Inside This Issue the WHY March 21-24 1 Upcoming Productions & Events By: Victor Kaufold 2 Greetings from the Director DIRECTED BY: D.V
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2021 PBS TV Schedule Anchorage, AK Juneau, AK Huntington Beach
2021 PBS TV Schedule Anchorage, AK Friday, January 29, 2021 - 9:00 PM AKS An Evening with Denyce Graves - KAKMDT3.3 (Alaska Public Television 360 North) Saturday, January 30, 2021 - 5:00 PM AKS An Evening with Denyce Graves - KAKMDT3.3 (Alaska Public Television 360 North) Juneau, AK Friday, January 29, 2021 - 9:00 PM AKS An Evening with Denyce Graves - KTOODT3.3 (360 North) Saturday, January 30, 2021 - 5:00 PM AKS An Evening with Denyce Graves - KTOODT3.3 (360 North) Huntington Beach, CA Thursday, January 28, 2021 - 11:00 PM PT An Evening With Valerie Simpson in Memory of Nick Ashford - KOCEDT.1 (PBS SoCal 1) San Bernardino, CA Friday, January 29, 2021 - 10:00 PM PT An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Saturday, January 30, 2021 - 3:00 AM PT An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Wednesday, February 3, 2021 - 9:00 PM PT An Evening With Eartha Kitt - KVCRDT.1 (KVCR HDTV) An Evening With Quincy Jones - KVCRDT.1 (KVCR HDTV) Thursday, February 4, 2021 - 9:00 PM PT An Evening With Eartha Kitt - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Quincy Jones - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Friday, February 5, 2021 - 2:00 AM PT An Evening With Eartha Kitt - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening with Ossie Davis and Ruby Dee - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Quincy Jones - KVCRDT3.3 (KVCRDT3 Desert Cities) 2021 PBS TV Schedule Saturday, February 6, 2021 - 3:00 AM PT An Evening with Ossie Davis and Ruby Dee - KVCRDT3.3 (KVCRDT3 Desert Cities) San Francisco, CA Monday, January 25, 2021 - 5:00 AM PT A Conversation With Henry Louis Gates Jr. -
Brigadoon Brigadoon
Agatha Christie’ s ws Spider’ s Web dre An s MA he her AJA T rot w HE P B Ho T ME ee GA S Run igadoon hey e Br T nc … Da nd ix in a e S ns h e sso ks T gl Le ee un ! W J ok Six Bo 2010 CORPORATESPONSORSHIP AND BUSINESSCentral New York Celebrating 39 Years of Quality Professional Theatre in Our Corporate Sponsors receive recognition in front of an audience of over 17,000 people each summer! PO Box 783 Cortland, NY 13045 Phone: (607)753-6161 Fax: (607)753-0047 [email protected] www.cortlandrep.org Board of Directors Dear Friends, John Folmer President On behalf of CRT’s Board of Directors, Guild, staff and volunteers, we would Donald Hay like to offer you the opportunity to associate your business with one of the longest Vice President running and most successful theatre organizations in New York state. If you are a Garrison Marsted previous corporate sponsor, let us thank you for your continued belief in Cortland Treasurer Rep. If this is your first introduction to our corporate sponsorship opportunity, please Dorothea Fowler take a few moments to look through this booklet to find out more. Secretary Kimberly Allen We at CRT are very aware that our audience has been affected by the recent Michele Ball troubling financial times. Last summer, our audience attendance was lower than Robert Barber previous years. However, putting it in perspective: 2007 and 2008 were the highest David Blatchley Luci Bush attended seasons in our history! We are confident that CRT will continue to grow Brenda Cottone even in these tough times. -
The Pajama Game at the 5Th Avenue Theatre Encore Arts Seattle
THE NATION’S LEADING MUSICAL THEATER FEB 10-MAR 5, 2017 FEBRUARY 2017 My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ind those gaps—and help you achieve what is important to you. To learn more, contact: Carolyn Stewart Vice President, Private Wealth Advisor 2065874788 [email protected] or visit unionbank.com/theprivatebank Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2016 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 9/6/16 11:17 AM February 2017 Volume 14, No. 4 cinema Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning, Rob Scott Seattle Area Account Executives Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Jonathan Shipley Ad Services Coordinator Carol Yip Sales Coordinator Sara Keats Jonathan Shipley Online Editors NT LIVE: HEDDA GABLER STARRING RUTH WILSON (“LUTHER,” “THE AFFAIR”) THU, MAR. 9 • 11AM & 6:30PM • SIFF CINEMA UPTOWN Leah Baltus Editor-in-Chief FOR TICKETS VISIT SIFF.NET/HEDDAGABLER Paul Heppner Publisher Dan Paulus Art Director Gemma Wilson, Jonathan Zwickel Senior Editors Amanda Manitach Visual Arts Editor Barry Johnson Associate Digital Editor Make retirement Paul Heppner delicious. -
Mayor Looks to Albany for Help REAL ESTATE DEALS PLUS ______7 the INSIDER ______8 His Bold Strategy to Slow Spiraling Pension and How
20110124-NEWS--0001-NAT-CCI-CN_-- 1/21/2011 8:16 PM Page 1 INSIDE WHERE TOP STORIES THE Kenneth Cole JOB$ struggles to fit in with consumers ® ARE PAGE 2 PHOTO ESSAY, PAGE 12 MTV too hot VOL. XXVII, NO. 4 WWW.CRAINSNEWYORK.COM JAN. 24-30, 2011 PRICE: $3.00 for its own good? PAGE 3 Property auctions hammered in NY PAGE 2 Brunch fever knows no bounds; lines form in Bushwick PAGE 3 HSBC offers a preview of what U.S. banks will look like in the future IN THE MARKETS, PAGE 4 BUSINESS LIVES RON VS. DON GOTHAM GIGS FOR DECADES, RONALD PERELMAN AND HIS BUSINESS PARTNER Donald Drapkin were pretty much Channeling Eloise at He sued. He countersued. inseparable.¶ Their workdays began with breakfast at Mr.Perelman’s palatial East Side town- The Plaza P. 21 He counter-countersued. house. For lunch, they held court at the place they jokingly called their “cafeteria”—Le ● ANNE FISHER on a new Cirque.Frequently,this was followed by a nighttime charity gala or business dinner with New matchmaker for Inside the painful breakup York’s and Hollywood’s elite. ¶ They shared important family occasions, such as Mr. Perel- nonprofits P. 21 man’s bachelor party at La Côte Basque before he married gossip columnist Claudia Cohen, and the bat mitzvah for Mr. Drapkin’s daughter at The Pierre hotel, during which Mr. Perel- ● MOVERS & SHAKERS of M&A duo Ron Perelman Mamma Mia! man played drums with the band, Kool & The Gang. ¶ The two shared an almost frat-boy- creator like camaraderie. -
The Pajama Game
ARENA’S PAGE STUDY GUIDE CONTENTS The Play THE PAJAMA GAME Meet Adler and Ross BY BOOK BY GEORGE ABBOTT AND RICHARD BISSELL From the Director’s Notebook MUSIC AND LYRICS BY RICHARD ADLER AND JERRY ROSS Arena’s The Pajama Game The World of the Musical: DIRECTED BY ALAN PAUL | CHOREOGRAPHY BY PARKER ESSE Factory Life in the 1900s MUSIC DIRECTION BY JAMES CUNNINGHAM Three Big Questions FICHANDLER STAGE | OCTOBER 27 — DECEMBER 24, 2017 Resources THE PLAY It is 1954 and the Sleep-Tite Pajama Factory workers in Cedar Rose, Iowa are at the top of their game, churning out pajamas in a fast-paced rhythm. But when the workers’ union asks for a 7 1/2¢ raise, problems arise. Enter Sid Sorokin, the dashing new supervisor, who has all the women in the factory distracted from their machines. He has his eyes set on Babe Williams, the leader of the grievance committee. Sid wants efficiency while Babe is ready to fight for that raise. Meanwhile Hines, the executive time keeper is in love with his boss’s secretary Gladys. Prez, the head of the union is flirting with Mae. Although love is in the air, the workers could go on strike at any moment. Everyone is fighting for what they believe in, both at work and in relationships. Who will win The Pajama Game? “My future depends upon the grievance committee — a group formed by management and employees to address workers’ titanic struggle for pajama survival.” complaints — Sid, The Pajama Game strike — an organized protest, The Pajama Game is generously sponsored by . -
The Blue and White
THE UNDERGRADUATE MAGAZINE OF COLUMBIA UNIVERSITY, EST. 1890 THE BLUE AND WHITE Vol. XIX No. III May 2013 Lies My Teacher Told Me What you need to know before you teach for America Paying it Forward Pervasive debt at Columbia's nontraditional college ALS O INSIDE: CULTURE! AND SUB-CULTURE! Conor Skelding, CC ’14, Editor in Chief ANNA BAHR, BC ’14, Managing Editor ALLIE CURRY, CC ’13, Senior Editor Will Holt, CC ’15, Senior Editor TORSTEN ODLAND, CC ’15, Senior Editor CLAIRE SABEL, CC ’13, Senior Editor JESSIE CHASAN-TABer, CC ’16, Layout Editor LEILA MGALOBLISHVILI, CC ’16, Senior Illustrator ZUZANA GIERTLOVA, BC ’14, Publisher SOMER OMAR, CC ’16, Public Editor Staff Writers NAOMI SHArp, CC ’15 ALEXANDER PINES, CC ’16 Contributors NAOMI COHen, CC ’15 KATIE DONAHoe, BC ’16 BRITT FOSSUM, CC ’16 LUCA MARZORAti, CC ’15 MATTHEW SCHANTZ, CC ’13 DANIEL STONE, CC ’16 ALEXANDRA SVOKOS, CC ’14 HALLIE NELL SWANSON, CC ’16 Artists JULIETTE CHEN, CC ’16 BRITT FOSSUM, CC ’16 JIYOON HAN, CC ’13 ANGEL JIANG, CC ’15 KATHARINE LIN, CC ’16 ELISA MIRKIL, CC ’16 ALEXANDER PINES, CC ’16 ANNE SCOTTI, CC ’16 HANK SHORB, CC ’16 Editors Emeriti SYLVIE KREKOW, BC ’13 BRIAN WAGNER, SEAS ’13 THE BLUE & WHITE Vol. XIX FAMAM EXTENDIMUS FACTIS No. III COLUMNS FEATURES 4 BLUEBOOK Sylvie Krekow & 10 AT TWO SWORDS’ LENGTH: SHOULD YOU GRADUATE? 6 BLUE NOTES Brian Wagner Our monthly prose and cons 8 CAMPUS CHARACTERS 12 VERILY VERITAS Will Holt 13 ALL BROOKLYN BEER TASTES THE SAME 27 CURIO COLUMBIANA A B&W editor hops to Brooklyn to see what’s brewing 28 SKETCHBOOK 34 MEASURE -
Word Search 'Crisis on Infinite Earths'
Visit Our Showroom To Find The Perfect Lift Bed For You! December 6 - 12, 2019 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 V A H W Q A R C F E B M R A L Your Key 2 x 3" ad O R F E I G L F I M O E W L E N A B K N F Y R L E T A T N O To Buying S G Y E V I J I M A Y N E T X and Selling! 2 x 3.5" ad U I H T A N G E L E S G O B E P S Y T O L O N Y W A L F Z A T O B R P E S D A H L E S E R E N S G L Y U S H A N E T B O M X R T E R F H V I K T A F N Z A M O E N N I G L F M Y R I E J Y B L A V P H E L I E T S G F M O Y E V S E Y J C B Z T A R U N R O R E D V I A E A H U V O I L A T T R L O H Z R A A R F Y I M L E A B X I P O M “The L Word: Generation Q” on Showtime Bargain Box (Words in parentheses not in puzzle) Bette (Porter) (Jennifer) Beals Revival Place your classified ‘Crisis on Infinite Earths’ Classified Merchandise Specials Solution on page 13 Shane (McCutcheon) (Katherine) Moennig (Ten Years) Later ad in the Waxahachie Daily Light, Midlothian Mirror and Ellis Merchandise High-End 2 x 3" ad Alice (Pieszecki) (Leisha) Hailey (Los) Angeles 1 x 4" ad (Sarah) Finley (Jacqueline) Toboni Mayoral (Campaign) County Trading Post! brings back past versions of superheroes Deal Merchandise Word Search Micah (Lee) (Leo) Sheng Friendships Call (972) 937-3310 Run a single item Run a single item Brandon Routh stars in The CW’s crossover saga priced at $50-$300 priced at $301-$600 “Crisis on Infinite Earths,” which starts Sunday on “Supergirl.” for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light, 3.5" ad Midlothian Mirror and Ellis County Trading Post and online at waxahachietx.com All specials are pre-paid. -
Sob Sisters: the Image of the Female Journalist in Popular Culture
SOB SISTERS: THE IMAGE OF THE FEMALE JOURNALIST IN POPULAR CULTURE By Joe Saltzman Director, Image of the Journalist in Popular Culture (IJPC) Joe Saltzman 2003 The Image of the Female Journalist in Popular Culture revolves around a dichotomy never quite resolved. The female journalist faces an ongoing dilemma: How to incorporate the masculine traits of journalism essential for success – being aggressive, self-reliant, curious, tough, ambitious, cynical, cocky, unsympathetic – while still being the woman society would like her to be – compassionate, caring, loving, maternal, sympathetic. Female reporters and editors in fiction have fought to overcome this central contradiction throughout the 20th century and are still fighting the battle today. Not much early fiction featured newswomen. Before 1880, there were few newspaperwomen and only about five novels written about them.1 Some real-life newswomen were well known – Margaret Fuller, Nelly Bly (Elizabeth Cochrane), Annie Laurie (Winifred Sweet or Winifred Black), Jennie June (Jane Cunningham Croly) – but most female journalists were not permitted to write on important topics. Front-page assignments, politics, finance and sports were not usually given to women. Top newsroom positions were for men only. Novels and short stories of Victorian America offered the prejudices of the day: Newspaper work, like most work outside the home, was for men only. Women were supposed to marry, have children and stay home. To become a journalist, women had to have a good excuse – perhaps a dead husband and starving children. Those who did write articles from home kept it to themselves. Few admitted they wrote for a living. Women who tried to have both marriage and a career flirted with disaster.2 The professional woman of the period was usually educated, single, and middle or upper class. -
Program Notes
PROGRAM NOTES By Joshua S. Ritter Goodspeed Education & Library Director You don’t have to be a baseball fan to know that the New York Yankees‐Boston Red Sox rivalry bitterly divides colleagues, neighbors, families, and Goodspeed patrons. In fact, according to The Harvard Sports Analysis Collective, East Haddam is located on the frontlines of this legendary baseball feud with slightly more than half the population favoring the Red Sox. What better way for Goodspeed to bring some levity to this divisive situation than with a hilarious musical comedy? Fortunately, Joe DiPietro’s side‐splitting adaptation of Damn Yankees contemporizes the book by replacing the defunct Washington Senators with the Boston Red Sox. We are pleased to have the opportunity to provide a neutral zone where members of the Yankees Universe and Red Sox Nation can forget their bitter differences for a few hours and share some laughs when the curtain goes up. Flashing back to the middle of the 20th century, Douglass Wallop’s 1954 novel The Year The Yankees Lost the Pennant was a best‐selling major league baseball twist on the Faust fable. Damn Yankees’ genesis was set in motion when William Morris agent Albert B. Taylor brought this property to the attention of legendary producer, director, writer, and actor George Abbott. Abbott and his team had just struck gold with the smash hit musical The Pajama Game, a show based on Richard Bissel’s novel 7½ Cents. Perhaps this monumental success gave Abbott the chutzpah to take the idea of a baseball musical seriously, despite the fact that all previous attempts at creating one were unsuccessful. -
CCR AR 2014.Pdf
The Center for Constitutional Rights is dedicated to advancing and protecting the rights guaranteed by the United States Constitution and the Universal Declaration of Human Rights. Founded in 1966 by attorneys who represented civil rights move- ments in the South, CCR is a non-profit legal and educational organization commit- ted to the creative use of law as a positive force for social change. Design: Nicholas Coster, [email protected]. Photo credits: p 2: Yanick Salazar • p 4: Pam Bradshaw • p 6: Pam Bradshaw • p 7: Juan Manuel, Herrera/OAS • p 11: Qa’id Jacobs • p 12: Qa’id Jacobs • p 14: Alexis Agathocleous • p.15: Snowden: Laura Poitras/Praxis Films. Assange: Cancillería del Ecuador. Manning: courtesy of www.bradleymanning.org • p16: © RON- ALD KABUUBI/epa/Corbis • p.19: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance • p.20-21: Picture 2: Laura Raymond. Picture 5: Organization of Women’s Freedom in Iraq. Pictures 6, 11, 15: Pam Bradshaw. Picture 10: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance. Picture 12: Aliya Hana Hussain • p 22-23: Pictures 2, 6: Pam Brad- shaw. Pictures 4, 5: Sameer A. Khan • p 23: Pictures 4, 5 by Sameer Khan • p 27: Pam Bradshaw • p 29: David Hicks: Adam Thomas (devdsp@flickr) • p 30: Top left: Shayana Kadidal • p.32: Chelsea Manning by Alicia Neal, in cooperation with Chelsea herself, commissioned by the Chelsea Manning Support Network • p 33: Top: Pam Bradshaw. Bottom: Kevin Gay • p 34: Bot- tom left: Alexis Agathocleous • p 36: Bram Cymet (bcymet@flickr) • p 41: Bottom: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance • p 46: Douglas Gorenstein • p 62: Ruby Dee: Courtesy of MDCarchives The Center for Constitutional Rights is a 501(c)3 nonprofit organization. -
The Benevolence Post
PENUMBRA THEATRE COMPANY PRODUCTION Est. 1976 February 12 to March 10 Price 15¢ THE BENEVOLENCE POST Skeptics By IFA BEYZA I was a child of the civil rights movement…integrated when I was nine years old, but I didn't encounter Emmett Till's story until I was a teenager. The Till Trilogy [The Ballad of Emmett Till, benevolence, That Summer in Sumner] is inspired by the story of a 14-year-old youth from Chicago who journeys to Mississippi in August of 1955. This trip to visit family in Mississippi certainly changes his fate. He's murdered in that week, and his life-death-journey changes the course of the nation ... I wanted to look at this story from an advantage point of view. The Till saga was a highly documented case. It was like a national soap opera on race. It was played out in the newspapers in the North, in the South, the black press and the white press. There was a tremendous amount of information available to the public. You would think that, because there was so much information, the truth or facts of the actual story would be readily available. What I found was, even as I researched the archive of primary documentation, was a host of confusing and inaccurate information. There were a lot of holes in the accounting of details, that didn't quite seem to make sense to me. So, that was the first lesson which I will share with you: “even if it's in print, even if it's documented, even if it's supposed to be from an expert, you must approach that information with skepticism.” Because the only truth that you have is that it's printed and that it's representing the tone as truth, but that's not necessarily the case. -
Damn Yankees Program.Pdf
GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409.