeth Masucci THE LEFTOVERS (Art Director) Producer | Nan Bernstein Freed Warner Bros. -
For Immediate Release First Night of 2019 Creative Arts
FOR IMMEDIATE RELEASE FIRST NIGHT OF 2019 CREATIVE ARTS EMMY® WINNERS ANNOUNCED (Los Angeles, Calif. – Sept. 14, 2019) The Television Academy tonight presented the first of its two 2019 Creative Arts Emmy® Awards ceremonies honoring outstanding artistic and technical achievement in television at the Microsoft Theater in Los Angeles. The ceremony, which kicked-off the 71st Emmys, awarded many talented artists and craftspeople in categories including reality, variety special, documentary, animated program and short form animation, choreography for variety or reality program, and interactive program. This year’s first Creative Arts Awards, executive produced by Bob Bain, featured presenters from television’s top shows including Will Arnett (BoJack Horseman), Marsha Stephanie Blake (When They See Us), Roy Choi and Jon Favreau (The Chef Show), Terry Crews (America’s Got Talent), Jeff Goldblum (The World According to Jeff Goldblum), Seth Green (Robot Chicken), Diane Guerrero (Orange Is the New Black), Derek Hough (World of Dance), Marie Kondo (Tidying Up With Marie Kondo), Nick Kroll (Big Mouth) and Wanda Sykes (Wanda Sykes: Not Normal). FXX will broadcast the awards on Saturday, Sept. 21 at 8:00 PM ET/PT. Press Contacts: Stephanie Goodell breakwhitelight (for the Television Academy) [email protected], (818) 462-1150 For more information please visit emmys.com. TELEVISION ACADEMY 71ST CREATIVE ARTS EMMY AWARDS – SATURDAY The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total Netflix 3 12 15 National Geographic 1 7 8 CNN 3 2 5 NBC 1 4 5 FOX 1 3 4 HBO 2 2 4 YouTube 1 3 4 CBS 1 2 3 VH1 0 3 3 ABC 1 0 1 Apple Music 1 0 1 CW 0 1 1 FX Networks 0 1 1 Oculus Store 1 0 1 Twitch 1 0 1 A complete list of all awards presented tonight is attached. -
HBO Renews the Leftovers for a Second Season
HBO renews The Leftovers for a second season Miami, FL – August 13, 2014 – HBO Latin America announced the renewal of the intriguing original drama series The Leftovers for a second season. Currently airing its first season every Sunday at 22:00 hrs,* the series is set in the fictional small town of Mapleton, where residents try to navigate their lives three years after the fateful October 14 global event dubbed “The Departure,” when 140 million people – 2% of the world’s population – disappeared without a trace. Based on Tom Perrotta’s bestselling novel of the same name, the series shows how preconceptions are shattered when ordinary people react to inexplicable events that can unite or divide families and communities, revealing how the strain of an unprecedented calamity can turn people’s faith into cynicism, paranoia, madness or cult-like fanaticism. The ten-episode first season of The Leftovers premiered in the Caribbean on June 29, with the season finale slated to debut on September 7. Season one cast regulars include Justin Theroux, Amy Brenneman, Christopher Eccleston, Liv Tyler, Chris Zylka, Margaret Qualley, Carrie Coon, Emily Meade, Amanda Warren, Ann Down, Michael Gaston, Max and Charlie Carver and Annie Q. Created by Damon Lindelof (Emmy® award winner for Lost) and Tom Perrotta, The Leftovers is executive produced by Lindelof, Perrotta, Peter Berg and Sarah Aubrey; co-executive produced by Ron Yerxa and Albert Berger; with Lindeolf serving as showrunner. *Atlantic Standard time. Please consult your local cable provider or www.hbomax.tv for local transmission times. For more information and images of the series, visit www.hbolapress.com. -
The Documentary Form and Lacan's Four Discourses David Denny
Abstract: This paper is an exploratory sketch that considers how we C R might employ Jacques Lacan’s four discourses, as developed in his I seminar XVII, to analyze how the genre of non-fiction film deals with S The Documentary I its own internal limit (the film form) to document reality or adequately S disseminate knowledge. By first reading a series of documentary films alongside the master’s, university, and hysteric’s discourses (all of which & reify some social link), we then consider if the analyst’s discourse can be Form and Lacan’s C utilized by the documentarian to produce a knowledge of the unconscious; R a knowledge that can expose and potentially dissolve the social link. I T I Four Discourses Keywords: object a, surplus-jouissance, master signifier, Other/ Q knowledge, discourse, documentary form, seminar XVII. U E / Volume 7.2 / “No doubt it’s around this word ‘knowledge’ that there is a point of Issue 2 ambiguity . .” (14)1 David Denny “Sneaking around is not transgressing. Seeing a door half-open is not the same as going through it.” (19)2 Introduction In the 2009 documentary film A Pervert’s Guide to Cinema, Slavoj Žižek likens watching a film to a pervert. We the viewer look through the peep hole waiting for and anticipating the real to appear on the screen, exemplified in the famous toilet scene in The Conversation (1974) where what we expect to happen, the remnants of a murder emerging through the one contraption that is supposed to remove the evidence once and for all, suddenly appears, to our horror and delight.