Lucio's Food, Art & Friendship

Lucio’s Food, Art & Friendship Sydney | 21 March 2021

Lucio’s Food, Art & Friendship Sydney | 21 March 2021, 2pm

COVID-19 RESTRICTIONS VIEWING ENQUIRIES PRESS ENQUIRIES Auction restrictions Viewing dates and times Merryn Schriever Claire Martin Physical attendance at the live Wednesday 17 March Director +61 (0) 414 437 588 auction may be restricted and to Saturday 20 March +61 (0) 2 8412 2222 [email protected] capped based on availability. 10am to 4pm daily [email protected] PHYSICAL CONDITION Viewing location Francesca Cavazzini OF LOTS IN THIS AUCTION 36 - 40 Queen Street Aboriginal and International Please note that there is no Woollahra NSW 2025 Art Specialist reference in this catalogue to +61 (0) 2 8412 2222 the physical condition of any lot. AUCTION francesca.cavazzini@bonhams. Intending bidders must satisfy 36 – 40 Queen Street com themselves as to the condition of Woollahra NSW 2025 any lot as specified in clause 14 Alex Clark of the notice to bidders contained 21 March 2021 at 2pm Australian and International Art at the end of this catalogue. Sale number: 26938 Specialist +61 (0) 3 8640 4088 As a courtesy to intending CATALOGUE [email protected] bidders, Bonhams will provide a $30.00 written indication of the physical condition of lots in this sale if a CLIENT SERVICES request is received up to 24 BIDS Kate Floro Online bidding will be available hours before the auction starts. +61 (0) 2 8412 2222 for the auction. For further This written indication is issued [email protected] information please visit: subject to Clause 3 of the Notice www.bonhams.com to Bidders. Azura Nichols +61 (0) 2 8412 2222 All bidders are advised to [email protected] REGISTRATION read the important information IMPORTANT NOTICE on the following pages relating Please note that all customers, to bidding, payment, collection, irrespective of any previous and storage of any purchases. activity with Bonhams, are required to complete the Bidder IMPORTANT INFORMATION Registration Form in advance of The United States Government the sale. The form can be found has banned the import of ivory at the back of every catalogue and restricted the import of coral and on our website at www. into the USA. Lots containing bonhams.com and should be ivory are indicated by the symbol returned by email or post to the Ф and lot containing coral are specialist department or to the indicated by the symbol Y bids department at printed beside the lot number [email protected] in this catalogue. To bid live online and / or leave internet bids please go to www.bonhams.com/ auctions/26938 and click on the Register to bid link at the top left of the page.

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Merryn Schriever Director Australian and International Art Specialist

Francesca Cavazzini Aboriginal and International Art Specialist

Alex Clark Australian and International Art Specialist

Yvett Klein Asian Art Specialist

Fiona Frith Jewellery Specialist Ophelia Lai Jewellery Specialist Kate Floro Marketing and Client Services Azura Nichols Client Service Coordinator

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Every city has it’s institutions. The places where people gather almost by instinct. The path to their door is well worn and the magic that made them happen is elusive to the rest of us mere mortals. Lucio’s is one of those institutions. With its sunflower-yellow walls, wheels of parmesan and terracotta tiled floors, it has drawn the good and the great for four decades. At its heart is Lucio, behind its books is Sally and in recent years their children Michela and Matteo have ably spun the gentle gold that has made dining at Lucio’s such a pleasure. It is a place where you are not a diner, you are a guest. You have the privilege of being welcomed as an old friend returning, safe in the knowledge that you are about to have a rather lovely experience.

The dining room has long been a place for the senses to feast. A little prosecco, maybe some oysters, the Charles Blackman drawn on a tablecloth catches your eye as does the John Olsen that decorates the menu (as they have done for decades, changing with the seasons). There are small works and sculptures on ledges and balanced in niches. Many are about the special conviviality of Lucio’s. The pleasures of the table or what Edmund Capon would have called ‘a proper knees up’. The magic of Lucio’s has drawn to it a generation of artists who have claimed it as their own. For the rest of us, it is like gaining entry to a rather special clubhouse. Lining the walls are decades of works. Delicate inky squids by Luke Sciberras, dancing couples in chalk on the walls by Garry Shead, earthy landscapes by Elisabeth Cummings and an empty Nebuchadnezzar, decorated by John Olsen. Everywhere the eye goes, it finds delight. There is wit and warmth. There is pleasure. It is the embodiment of food, art and friendship.

Merryn Schriever Director Australia

8 | BONHAMS 1 JOHN OLSEN (BORN 1928) How they made great chefs in Italy, 1995 titled, signed and dated lower right: 'how they made great chefs in Italy. / John Olsen 95' ink and crayon on paper 26.0 x 34.0cm (10 1/4 x 13 3/8in). $2,000 - 4,000 Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 11 (illus.)

You learn to eat by cooking. You learn to cook by eating. It is an is greatness. 'A new dish', wrote that garrulous 18th century gourmet immemorial cycle, transmitted down by the generations. My friend Anthelme de Brillat-Savarin, 'gives more pleasure to mankind than the John Olsen, who eats at Lucio's all the time, gave him a drawing that discovery of a new star'. exactly expresses this: it shows Lucio's imagined parents in a flurry of preparation in the kitchen, the table and the very air filled with a This is still true, and 35 years ago practically all dishes were new to wild but purposeful tangle of movement and ingredients, while two Australians, so that they slid easily into a culture which, in other areas, small children - Lucio and Marino - stare in round-eyed fascination was fiercely dedicated to the pleasures of the body. The evolution at the wonders that are going on, like infants who find themselves of Australian food into one of the great eclectic cuisines of the world in an alchemist's study, absorbing everything not by precept but by parallels the astounding rise in quality and variety of Australian wines. example. Its caption is How they made great chefs in Italy. All of this has happened- though its foundations were laid earlier, of course - in the years that I have been living out of Australia, so that My childhood, in the 1940s and 1950s, wasn't like that. Not a bit. every year, when I come back, I find myself surprised and enchanted The food was still largely regarded by Australians as fuel; lumpy, all over again. charred, and undistinguished - in some, colonial English 'gourmet' food (that disastrous word) was a Steak Diane, flamed in brandy Australia may first have been settled by hard men (and women too) to the imminent peril of your girlfriend's beehive. 'Italian food', as I but it was civilised by gentle, imaginative and skilled ones, people like remember it, was rather watery ravioli served in a now long-defunct Lucio Galletto. Salute, e tanti auguri, Maestro. coffee shop called Lorenzini's. But then, things began to take off. This we owed to immigration. Foes of multiculturalism should remember Robert Hughes, 1999 what Australian food was like in the days of mono-culture, and thank The Art of Food at Lucio's their Protestant gods for the change. Mestizaje es grandeza; mixture

LUCIO'S FOOD, ART & FRIENDSHIP | 9 2 CHARLES BLACKMAN (1928-2018) The Table signed lower left: 'Blackman' oil on canvas 121.0 x 100.5cm (47 5/8 x 39 9/16in). $18,000 - 25,000

10 | BONHAMS 3 people with whom to exchange pleasantries or ideas. Beyond its LUKE SCIBERRAS (BORN 1975) salonesque attributes is its status as an institution. Everyone knows La cucina dell'età d'oro, Lucio's Lucio's. Everyone loves Lucio's. The benign Lord McAlpine sets up (The Cuisine of the Golden Age) headquarters here when he visits Sydney, doing three lunches and gouache on paper three dinners during a three-day visit. Why bother moving when it is so 50.0 x 60.0cm (19 11/16 x 23 5/8in). pleasant to be here? $2,000 - 4,000 Hither are drawn tycoons, the shakers and the shaken, budding Galletto has always collected art, always been kind to artists. The plutocrats, fading stars. But most of all artists. Any good salon needs legacies of this mutual admiration are the handsome Blackmans, a peppering of creative types and they have always seemed attached Storriers and Olsens decorating the dining rooms of his restaurant. to this spot.

Restaurant is perhaps an inadequate word, for Lucio's is a kind of It is a happy place. salon, or at least the closest thing we have to one in Sydney. One goes there in the certain knowledge that the atmosphere will be warm, Leo Schofield, 1999 the company congenial, that there will be a number of agreeable The Art of Food at Lucio's

LUCIO'S FOOD, ART & FRIENDSHIP | 11 4 GARRY SHEAD (BORN 1942) In Memory of Maurice O'Shea, 2008 thrown by Lino Alvarez, Paloma Pottery, Hill End glazed ceramic fragments, irregular size 20.0 x 16.0cm (7 7/8 x 6 5/16in). $1,200 - 2,200

12 | BONHAMS 5 SALVATORE ZOFREA (ITALIAN, BORN 1946) Jar with Breasts II, 1989, also known as 'Woman Vase' signed to lower left: 'Zofrea' stamped with potter's seals lower left hand painted earthenware vessel thrown by Willi Michalski (born 1933) height: 52.0cm (20 1/2in). $2,000 - 4,000 Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 168 (illus.)

LUCIO'S FOOD, ART & FRIENDSHIP | 13 6 TIM STORRIER (BORN 1949) Menu for Tim's Party, 1993 inscribed lower left: 'Grandine Incendio Colazione' signed and dated lower right: 'Storrier 93' mixed media on paper 38.0 x 47.0cm (14 15/16 x 18 1/2in). $10,000 - 15,000 Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 12 (illus.)

14 | BONHAMS 7 JOSHUA YELDHAM (BORN 1970) Honey Bull - Waka Clay Pan signed lower right: 'Yeldham' titled and signed verso: 'Honey Bull-Waka Clay Pan / Yeldham' oil, synthetic polymer paint and ink on two panels 46.0 x 71.0cm (18 1/8 x 27 15/16in).overall size $3,000 - 5,000 Exhibited Solitude's Bride Series, Art House Gallery, Sydney, 2002

Literature Joshua Yeldham, Yeldham, Solitude's Bride, Art House Gallery, 2002, cat. 067 (illus.)

LUCIO'S FOOD, ART & FRIENDSHIP | 15 8 GARRY SHEAD (BORN 1942) The Banquet, 2014 signed and date upper left: 'Garry Shead 2014' oil on panel 45.0 x 36.5cm (17 11/16 x 14 3/8in). $22,000 - 32,000 Literature Lucio Galletto, The Art of Traditional Italian, Lantern, Sydney, 2014, p. 4 (illus.)

It was in 1993 that my accountant Tom Lowenstein introduced me Lucio once visited Bundeena for a portrait sitting, and the work titled to Lucio. I had never been to Lucio's restaurant before, and Tom Soffrito di Lucio was a finalist for the Archibald prize in 2009. That suggested I might gift a painting as a contra for dining at this unique portrait is now part of the National Portrait Gallery collection. This was establishment. A drawing by Sidney Nolan was the first artwork done a joint painting I did with Adrienne Levenson. There was the mosaic as in the restaurant. well mounted on the outside wall of the restaurant. The mosaic titled In Ameglia showing D.H. Lawrence and Frieda on a hillside. The two of At the time I was doing paintings based on D. H. Lawrence's visit them had even once stayed in La Spezia, near Lucio's home. to Australia in 1922, and of his novel Kangaroo which was both autobiographical and reflected the rise of fascism in Australia. Lucio's was the restaurant that created feasts for all my exhibitions, and with a special menu with an image from the show. There were The painting I chose for the restaurant was Dejeuner sur L'herbe, and book launches too, and Lucio even opened my 'Love on Mount so began the many visits over many years to this magical place. The Pleasant' show at the Maitland Gallery. music playing at the restaurant was invariably operatic putting us all in an elevated state... The times were too numerous when we would ring Lucio's and speak to Sally, Matteo and Michela at short notice, and they would find Later, I was experimenting with fresco painting and created a small a table for us and we were always made to feel so welcome. The panel for Lucio's with a brass plaque dating it to the fourteenth waiters we met over the years were all in their own way, great fun. century. The subject of the fresco was Ern Malley, the poet who didn't exist and which became famous as Australia's greatest literary hoax. We were looked after so well for all those years!

The Love on Mount Pleasant painting of my Uncle, the vigneron Garry Shead Maurice O'Shea inside a wine barrel was a tribute to both Lucio and of Maurice who shared the love of culture; of fine dining and drinking in great company.

16 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 17 10 11

9 11 ADAM RISH (BORN 1953) CHARLES BLACKMAN (1928-2018) Bidadari Jatuh/Fallen Angel, 2007 The Guitarist, 2011 numbered, inscribed with title, artist's name and signed and dated lower right: '2011 / Charles / Blackman' date on plaque verso: "Bidadari Jatuh/Fallen Angel / pen on paper Adam Rish 2007 3/5" 37.0 x 24.0cm (14 9/16 x 9 7/16in). carved Albesea wood, wax, and pigment $1,000 - 2,000 height: 130.0cm (51 3/16in). 12 $1,500 - 2,500 CHARLES BLACKMAN (1928-2018) 10 Lucio's GARRY SHEAD (BORN 1942) initialled lower right: 'CB' Ern Malley Dinner, 2003 pen on tablecloth titled, signed and dated: 'ERN MALLEY DINNER / 40.0 x 38.0cm (15 3/4 x 14 15/16in). Garry Shead / Lucio's / Tuesday 28th / OCTOBER 2003' $700 - 1,000 ink on paper 22.0 x 20.0cm (8 11/16 x 7 7/8in). Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, $400 - 800 Craftsman House, Sydney, 1999, p. 176 (illus.)

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LUCIO'S FOOD, ART & FRIENDSHIP | 19 13

13 14 KEN JOHNSON (BORN 1950) LEON FRANCESCO MORROCCO Montesanto, 1998 (BRITISH, BORN 1942) signed lower right: 'Ken Johnson' Campanile, Santa Maria Maggiore, 2001 signed and dated verso: titled, dated, signed and dedicated upper left: '1998 KEN JOHNSON / MONTESANTO' 'Campanile, S. Maria Maggiore Leon Morrocco / 21.8.01 / oil on canvas Lucio... Tante Auguri / da Roma... Leon' 45.5 x 37.5cm (17 15/16 x 14 3/4in). pencil on paper 30.0 x 28.0cm (11 13/16 x 11in). $800 - 1,200 $400 - 800 Provenance Australian Galleries, Sydney (label attached verso)

20 | BONHAMS 15 GUY MAESTRI (BORN 1974) Red River, 2004 signed, titled, dated and verso: 'GUY MAESTRI / 'RED RIVER' / 2004' oil on board 160.0 x 120.0cm (63 x 47 1/4in). $3,000 - 5,000

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16 18 RODNEY POPLE (BORN 1952) LUKE SCIBERRAS (BORN 1975) Have you done there?, 2001 Ocean Perch Stock, 2003 signed lower right: 'Pople' titled lower right: 'Ocean Perch Stock' oil on board initialled and dated lower right: 'LS '03' 89.0 x 59.0cm (35 1/16 x 23 1/4in). watercolour and ink on paper 50.0 x 50.0cm (19 11/16 x 19 11/16in). $3,000 - 5,000 $2,000 - 4,000 Provenance Boutwell Draper Gallery , Sydney (label attached verso) Literature Lucio Galletto, The Art of Traditional Italian, Lantern, Literature Sydney, 2014, p. 249 (illus.) Victoria Hynes, 'Beast in Show', The Sydney Morning Herald, 20 April 2001, p. 26

17 ROBERT MALHERBE (BORN 1965) The Mackerel, 2011 signed, titled and dated verso: 'MALHERBE / THE / MACKEREL / 2011' oil on linen 40.5 x 30.5cm (15 15/16 x 12in). $700 - 1,000 Provenance Tim Olsen Gallery, Sydney (label attached verso)

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19 21 ROSS DAVIS (1938-2001) PETER GODWIN (BORN 1953) A Touch of Lemon, 1995 Pesce, 2014 signed and dated lower right: 'Ross Davis '95' signed and dated lower left: 'Godwin 14' titled verso: 'a touch of lemon' watercolour and ink on paper mixed media on paper 28.0 x 23.0cm (11 x 9 1/16in). 100.5 x 80.0cm (39 9/16 x 31 1/2in). $600 - 900 $800 - 1,200 Literature 20 Lucio Galletto, The Art of Traditional Italian, Lantern, JOHN OLSEN (BORN 1928) Sydney, 2014, p. 132 (illus.) Fish Special signed lower right: 'John / Olsen' pencil and pastel on paper 35.0 x 26.5cm (13 3/4 x 10 7/16in). $1,000 - 2,000

LUCIO'S FOOD, ART & FRIENDSHIP | 23 24 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 25 22 25 EUAN MACLEOD (BORN 1956) PETER GODWIN (BORN 1953) Lucio's, 2013 Lucio's, 2013 signed and dated verso: 'EUAN MACLEOD / 2013' signed and dated upper centre: 'Godwin '13' hand-painted ceramic plate signed and dated verso: 'Godwin 13' diameter: 31.5cm (12 3/8in). hand-painted ceramic plate diameter: 30.0cm (11 13/16in). $1,000 - 2,000 $1,000 - 2,000 23 CAROLE GRIFFIN 26 Birds of a Feather GARRY SHEAD (BORN 1942) inscribed, signed and titled verso: La Divina Comedia, 2013 'CAROLE GRIFFIN C.Griffin "BIRDS OF A FEATHER" titled lower centre: 'La Divina Comedia' hand-painted ceramic plate inscribed, signed and dated verso: diameter: 31.0cm (12 3/16in). 'For Lucio's / Garry Shead / 2013' hand-painted ceramic plate $1,000 - 2,000 diameter: 31.0cm (12 3/16in). 24 $1,000 - 2,000 STEPHEN BIRD (BORN 1964) Lucio's 27 signed lower right: 'Bird' LEO ROBBA (BORN 1962) hand-painted ceramic plate Lucio's, 2001 diameter: 29.0cm (11 7/16in). signed and dated verso: 'LEO ROBBA 2001' inscribed verso: 'DAVID USHER 2001' $1,000 - 2,000 hand-painted ceramic plate thrown by David Usher, 2001 diameter: 25.0cm (9 13/16in). $1,000 - 2,000

26 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 27 28 FRED (FREDERICK HAROLD) CRESS (1938-2009) The Art of Food, 2004 signed, dated and titled verso: 'Cress 2004 / THE ART OF FOOD 2004' synthetic polymer paint on canvas 137.0 x 168.0cm (53 15/16 x 66 1/8in). $8,000 - 12,000

Everyone has a favourite restaurant - mine is Lucio's. Finally, of course, a restaurant will survive on the excellence of its food. Lucio's secret is fundamental to all great establishments - the best Cities around the world boast restaurants that become legendary ingredients served fresh and simply, having a balance of tastes with because they are where artists and writers meet and the movers and nothing overwhelming anything else. shakers of society have chosen to eat. Lucio's is of that calibre. Living in France for half of the year, I have to admit to missing Lucio's. It is not hard to understand why, either. Fuelled by the excellent food Surrounded as I am by many reputedly great restaurants, I still dream and art on the walls, the atmosphere is always lively. On entering the of returning to Sydney to savour the Salmon Tartare with Sevruga restaurant you feel a tingle of anticipation for an enjoyable evening Caviar of the Grilled Figs with Mushrooms, or the Green Tagliolini with ahead, one that will engage all your senses. Blue Swimmer Crab. To follow, possibly the Duck, the Rack of Lamb, or maybe the Veal Medallions he does so well. Just writing this has Lucio has a way of making you feel immediately at home, somehow made me hungry as I picture it all in my mind. relaxed, receptive. His 'team' of waiters, surely the best in Sydney, conduct themselves with a blend of friendliness and skilful service that Like a migratory bird comes late September, I head home, for the seems effortless - such is their ability. sunshine, the warmth and Lucio's!

Fred Cress, 1999 The Art of Food at Lucio's

28 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 29 29 COLIN LANCELEY (1938-2015) For Lucio, 1999 dedicated, signed and dated below image: 'For Lucio Lanceley 99' pastel and ink on paper 46.0 x 30.0cm (18 1/8 x 11 13/16in). $1,000 - 2,000 Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 134 (illus.)

This is a salad that encompasses enduring friendship, geography and I give it away only for Lucio and Sally. great food. In our household it is always something special. You will need about two kilograms of tomatoes for eight people. It I was taught to make it in the village of Mojacar in southern Spain by is essential that you find really good ripe tomatoes, which can be a a Sephardic Jew from Fez - the Moroccan novelist Edmond Elmaleh. challenge. Marmande or Ox-heart varieties, the knobbly ones, are His wife, Marie Cecile, is une femme intellectuelle - a biographer of best, and they must be deep, luminous red - red all the way through. the philosopher and literary critic Walter Benjamin. At the time of the Don't use those insipid pink ones. Allow at least a couple of tomatoes French Revolution her family, members of the haute bourgeoisie, per person, depending on size. Quarter each one and slice the purchased the monastery of Lugny in Burgundy with all its supporting quarters across into two or three pieces. farmlands. Put the tomatoes into a largish bowl, then add three or four cloves This French-Moroccan family adopted my family, so this recipe has of garlic, finely chopped, and a good handful each of finely chopped made a journey of friendship from Mojacar, where we first met, to an parsley and fresh coriander leaves. apartment in Boulevard du Monteparnasse where Edmond and Marie Cecile live, and to the Moulin - part of the monastery in Burgundy Finely grind and add two tablespoons of coriander seeds, one still owned by Marie Cecile's family - where we have spent many tablespoon of cumin seeds and four dried birdseye chillies. European summers and snow-covered Christmases with our French family, who gather there en masse at holiday times. Then add one tablespoon of paprika, one teaspoon of salt, one tablespoon of preserved lemon, finely diced, and finally about a cup of This salad has also accompanied me on an artistic journey. In the best olive oil. paintings and drawings I have used images from the very North African landscape Andalusia, where we stayed in a cubist hill town Mix all together gently with your hands, allow to stand for about an of Moorish origins, from the shores of the Mediterranean and from hour, then eat. Burgundy - most notably from the caves, fields and vineyards of the road to Chablis. Wonderful on its own with good crusty bread; great with lamb brochettes or any grilled or barbecued meat. Of all salads, this one is for me the most memorable and is laden with associations with the best of people and the best of places. It has If there is any left over - a rare occurrence - it can be cooked and been a closely guarded secret in our family until now. sieved to make a good spicy tomato sauce.

Colin Lanceley, 1999 The Art of Food at Lucio's

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30 31 KEN JOHNSON (BORN 1950) KEN JOHNSON (BORN 1950) Diagonal, 1998 Lucio's Antipasti, 1998 signed lower right: 'Ken Johnson' titled, signed and dated in image: titled and dated verso: 'DIAGONAL 98' 'Lucios / Antipasti / Ken Johnson 98' oil on canvas signed, dated and inscribed verso 140.0 x 140.0cm (55 1/8 x 55 1/8in). oil on canvas 25.5 x 20.0cm (10 1/16 x 7 7/8in). $3,000 - 5,000 $400 - 500 Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Literature Craftsman House, Sydney, 1999, p. 131 (illus.) Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 36 (illus.)

32 | BONHAMS 32 34 GEORGE RAFTOPOULOS (BORN 1972) MARK SCHALLER (BORN 1962) Platter Glass and Bottle, 1998 glazed ceramic platter signed, dated and titled verso: 'Mark / Schaller / diameter: 44.0cm (17 5/16in). 1998 / 'Glass + Bottle' oil on linen $800 - 1,200 62.0 x 42.0cm (24 7/16 x 16 9/16in). 33 $800 - 1,200 VICTOR M. RUBIN (BORN 1950) Kimberley Black Lilies Literature incised with title and signature to foot Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, glazed earthenware Craftsman House, Sydney, 1999, p. 151 (illus.) height: 40.0cm (15 3/4in). 35 $500 - 800 JOSEPH MAXWELL (JOE) FURLONGER (BORN 1952) Still Life, Vase and Bowl, 2001 initialled and dated lower right: 'JF 01' synthetic polymer paint on canvas 38.0 x 41.0cm (14 15/16 x 16 1/8in). $800 - 1,200 Provenance Heiser Gallery, Brisbane (label attached verso)

LUCIO'S FOOD, ART & FRIENDSHIP | 33

36 TIM STORRIER (BORN 1949) Painted especially for the Lucio's dining room by Tim Storrier in 1992, Point to Point (The Midday Blaze Line), 1992 its creation has become the embedded into the very fabric of the titled lower left: 'Point to Point' building. Storrier famously took a scraping of the yellow pigment from titled, signed and dated lower right: the Lucio's walls back to his studio, the echo of that Tuscan colour '(The Midday Blaze Line) Storrier 1992' alive in the burning rope and embers. Of Lucio, Storrier says, 'The first oil on canvas with applied rope thing I noticed about Lucio was his gentle warmth... You get a whole 60.0 x 304.0cm (23 5/8 x 119 11/16in). lot of artists who get too thirsty, there's always shenanigans. Lucio $50,000 - 80,000 has the ability of the bouncer and the great chef, and his kindness was immense. Sally, too, is a woman of great compassion. They are a Literature great team.' Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 213 (illus.)

36 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 37 37 JOHN OLSEN (BORN 1928) Mozart's Magic Flute - The Bird Catcher, 1992, also known as 'Papageno and the birds', from the Opera Australia Folio titled, numbered, signed and dedicated below image: 'A.P. 'Mozart's Magic / Flute - The Bird catcher' / Especially for Lucio. John Olsen' lithograph, printed in colour, from multiple stones 29.0 x 25.0cm (11 7/16 x 9 13/16in). $700 - 1,000 Related Works Another impression from this edition is held in the collection of the National Gallery of Australia, Canberra

38 JOSHUA YELDHAM (BORN 1970) 39 The Sheep titled, signed and dedicated: 'The Sheep', Lucio - Thank you for your support and wonderful Food, Josh' lithograph 46.0 x 28.0cm (18 1/8 x 11in). $600 - 900 39 JOHN OLSEN (BORN 1928) Pelicans, 1994 numbered, titled, signed, dated and dedicated below plate: 'AP. 'Pelicans' John Olsen '94 / Especially for / Lucio' etching 30.0 x 22.0cm (11 13/16 x 8 11/16in). $700 - 1,000 40 GARRY SHEAD (BORN 1942) Una cena per gli amici-di Garry Shead e Sasha Grishin, 2001 titled, dated and inscribed: 'Una Cena per / gli Amici-di / Garry Shead / e / Sasha Grishin / at / Arte e Cuchina / 1st September / 2001' ink on paper 31.0 x 26.0cm (12 3/16 x 10 1/4in). $600 - 900

38 | BONHAMS

41 ROBERT KLIPPEL (1920-2001) No. 686, 1987 initialled, numbered and dated to side: 'RK 686 1987' wood assemblage height: 65.0cm (25 9/16in). $8,000 - 12,000 Provenance Collection of Andrew Klippel, Sydney

Literature Deborah Edwards, Robert Klippel, Art Gallery of New South Wales, Sydney, 2002, CD-ROM

In 1964 fellow artist and friend Colin Lanceley discovered a huge trove of wooden machine pattern-parts in a Balmain store once occupied by the Morts Ship Building firm. Lanceley and Klippel's excitement was palpable. Superbly crafted, 'the wooden patterns (were) once made for sandcasting maritime machinery parts, some of them dating to the beginning of the century when virtually all machinery was cast.' 1 With forms for the production of sprockets and rotors, flywheels and cogs, the patterns were to be a wellspring of inspiration for both artists. After transferring the thousands of pieces to their studios, Lanceley commenced work immediately, though it would be 20 years before Klippel engaged with the material. It wasn't until 1980 when the National Gallery of Australia commissioned a series of outdoor sculptures, the resulting works now installed in the Sculpture Garden, that Klippel fully engaged with the pattern-parts in his Birchgrove store.

As noted by Deborah Edwards, 'Klippel's beginning was his end. His large series of wooden pattern-part sculptures reiterates processes and principles that were in place in 1948. The last 15 years of his life saw a return to wood – a material he had now used since the 1940s – in yet another extraordinary outpouring of activity which resulted in a series of over 150 assemblages.' 2

Working by hand, Klippel started by filling imperfections in the parts, then sanding the painted surfaces back, reducing the yellow, red and black sections into softer, cloudy hues and raw wood. 'The process of 'chance' operating in the assemblage of these works appears to have been mediated by Klippel's culling of his 'field' of parts. The wooden sculptures seem constituted of largely geometric solids, yet the captured pattern pieces also incorporated many of the 'organic' forms (curved, bulging, circular, tubular and serpentine sections) which Colin Lanceley used to create his own assemblages in 1964-65, with a sinewy organicism that can be related to the fluid arabesques of painterly form. It is significant that Klippel subverted such parts and sections in his assemblages for the creation of sculptural rhythms that are muscular, formidable, ponderous and geometricist in their foundation.' 3

1. Robert Hughes in William Wright, Colin Lanceley, Craftsman House, Sydney, 1993, p. 12 2. Deborah Edwards, Robert Klippel, Art Gallery of New South Wales, Sydney, 2002, p. 187 3. Ibid, p. 191

40 | BONHAMS 42 COLIN LANCELEY (1938-2015) Sculptor and Model, 1994 initialled lower centre: 'L' titled and dated verso: 'SCULPTOR AND MODEL 1994' signed and dated to inner stretcher bar verso: 'Lanceley 1994' mixed media 56.0 x 44.0cm (22 1/16 x 17 5/16in). $2,500 - 3,500 Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 138 (illus.)

LUCIO'S FOOD, ART & FRIENDSHIP | 41 43 ROBERT JACKS (1943-2014) (Untitled) painted timber assemblage 92.0 x 30.0 x 30.0cm (36 1/4 x 11 13/16 x 11 13/16in). $2,500 - 4,500 44 45 JAMES DRINKWATER RON ROBERTSON-SWANN (BORN 1941) Study, Vincenzo as Nature, 2014 Red Heart, 1995 signed, dated and titled verso: dedicated, titled and dated verso: 'For Lucio / From Ron / With 'James Drinkwater / 2014 / (Study) / Vincenzo as / Nature' Thanks / "Red Heart" 1995 / 18 x 13 cm / acrylic on canvasboard / oil on board RON ROBERTSON-SWANN' 45.0 x 35.0cm (17 11/16 x 13 3/4in). synthetic polymer paint on canvasboard 18.0 x 13.0cm (7 1/16 x 5 1/8in). $1,500 - 2,500 $400 - 600

LUCIO'S FOOD, ART & FRIENDSHIP | 43 46 49 MARGARET WOODWARD (BORN 1938) KEN JOHNSON (BORN 1950) Bravo Lucio!, 2003 Lucio's, 1998 titled, dated and signed verso: 'Bravo Lucio! 2003 / Woodward' signed lower left: 'Ken Johnson' glazed ceramic plate signed, dated and inscribed verso: diameter: 26.5cm (10 7/16in). 'FOR / MY / FRIEND / LUCIO / 15 YEARS / SUCCESSFUL / CONGRATULATIONS / Ken Johnson / 1998' $1,000 - 2,000 hand-painted ceramic plate 47 diameter: 28.5cm (11 1/4in). GEORGE RAFTOPOULOS (BORN 1972) $1,000 - 2,000 Beautiful days at Lucio's, 1998 titled lower right: 'Beautiful days at Lucio's'; 50 inscribed and signed verso: 'Happy 15th Anniversary / DAVID LARWILL (1956-2011) 'Lucio's' / Love / Georgio / xo' Thanks Lucio, 2003 hand-painted ceramic plate initialled, dated and titled lower centre: diameter: 28.5cm (11 1/4in). 'D.L / '03 / thanks Lucio' initialled and dated verso: 'D.L. / '03' $1,000 - 2,000 hand-painted ceramic plate Literature diameter: 26.5cm (10 7/16in). Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, $1,000 - 2,000 Craftsman House, Sydney, 1999, p. 31 (illus.) 51 48 ROSS CAMPBELL LAURIE (BORN 1961) JOHN BEARD (BORN 1943) Lucio's Lucio's, 1998 hand-painted ceramic plate inscribed, signed and dated verso: 'Per Lucio's / Buon 15' / diameter: 29.5cm (11 5/8in). anniversario / Tanti auguri / John Beard / 1998 -' $1,000 - 2,000 glazed ceramic plate diameter: 28.5cm (11 1/4in). $1,000 - 2,000

44 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 45 52

52 53 CHRIS ANTICO (BORN 1969) ROBERT M. BARNES (BORN 1947) Picking Lemons, 1997 Armchair oil on canvas signed and title verso: 'Robert Barnes / Armchair' 150.0 x 120.0cm (59 1/16 x 47 1/4in). oil on board 29.0 x 24.0cm (11 7/16 x 9 7/16in). $2,000 - 4,000 $700 - 1,000 Provenance Olsen Carr, Sydney (stamped verso) Provenance Private collection Literature Mossgreen Auctions, Sydney, 21 February 2006, lot 92 Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 52 (illus.)

46 | BONHAMS

54 IDRIS MURPHY (BORN 1949) Untitled initialled lower right: 'IM' synthetic polymer paint on board 45.5 x 45.5cm (17 15/16 x 17 15/16in). $800 - 1,200

48 | BONHAMS 55

55 56 TIM STORRIER (BORN 1949) STEPHEN ORMANDY Distance, Point to Point, 1984 Golden Years, 2010 titled, signed and dated lower right: 'distance / signed and dated verso: 'ORMANDY / 10' point to point / Storrier / 1984 oil on canvas mixed media on paper 40.0 x 30.5cm (15 3/4 x 12in). 29.0 x 82.0cm (11 7/16 x 32 5/16in).(sheet) $600 - 900 $3,000 - 5,000 Provenance Tim Olsen Gallery, Sydney (label attached verso)

LUCIO'S FOOD, ART & FRIENDSHIP | 49 57

57 59 ROBERT JACKS (1943-2014) COLIN LANCELEY (1938-2015) Flag, 1995 And the Fowl of the Air, 2000 titled, signed and dated lower right: titled, signed and dated verso: 'Flag / 1995 / Jacks' 'AND THE FOWL OF THE AIR / Colin Lanceley / 2000' pencil and gouache on paper oil on carved wood and canvas 44.5 x 89.5cm (17 1/2 x 35 1/4in).(sheet size) 98.0 x 71.5cm (38 9/16 x 28 1/8in). $1,500 - 2,500 $3,000 - 5,000 Provenance Provenance Robert Lindsay Gallery, Melbourne Michael Carr Art Dealer, Sydney (label attached verso)

Exhibited 60 Flagging the Republic, Sherman Galleries Goodhope, KEN UNSWORTH (BORN 1931) Sydney, 1996 then touring to 1998, cat.26 (label attached verso) Untitled, 2007 watercolour on paper 58 35.0 x 47.0cm (13 3/4 x 18 1/2in). COLIN LANCELEY (1938-2015) $600 - 800 A Traveller's Tale, 1994-95 signed and date lower right: 'Lanceley 1994-5' Provenance titled lower left: 'A Traveller's Tale' Boutwell Draper Gallery, Sydney (label attached verso) pastel, gouache and pencil on paper 101.0 x 154.0cm (39 3/4 x 60 5/8in). 61 $2,000 - 4,000 VICTOR M. RUBIN (BORN 1950) Olsen's Bath - Santa Barbara Flats The Past, 2010 Literature signed and dated lower right: 'Rubin / 2010' Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, signed, titled, dated and dedicated verso Craftsman House, Sydney, 1999, p. 77 (illus.) synthetic polymer paint on canvasboard 20.0 x 26.0cm (7 7/8 x 10 1/4in). $800 - 1,200 Provenance Eva Breuer Art Dealer, Sydney (label attached verso)

50 | BONHAMS 59

LUCIO'S FOOD, ART & FRIENDSHIP | 51 62 EUAN MACLEOD (BORN 1956) Pasta for Lucio, Soup for Lucio, For Lucio, 2014 each titled lower left, signed and dated lower right: 'Pasta for Lucio Macleod 14', 'Soup for Lucio Macleod 2014', 'For Lucio Macleod 2014' oil on paper 60.0 x 46.0cm (23 5/8 x 18 1/8in). 28.0 x 46.0cm (11 x 18 1/8in) 57.0 x 19.0cm (22 7/16 x 7 1/2in) (3) $3,000 - 5,000 Literature Lucio Galletto, The Art of Traditional Italian, Lantern, Sydney, 2014, pp. 94-95, 97, 239 (illus.)

I knew about Lucio’s long before I actually ate there because of his I certainly count Lucio and his wonderful family and staff as friends. renowned art collection adorning the walls. It’s rare to see a business Even during the lockdown Lucio’s son Matteo brought over and publicly promoting art like that and of such quality. I can’t actually served a beautiful meal with my favourite duck dish and enough remember when I met Lucio as it feels as if we have always been tiramisu for a couple of nights after as well. I also invited Lucio and his close. You are welcomed into a community of artists and I quickly wife Sally to our place for dinner but lost my cooking nerve and asked realised that the artists come first and the art second. All the works Luke Sciberras, to cook instead. At least I was then able to enjoy the in fact reflect the mutual respect and great friendship he has with all meal! the artists who have gifted him the works hanging in the gallery. It’s obvious art is a natural part of Lucio’s life in the same way it’s natural Although I am sad Lucio’s is closing and the collection is being part of the experience of eating at Lucio’s. He’s grown up around a dispersed, I know there will be a new incarnation of the restaurant love of good food and art and sees them as natural bedfellows. (Most somewhere and in the same way for all his artworks. They will find artists would agree with him). new lovers but I’m sure their time with Lucio will now be part of their DNA. In fact I’m sure a lot of people will want a little piece of To be shown such respect by a person of Lucio’s calibre is wonderful Lucio’s and in this way the restaurant will live on and continue to give and like many artists before me, and since, I loved the idea of having pleasure. my work hanging in the restaurant in such great company. Lucio’s passion is infectious and it is not uncommon for diners to follow up Euan Macleod their interest in a particular artist that’s been sparked during the course of their meal. It is a wonderful setting for people to be able to slowly digest a painting.

52 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 53 63 66 JASON BENJAMIN (BORN 1971) COLIN LANCELEY (1938-2015) Lucio's, 1998 La Trotta inscribed, initialled and dated verso: titled upper centre: 'La Trotta' 'Happy / Birthday / March '98 / JB' hand-painted ceramic plate hand-painted ceramic plate diameter: 29.0cm (11 7/16in). diameter: 28.5cm (11 1/4in). $1,000 - 2,000 $1,000 - 2,000 67 Literature ANGUS MACDONALD (1919-2005) Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Bowl, 2004 Craftsman House, Sydney, 1999, p. 82 (illus.) titled upper centre: 'Bowl' signed and dated lower centre: 64 'Angus MacDonald 04' MICHAEL JOHNSON (BORN 1938) oil on ceramic Lucio's, 1998 diameter: 26.5cm (10 7/16in). glazed ceramic plate $1,000 - 2,000 diameter: 28.5cm (11 1/4in). 68 $1,000 - 2,000 IDRIS MURPHY (BORN 1949) Literature The Black Back Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, inscribed lower right: 'I.M.' Craftsman House, Sydney, 1999, p. 172 (illus.) titled verso: 'THE BLACK BACK' hand-painted ceramic plate 65 diameter: 28.5cm TIM STORRIER (BORN 1949) $1,000 - 2,000 Lucio's, 1998 signed and dated lower centre: '1998 Storrier' glazed ceramic diameter: 28.5cm (11 1/4in). $1,000 - 2,000

54 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 55 69 IMANTS TILLERS (BORN 1950) The Sacred Fish, 2016 synthetic polymer paint on 24 canvasboards, each panel numbered sequentially with stencil verso: '96567 - 96590' 152.0 x 142.0 cm (59 13/16 x 55 7/8in). $12,000 - 18,000

From 1981, Imants Tillers has appropriated Italian artist Giorgio An enduring symbol whose roots stretch back to Greco-Roman de Chirico's paintings, resulting in some of his most striking and civilisations, here we are presented with a pair of smoked herrings, enduring works. As Wystan Curnow has written, 'Tillers admires de surrounded by an assortment of strange, talismanic objects. Once Chirico for the very qualities which were, after the 1920s, to ruin his exhibited on the back wall of the Lucio's dining room, Tiller's sacred reputation: his stylistic 'non sequiturs', his supposed plagiarism or fish displayed on their sharply perspectival platter were a fitting 'appropriations' of old masters and of his own work, and the apparent emblem to that temple of Italian dining. lack of a seamless linear development. All qualities Tillers' own work displays. And, as his own practice makes clear, he understands that Merryn Schriever the enigmatic power of the [de Chirico's] early (universally admired) 'metaphysical' works cannot be separated from the artist's lifelong 1. Wystan Curnow, Imants Tillers and the 'Book of Power', obsession with repetition.'1 Craftsman House, Sydney, 1998, p. 42 Here, Tillers has engaged with de Chirico's 1919 works, The Sacred Fish (I Pesci Sacri), now in the collection of the Musee de l'Orangerie, Paris. Overlaid is the text 'A throw of the dice will never abolish chance' which is drawn from a poem by French Symbolist poet Stephane Mallarme, who was active at the same time as de Chirico. At the centre of the work are, of course, the fish.

56 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 57 70 GARRY SHEAD (BORN 1942) Italy, 2008 signed and dated lower left: 'Garry Shead 08' oil on board ink on paper sketch verso 53.0 x 74.0cm (20 7/8 x 29 1/8in). $30,000 - 50,000

Painted one year prior to Garry Shead's collaborative entry with Adrienne Levenson for the Archibald Prize, Soffritto di Lucio, this work again positions a Lucio(esque) figure against the village of Ameglia, the area in which Lucio was raised. In the foreground is a snapper and glass of white wine, both strongly associated with the delights of a long lunch at Lucio's. As Shead notes of Lucio, 'He just makes you feel so welcome. He treats everyone like family and makes them feel special.'

58 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 59 71 72 JOHN OLSEN (BORN 1928) JOHN OLSEN (BORN 1928) Lucio's, 1993 Haiku Moments: Old Boots Leisurely Humming, 1993 initialled lower centre: 'JL' signed and dated lower left: 'John / Olsen / 93' incised with date to foot oil on canvas ceramic platter 46.0 x 36.0cm (18 1/8 x 14 3/16in). diameter: 57.7cm (22 13/16in). $10,000 - 15,000 $5,000 - 8,000 Provenance Sherman Galleries Goodhope, Paddington, 1993

Exhibited John Olsen: Recent Work, Sherman Galleries Goodhope, Sydney, 28 October-20 November 1993, cat. 16 (A$12,000)

Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 159 (illus.) Deborah Hart John Olsen, Craftsman House, Sydney, 1991, pl. 145, pp. 217 (col. illus.), 255 (signed with initials: J.O.)

60 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 61 75

73 75 ALISON MACKAY (BORN 1966) ANN THOMSON (BORN 1933) Lamb Chops on Patterned Plate Red Changing, 2010 titled verso signed and dated lower left: 'a thomson 10' oil on canvas titled, signed and dated verso: 'Red Changing AThomson 10' 40.0 x 40.0cm (15 3/4 x 15 3/4in). oil on linen 56.0 x 71.0cm (22 1/16 x 27 15/16in). $600 - 900 $2,000 - 4,000 74 ALISON MACKAY (BORN 1966) Provenance Chops in Glass Tim Olsen Gallery, Sydney (label attached verso) titled and signed verso: 'CHOPS IN GLASS / oil on plywood / Alison Mackay' 76 oil on panel KEVIN LESLIE CONNOR (BORN 1932) 50.0 x 50.0cm (19 11/16 x 19 11/16in). Untitled, 2009 signed and dated verso: 'Connor / '09' $600 - 900 oil on linen 71.0 x 76.0cm (27 15/16 x 29 15/16in). $1,000 - 2,000 77 GEORGE RAFTOPOULOS (BORN 1972) Lucio's hand-painted ceramic height: 34.0cm (13 3/8in). $800 - 1,200

62 | BONHAMS 78 79 LUKE SCIBERRAS (BORN 1975) GRIA SHEAD (BORN 1972) Pigs Cheek, 2007 Front and Centre, 2009 titled, dedicated, initialled and dated verso: signed and dated lower right: 'Gria Shead 09' 'Pigs Cheek / For Lucio / + Sally / LS '07' oil on linen on board oil on panel 21.0 x 20.0cm (8 1/4 x 7 7/8in). 20.0 x 20.0cm (7 7/8 x 7 7/8in). $500 - 800 $500 - 800 Provenance Tim Olsen Gallery, Sydney (label attached verso)

LUCIO'S FOOD, ART & FRIENDSHIP | 63 80 CELIA GULLETT (BORN 1959) Construction II, 2002 signed, dated and titled verso: 'Celia Gullett 2002 / 'CONSTRUCTION II' oil on linen 40.0 x 51.0cm (15 3/4 x 20 1/16in). $700 - 1,000 Provenance Tim Olsen Gallery, Sydney

64 | BONHAMS 81 JASON BENJAMIN (BORN 1971) You're Never Where You Say You Are, 1997 titled, dated and signed verso: 'You're Never Where / You Say You / Are / Dec 97 / Benjamin' oil on canvas 30.0 x 30.0cm (11 13/16 x 11 13/16in). $1,500 - 2,500 Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 28 (illus.)

82 DAGMAR CYRULLA Florence Kitchen, 2014 signed, titled and dated verso: 'D. CYRULLA / 'FLORENCE KITCHEN' / 2014' oil on board 17.0 x 12.0cm (6 11/16 x 4 3/4in). $700 - 1,000 Provenance Wagner Art Gallery, Sydney (label attached verso)

83 ULVI HAAGENSEN Apron No. 4, 2010 welded steel, painted height: 60.0cm (23 5/8in). $400 - 600 84 GEORGE RAFTOPOULOS (BORN 1972) Platter, 1998 signed and dated to rim: 'george 98' glazed ceramic platter diameter: 48.0cm (18 7/8in). $800 - 1,200

LUCIO'S FOOD, ART & FRIENDSHIP | 65 85 86 ALEX SETON (BORN 1977) JUDY CASSAB (1920-2015) Vinyl Flavor Binoculars in Brett's Studio, 1996 incised with title and numbered to side: "Vinyl Flavor 2/9" signed and dated lower right: 'Cassab / 96' hydrocal, marble dust and oxide titled verso: 'BINOCULARS IN BRETT'S STUDIO' 14.0 x 15.5 x 8.0cm (5 1/2 x 6 1/8 x 3 1/8in). oil on canvas on board 38.0 x 41.0cm (14 15/16 x 16 1/8in). $800 - 1,200 $2,000 - 4,000

66 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 67 87 LUKE SCIBERRAS (BORN 1975) Mythical Hare, 2012 initialled and dated lower right: 'LS '12' signed, titled and dated verso: 'Mythical Hare / Luke Sciberras /'12' oil on board 120.0 x 120.0cm (47 1/4 x 47 1/4in). $3,000 - 5,000

There are few places left on earth that have the patina of mirth restaurant became decorated with beautiful paintings and drawings, and love embedded into its walls. An alchemical combination of and so too there formed a reputation among the most elite diners of preparation and presentation is concocted every single day a place where excellent food and heavenly wines could be enjoyed industriously finessed by staff who know their stuff so well that it among a cacophony of outstanding art. seems effortless. As one of the chefs wafts a sizzling pan of garlic into each corner of Lucio’s Italian restaurant the place is suddenly infused As the walls filled with paintings and drawings and the artists grew with aroma and the venue becomes much more than the sum of its fatter, a hub of conviviality was born which withstood recessions, parts. This all occurs with jocularity and a sing-song chatter. global market collapses and the odd pandemic. Without flinching Lucio’s presented the best of the best to politicians, rock stars, artists, The entire scene is choreographed by a man with heart and gravitas, socialites, broadcasters, influencers and most importantly lovers for an in equal measures. incredible thirty eight years.

When Sally Stanford went to Italy in the seventies she was on a Personally I have formed a bond with this magical place that would quest to see what had become of her naughty and elegant sister take long afternoons to explain, suffice to say that for every auspicious Wendy, who had fallen in love with a restaurateur in Liguria the event, every tender moment and for a delectable morsel I would go to indomitable Mario Guelfi. This scene set on the mouth of the Magra Lucio’s, like a baby turtle flaps instinctively to the sea. A journalist once river was evidently an intoxicating melange of Italian life on the steps asked me (among a list of banal questions) how I would like to die, of paradise. my response was ‘laughing uncontrollably at table Bar one at Lucio’s restaurant!' A swarm of fiery cousins zoomed around the marinas and alleys on lambrettas and one of them caught the eye of this Australian girl Sadly I’ll outlive the crucible of Italy that has existed for what seems from Mudgee. Lucio Galletto was a young man with a huge heart, a like a lifetime but an enduring testament to Lucio and Sally’s love of romantic. So when he followed her to Australia his fate was set. They food, art and artists is a broad diaspora of memories and enduring went on to create an Italian colony of their own, almost by accident friendships. but done extremely well! Their creative sensibility and respect for their unique clientele led to enduring friendships with, as it turned out, many Luke Sciberras of Australia’s most celebrated artists. Year after year the walls of the

68 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 69 88 JOHN OLSEN (BORN 1928) The Nebuchadnezzar, 1992 signed and dated on label lower right: 'John Olsen 92' decorated Bollinger Nebuchadnezzar 81.0 x 31.0 x 31.0cm (including case) $2,000 - 4,000 Opened to celebrate the John Olsen retrospective, Art Gallery of News South Wales, Sydney, 8 May – 28 June 1992

89 JOHN OLSEN (BORN 1928) Great Noses of Australia (wine list cover), 1992 signed and dedicated lower right: 'We don't make French wines / We make Australian wine. / We can never make a French wine of any / distinction but we can make / very good Australian wine / Max Schubert / maker of Grange Hermitage' watercolour and ink on paper 75.0 x 106.0cm (29 1/2 x 41 3/4in). $10,000 - 15,000 Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 15 (illus.)

70 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 71 90 92 FRANK GEORGE HODGKINSON (1919-2001) JOHN OLSEN (BORN 1928) Lucio's 15th Year, 1998 Lucio's, 1998 dated and initialled upper centre: 'MCMXCVIII F Ho' signed and dated verso: 'John / Olsen / '98' titled and signed verso: 'Lucio's / 15th year / Frank Hodgkinson' glazed ceramic plate hand-painted ceramic plate diameter: 28.5cm (11 1/4in). diameter: 28.5cm (11 1/4in). $1,000 - 2,000 $1,000 - 2,000 93 Literature FRED (FREDERICK HAROLD) CRESS (1938-2009) Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Lucio's, 1998 Craftsman House, Sydney, 1999, p. 110 (illus.) signed and dated verso: 'Cress / 1998' hand-painted ceramic plate 91 diameter: 28.5cm (11 1/4in). JOHN COBURN (1925-2006) $1,000 - 2,000 Lucio's, 1998 signed lower centre: 'Coburn' 94 glazed ceramic plate BRYAN WESTWOOD (1930-2000) diameter: 28.5cm (11 1/4in). Lucio Loves Ducks. So do I hand-painted ceramic plate $1,000 - 2,000 diameter: 28.5cm (11 1/4in). Literature $1,000 - 2,000 Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 34 (illus.) 95 ILDIKO KOVACS (BORN 1962) Lucio's, 2013 initialled and dated verso: 'I.K / 013' hand-painted ceramic plate diameter: 29.5cm (11 5/8in). $1,000 - 2,000

72 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 73 96 98 BRUCE RADKE (BORN 1920) JOHN OLSEN (BORN 1928) Birth of Venus, 2006 Life Drawing, 1991 incised with signature, dated and numbered to base: signed and dedicated lower right: 'B.Radke / 2006 2/7 'To my friend Lucio / John Olsen Oct 91' bronze charcoal and pastel on paper 15.0 x 20.0 x 16.0cm (5 7/8 x 7 7/8 x 6 5/16in). 85.5 x 60.5cm (33 11/16 x 23 13/16in). $600 - 900 $1,000 - 2,000 97 JOHN OLSEN (BORN 1928) Life Drawing, 1991 signed and dedicated lower right: 'For my dear friend / John Olsen 91 / at Lucio's' charcoal on paper 85.0 x 60.5cm (33 7/16 x 23 13/16in). $1,000 - 2,000

74 | BONHAMS 99 100 BEN QUILTY (BORN 1973) MARTIN SHARP (1942-2013) Portrait of his Favourite Australian Artist, Luke Sciberras, 2018 Eternity Haymarket!, 1977 initialled lower right: 'bq' dedicated, signed and dated in plate: 'for "Lucio's" with signed, dated and titled verso: 'Ben Quilty 2018 / Portrait of his / gratitude for your hospitality to artists, Martin / 18.4.2006' favourite australian /Artist / Luke Sciberras' screenprint, printed in colour, from two stencils pen on paper 90.0 x 65.0cm (35 7/16 x 25 9/16in). 28.0 x 22.0cm (11 x 8 11/16in). $800 - 1,200 $1,000 - 2,000 Related Work Another impression of this print is held in the collection of the National Gallery of Australia, Canberra

LUCIO'S FOOD, ART & FRIENDSHIP | 75 101 GARRY SHEAD (BORN 1942) A Representation of the Poet Ern Malley. Fresco circa 1945 or 1495 restored by the artist for Lucio's, 2006 signed and dated lower left: 'Garry Shead 06' titled to the frame: 'A Representation of the Poet Ern Malley. Fresco circa 1945 or 1495 restored by the artist for Lucio's' fresco on plaster on board 82.0 x 60.0cm (32 5/16 x 23 5/8in). $40,000 - 60,000

Closely related to Garry Shead's work of the same year, Colloquy characters who surround our figure are all drawn from the Ern Malley with John Keats, this example is an extension of the celebrated cycle hoax; James McAuley and Harold Stewart in military dress reach up to of works The Apotheosis of Ern Malley. Here rendered in the form of restrain their creation and our protagonist. a fresco, complete with eggshell luminescence and church ceiling cracks, the work graced the walls of Lucio's where Garry Shead The layers of medium and meaning are further compounded by the staged legendary 'Ern Malley' dinners. artist's title which he has incised into the gilt frame: A Representation of the Poet Ern Malley. Fresco circa 1945 or 1495 restored by the With his crown of laurel and simple loin cloth, our Ern Malley figure artist for Lucio's. Is it 1495, the late medieval period when frescos stands atop a laden dinner table, a glimpse of the Sydney Harbour reach the peak of their popularity as a medium; or 1945, the year of Bridge out of the window. Red wine, loaves of bread and a plate Ern Malley's supposed untimely passing? Only Lucio could tell us. of snapper all grace the table, all highly symbolic motifs with their roots firmly embedded in the language of the medieval frescoes Merryn Schriever which decorate the walls and ceilings of early churches. The cast of

76 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 77 102 LUKE SCIBERRAS (BORN 1975) It's Trying to Rain, Napperbee, 2017 titled, signed and dated verso: 'It's trying to Rain - / Napperbee / LS / 017' oil on board 120.0 x 159.0cm (47 1/4 x 62 5/8in). $8,000 - 12,000

There are two kinds of painters. One feels constant beckoning of It must be said however, Sciberras' exciting method of layering does the so-called destination or eureka painting; that which summarises flirt with an element of danger, where the shapes, not quite allowed everything which came before. Such paintings, usually sought by to settle comfortably on the picture plane, are vulnerable to becoming museums, impart a certain grace to even the most disappointing, destabilised and lost in uncertain textures and co-efficiencies of previously unresolved works, suddenly imbued with an unexpected deeper space. For he eschews - is maybe even afraid of - stasis, and evolutionary significance. any form of classical discipline. Thus and effort to define a destination picture, one that calmly holds the fort and pulls the rest into line, is Jeffrey Smart, the least prolific of Australian artists, constantly sat in difficult. In any case, Sciberras himself declares, and rightly so, this is front of his easel wondering if this was it, the one he always dreamed not really his business, but clearly the role of the curator and critic. would define his vision emphatically and make sense of everything he had done. Each composition was subject to a slow process of rational In the silent centre of his studio at Hill End, a de-consecrated construction, and the prospect maybe of a little death at search Methodist church, it is reassuring to be aware that Sciberras paints because the search was over. with his easel in a precise position next to a window where daylight rake left to right across the surface, picking out ridges and lumps like Russell Drysdale, Smart's most revered Australian artist, may have felt visual braille, and defining the tones with impeccable reliability. He may the same finality of deliberation about so many of his masterpieces - be submitting himself through unlikely elisions of awkwardness and for example Sofala - which could explain his prevailing reluctance to elegance to an autonomous flux of nature, and even try to emulate break the eternal stillness of the next blank canvas. nature itself, but under the watch of a mysterious order - daylight - which before the invention of electricity, has been a commandant of The other kind of painter rarely entertains such thoughts. Individuals painters and their evolution for the time immemorial. of the alternative persuasion move ahead less sedately, driven by a more fluid instinct from one creation to the next. They stay on the And so, although unwilling perhaps to contemplate the idea of eureka move at varying pace pending the scale and complexity of their paintings, Sciberras, in spite of himself, is unconsciously allowing us conceptions, dancing as best as they can to manage any self-doubt. to glimpse it in the shards, shadows, accidents and luminous flashes Luke Sciberras belongs to this category. of his instinctive language. He might not be interested to consciously seek such a phenomenon at this stage of his life, but through his deep Ever since his ambition to be a painter found fruition studying at love of painting and the landscape and peoples - including Indigenous the National Art School in Sydney during the mid-1990s, haunting inhabitants - of this world, he doesn't need to. It will surely come the studios of various artists with especial admiration for Elisabeth and, as its own convenience, reveal itself to him its arrival. Maybe it is Cummings at Wedderburn, he has built up a consistent body of work already here. suffused with gloriously sensual, open-minded ambiguity. Brush in hand scooping colour from the tiny pillars of his Turner-like palette he Barry Pearce has pushed and dragged his pigment at the behest of his talent and Out There, exhibition catalogue, 2017 amazingly diverse experiences of the Australia-wide spiritus locus and beyond.

78 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 79

103 ELISABETH CUMMINGS (BORN 1934) Autumn Muse, 2013 signed lower right: 'Cummings' titled and dated verso: 'AUTUMN MUSE / OIL ON CANVAS / 2013' oil on canvas 55.0 x 65.0cm (21 5/8 x 25 9/16in). $6,000 - 9,000 Provenance King Street Gallery on William, Sydney (stamped verso)

82 | BONHAMS 104 EUAN MACLEOD (BORN 1956) Steve Amongst the Trees, Broken Hill, 2011 titled, signed and dated verso: 'Steve Amongst the Trees / Broken Hill /EUAN MACLEOD / S/11' oil on canvas 83.5 x 120.0cm (32 7/8 x 47 1/4in). $7,000 - 10,000

LUCIO'S FOOD, ART & FRIENDSHIP | 83 105 106 KEN JOHNSON (BORN 1950) ROBERT JACKS (1943-2014) Re-Route, 1993 Totem, Sketches of Spain, 1998 dated, signed and titled verso: incised with signature and date lower right corner: '1993 / KEN JOHNSON / RE-ROUTE' '96 / Jacks' oil on canvas bronze 47.0 x 57.0cm (18 1/2 x 22 7/16in). height: 33.0 cm (13 in). $1,200 - 2,200 $2,500 - 3,500 Literature Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 144 (illus.) Craftsman House, Sydney, 1999, p. 167 (illus.)

107 BRIAN JAMES DUNLOP (1938-2009) Rondo for Two Pumpkins, 2006 signed lower right: 'Dunlop' gouache on paper 50.0 x 69.0cm (19 11/16 x 27 3/16in). $2,000 - 4,000 Provenance Eva Breuer Art Dealer, Sydney (label attached verso)

84 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 85 108 GARRY SHEAD (BORN 1942) From Ameglia tiles by Lino Alvarez, Paloma Pottery, Hill End mosaic by Tim Cole and Adrienne Levenson ceramic tile mosaic 192.5 x 86.0cm (75 13/16 x 33 7/8in). $20,000 - 30,000

86 | BONHAMS

109 - no lot 112 KAROLY (KARL) BACHMANN (HUNGARIAN, 1874-1924) Still Life 110 signed upper right: 'Bachmann K' LUKE SCIBERRAS (BORN 1975) oil on board Spatchcocks, 2003 22.0 x 20.0cm (8 11/16 x 7 7/8in). titled, initialled and dated: 'Spatchcocks LS '03' gouache and ink on paper $800 - 1,200 76.0 x 42.0cm (29 15/16 x 16 9/16in). overall Provenance $1,200 - 2,200 Christopher Day Gallery, Sydney (label attached verso) 111 113 PETER GODWIN (BORN 1953) Il Pesce, 2014 LUKE SCIBERRAS (BORN 1975) Restaurant Kitchen (Baccala and Groper), 2012 titled upper right: 'il Pesce' initialled and dated lower right: 'LS 12' signed and dated lower right: 'Godwin 14' titled, signed and dated verso: 'Restaurant Kitchen oil on paper (Baccala and Groper), '012' 19.0 x 46.0cm (7 1/2 x 18 1/8in). oil on board $1,200 - 2,200 122.5 x 120.0cm (48 1/4 x 47 1/4in). Literature $3,000 - 5,000 Lucio Galletto, The Art of Traditional Italian, Lantern, Sydney, 2014, pp. 130-131, 239 (illus.)

88 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 89 114 117 ROY JACKSON (1944-2013) SANDRA LEVESON (BORN 1944) Lucio's, 2013 Lucio's, 2003 initialled and dated verso: 'RJ. 2013' signed and dated verso: 'Leveson 03' hand-painted ceramic plate hand-painted ceramic plate diameter: 31.0cm (12 3/16in). diameter: 29.5cm (11 5/8in). $1,000 - 2,000 $1,000 - 2,000

115 118 DAVE TEER (BORN 1970) LAURA JONES (BORN 1982) Lucio's Lucio's, 2013 monogrammed verso: 'DBT' signed and dated verso: 'Laura Jones 13' hand-painted ceramic plate hand-painted ceramic plate diameter: 30.5cm (12in). diameter: 29.0cm (11 7/16in). $1,000 - 2,000 $1,000 - 2,000

116 119 ANGUS NIVISON (BORN 1953) ELISABETH CUMMINGS (BORN 1934) Lucio's Lucio's, 2013 hand-painted ceramic plate signed and dated verso: 'Elisabeth Cummings '13' diameter: 30.0cm (11 13/16in). hand-painted ceramic plate diameter: 30.5cm (12in). $1,000 - 2,000 $1,000 - 2,000

90 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 91 120 123 JOHN COBURN (1925-2006) JOHN BEARD (BORN 1943) Winter's Night, 1992 The Beautiful and the Damned I; signed lower right: 'Coburn' The Beautiful and the Damned II, 1993 signed, titled and dated verso: 'JOHN COBURN / both initialled and dated lower corners: 'JB '93' WINTER'S NIGHT / WATERCOLOUR 1992' synthetic polymer paint on paper watercolour on paper 10.0 x 10.0cm (3 15/16 x 3 15/16in). 25.5 x 35.5cm (10 1/16 x 14in). $800 - 1,200 $1,500 - 2,500 Exhibited Literature John Beard Part 1: After Adraga, Tate St Ives, England, Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, May – September 1998 (label attached verso to one example) Craftsman House, Sydney, 1999, p. 80 (illus.) Literature 121 Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, JOHN COBURN (1925-2006) Craftsman House, Sydney, 1999, pp. 170-71 (illus.) San Marco titled lower centre: 'San Marco' 124 signed lower right: 'Coburn' DAVE TEER (BORN 1970) watercolour on paper (Untitled) 24.0 x 31.5cm (9 7/16 x 12 3/8in). monogrammed to base: 'DBT' painted steel $1,500 - 2,500 10.0 x 14.0 x 13.5cm (3 15/16 x 5 1/2 x 5 5/16) Literature $1,000 - 2,000 Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 80 (illus.)

122 KEN JOHNSON (BORN 1950) Block, 2006 signed and dated lower right: 'Ken Johnson 06' signed and titled verso: 'Ken Johnson / Block' oil on linen 50.0 x 50.0cm (19 11/16 x 19 11/16in). $500 - 800

92 | BONHAMS 125 126 FRED (FREDERICK HAROLD) CRESS (1938-2009) JASON BENJAMIN (BORN 1971) Encounter, 2000 As it Comes, 2001 signed, dated and titled verso: titled, dated, signed and dedicated verso 'Cress 2000 / ENCOUNTER 2000' oil on canvas oil on canvas 61.0 x 61.0cm (24 x 24in). 106.0 x 84.0cm (41 3/4 x 33 1/16in). $3,000 - 5,000 $5,000 - 7,000 127 KEN JOHNSON (BORN 1950) Icebergs, 2000 signed lower right: 'Ken Johnson' signed and dated verso: 'KEN JOHNSON / 2000' oil on canvas 60.0 x 60.0cm (23 5/8 x 23 5/8in). $1,000 - 2,000

LUCIO'S FOOD, ART & FRIENDSHIP | 93 128 JOHN BEARD (BORN 1943) Lucio, 2002 signed and dated lower right: 'J Beard 2002' dedicated lower left: 'For Lucio' ink on paper 67.0 x 57.0cm (26 3/8 x 22 7/16in). $2,000 - 4,000 Literature Stephen Bann and Anthony Bond, John Beard, Hardie Grant Books, Sydney, 2011, p. 289 (illus.)

It has been said that the painter Pierre Bonnard sought first and The intervals or spaces between our active tasting and consumption foremost to paint the savour of things, to recover their savour. are the intervals that establish the condition for a contemplative reflection on what we have experienced, or how the ordinary became Looking does not necessarily mean seeing (as eating and drinking extraordinary. Away from the restaurant we recall from memory our do not necessarily mean tasting). To see something is to explore it sensual inscriptions. It is the space between all things as well as the visually. Prolonged looking leads to seeing more, understanding and things themselves. It is what Mondrian meant when he said his goal enjoying more – what Bonnard spoke of as 'the pleasure of seeing was to undermine the distinction between foreground and background and its rewards'. It is an act of intelligent seeing. in painting. He wanted, he said, 'to give painting a holistic object-like quality of its own'. Lucio's is an intelligent restaurant, perfectly blending feeling, thought and action. It is about a confirmation of structure and purpose that Returning to Lucio's is an act of confirmation – a means of has evolved from experience and an understanding of the past. rediscovery rather than an act of repetition. It cultivates the pleasure Tradition and skills are re-enacted here and magically fused with new of discernment, a means by which we are able to measure and ideas (respectfully muted when appropriate) to give definition to our compare. It is somewhat akin to looking at Bonnard, or listening to own contemporary palate. It is not about a search for novelty, but Monteverdi, or reading Rilke – you have to do it often, a process that about an elevation of spirit and conscience which we can discern by synthesises our knowing. It is the 'blood remembering' within us that the manner in which an idea is realised and presented by us. created a state of delicious anticipation for the next encounter.

I am reminded of a definition of research by Chambers, the John Beard, 1999 eighteenth-century composer-musicologist: 'Research, in music, is a The Art of Food at Lucio's kind of prelude or voluntary wherein the composer seems to search or look out for the strains or touches of harmony which he is to use in the regular piece to be played afterwards.' This seems appropriate to the working sensibilities that emanate from Lucio's kitchen, where what is created and prepared serves to educate as well as to delight us. The experience cultivates a greater awareness of sensory wonder and stimulates our receptivity towards aesthetic well-being. We leave the restaurant fulfilled in a complete sense rather than full in a sense that is basic.

94 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 95 129 JOHN COBURN (1925-2006) Dark Forest, 2002 signed lower right: 'Coburn' titled, signed and dated verso: 'DARK FOREST / JOHN COBURN / OIL / 2002' oil on canvas 120.0 x 100.0cm (47 1/4 x 39 3/8in). $10,000 - 15,000 Provenance Australian Galleries, Sydney (label attached verso)

Exhibited Recent Paintings, Australian Galleries, Sydney, 22 October - 16 November 2002, cat. 8

Lucio's restaurant was formerly The Hungry Horse, and in 1962 Betty O'Neill asked me to lunch there. She told me she was opening an art gallery above the restaurant to be called The Hungry Horse Gallery. I agreed to show with her, and her opening exhibition included works by John Olsen, Colin Lanceley, Robert Hughes, Charles Reddington, Frank Hodgkinson, Carl Plate, Robert Klippel, Emanuel Raft and myself. We were photographed together standing on the front balcony of the gallery and the photograph became an icon of Sydney art of the 1960s. A copy of it hangs in Lucio's restaurant along with works by many of the original Hungry Horse group, plus many by younger artists of the 1970s, 1980s and 1990s. Lucio's has become, since Lucio took over fifteen years ago, the artists' restaurant of Sydney.

John Coburn, 1999 The Art of Food at Lucio's

96 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 97 130 131 EUAN MACLEOD (BORN 1956) ANGUS MCDONALD (BORN 1961) Jan Senbergs, Mt Ruapehu, 2009 Study for Rationalised, 2008 titled, signed and dated verso: titled, signed and dated lower right: 'Jan Senbergs / Mt Ruapehu / Euan Macleod / 15/4/09' 'Study for Rationalised, McDonald, 08' oil on canvas pencil and conte on coloured paper 35.5 x 45.5cm (14 x 17 15/16in). 55.0 x 55.0cm (21 5/8 x 21 5/8in). $2,000 - 3,000 $800 - 1,200 Provenance Tim Olsen Gallery, Sydney (label attached verso)

98 | BONHAMS 132 TIM STORRIER (BORN 1949) The Sombrero bronze 5.5 x 12.5cm (2 3/16 x 4 15/16in). $250 - 450

133 NIC FIDDIAN-GREEN (BRITISH, BORN 1963) Greek Head, 2013 bronze height: 26.5cm (10 7/16in). including base $1,000 - 2,000

134 JOHN BEARD (BORN 1943) Colares Trotter - Penedo, 1993 each signed, dated and titled to lower margin watercolour on paper (4) each approx. 38.0 x 25.0cm (14 15/16 x 9 13/16in). overall $2,000 - 3,000

LUCIO'S FOOD, ART & FRIENDSHIP | 99 135 TIM STORRIER (BORN 1949) Square Cut Shoulder, 1999 titled, signed and dated lower right: "'Square cut shoulder' / Storrier / 1999' synthetic polymer paint on board 49.5 x 39.5cm (19 1/2 x 15 9/16in). $12,000 - 18,000 Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 114 (illus.)

100 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 101 136 GARRY SHEAD (BORN 1942) Feast on Mount Pleasant, 1999 titled lower left: 'Feast on Mount Pleasant' signed and dated lower right: 'Garry Shead 99' oil on canvas 118.0 x 91.0cm (46 7/16 x 35 13/16in). $40,000 - 60,000 Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 94 (illus.) Lucio Galletto, The Art of Traditional Italian, Lantern, Sydney, 2014, p. 6 (illus.)

Since I was a young journalist in the 1980s, I have feasted as often as Hodgkinson (who signed his lobster plate "F Ho") at the celebratory possible in the sunshine of Lucio's hospitality and the ochre-walled lunch Lucio hosted for the artists. room that felt like a courtyard somewhere between Paddington and Liguria. So began our short but warm friendship and a deeper appreciation of a fine artist. After Lucio and Sally took one of his paintings home, As Paddington locals for twenty-five years, my husband and I Frank covered the front of the bar with giant sea creatures, so they loved strolling over for a simply perfect meal. In recent months I ate could not be removed. mountains of green noodles with blue swimmer crab to prepare for the winter of the restaurant's closure. Regular diners will have their favourite pieces of art. I often found myself facing John Beard's portrait of Lucio, a benign emperor You saw more politicians and captains of industry at Lucio's than at overseeing his restaurant. My husband would like to hang the full set the Yellow House artists' collective in Potts Point, set up by Martin of painted plates – now grown to thirty-five – on our wall. We'd also be Sharp in the 1970s. But the restaurant has in its own way been happy with a smaller gem. Sydney's "yellow house" for four decades, a salon for artists, a radiant backdrop for their work. Martin's Eternity poster hung below I've known many of the artists, owned work by a few, and dined at Garry Shead's Ern Malley fresco ("circa 1497/1947"), witty relics of Lucio's with some. We had a night with Robert Hughes, by then an Australian cultural history. éminence grise with a crook leg, but once a young artist who asked Lucio not to hang his painting. He knew he was a much better critic. There's a special intimacy to eating splendidly among artworks that could be destroyed by the fling of a wine glass. As Euan McLeod said Garry Shead was at a lunch with friends that began our long goodbye. to me recently, "Often when you're in the restaurant you're bumping He savoured a plate of oysters and then pulled out a pen and drew a Tim Storrier." That trust earned respect and there weren't many inside a shell – a Lotto win for the lucky waiter who cleared the table. casualties – a couple of broken ceramics, some splashes of tomato Lucio's was surely the only restaurant where you could eat the art and sauce, Lucio's morning-after straightening ritual. collect the leftovers. Food, art and friendship at their very best.

When Lucio commissioned fifteen artists to paint a plate for the Susan Wyndham restaurant's fifteenth anniversary in 1998, my journalist husband wrote about the collection for our newspaper. He sat next to Frank

102 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 103 137 138 GRIA SHEAD (BORN 1972) LEO ROBBA (BORN 1962) The Dining Room, 2008 Blue Gold Hill, The Nek, Gallipoli, 2015 signed lower right: 'Gria Shead, 2008' titled and dedicated verso: 'To Dean, / Lucio and Sally, / Best Leo oil on canvas 2015' / Leo Robba / Blue Gold Hill, The Nek / oil on metal / LR' 40.0 x 30.0cm (15 3/4 x 11 13/16in). oil on tin 14.0 x 20.0cm (5 1/2 x 7 7/8in). $800 - 1,200 $600 - 900 Provenance Tim Olsen Gallery, Sydney (label attached verso)

104 | BONHAMS 139 FRED (FREDERICK HAROLD) CRESS (1938-2009) Garden of Some Vanities, 1996 signed, titled, dated and inscribed verso: '© Cress 1996 / CRESS / "GARDEN OF SOME VANITIES" 1996 / 137 X 168 cms / Acrylic / canvas" synthetic polymer paint on canvas 138.0 x 168.0cm (54 5/16 x 66 1/8in). $8,000 - 12,000 Provenance Annandale Galleries, Sydney (label attached verso)

Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 155 (illus.)

LUCIO'S FOOD, ART & FRIENDSHIP | 105 140 141 JOHN OLSEN (BORN 1928) JAMES GORDON Preparing Seafood, 2000 Oyster with Fork signed and dated lower right: 'John Olsen 2000' signed lower right: 'JAMES GORDON' dated and dedicated verso: '6.5.2002 / watercolour on paper Dear Lucio and Sally, / thankyou for making my 20.5 x 20.0cm (8 1/16 x 7 7/8in). 40th a birthday to remember / much love, / Tim' $100 - 200 mixed media on paper 21.0 x 29.5cm (8 1/4 x 11 5/8in). Provenance Tim Olsen Gallery, Sydney $2,000 - 4,000 Provenance Tim Olsen Gallery, Sydney (label attached verso)

Literature Lucio Galletto, The Art of Traditional Italian, Lantern, Sydney, 2014, frontispiece (illus.)

106 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 107 142 PETER GODWIN (BORN 1953) I will always remember Lucio's greetings with hands, arms east and Squid, Smoke, Fish, Lemon, 2008 west, reminiscent of Goya's 'Third of May' but far more welcoming! titled, dated and signed verso: 'Squid, Smoke, / Only to be echoed much later by his farewell with arms all embracing, Fish, Lemon, / 2008 / Godwin' feelings of genuine warmth fuelled by beautiful food and wine. dedicated verso: 'Lucio / Love to you and / your family / Peter oil on canvas on board In anticipation of our next meeting, to you Lucio, gioia di vivere. 31.0 x 50.0cm (12 3/16 x 19 11/16in). Peter Godwin $3,000 - 5,000

108 | BONHAMS 143 144 LUKE SCIBERRAS (BORN 1975) JOHN OLSEN (BORN 1928) Octopus, 2004 Love in the Kitchen, 2000 initialled and dated lower right: 'LS 04' titled, signed and dated to base: ink on paper 'Love in the / Kitchen / John Olsen / 2000' 45.0 x 12.0cm (17 11/16 x 4 3/4in). thrown by Ros Auld, incised to base hand-painted ceramic $600 - 900 47.0cm diameter (18 1/2in). $5,000 - 8,000

LUCIO'S FOOD, ART & FRIENDSHIP | 109 145 147 DAVID LARWILL (1956-2011) MICHAEL JOHNSON (BORN 1938) Awesome Foursome, 1999 Homage to Mu-Chi, Kuan-Yin XIII, 1995 titled, dated and signed below image: initialled and dated lower left: 'M 95' 'Awesome Foursome 1999 David Larwill' vinyl on paper oil on paper 75.0 x 56.0cm (29 1/2 x 22 1/16in). 50.0 x 68.0cm (19 11/16 x 26 3/4in). $2,000 - 4,000 $3,000 - 5,000 Provenance 146 Christine Abrahams Gallery, Melbourne (label attached verso) DAVID BAND (BRITISH, 1959-2011) Spillage III, 1999 148 numbered, titled, signed, dated and dedicated below plate: MICHAEL JOHNSON (BORN 1938) '11/25 d band 99 / 6.6.01 for Lucio cheers db' Hawkesbury Pastel V, 2004 etching signed and dated lower right: 'Michael Johnson 04' 44.0 x 39.0cm (17 5/16 x 15 3/8in). pastel on paper 40.0 x 31.0cm (15 3/4 x 12 3/16in). $1,200 - 2,200 $800 - 1,200 Exhibited Spillage, Tim Olsen Gallery, Sydney, 2000 (another impression) Provenance Philip Bacon Galleries, Brisbane (label attached verso)

110 | BONHAMS 149 150 PETER POWDITCH (BORN 1942) LUKE SCIBERRAS (BORN 1975) Sun Torso XXXXIX, 1971 One for the Cook, 2010 titled dated and signed verso: initialled and dated lower right: 'LS '10' 'Sun Torso XXXXIX, 71 / Powditch' titled, signed and dated verso; 'One for the Cook / LS / '10' enamel on board oil on board 35.5 x 45.0cm (14 x 17 11/16in). 90.0 x 90.0cm (35 7/16 x 35 7/16in). $2,000 - 4,000 $3,000 - 5,000 Provenance Defiance Gallery, Sydney (label attached verso)

LUCIO'S FOOD, ART & FRIENDSHIP | 111 112 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 113 151 JOHN OLSEN (BORN 1928) Improvisation on an Octopus, 1990 titled, signed and dated lower right: 'Improvisation on / an Octopus / John Olsen 90' pastel and watercolour on paper 99.0 x 99.5cm (39 x 39 3/16in). $40,000 - 60,000 Provenance Collection of Lucio Galletto, gift of the artist

Exhibited John Olsen 1991, Australian Galleries, Collingwood, 5–23 March 1991, cat. 17

To begin. First there was a restaurant and its name was The Hungry and covered in a salt cast, at a table next to you. The silence and Horse, and when the horse grew up it became a famous art gallery as anticipation are religious. Lucio lifts the cast whole, and the aroma well. On a fragile cast-iron balcony of the art gallery, artists perilously which arises from the concealed fish is something to dream about. perched and looked down on the sacred site which is the corner Then the maestro slices the flaky but juicy fish into portions. Still of Windsor and Elizabeth streets, Paddington. Suddenly the horse all remains in silence. With an artist's sense of abstraction, Lucio bolted and became the most famous restaurant of all, Lucio's Italian judiciously drizzles the finest virgin olive oil over the portions, adding a Restaurant. squeeze of lemon juice, a pinch of parsley, a turn of black pepper and tiny chopped, seeded tomatoes. Perhaps it didn't quite happen that way, but as the years winked by that's how it seemed to me. Ecco - it is done!, Spontaneously everyone claps; how's that for a one-man exhibition? The new owners were Lucio Galletto and Marino Maioli, fresh with new ideas about Italian food. On reflection it could have been called Simple? Not at all. When the salt emulsion that covers the fish is put cucina sana, but that sounds too fussy, for it seems to put a limitation into the oven it may not be touched or prodded. The salt cast must be on its intention. For it looked to quality and freshness of ingredients, mixed to the right consistency, else all will be a disaster. The snapper where the ingredients maintain their individuality within the enormous must be removed at exactly the right moment. vocabulary of Italian recipes, and the tradition remains secure. From the beginning the restaurant was a success. Everyone intimated There were freshly made pasta, large and different-shaped ravioli that something good was happening. For artists something special stuffed with crabs, prawns and spinach, in what seemed to be was at hand. Lucio and Marino loved art and artists (artists delight endless combinations, served with discrete and unctuous sauces. in being patted) and pictures were brought - some in lieu of dinners, some as simple gifts to a gifted and generous restaurateur. Constant travellers told me that Lucio's Tagliolini alla Granseola (green pasta with blue swimmer crab) is as good as, if not better than, any This book is a salute to this modest but great restaurant that shares they have tasted in Italy. moments of happiness and will remain in the corner of our hearts.

There is a dish, it could be called a signature dish, for which freshness John Olsen, 1999 is so paramount that it must be ordered the day before. It is Pesce The Art of Food at Lucio's al Sale. Lucio uses snapper. Only Lucio serves this, presented whole

114 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 115 152 DAN KYLE (BORN 1989) 155 Lucio's, 2013 CARLOS BARRIOS (BORN 1966) signed and dated verso: 'DAN KYLE '13' Lucio's, 2014 glazed ceramic signed and dater lower centre: diameter: 30.5cm (12in). 'CARLOS / BARRIOS 2014' hand-painted ceramic plate $1,000 - 2,000 diameter: 27.5cm (10 13/16in). 153 $1,000 - 2,000 REG MOMBASSA (BORN 1951) Lucio's signed lower right: 'Reg M.' 156 hand-painted ceramic plate LUKE SCIBERRAS (BORN 1975) diameter: 31.0cm (12 3/16in). Meat Lovers Landscape, 2002 initalled and dated lower centre: 'LS 02' $1,000 - 2,000 titled, signed and dated verso 154 handpainted ceramic plate SALVATORE ZOFREA (ITALIAN, BORN 1946) diameter: 28.5cm (11 1/4in). Lucio's $1,000 - 2,000 hand-painted ceramic plate diameter: 28.5cm (11 1/4in). $1,000 - 2,000

116 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 117 118 | BONHAMS

157 159 JASON BENJAMIN (BORN 1971) CHARLES BLACKMAN (1928-2018) Now My Heart is Full, 2000 Genoa, The Flower of Italy, 2002 titled, dated and signed verso: titled, initialled and dated: 'now my / heart is / full / May '00 / Benjamin' 'Genoa, The Flower of Italy / CB. / 2/000/2' oil on canvas texta on paper 30.0 x 30.0cm (11 13/16 x 11 13/16in). 58.0 x 40.0cm (22 13/16 x 15 3/4in). $1,000 - 2,000 $800 - 1,200 158 JOHN OLSEN (BORN 1928) 160 Pappa Drinking, 1999, together with Portrait of Walter CHARLES BLACKMAN (1928-2018) one initialled upper left: 'JO' Sketchbook drawings in Venice, 1983 ink on paper one initialled lower right: 'CB' 18.0 x 10.0 cm pencil, ink and wash on paper 15.0 x 10.0 cm (2) 24.0 x 18.0cm (9 7/16 x 7 1/16in). each (sheet size) $400 - 800 $800 - 1,200 Literature Literature Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Lucio Galletto and Timothy Fisher, The Art of Food at Lucio's, Craftsman House, Sydney, 1999, p. 44 (illus.) Craftsman House, Sydney, 1999, pp. 60, 90 (illus.)

120 | BONHAMS 161 162 JOHN OLSEN (BORN 1928) PHILIP HUNTER (BORN 1958) Wagtail, 1997 Small Plain 5, 2003 numbered, titled, signed, dated and numbered, titled, signed and dated below plate: dedicated below plate: '9/20 'Wagtail' John / Olsen / 97 / '5/30 Small Plain 5 PHunter 2003' Especially for my / amigo / Lucio' etching etching 23.5 x 17.5cm (9 1/4 x 6 7/8in). 12.0 x 7.0cm (4 3/4 x 2 3/4in). $400 - 800 $400 - 800 Provenance Related Works Tim Olsen Gallery, Sydney (stamped verso) Another impression from this edition is held in the collection of Cairns Art Gallery, Queensland Exhibited Plains, Tim Olsen Gallery, Sydney, 2 - 13 March 2004 (another impression)

LUCIO'S FOOD, ART & FRIENDSHIP | 121 163 165 JOHN OLSEN (BORN 1928) GARRY SHEAD (BORN 1942) Frog Climbing, 2008 Kingfisher, 1998 numbered, titled, signed, dated and numbered, titled, signed, dated and dedicated below plate: 'AP "Frog Climbing" / John / dedicated below image: A/P Kingfisher, Olsen / 08 / Especially for Lucio / Xmas 08' Garry Shead, For Lucio' etching screenprint, printed in colour, from multiple stencils 21.0 x 14.0cm (8 1/4 x 5 1/2in). 57.0 x 42.5cm (22 7/16 x 16 3/4in). $800 - 1,200 $800 - 1,200 164 Related Work JOHN OLSEN (BORN 1928) Another impression from this edition is held in the Lucio's Cooking Lesson, 2003 collection of the National Gallery of Australia, Canberra numbered, titled, signed, dated and dedicated below plate: 'AP. 'Lucio's Cooking Lesson' John Olsen '03 / Especially for' 166 hard ground line etching and aquatint GREG WEIGHT (BORN 1946) 44.0 x 60.0cm (17 5/16 x 23 5/8in). Brett Whiteley with Smoke, 1971 artist's monogram lower right: 'GW' $800 - 1,200 numbered, titled and dated verso: '1/ Literature 8 BRETT WHITELEY WITH SMOKE 1971' Ken McGregor, John Olsen: Teeming With Life, His photographic print on board Complete Graphics 1957-2005, MacMillan, Melbourne, 2005, 61.0 x 40.5cm (24 x 15 15/16in). p. 230 (illus., another example) $800 - 1,200

122 | BONHAMS LUCIO'S FOOD, ART & FRIENDSHIP | 123 167 There is only one Lucio's. FRANK GEORGE HODGKINSON (1919-2001) Ponte Vecchio, Fantasia, 1996 The very name of the place, even after only fifteen years in Sydney, numbered, titled, signed and dated below plate: evokes not simple a cuisine but a way of being. The secret of 'A/P Ponte Vechio, Fantasia, Frank Hodgkinson 1996' Lucio's is not only its extraordinary food and wide-ranging cellar but etching also its relaxed atmosphere in which high spirits flow exuberantly. 84.0 x 50.5cm (33 1/16 x 19 7/8in). Lucio is this spirit and he delivers it in true Ligurian tradition through his Italian province's distinctive dishes and wines. His is far more $1,200 - 2,200 than mere charm. It is professionalism of a particularly delicate kind. Lucio's love of art, his friendship with artists, his embracing warmth and bonhomie place his restaurant apart from others.

Frank Hodgkinson, 1999 The Art of Food at Lucio's

124 | BONHAMS 168 BRIAN O'DWYER (1937-2020) Philosopher, 2010 bronze height: 33.0cm (13in). $1,000 - 2,000 NOTICE TO BIDDERS 3. DESCRIPTIONS OF LOTS AND ESTIMATES 4. CONDUCT OF THE SALE This notice is addressed by Bonhams to any person who Contractual Description of a Lot Our Sales are public auctions which persons may attend and may be interested in a Lot, including Bidders and potential The Catalogue contains an Entry about each Lot. Each you should take the opportunity to do so. We do reserve the Bidders (including any eventual Buyer of the Lot). For ease of Lot is sold by its respective Seller to the Buyer of the Lot right at our sole discretion to refuse admission to our premises reference we refer to such persons as “Bidders” or “you”. Our as corresponding only with that part of the Entry which is or to any Sale without stating a reason. We have complete List of Definitions and Glossary is incorporated into this Notice printed in bold letters and (except for the colour, which may be discretion as to whether the Sale proceeds, whether any Lot is to Bidders. It is at Appendix 3 at the back of the Catalogue. inaccurately reproduced) with any photograph of the Lot in the included in the Sale, the manner in which the Sale is conducted Where words and phrases are used in this notice which are Catalogue. 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However these do vary from Sale to Sale and from Auctioneer to Auctioneer. Please If the Lot is knocked down to you, you will be liable to pay the Please note that as it is only an estimate of the Hammer Price check with the department organising the Sale for advice Purchase Price, which is the Hammer Price which includes the Estimate does not take into account any Buyer’s Premium on this. any applicable GST, plus Buyers Premium and any Additional payable. Lots can in fact sell for Hammer Prices below and Premium on the Hammer Price. See sections 6, 7 and 9 above the Estimate. Any Estimate should not be relied on as an Where a Reserve has been applied to a Lot, the Auctioneer below for more details. indication of the actual selling price or value of a Lot. Estimates may, in his absolute discretion, place bids (up to an amount not are in the currency of the Sale. equalling or exceeding such Reserve) on behalf of the Seller. 1. 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AUS/NOB/MAIN/V1/11.2020 NOTICE TO BIDDERS 3. DESCRIPTIONS OF LOTS AND ESTIMATES 4. CONDUCT OF THE SALE Bidding by post or fax 8. GST 11. SHIPPING Absentee Bidding Forms can be found in the back of this This notice is addressed by Bonhams to any person who Contractual Description of a Lot Our Sales are public auctions which persons may attend and Catalogue and should be completed and sent to the office The prevailing rate of GST at the time of going to press is 10% Please refer all enquiries to our shipping department may be interested in a Lot, including Bidders and potential The Catalogue contains an Entry about each Lot. Each you should take the opportunity to do so. We do reserve the responsible for the Sale. It is in your interests to return your but this is subject to government change and the rate payable [email protected]@bonhams.com Bidders (including any eventual Buyer of the Lot). For ease of Lot is sold by its respective Seller to the Buyer of the Lot right at our sole discretion to refuse admission to our premises form as soon as possible, as if two or more Bidders submit will be the rate in force on the date of the sale. reference we refer to such persons as “Bidders” or “you”. Our as corresponding only with that part of the Entry which is or to any Sale without stating a reason. We have complete identical bids for a Lot, the first bid received takes preference. List of Definitions and Glossary is incorporated into this Notice printed in bold letters and (except for the colour, which may be discretion as to whether the Sale proceeds, whether any Lot is In any event, all bids should be received at least 24 hours The Hammer Price is inclusive of GST where applicable. 12. EXPORT/TRADE RESTRICTIONS to Bidders. 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Under this Act, some objects may any applicable GST, plus Buyers Premium and any Additional payable. Lots can in fact sell for Hammer Prices below and Bidding via the internet in full before making a bid for the Lot. If you are a successful be not be able to be exported, whilst others will not be able to Premium on the Hammer Price. See sections 6, 7 and 9 above the Estimate. Any Estimate should not be relied on as an Where a Reserve has been applied to a Lot, the Auctioneer Please visit our Website at www.bonhams.com for details Bidder, payment will be due to us by 4.30 pm on the second be exported without permission. For more information on the below for more details. indication of the actual selling price or value of a Lot. Estimates may, in his absolute discretion, place bids (up to an amount not of how to bid via the internet. working day after the Sale so that all sums are cleared by the Act: see are in the currency of the Sale. equalling or exceeding such Reserve) on behalf of the Seller. seventh working day after the Sale. Unless agreed by us in www.arts.gov.au/movable. 1. OUR ROLE We are not responsible to you in respect of the presence or Bidding through an agent advance payments made by anyone other than the registered Where the Seller has indicated that it is registered or absence of any Reserve in respect of any Lot. If there is a Bids will be accepted as placed on behalf of the person named Buyer will not be accepted. Payment will have to be by one of The refusal of any import or export licence(s), any delay in In its role as Auctioneer of Lots, Bonhams acts solely for and required to be registered for GST, GST will be included in Reserve it will normally be no higher than the lower figure for as the principal on the Bidding Form although we may refuse the following methods (all cheques should be made payable to obtaining such licence(s), or any limitation on your ability to in the interests of the Seller. Bonhams’ job is to sell the Lot at the Hammer Price. any Estimate in the Catalogue, assuming that the currency of to accept bids from an agent on behalf of a principal and Bonhams 1793 Limited). export a Lot shall not permit the rescission of any sale nor allow the highest price obtainable at the Sale to a Bidder. 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If you do so, this will to any applicable Reserve) to whom the Lot is knocked down of another (whether or not he has disclosed that fact or the purchases; Sale if you require assistance in relation to export regulations. Report on a Lot it is doing that on behalf of the Seller of the Lot. be provided by Bonhams on behalf of the Seller free of charge. by the Auctioneer at the fall of the Auctioneer’s hammer. Any identity of his principal) will be jointly and severally liable with Bank cheque: if you can provide suitable proof of identity and Bidders and Buyers who are themselves not expert in the Lots Bonhams is not entering into a contract with you in respect dispute as to the highest acceptable bid will be settled by the the principal to the Seller and to Bonhams under any contract 13. CITES REGULATIONS we are satisfied as to the genuineness of the cheque, we will are strongly advised to seek and obtain independent advice on of the Condition Report and accordingly does not assume Auctioneer in his absolute discretion. All bids tendered will resulting from the acceptance of a bid. Subject to the above, allow you to collect your purchases immediately; the Lots and their value before bidding for them. The Seller has responsibility to you in respect of it. Nor does the Seller owe or relate to the actual Lot number announced by the Auctioneer. please let us know if you are acting on behalf of another person Please be aware that all Lots marked with the symbol Y are authorised Bonhams to sell the Lot as its agent on its behalf agree to owe you as a Bidder any obligation or duty in respect An electronic currency converter may be used at the Sale. This when bidding for Lots at the Sale. Cash: you may pay for Lots purchased by you at this Sale with subject to CITES regulations when exporting these items, and, save where we expressly make it clear to the contrary, of this free report about a Lot, which is available for your own equipment is provided as a general guide as to the equivalent notes or coins in the currency in which the Sale is conducted which may, for example, include objects of ivory, tortoiseshell Bonhams acts only as agent for the Seller. Any statement or inspection or for inspection by an expert instructed by you. amount in certain currencies of a given bid. We do not accept Equally, please let us know if you intend to nominate another (but not any other currency) provided that the total amount and other wildlife items outside Australia. Information about these regulations may be found at www.environment.gov.au/ representation we make in respect of a Lot is made on the However, any written description of the physical condition of any responsibility for any errors which may occur in the use person to bid on your behalf at the Sale unless this is to be payable by you in respect of all Lots purchased by you at biodiversity/trade - use/cites/index.html or may be requested Seller’s behalf and, unless Bonhams sells a Lot as principal, the Lot contained in a Condition Report will form part of the of the currency converter. We may use video cameras to carried out by us pursuant to a Telephone or Absentee Bidding the Sale does not exceed AU$8,000, or the equivalent in the from: not on our behalf and any Contract for Sale is between the Contractual Description of the Lot under which it is sold to any record the Sale and may record telephone calls for reasons of Form that you have completed. If we do not approve the currency in which the Sale is conducted, at the time when Buyer and the Seller and not with us. If Bonhams sells a Lot Buyer. security and to assist in solving any disputes which may arise in agency arrangements in writing before the Sale, we are entitled payment is made. If the amount payable by you for Lots The Director as principal this will either be stated in the Catalogue or an relation to bids made at the Sale. At some Sales, for example, to assume that the person bidding at the Sale is bidding on exceeds that sum, the balance must be paid otherwise than in International Wildlife Trade The Seller’s responsibility to you jewellery Sales, we may use screens on which images of the his own behalf. Accordingly, the person bidding at the Sale will announcement to that effect will be made by the Auctioneer, coins or notes Department of the Environment, Water, Heritage and the Arts or it will be stated in a notice at the Sale or an insert in the The Seller does not make or agree to make any representation Lots will be projected. This service is provided to assist viewing be the Buyer and will be liable to pay the Hammer Price and GPO Box 787 Catalogue. of fact or contractual promise, guarantee or warranty and at the Sale. The image on the screen should be treated as an Buyer’s Premium and associated charges. If we approve the Bank transfer: you may electronically transfer funds to our Canberra ACT 2601 undertakes no obligation or duty, whether in contract or in indication only of the current Lot. It should be noted that all bids identity of your client in advance, we will be in a position to Trust Account. If you do so, please quote your paddle number Bonhams does not owe or undertake or agree to any duty tort (other than to the eventual Buyer as set out above), in tendered will relate to the actual Lot number announced by the address the invoice to your principal rather than you. We will and invoice number as the reference. Our Trust Account details 14. THE SELLERS AND/OR BONHAMS’ LIABILITY or responsibility to you in contract or tort (whether direct, respect of the accuracy or completeness of any statement Auctioneer. We do not accept any responsibility for any errors require proof of the agent’s client’s identity and residence in are as follows: collateral, express, implied or otherwise). If you successfully bid or representation made by him or on his behalf, which is in which may occur in the use of the screen. advance of any bids made by the agent on his behalf. Please Other than any liability of the Seller to the Buyer of a Lot under Bank: HSBC Bank Australia Ltd for a Lot and buy it, at that stage Bonhams does enter into an any way descriptive of any Lot or as to the anticipated or refer to our Conditions of Business and contact our Customer the Contract for Sale, and to the extent permitted by law, agreement with the Buyer. The terms of that contract are set likely selling price of any Lot. Other than as set out above, no 5. BIDDING Services Department for further details. Address: 28 Bridge Street neither we nor the Seller are liable (whether in negligence or out in our Buyer’s Agreement, which you will find at Appendix statement or representation in any way descriptive of a Lot or Sydney otherwise) for any error or misdescription or omission in any 2 at the back of the Catalogue. This will govern Bonhams’ any Estimate is incorporated into any Contract for Sale between We do not accept bids from any person who has not 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND NSW 2000 Description of a Lot or any Estimate in respect of it, whether relationship with the Buyer. a Seller and a Buyer. completed and delivered to us one of our Bidding Forms, THE BUYER AND BONHAMS Account Name: Bonhams 1793 Ltd Au - Client AC contained in the Catalogue or otherwise, whether given orally either our Bidder Registration Form, Absentee Bidding Form Account Number: 078193002 or in writing and whether given before or during the Sale. To 2. LOTS Bonhams’ responsibility to you or Telephone Bidding Form. You will be asked for proof of On the Lot being knocked down to the Buyer, a Contract for BSB: 342011 the extent permitted by law, neither we nor the Seller will be You have the opportunity of examining the Lot if you want to identity, residence, financial details and references, which, when Sale of the Lot will be entered into between the Seller and the SWIFT code: HKBAAU2S liable for any loss of Business, profits, revenue or income, or Subject to the Contractual Description printed in bold letters and the Contract for Sale for a Lot is with the Seller and not asked for, you must supply if your bids are to be accepted Buyer on the terms of the Contract for Sale set out in Appendix for loss of reputation, or for disruption to Business or wasted If paying by bank transfer, the amount received after the in the Entry about the Lot in the Catalogue (see paragraph 3 with Bonhams; Bonhams acts as the Seller’s agent only (unless by us. Please bring your passport, driving license (or similar 1 at the back of the Catalogue. You will be liable to pay the time on the part of management or staff, or for indirect losses deduction of any bank fees and/or conversion of the currency below), Lots are sold to the Buyer on an “as is” basis, with Bonhams sells the Lot as principal). photographic proof of identity) and a debit card. We may Purchase Price, which is the Hammer Price. At the same or consequential damages of any kind, irrespective in any case all faults and imperfections. Illustrations and photographs Bonhams undertakes no obligation to you to examine, request a deposit from you before allowing you to bid. We may time, a separate contract is also entered into between us as of payment to pounds sterling must not be less than the of the nature, volume or source of the loss or damage alleged contained in the Catalogue (other than photographs forming investigate or carry out any tests, either in sufficient depth or at refuse entry to a Sale to any person even if that person has auctioneers and the Buyer. This is our Buyer’s Agreement, the Australian Dollar amount payable, as set out on the invoice. to be suffered, and irrespective of whether the said loss or part of the Contractual Description) or elsewhere of any Lots all, on each Lot to establish the accuracy or otherwise of any completed a Bidding Form. terms of which are set out in Appendix 2 at the back of the All payments must be cleared before you can collect damage is caused by or claimed in respect of any negligence, are for identification purposes only. They may not reveal the descriptions or opinions given by Bonhams, or by any person Catalogue. Please read the terms of the Contract for Sale and your purchases. other tort, breach of contract (if any) or statutory duty, true condition of the Lot. A photograph or illustration may on Bonhams’ behalf, whether in the Catalogue or elsewhere. Bidding in person our Buyer’s Agreement contained in the Catalogue in case you restitutionary claim or otherwise. To the extent permitted by law, not reflect an accurate reproduction of the colour(s) of the You should not suppose that such examinations, investigations You should come to our Bidder registration desk at the Sale are the successful Bidder. We may change the terms of either in any circumstances where we and/or the Seller are liable in Lot. Lots are available for inspection prior to the Sale and it or tests have occurred. venue and fill out a Bidder Registration Form on (or, if possible, or both of these agreements in advance of their being entered relation to any Lot or any Description or Estimate made of any is for you to satisfy yourself as to each and every aspect of a Bonhams does not make or agree to make any representation before) the day of the Sale. The bidding number system is into, by setting out different terms in the Catalogue and/or by Lot, or the conduct of any Sale in relation to any Lot, whether in Lot, including its authorship, attribution, condition, w, history, of fact, and undertakes no obligation or duty (whether in sometimes referred to as “paddle bidding”. You will be issued placing an insert in the Catalogue and/or by notices at the Sale damages, for an indemnity or contribution, or for a restitutionary background, authenticity, style, period, age, suitability, quality, contract or tort) in respect of the accuracy or completeness with a large card (a “paddle”) with a printed number on it. This venue and/or by oral announcements before and during the Payments can be made by BPAY. Please contact your remedy or otherwise, our and/or the Seller’s liability (combined, roadworthiness (if relevant), origin, value and estimated selling of any statement or representation made by Bonhams or on will be attributed to you for the purposes of the Sale. Should Sale. You should be alert to this possibility of changes and ask participating bank, credit union or building society to make if both we and the Seller are liable) will be limited to payment of price (including the Hammer Price). It is your responsibility Bonhams’ behalf which is in any way descriptive of any Lot or you be a successful Bidder you will need to ensure that your if there have been any. payment directly from your cheque or savings account. Enter a sum which will not exceed by way of maximum the amount to examine any Lot in which you are interested. It should be as to the anticipated or likely selling price of any Lot. number can be clearly seen by the Auctioneer and that it is the Biller Code 17723 and BPAY reference number as detailed of the Purchase Price of the Lot irrespective in any case of the remembered that the actual condition of a Lot may not be as No statement or representation by Bonhams or on its behalf in your number which is identified as the Buyer’s. You should not 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE on your invoice. nature, volume or source of any loss or damage alleged to be good as that indicated by its outward appearance. In particular, any way descriptive of any Lot or any Estimate is incorporated let anyone else use your paddle as all Lots will be invoiced to BY THE BUYER suffered or sum claimed as due, and irrespective of whether EFTPOS cards issued by an Australian bank: there is no the liability arises from any negligence, other tort, breach of parts may have been replaced or renewed and Lots may not into our Buyer’s Agreement. the name and address given on your Bidder Registration Form. additional charge for purchases made with EFTPOS cards. be authentic or of satisfactory quality; the inside of a Lot may Once an invoice is issued it will not be changed. If there is Under the Buyer’s Agreement, a premium (the Buyer’s Premium) contract (if any) or statutory duty or otherwise. Nothing set out EFTPOS cards issued by an overseas bank, deferred and above will be construed as excluding or restricting (whether not be visible and may not be original or may be damaged, Alterations any doubt as to the Hammer Price of, or whether you are the is payable to us by the Buyer in accordance with the terms of company debit cards will be subject to a 1.65% surcharge. as for example where it is covered by upholstery or material. Descriptions and Estimates may be amended at Bonhams’ successful Bidder of, a particular Lot, you must draw this to the Buyer’s Agreement and at rates set out below, calculated directly or indirectly) our liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or Given the age of many Lots they may have been damaged and/ discretion from time to time by notice given orally or in writing the attention of the Auctioneer before the next Lot is offered for by reference to the Hammer Price and payable in addition to it. 10. COLLECTION AND STORAGE or repaired and you should not assume that a Lot is in good before or during a Sale. Sale. At the end of the Sale, or when you have finished bidding Storage charges and Expenses are also payable by the Buyer personal injury caused by our negligence (or by the negligence of any person under our control or for whom we are legally condition. Electronic or mechanical parts may not operate please return your paddle to the Bidder registration desk. as set out in the Buyer’s Agreement. All the sums payable to The Buyer of a Lot will not be allowed to collect it until payment or may not comply with current statutory requirements. You THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST us by the Buyer are subject to GST. For this Sale the following responsible), or (iii) any other liability to the extent the same in full and in cleared funds has been made (unless we have may not be excluded or restricted as a matter of law or (iv) should not assume that electrical items designed to operate FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Bidding by telephone (only available on lots with a low rates of Buyer’s Premium will be payable by Buyers of Lots: made a special arrangement with the Buyer). For collection and our undertakings under paragraphs 9 (in relation to specialist on mains electricity will be suitable for connection to the mains STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT estimate greater than AU$1,000). If you wish to bid at the 23% of the Hammer Price. With the exception of Collectors’ removal of purchased Lots, please refer to Sale Information at Stamp or Book Sales only) and 10 of the Buyer’s Agreement. electricity supply and you should obtain a report from a qualified EXAMINED ON YOUR BEHALF BEFORE THE SALE. Sale by telephone, please complete a Telephone Bidding Form, Motor Cars and Motorcycles where the buyer’s premium will be the front of the catalogue. Our offices are open 9.00am - 5pm The same applies in respect of the Seller, as if references to us electrician on their status before doing so. Such items which which is available from our offices or in the Catalogue. Please 15% on the first AU$100,000 and 10% thereafter. Monday to Friday. Details relating to the collection of a Lot, the in this paragraph were substituted with references to the Seller. are unsuitable for connection are sold as items of interest for then return it to the office responsible for the Sale at least 24 storage of a Lot and our Storage Contractor after the Sale are display purposes only. If you yourself do not have expertise hours in advance of the Sale. It is your responsibility to check set out at the end of this Notice to Bidders. regarding a Lot, you should consult someone who does to with our Bids Office that your bid has been received. advise you. We can assist in arranging facilities for you to carry out or have carried out more detailed inspections and tests. Telephone calls will be recorded. The telephone bidding facility Please ask our staff for details. is a discretionary service and may not be available in relation to all Lots. We will not be responsible for bidding on your behalf Any person who damages a Lot will be held liable for the if you are unavailable at the time of the Sale or if the telephone loss caused. connection is interrupted during bidding. Please contact us for further details.

AUS/NOB/MAIN/V1/11.2020 AUS/NOB/MAIN/V1/11.2020 15. BOOKS 2. A diamond brooch, signed Kutchinsky DATA PROTECTION - USE OF YOUR INFORMATION Has a signature that, in Bonhams’ opinion, is authentic but may As stated above, all Lots are sold on an “as is” basis, subject contain gemstones that are not original, or the piece may have As a result of the services provided by us, we obtain personal to all faults, imperfections and errors of description save as been altered. data about you (which expression for the purposes of this set out below. However, you will be entitled to reject a Book paragraph only includes your employees and officers, if in the circumstances set out in paragraph 10 of the Buyers 3. A diamond brooch, mounted by Kutchinsky relevant). You agree to our use of it as follows. Agreement . Has been created by the jeweller, In Bonhams’ opinion, but using stones or designs supplied by the client. We may use your data to notify you about changes to our 16. CLOCKS AND WATCHES services and to provide you with information about products 19. PHOTOGRAPHS or services that you request from us or which we feel may be All Lots are sold “as is”, and the absence of any reference to of interest to you. Data about you may be analysed to identify the condition of a clock or watch does not imply that the Lot is ‘Bill Brandt’: in our opinion a work by the artist. your potential preferences for these purposes. We may disclose in good condition and without defects, repairs or restorations. your data to any member of our group (which means our Most clocks and watches have been repaired in the course of ‘Attributed to Bill Brandt’: in our opinion probably a work by the subsidiaries, our ultimate holding company and its subsidiaries their normal lifetime and may now incorporate parts not original artist, but less certainty to authorship is expressed than in the as defined in section 9 of the Corporations Act 2001, including to them. Furthermore, Bonhams makes no representation or preceding category. any overseas subsidiary). Subject to this, we will not disclose warranty that any clock or watch is in working order. As clocks your data to any third party but we may from time to time and watches often contain fine and complex mechanisms, ‘Signed and/or titled and/or dated and/or inscribed’: in our provide you with information about goods and services Bidders should be aware that a general service, change of opinion the signature and/or title and/or date and/or inscription provided by third parties which we feel may be of interest battery or further repair work, for which the Buyer is solely are in the artist’s hand. to you. Any member of our group may use your data for responsible, may be necessary. Bidders should be aware similar purposes. that the importation of watches such as Rolex, Frank Muller ‘Signed and/or titled and/or dated and/or inscribed in another and Corum into the United States is highly restricted. These hand’: in our opinion the signature and/or title and/or date and/ We will keep your data for a period of six years from the watches may not be shipped to the USA and can only or inscription have been added by another hand. date of your last contact with us so as to simplify any future be imported personally. registration. The data may be transferred to and stored outside The date given is that of the image (negative). Where no Australia, in particular the United Kingdom, and you agree to 17. FURNITURE further date is given, this indicates that the photographic print this transfer. Even when information is stored outside Australia, is vintage (the term ‘vintage’ may also be included in the lot we will continue to comply with the National Privacy Principles Upholstered Furniture description). A vintage photograph is one which was made set out in the Australian Privacy Act. Whilst we take every care in cataloguing furniture which has within approximately 5 - 10 years of the negative. Where a been upholstered we offer no guarantee as to the originality second, later date appears, this refers to the date of printing. of the wood covered by fabric or upholstery. Where the exact printing date is not known, but understood to You have the right to request us not to use your information for be later, ‘printed later’ will appear in the lot description. these purposes by contacting Bonhams 1793 Limited at 18. JEWELLERY 97-99 Queen Street, Woollahra NSW, 2025, Australia or Unless otherwise specified, dimensions given are those of the by email at [email protected]. Gemstones piece of paper on which the image is printed, including any Historically many gemstones have been subjected to a variety margins. Some photographs may appear in the catalogue of treatments to enhance their appearance. Sapphires and without margins illustrated. APPENDIX 1 rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or resin All photographs are sold unframed unless stated in the lot CONTRACT FOR SALE for the same purpose. Other treatments such as staining, description. irradiation or coating may have been used on other gemstones. IMPORTANT: These terms may be changed in advance of the These treatments may be permanent, whilst others may need 20. PICTURES Sale of the Lot to you, by the setting out of different terms in special care or re - treatment over the years to retain their the Catalogue for the Sale and/or by placing an insert in the appearance. Bidders should be aware that Estimates assume Explanation of Catalogue Terms Catalogue and/or by notices at the Sale venue and/or by oral that gemstones may have been subjected to such treatments. The following terms used in the Catalogue have the following announcements before and during the Sale at the Sale venue. A number of laboratories issue certificates that give more meanings but are subject to the general provisions relating to You should be alert to this possibility of changes and ask in detailed descriptions of gemstones. However there may not Descriptions contained in the Contract for Sale: advance of bidding if there have been any. be consensus between different laboratories on the degrees, • “Jacopo Bassano”: in our opinion a work by the artist. When or types of treatment for any particular gemstone. In the event the artist’s forename(s) is not known, a series of asterisks, UNDER THIS CONTRACT, THE SELLER’S LIABILITY IN that Bonhams has been given or has obtained certificates followed by the surname of the artist, whether preceded by RESPECT OF THE QUALITY OF THE LOT, ITS FITNESS for any Lot in the Sale these certificates will be disclosed in an initial or not, indicates that in our opinion the work is by the FOR ANY PURPOSE AND ITS CONFORMITY WITH ANY the Catalogue. Although, as a matter of policy, Bonhams artist named; DESCRIPTION IS LIMITED. YOU ARE STRONGLY ADVISED endeavours to provide certificates from recognised laboratories • “Attributed to Jacopo Bassano”: in our opinion probably TO EXAMINE THE LOT FOR YOURSELF AND/OR OBTAIN AN for certain gemstones, it is not feasible to obtain certificates a work by the artist but less certainty as to authorship is INDEPENDENT EXAMINATION OF IT BEFORE YOU BUY IT. for each Lot. In the event that no certificate is published in the expressed than in the preceding category; Catalogue, Bidders should assume that the gemstones may • “Studio/Workshop of Jacopo Bassano”: in our opinion a work 1 THE CONTRACT have been treated. Neither Bonhams nor the Seller accepts by an unknown hand in a studio of the artist which may or may any liability for contradictions or differing certificates obtained by have been executed under the artist’s direction; 1.1 These terms govern the Contract for Sale of Buyers on any Lots subsequent to the Sale. • “Circle of Jacopo Bassano”: in our opinion a work by a hand the Lot by the Seller to the Buyer. closely associated with a named artist but not necessarily his pupil; In so far that it is reasonably practicable, Descriptions • “Follower of Jacopo Bassano”: in our opinion a work by a 1.2 The Definitions and Glossary contained in of jewellery will conform to the guidelines set out by the painter working in the artist’s style, contemporary or nearly Appendix 3 in the Catalogue are incorporated into International Jewellery Confederation, CIBJO, a copy of the contemporary, but not necessarily his pupil; this Contract for Sale and a separate copy can Blue Book detailing their guidelines is available to Bidders. • “Manner of Jacopo Bassano”: in our opinion a work in the also be provided by Bonhams on request. Where Please contact our jewellery department if you wish to view it. style of the artist and of a later date; words and phrases are used which are in the List • “After Jacopo Bassano”: in our opinion, a copy of a known of Definitions, they are printed in italics. Estimated Weights work of the artist; If a stone(s) weight appears within the body of the Description • “Signed and/or dated and/or inscribed”: in our opinion the 1.3 The Seller sells the Lot as the principal to the in capital letters, the stone(s) has been unmounted and signature and/or date and/or inscription are in the artist’s hand; Contract for Sale, such contract being made weighed by Bonhams. If the weight of the stone(s) is stated • “Bears a signature and/or date and/or inscription”: in our between the Seller and you through Bonhams to be approximate and does not appear in capital letters, the opinion the signature and/or date and/or inscription have been which acts in the sole capacity as the Seller’s stone(s) has been assessed by us within its/their settings, added by another hand. agent and not as an additional principal. However, and the stated weight is a statement of our opinion only. This if the Catalogue states that Bonhams sells the Lot information is given as a guide and Bidders should satisfy 21. PORCELAIN as principal, or such a statement is made by an themselves with regard to this information as to its accuracy. announcement by the Auctioneer, or by a notice Damage and Restoration at the Sale, or an insert in the Catalogue, then Signatures For your guidance, in our Catalogues we detail, as far as Bonhams is the Seller for the purposes of this 1. A diamond brooch, by Kutchinsky practicable, recorded all significant defects, cracks and agreement. When the maker’s name appears in the title, in Bonhams’ restoration. Such practicable descriptions of damage cannot opinion the piece is by that maker. be definitive, and in providing Condition Reports, we cannot 1.4 The contract is made on the fall of the guarantee that there are no other defects present which have Auctioneer’s hammer in respect of the Lot not been mentioned. Bidders should satisfy themselves by when it is knocked down to you. inspection, as to the condition of each Lot. Please see the Contract for Sale printed in this Catalogue. Because of the 2 SELLER’S UNDERTAKINGS difficulty in determining whether an item of glass has been repolished, in our Catalogues reference is only made to visible chips and cracks. No mention is made of repolishing, severe 2.1 The Seller undertakes to you that: or otherwise. 2.1.1 the Seller is the owner of the Lot or is duly 22. IMPORTANT NOTICE authorised to sell the Lot by the owner;

Readers of this catalogue should be aware that some of the 2.1.2 save as disclosed in the Entry for the Lot in illustrated works of art may contain images of a sacred and/ the Catalogue, the Seller sells the Lot with full title or secret nature. It is suggested that art centre managers in guarantee and free from any encumbrance or Aboriginal communities vet the illustrations with the appropriate charge or, where the seller is an executor, trustee, local elders before distributing this catalogue in the community. liquidator, receiver or administrator, with whatever right, title or interest he may have in the Lot Every effort has been made to use current orthographies for Indigenous words, names of artists and people, titles of 2.1.3 except where the Sale is by an executor, trustee, works, places, ancestral beings and so on, however some liquidator, receiver or administrator the Seller is inconsistencies may result from a lack of current documentation both legally entitled to sell the Lot, and legally or from local variations of the spellings of similar or identical capable of conferring on you quiet possession words. of the Lot;

AUS/NOB/MAIN/V1/11.2020 15. BOOKS 2. A diamond brooch, signed Kutchinsky DATA PROTECTION - USE OF YOUR INFORMATION 2.1.4 the Seller has complied with all requirements, 6 PAYMENT 9.1.5 to take legal proceedings against you for any sum Has a signature that, in Bonhams’ opinion, is authentic but may legal or otherwise, relating to any export or due under the Contract for Sale and/or damages As stated above, all Lots are sold on an “as is” basis, subject contain gemstones that are not original, or the piece may have As a result of the services provided by us, we obtain personal import of the Lot, and all duties and taxes in 6.1 Your obligation to pay the Purchase Price arises for breach of contract; to all faults, imperfections and errors of description save as been altered. data about you (which expression for the purposes of this respect of the export or import of the Lot have when the Lot is knocked down to you on the set out below. However, you will be entitled to reject a Book paragraph only includes your employees and officers, if (unless stated to the contrary in the Catalogue fall of the Auctioneer’s hammer in respect of 9.1.6 to be paid interest on any monies due (after as in the circumstances set out in paragraph 10 of the Buyers 3. A diamond brooch, mounted by Kutchinsky relevant). You agree to our use of it as follows. or announced by the Auctioneer) been paid and, the Lot. well as before judgement or order) at the annual Agreement . Has been created by the jeweller, In Bonhams’ opinion, but so far as the Seller is aware, all third parties have rate of 5% per annum above the base rate of using stones or designs supplied by the client. We may use your data to notify you about changes to our complied with such requirements in the past; 6.2 Time will be of the essence in relation to payment Australia and New Zealand Banking Group 16. CLOCKS AND WATCHES services and to provide you with information about products of the Purchase Price and all other sums payable Limited from time to time to be calculated on 19. PHOTOGRAPHS or services that you request from us or which we feel may be 2.1.5 subject to any alterations expressly identified as by you to Bonhams. Unless agreed in writing a daily basis from the date upon which such All Lots are sold “as is”, and the absence of any reference to of interest to you. Data about you may be analysed to identify such made by announcement or notice at the with you by Bonhams on the Seller’s behalf (in monies become payable until the date of actual the condition of a clock or watch does not imply that the Lot is ‘Bill Brandt’: in our opinion a work by the artist. your potential preferences for these purposes. We may disclose Sale venue or by the Notice to Bidders or by an which case you must comply with the terms of payment; in good condition and without defects, repairs or restorations. your data to any member of our group (which means our insert in the Catalogue, the Lot corresponds with that agreement), all such sums must be paid to Most clocks and watches have been repaired in the course of ‘Attributed to Bill Brandt’: in our opinion probably a work by the subsidiaries, our ultimate holding company and its subsidiaries the Contractual Description of the Lot, being that Bonhams by you in the currency in which the 9.1.7 to repossess the Lot (or any part thereof) which their normal lifetime and may now incorporate parts not original artist, but less certainty to authorship is expressed than in the as defined in section 9 of the Corporations Act 2001, including part of the Entry about the Lot in the Catalogue Sale was conducted by not later than 4.30pm has not become your property, and for this to them. Furthermore, Bonhams makes no representation or preceding category. any overseas subsidiary). Subject to this, we will not disclose which is in bold letters and (except for colour) on the second working day following the Sale purpose (unless the Buyer buys the Lot as a warranty that any clock or watch is in working order. As clocks your data to any third party but we may from time to time with any photograph of the Lot in the Catalogue and you must ensure that the funds are cleared Consumer from the Seller selling in the course and watches often contain fine and complex mechanisms, ‘Signed and/or titled and/or dated and/or inscribed’: in our provide you with information about goods and services and the contents of any Condition Report which by the seventh working day after the Sale. of a Business) you hereby grant an irrevocable Bidders should be aware that a general service, change of opinion the signature and/or title and/or date and/or inscription provided by third parties which we feel may be of interest has been provided to the Buyer. Payment must be made to Bonhams by one licence to the Seller by himself and to his battery or further repair work, for which the Buyer is solely are in the artist’s hand. to you. Any member of our group may use your data for of the methods stated in the Notice to Bidders servants or agents to enter upon all or any of responsible, may be necessary. Bidders should be aware similar purposes. 3 DESCRIPTIONS OF THE LOT unless otherwise agreed with you in writing by your premises (with or without vehicles) during that the importation of watches such as Rolex, Frank Muller ‘Signed and/or titled and/or dated and/or inscribed in another Bonhams. If you do not pay any sums due in normal Business hours to take possession of the and Corum into the United States is highly restricted. These hand’: in our opinion the signature and/or title and/or date and/ We will keep your data for a period of six years from the 3.1 Paragraph 2.1.5 sets out what is the Contractual accordance with this paragraph, the Seller will Lot or part thereof; watches may not be shipped to the USA and can only or inscription have been added by another hand. date of your last contact with us so as to simplify any future Description of the Lot. In particular, the Lot have the rights set out in paragraph 8 below. be imported personally. registration. The data may be transferred to and stored outside is not sold as corresponding with that part of 9.1.8 to retain possession of any other property sold to The date given is that of the image (negative). Where no Australia, in particular the United Kingdom, and you agree to the Entry in the Catalogue which is not printed 7 GST you by the Seller at the Sale or any other auction 17. FURNITURE further date is given, this indicates that the photographic print this transfer. Even when information is stored outside Australia, in bold letters, which merely sets out (on the or by private treaty until all sums due under the is vintage (the term ‘vintage’ may also be included in the lot we will continue to comply with the National Privacy Principles Seller’s behalf) Bonhams’ opinion (given on a If the is registered or required to Contract for Sale shall have been paid in full in Upholstered Furniture description). A vintage photograph is one which was made Seller set out in the Australian Privacy Act. reasonable basis and honestly) about the Lot and be registered for , unless otherwise cleared funds; Whilst we take every care in cataloguing furniture which has within approximately 5 - 10 years of the negative. Where a GST indicated, the sale of the will be a been upholstered we offer no guarantee as to the originality second, later date appears, this refers to the date of printing. which is not part of the Contractual Description Lot taxable supply by the and subject of the wood covered by fabric or upholstery. Where the exact printing date is not known, but understood to You have the right to request us not to use your information for upon which the Lot is sold. Any statement or Seller 9.1.9 to retain possession of, and on three months’ be later, ‘printed later’ will appear in the lot description. these purposes by contacting Bonhams 1793 Limited at representation other than that part of the Entry to GST and GST will be included in the written notice to sell, Without Reserve, any of 18. JEWELLERY 97-99 Queen Street, Woollahra NSW, 2025, Australia or referred to in paragraph 2.1.5 (together with any Hammer Price. your other property in the possession of the Unless otherwise specified, dimensions given are those of the by email at [email protected]. express alteration to it as referred to in paragraph Seller and/or of Bonhams (as bailee for the Seller) Gemstones piece of paper on which the image is printed, including any 2.1.5), including any Description or Estimate, Where the Sale is a taxable supply, Bonhams for any purpose (including, without limitation, Historically many gemstones have been subjected to a variety margins. Some photographs may appear in the catalogue whether made orally or in writing, including in (on behalf of the Seller) will issue a tax other goods sold to you) and to apply any monies of treatments to enhance their appearance. Sapphires and without margins illustrated. APPENDIX 1 the Catalogue or on Bonhams’ Website, or by invoice to you for the sale of the Lot. due to you as a result of such sale in satisfaction rubies are routinely heat treated to improve their colour and conduct, or otherwise, and whether by or on or part satisfaction of any amounts owed to the clarity, similarly emeralds are frequently treated with oils or resin All photographs are sold unframed unless stated in the lot CONTRACT FOR SALE behalf of the Seller or Bonhams and whether 8 COLLECTION OF THE LOT Seller or to Bonhams; and for the same purpose. Other treatments such as staining, description. made prior to or during the Sale, is not part of irradiation or coating may have been used on other gemstones. IMPORTANT: These terms may be changed in advance of the the Contractual Description upon which the Lot is 8.1 Unless otherwise agreed in writing with you by 9.1.10 so long as such goods remain in the possession These treatments may be permanent, whilst others may need 20. PICTURES Sale of the Lot to you, by the setting out of different terms in sold. Bonhams, the Lot will be released to you or to of the Seller or Bonhams as its bailee, to rescind special care or re - treatment over the years to retain their the Catalogue for the Sale and/or by placing an insert in the your order only when Bonhams has received the contract for the Sale of any other goods sold appearance. Bidders should be aware that Estimates assume Explanation of Catalogue Terms Catalogue and/or by notices at the Sale venue and/or by oral 3.2 Except as provided in paragraph 2.1.5, the cleared funds to the amount of the full Purchase to you by the Seller at the Sale or at any other that gemstones may have been subjected to such treatments. The following terms used in the Catalogue have the following announcements before and during the Sale at the Sale venue. Seller does not make or give and does not Price and all other sums owed by you to the auction or by private treaty and apply any monies A number of laboratories issue certificates that give more meanings but are subject to the general provisions relating to You should be alert to this possibility of changes and ask in agree to make or give any contractual promise, Seller and to Bonhams. received from you in respect of such goods in detailed descriptions of gemstones. However there may not Descriptions contained in the Contract for Sale: advance of bidding if there have been any. undertaking, obligation, guarantee, warranty, or part or full satisfaction of any amounts owed to be consensus between different laboratories on the degrees, • “Jacopo Bassano”: in our opinion a work by the artist. When representation of fact, or undertake any duty of 8.2 The Seller is entitled to withhold possession from the Seller or to Bonhams by you. or types of treatment for any particular gemstone. In the event the artist’s forename(s) is not known, a series of asterisks, UNDER THIS CONTRACT, THE SELLER’S LIABILITY IN care, in relation to any Description of the Lot or you of any other Lot he has sold to you at the that Bonhams has been given or has obtained certificates followed by the surname of the artist, whether preceded by RESPECT OF THE QUALITY OF THE LOT, ITS FITNESS any Estimate in relation to it, nor of the accuracy same or at any other Sale and whether currently 9.2 You agree to indemnify the Seller against all for any Lot in the Sale these certificates will be disclosed in an initial or not, indicates that in our opinion the work is by the FOR ANY PURPOSE AND ITS CONFORMITY WITH ANY or completeness of any Description or Estimate in Bonhams’ possession or not until payment in legal and other costs of enforcement, all losses the Catalogue. Although, as a matter of policy, Bonhams artist named; DESCRIPTION IS LIMITED. YOU ARE STRONGLY ADVISED which may have been made by or on behalf full and in cleared funds of the Purchase Price and other expenses and costs (including any endeavours to provide certificates from recognised laboratories • “Attributed to Jacopo Bassano”: in our opinion probably TO EXAMINE THE LOT FOR YOURSELF AND/OR OBTAIN AN of the Seller including by Bonhams. No such and all other sums due to the Seller and/or monies payable to Bonhams in order to obtain for certain gemstones, it is not feasible to obtain certificates a work by the artist but less certainty as to authorship is INDEPENDENT EXAMINATION OF IT BEFORE YOU BUY IT. Description or Estimate is incorporated into this Bonhams in respect of the Lot. the release of the Lot) incurred by the Seller for each Lot. In the event that no certificate is published in the expressed than in the preceding category; Contract for Sale. (whether or not court proceedings will have been Catalogue, Bidders should assume that the gemstones may • “Studio/Workshop of Jacopo Bassano”: in our opinion a work 1 THE CONTRACT 8.3 You will collect and remove the Lot at your issued) as a result of Bonhams taking steps have been treated. Neither Bonhams nor the Seller accepts by an unknown hand in a studio of the artist which may or may 4 FITNESS FOR PURPOSE AND own expense from Bonhams’ custody and/or under this paragraph 8 on a full indemnity basis any liability for contradictions or differing certificates obtained by have been executed under the artist’s direction; 1.1 These terms govern the Contract for Sale of SATISFACTORY QUALITY control or from the Storage Contractor’s custody together with interest thereon (after as well as Buyers on any Lots subsequent to the Sale. • “Circle of Jacopo Bassano”: in our opinion a work by a hand the Lot by the Seller to the Buyer. in accordance with Bonhams’ instructions or before judgement or order) at the rate specified closely associated with a named artist but not necessarily his pupil; 4.1 The Seller does not make and does not agree requirements. in paragraph 8.1.6 from the date upon which In so far that it is reasonably practicable, Descriptions • “Follower of Jacopo Bassano”: in our opinion a work by a 1.2 The Definitions and Glossary contained in to make any contractual promise, undertaking, the Seller becomes liable to pay the same until of jewellery will conform to the guidelines set out by the painter working in the artist’s style, contemporary or nearly Appendix 3 in the Catalogue are incorporated into obligation, guarantee, warranty, or representation 8.4 You will be wholly responsible for packing, payment by you. International Jewellery Confederation, CIBJO, a copy of the contemporary, but not necessarily his pupil; this Contract for Sale and a separate copy can of fact in relation to the satisfactory quality of the handling and transport of the Lot on collection Blue Book detailing their guidelines is available to Bidders. • “Manner of Jacopo Bassano”: in our opinion a work in the also be provided by Bonhams on request. Where Lot or its fitness for any purpose. and for complying with all import or export 9.3 On any resale of the Lot under paragraph 8.1.2, Please contact our jewellery department if you wish to view it. style of the artist and of a later date; words and phrases are used which are in the List regulations in connection with the Lot. the Seller will account to you in respect of any • “After Jacopo Bassano”: in our opinion, a copy of a known of Definitions, they are printed in italics. 4.2 The Seller will not be liable for any breach of any balance remaining from any monies received by Estimated Weights work of the artist; alleged undertaking, as to the satisfactory quality 8.5 You will be wholly responsible for any removal, him or on his behalf in respect of the Lot, after If a stone(s) weight appears within the body of the Description • “Signed and/or dated and/or inscribed”: in our opinion the 1.3 The Seller sells the Lot as the principal to the of the Lot or its fitness for any purpose. storage or other charges or expenses incurred the payment of all sums due to the Seller and in capital letters, the stone(s) has been unmounted and signature and/or date and/or inscription are in the artist’s hand; Contract for Sale, such contract being made by the Seller if you do not remove the Lot in to Bonhams, within 28 days of receipt of such weighed by Bonhams. If the weight of the stone(s) is stated • “Bears a signature and/or date and/or inscription”: in our between the Seller and you through Bonhams 5 RISK, PROPERTY AND TITLE accordance with this paragraph 8 and will monies by him or on his behalf. to be approximate and does not appear in capital letters, the opinion the signature and/or date and/or inscription have been which acts in the sole capacity as the Seller’s indemnify the Seller against all charges, costs, stone(s) has been assessed by us within its/their settings, added by another hand. agent and not as an additional principal. However, 5.1 Risk in the Lot passes to you when it is knocked including any legal costs and fees, expenses and and the stated weight is a statement of our opinion only. This if the Catalogue states that Bonhams sells the Lot down to you on the fall of the Auctioneer’s losses suffered by the Seller by reason of your 10 THE SELLER’S LIABILITY information is given as a guide and Bidders should satisfy 21. PORCELAIN as principal, or such a statement is made by an hammer in respect of the Lot. The Seller will failure to remove the Lot including any charges themselves with regard to this information as to its accuracy. announcement by the Auctioneer, or by a notice not be responsible thereafter for the Lot prior to due under any Storage Contract. All such sums 10.1 The Seller acknowledges that certain laws imply Damage and Restoration at the Sale, or an insert in the Catalogue, then you collecting it from Bonhams or the Storage due to the Seller will be payable on demand. terms, conditions or warranties into contracts Signatures For your guidance, in our Catalogues we detail, as far as Bonhams is the Seller for the purposes of this Contractor, with whom you have separate for the supply of goods or services (including 1. A diamond brooch, by Kutchinsky practicable, recorded all significant defects, cracks and agreement. contract(s) as Buyer. You will indemnify the Seller 9 FAILURE TO PAY FOR THE LOT this agreement) that cannot be excluded. For restoration. Such practicable descriptions of damage cannot When the maker’s name appears in the title, in Bonhams’ and keep the Seller fully indemnified from and example, for Consumers, purchasing goods at opinion the piece is by that maker. be definitive, and in providing Condition Reports, we cannot 1.4 The contract is made on the fall of the against all claims, proceedings, costs, expenses 9.1 If the Purchase Price for a Lot is not paid to auction (including those under this agreement) guarantee that there are no other defects present which have Auctioneer’s hammer in respect of the Lot and losses arising in respect of any injury, loss Bonhams in full in accordance with the Contract come with non - excludable warranties under not been mentioned. Bidders should satisfy themselves by when it is knocked down to you. and damage caused to the Lot after the fall of the for Sale the Seller will be entitled, with the prior consumer protection legislation as to title and inspection, as to the condition of each Lot. Please see the quiet possession and that the goods are free Contract for Sale printed in this Catalogue. Because of the Auctioneer’s hammer until you obtain full title to it. written agreement of Bonhams but without 2 SELLER’S UNDERTAKINGS further notice to you, to exercise one or more of from encumbrance. The seller also acknowledges difficulty in determining whether an item of glass has been that certain other laws cannot be excluded. repolished, in our Catalogues reference is only made to visible 5.2 Title to the Lot remains in and is retained by the the following rights (whether through Bonhams or 2.1 The Seller undertakes to you that: Seller until the Purchase Price and all other sums otherwise): Nothing in paragraphs 9.2 to 9.5 is intended to chips and cracks. No mention is made of repolishing, severe exclude or restrict: or otherwise. payable by you to Bonhams in relation to the Lot 2.1.1 the Seller is the owner of the Lot or is duly have been paid in full to, and received in cleared 9.1.1 to terminate immediately the Contract for Sale of 10.1.1 the application of any consumer protection 22. IMPORTANT NOTICE authorised to sell the Lot by the owner; funds by, Bonhams. the Lot for your breach of contract; 9.1.2 to resell the Lot by auction, private treaty or any legislation; or Readers of this catalogue should be aware that some of the 2.1.2 save as disclosed in the Entry for the Lot in other means on giving seven days’ written notice illustrated works of art may contain images of a sacred and/ the Catalogue, the Seller sells the Lot with full title to you of the intention to resell; 10.1.2 our liability for fraud or death or persona injury or secret nature. It is suggested that art centre managers in guarantee and free from any encumbrance or caused by the Seller’s negligence (or any person Aboriginal communities vet the illustrations with the appropriate charge or, where the seller is an executor, trustee, 9.1.3 to retain possession of the Lot; under the Seller’s control or from whom the Seller local elders before distributing this catalogue in the community. liquidator, receiver or administrator, with whatever is legally responsible); or right, title or interest he may have in the Lot 9.1.4 to remove and store the Lot at your expense; Every effort has been made to use current orthographies 10.1.3 any other liability to the extent that such liability for Indigenous words, names of artists and people, titles of 2.1.3 except where the Sale is by an executor, trustee, may not be excluded or restricted as a matter works, places, ancestral beings and so on, however some liquidator, receiver or administrator the Seller is of law. inconsistencies may result from a lack of current documentation both legally entitled to sell the Lot, and legally or from local variations of the spellings of similar or identical capable of conferring on you quiet possession words. of the Lot;

AUS/NOB/MAIN/V1/11.2020 AUS/NOB/MAIN/V1/11.2020 10.2 The Seller will not be liable for any injury, loss or 11.5 If any term or any part of any term of the Contract and all proceedings (whether damage caused by the Lot after the fall of the for Sale is held to be unenforceable oral or written) will be conducted in the Auctioneer’s hammer in respect of the Lot. or invalid, such unenforceability or invalidity will English language; not affect the enforceability and validity of the 10.3 Subject to paragraph 9.3 below, except for remaining terms or the remainder of the 12.2.4 all costs and fees incurred in connection with breach of the express undertaking provided relevant term. the resolution of a dispute in accordance with in paragraph 2.1.5, the Seller will not be liable paragraph 11.2 will be borne by the Seller and for any breach of any term that the Lot will 11.6 References in the Contract for Sale to Bonhams Buyer in such manner as the expert(s) or the correspond with any Description applied to it by will, where appropriate, include reference to arbitrator, as the case may be, determines. or on behalf of the Seller, whether implied by the Bonhams’ officers, employees and agents. Trade Practices Act 1974 or otherwise. 11.7 The headings used in the Contract for Sale APPENDIX 2 10.4 Unless the Seller sells the Lot in the course of a are for convenience only and will not affect its Business and the Buyer buys it as a Consumer, interpretation. BUYER’S AGREEMENT

10.4.1 the Seller will not be liable (whether in negligence, 11.8 In the Contract for Sale “including” means IMPORTANT: These terms may be changed in other tort, breach of contract or statutory duty “including, without limitation”. advance of the sale of the Lot to you, by the or in restitution or under the Trade Practices setting out of different terms in the Catalogue Act 1974, or in any other way) for any lack 11.9 References to the singular will include reference for the Sale and/or by placing an insert in the of conformity with, or inaccuracy, error, to the plural (and vice versa) and reference to any Catalogue and/or by notices at the Sale venue misdescription or omission in any Description of one gender will include reference to the other and/or by oral announcements before and during the Lot or any Entry or Estimate in relation to the genders. the Sale at the Sale venue. You should be alert Lot made by or on behalf of the Seller (whether to this possibility of changes and ask in advance made in writing, including in the Catalogue, or on 11.10 Reference to a numbered paragraph is to a of bidding if there have been any. the Website, or orally, or by conduct or otherwise) paragraph of the Contract for Sale. and whether made before or after this agreement 1 THE CONTRACT or prior to or during the Sale; 11.11 Save as expressly provided in paragraph 10.12 nothing in the Contract for Sale confers (or 1.1 These terms govern the contract between 10.4.2 the Seller will not be liable for any loss of purports to confer) on any person who is not Bonhams personally and the Buyer, being the Business, Business profits or revenue or income a party to the Contract for Sale any benefit person to whom a Lot has been knocked down or for loss of reputation or for disruption to conferred by, or the right to enforce any term of, by the Auctioneer. Business or wasted time on the part of the Buyer the Contract for Sale. or of the Buyer’s management or staff or, for 1.2 The Definitions and Glossary contained in any indirect losses or consequential damages of 11.12 Where the Contract for Sale confers an immunity Appendix 3 to the Catalogue for the Sale are any kind, irrespective in any case of the nature, from, and/or an exclusion or restriction of, the incorporated into this agreement and a separate volume or source of the loss or damage alleged responsibility and/or liability of the Seller, it will copy can also be provided by us on request. to be suffered, and irrespective of whether the also operate in favour and for the benefit of Where words and phrases which are defined in said loss or damage is caused by or claimed in Bonhams, Bonhams’ holding company and the the List of Definitions are used in this agreement, respect of any negligence, other tort, breach of subsidiaries of such holding company and the they are printed in italics. Reference is made contract, statutory duty, restitutionary claim or successors and assigns of Bonhams and of such in this agreement to information printed in the otherwise; companies and of any officer, employee and Notice to Bidders, printed at the beginning of agent of Bonhams and such companies, each the Catalogue for the Sale, and where such 10.4.3 in any circumstances where the Seller is liable to of whom will be entitled to rely on the relevant information is referred to it is incorporated into you in respect of the Lot, or any act, omission, immunity and/or exclusion and/or restriction (and this agreement. statement, or representation in respect of it, or Bonhams enters into this agreement on trust for this agreement or its performance, and whether in each such person). 1.3 The Contract for Sale of the Lot between you and damages, for an indemnity or contribution or for the Seller is made on the fall of the Auctioneer’s a restitutionary remedy or in any way whatsoever, 12 GOVERNING LAW & DISPUTE RESOLUTION hammer in respect of the Lot, when it is knocked the Seller’s liability will be limited to payment of a down to you. At that moment a separate contract sum which will not exceed by way of maximum 12.1 Law is also made between you and Bonhams on the the amount of the Purchase Price of the Lot terms in this Buyer’s Agreement. irrespective in any case of the nature, volume All transactions to which the Contract for or source of any loss or damage alleged to be Sale applies and all connected matters will be 1.4 We act as agents for the Seller and are not suffered or sum claimed as due, and irrespective governed by and construed in accordance with answerable or personally responsible to you for of whether the liability arises from any negligence, the laws of that state or territory of Australia any breach of contract or other default by the other tort, breach of contract, statutory duty, where the Sale takes place and (except as Seller, unless Bonhams sells the Lot as principal. bailee’s duty, restitutionary claim or otherwise. provided in paragraph 11.2) the Seller and you each submit to the exclusive jurisdiction of the 1.5 Our personal obligations to you are governed courts of that state or territory of Australia, save by this agreement and we agree, subject to the 11 MISCELLANEOUS that the Seller may bring proceedings against you terms below, to the following obligations: in any other court of competent jurisdiction to 11.1 You may not assign either the benefit or burden the extent permitted by the laws of the relevant 1.5.1 we will, until the date and time specified in the of the Contract for Sale. jurisdiction. Notice to Bidders or otherwise notified to you, store the Lot in accordance with paragraph 5; 11.2 The Seller’s failure or delay in enforcing or 12.2 Dispute Resolution exercising any power or right under the Contract 1.5.2 subject to any power of the Seller or us to refuse for Sale will not operate or be deemed to operate Unless the Buyer buys the Lot as a Consumer to release the Lot to you, we will release the Lot as a waiver of his rights under it except to the from the Seller selling in the course of Business: to you in accordance with paragraph 4 once you extent of any express waiver given to you in have paid to us, in cleared funds, everything due writing. Any such waiver will not affect the Seller’s 12.2.1 any dispute concerning the Description, to us and the Seller; ability subsequently to enforce any right arising authorship, attribution, condition, provenance, under the Contract for Sale. authenticity, age, suitability, quality or origin of 1.5.3 we will provide guarantees in the terms set out the Lot, or the conformity of the Lot with any in paragraphs 9 and 10. 11.3 If either party to the Contract for Sale is Description, or whether the Lot is or is not prevented from performing that party’s respective a Forgery shall be referred, if so required by 1.6 We do not make or give and do not agree obligations under the Contract for Sale by Bonhams, to an expert or a panel of up to three to make or give any contractual promise, circumstances beyond its reasonable control experts appointed, in the absence of agreement undertaking, obligation, guarantee, warranty, or if performance of its obligations would by among the Seller, you and (if applicable) representation of fact in relation to any reason of such circumstances give rise to a Bonhams, by the professional body most Description of the Lot or any Estimate in relation significantly increased financial cost to it, that appropriate in Bonhams’ opinion to advise upon to it, nor of the accuracy or completeness of any party will not, for so long as such circumstances the subject matter of the dispute in question or, Description or Estimate which may have been prevail, be required to perform such obligations. in the absence of such a professional body, by made by us or on our behalf or by or on behalf This paragraph does not apply to the obligations the President of The Law Society of New South of the Seller (whether made orally or in writing, imposed on you by paragraph 6. Wales from time to time; including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and 11.4 Any notice or other communication to be given 12.2.2 such experts appointed in accordance with whether made before or after this agreement or under the Contract for Sale must be in writing paragraph 11.2.1 will act as experts and not as prior to or during the Sale. No such Description and may be delivered by hand or sent by first arbitrators and their decision will be final and or Estimate is incorporated into this agreement class post or air mail or fax transmission, if to the binding on the relevant parties; between you and us. Any such Description or Seller, addressed c/o Bonhams at its address Estimate, if made by us or on our behalf, is given or fax number in the Catalogue (marked for the 12.2.3 any other dispute relating to or arising out of on a reasonable basis and honestly and (unless attention of the Company Secretary), and if to the sale of the Lot or this agreement shall be Bonhams itself sells the Lot as principal) made you to the address or fax number of the Buyer finally resolved, if so required by Bonhams, by as agent on behalf of the Seller. given in the Bidding Form (unless notice of arbitration, under the UNCITRAL arbitration any change of address is given in writing). It is rules in force at the date of the reference to the the responsibility of the sender of the notice or arbitration, and the tribunal for such arbitration communication to ensure that it is received in a will consist of a single arbitrator appointed, in the legible form within any applicable time period. absence of agreement between the Seller, you and (if applicable) Bonhams, by the President of The Law Society of New South Wales from time to time. The arbitration will take place in Sydney

AUS/NOB/MAIN/V1/11.2020 10.2 The Seller will not be liable for any injury, loss or 11.5 If any term or any part of any term of the Contract and all proceedings (whether 2 PERFORMANCE OF THE CONTRACT FOR enter into a contract (the “Storage Contract”) contract; damage caused by the Lot after the fall of the for Sale is held to be unenforceable oral or written) will be conducted in the SALE with a Storage Contractor for the storage of 7.1.5 to be paid interest on any monies due to us Auctioneer’s hammer in respect of the Lot. or invalid, such unenforceability or invalidity will English language; the Lot on the then current standard terms and (after as well as before judgement or order) at not affect the enforceability and validity of the You undertake to us personally that you will conditions agreed between Bonhams and the the annual rate of 5% per annum above the base 10.3 Subject to paragraph 9.3 below, except for remaining terms or the remainder of the 12.2.4 all costs and fees incurred in connection with observe and comply with all your obligations and Storage Contractor (copies of which are available lending rate of National Westminster Bank Plc breach of the express undertaking provided relevant term. the resolution of a dispute in accordance with undertakings to the Seller under the Contract for on request). If the Lot is stored at our premises from time to time to be calculated on a daily basis in paragraph 2.1.5, the Seller will not be liable paragraph 11.2 will be borne by the Seller and Sale in respect of the Lot. storage fees at our current daily rates (currently a from the date upon which such monies become for any breach of any term that the Lot will 11.6 References in the Contract for Sale to Bonhams Buyer in such manner as the expert(s) or the minimum of AU$5.50 inclusive of GST per Lot per payable until the date of correspond with any Description applied to it by will, where appropriate, include reference to arbitrator, as the case may be, determines. 3 PAYMENT day) will be payable from the expiry of the period actual payment; or on behalf of the Seller, whether implied by the Bonhams’ officers, employees and agents. referred to in paragraph 4.2. These storage fees Trade Practices Act 1974 or otherwise. 3.1 Unless agreed in writing between you and us or form part of our Expenses. 7.1.6 to repossess the Lot (or any part thereof) which 11.7 The headings used in the Contract for Sale APPENDIX 2 as otherwise set out in the Notice to Bidders, you has not become your property, and for this 10.4 Unless the Seller sells the Lot in the course of a are for convenience only and will not affect its must pay to us by not later than 4.30pm on the 4.5 Until you have paid the Purchase Price and any purpose (unless you buy the Lot as a Consumer) Business and the Buyer buys it as a Consumer, interpretation. BUYER’S AGREEMENT second working day following the Sale: Expenses in full the Lot will either be held by us you hereby grant an irrevocable licence to us, as agent on behalf of the Seller or held by the by ourselves, our servants or agents, to enter 10.4.1 the Seller will not be liable (whether in negligence, 11.8 In the Contract for Sale “including” means IMPORTANT: These terms may be changed in 3.1.1 the Purchase Price for the Lot; Storage Contractor as agent on behalf of the upon all or any of your premises (with or without other tort, breach of contract or statutory duty “including, without limitation”. advance of the sale of the Lot to you, by the Seller and ourselves on the terms contained in vehicles) during normal business hours to take or in restitution or under the Trade Practices setting out of different terms in the Catalogue 3.1.2 a Buyer’s Premium in accordance with the rates the Storage Contract. possession of any Lot or part thereof; Act 1974, or in any other way) for any lack 11.9 References to the singular will include reference for the Sale and/or by placing an insert in the set out in the Notice to Bidders, and of conformity with, or inaccuracy, error, to the plural (and vice versa) and reference to any Catalogue and/or by notices at the Sale venue 4.6 You undertake to comply with the terms of any 7.1.7 to sell the Lot Without Reserve by auction, private misdescription or omission in any Description of one gender will include reference to the other and/or by oral announcements before and during 3.1.3 if the Lot is marked [AR], an Additional Premium Storage Contract and in particular to pay the treaty or any other means on giving you three the Lot or any Entry or Estimate in relation to the genders. the Sale at the Sale venue. You should be alert which is calculated and payable in accordance charges (and all costs of moving the Lot into months’ written notice of our intention to do so; Lot made by or on behalf of the Seller (whether to this possibility of changes and ask in advance with the Notice to Bidders together with GST on storage) due under any Storage Contract. You made in writing, including in the Catalogue, or on 11.10 Reference to a numbered paragraph is to a of bidding if there have been any. that sum if applicable so that all sums due to us acknowledge and agree that you will not be able 7.1.8 to retain possession of any of your other property the Website, or orally, or by conduct or otherwise) paragraph of the Contract for Sale. are cleared funds by the seventh working day to collect the Lot from the Storage Contractor’s in our possession for any purpose (including, and whether made before or after this agreement 1 THE CONTRACT after the Sale. premises until you have paid the Purchase Price, without limitation, other goods sold to you or with or prior to or during the Sale; 11.11 Save as expressly provided in paragraph 10.12 any Expenses and all charges due under the us for sale) until all sums due to us have been nothing in the Contract for Sale confers (or 1.1 These terms govern the contract between 3.2 You must also pay us on demand any Expenses Storage Contract. paid in full; 10.4.2 the Seller will not be liable for any loss of purports to confer) on any person who is not Bonhams personally and the Buyer, being the payable pursuant to this agreement. Business, Business profits or revenue or income a party to the Contract for Sale any benefit person to whom a Lot has been knocked down 4.7 You will be wholly responsible for packing, 7.1.9 to apply any monies received from you for any or for loss of reputation or for disruption to conferred by, or the right to enforce any term of, by the Auctioneer. 3.3 All payments to us must be made in the currency handling and transport of the Lot on collection purpose whether at the time of your default or at Business or wasted time on the part of the Buyer the Contract for Sale. in which the Sale was conducted, using, unless and for complying with all import or export any time thereafter in payment or part payment of or of the Buyer’s management or staff or, for 1.2 The Definitions and Glossary contained in otherwise agreed by us in writing, one of the regulations in connection with the Lot. any sums due to us by you under this agreement; any indirect losses or consequential damages of 11.12 Where the Contract for Sale confers an immunity Appendix 3 to the Catalogue for the Sale are methods of payment set out in the Notice to any kind, irrespective in any case of the nature, from, and/or an exclusion or restriction of, the incorporated into this agreement and a separate Bidders. Our invoices will only be addressed to 4.8 You will be wholly responsible for any removal, 7.1.10 on three months’ written notice to sell, Without volume or source of the loss or damage alleged responsibility and/or liability of the Seller, it will copy can also be provided by us on request. the registered Bidder unless the Bidder is acting storage, or other charges for any Lot not Reserve, any of your other property in our to be suffered, and irrespective of whether the also operate in favour and for the benefit of Where words and phrases which are defined in as an agent for a named principal and we have removed in accordance with paragraph 4.2, possession or under our control for any purpose said loss or damage is caused by or claimed in Bonhams, Bonhams’ holding company and the the List of Definitions are used in this agreement, approved that arrangement, in which case we will payable at our current rates, and any Expenses (including other goods sold to you or with us for respect of any negligence, other tort, breach of subsidiaries of such holding company and the they are printed in italics. Reference is made address the invoice to the principal. we incur (including any charges due under the sale) and to apply any monies due to you as a contract, statutory duty, restitutionary claim or successors and assigns of Bonhams and of such in this agreement to information printed in the Storage Contract), all of which must be paid result of such sale in payment or part payment of otherwise; companies and of any officer, employee and Notice to Bidders, printed at the beginning of by you on demand and in any event before any any amounts owed to us; agent of Bonhams and such companies, each the Catalogue for the Sale, and where such 3.4 If GST is or will be payable on a supply of collection of the Lot by you or on your behalf. 10.4.3 in any circumstances where the Seller is liable to of whom will be entitled to rely on the relevant information is referred to it is incorporated into services made by us to you under or in 7.1.11 refuse to allow you to register for a future Sale you in respect of the Lot, or any act, omission, immunity and/or exclusion and/or restriction (and this agreement. connection with this agreement, where the sums 5 STORING THE LOT or to reject a bid from you at any future Sale or statement, or representation in respect of it, or Bonhams enters into this agreement on trust for payable are not expressly stated to include GST, to require you to pay a deposit before any bid this agreement or its performance, and whether in each such person). 1.3 The Contract for Sale of the Lot between you and the sums otherwise payable are increased by the We agree to store the Lot until the earlier of your is accepted by us at any future Sale in which damages, for an indemnity or contribution or for the Seller is made on the fall of the Auctioneer’s amount of GST and you must make payment of removal of the Lot or until the time and date case we will be entitled to apply such deposit in a restitutionary remedy or in any way whatsoever, 12 GOVERNING LAW & DISPUTE RESOLUTION hammer in respect of the Lot, when it is knocked the increase at the same time as you must pay set out in the Notice to Bidders (or if no date is payment or part payment, as the case may be, the Seller’s liability will be limited to payment of a down to you. At that moment a separate contract the other sums due. specified, by 4.30pm on the seventh day after the of the Purchase Price of any Lot of which you are sum which will not exceed by way of maximum 12.1 Law is also made between you and Bonhams on the Sale) and, subject to paragraphs 6 and 10, to be the Buyer. the amount of the Purchase Price of the Lot terms in this Buyer’s Agreement. 3.5 We may deduct and retain for our own benefit responsible as bailee to you for damage to or the irrespective in any case of the nature, volume All transactions to which the Contract for from the monies paid by you to us the Buyer’s loss or destruction of the Lot (notwithstanding 7.2 You agree to indemnify us against all legal and or source of any loss or damage alleged to be Sale applies and all connected matters will be 1.4 We act as agents for the Seller and are not Premium, the Commission payable by the Seller that it is not your property before payment of other costs, all losses and all other expenses suffered or sum claimed as due, and irrespective governed by and construed in accordance with answerable or personally responsible to you for in respect of the Lot, any Expenses and GST and the Purchase Price). If you do not collect the Lot (whether or not court proceedings will have been of whether the liability arises from any negligence, the laws of that state or territory of Australia any breach of contract or other default by the any interest earned and/or incurred until payment before the time and date set out in the Notice to issued) incurred by us as a result of our taking other tort, breach of contract, statutory duty, where the Sale takes place and (except as Seller, unless Bonhams sells the Lot as principal. to the Seller. Bidders (or if no date is specified, by 4.30pm on steps under this paragraph 7 on a full indemnity bailee’s duty, restitutionary claim or otherwise. provided in paragraph 11.2) the Seller and you the seventh day after the Sale) we may remove basis together with interest thereon (after as each submit to the exclusive jurisdiction of the 1.5 Our personal obligations to you are governed 3.6 Time will be of the essence in relation to any the Lot to another location, the details of which well as before judgement or order) at the rate courts of that state or territory of Australia, save by this agreement and we agree, subject to the payment payable to us. If you do not pay the will usually be set out in the Notice to Bidders. If specified in paragraph 7.1.5 from the date upon 11 MISCELLANEOUS that the Seller may bring proceedings against you terms below, to the following obligations: Purchase Price, or any other sum due to us in you have not paid for the Lot in accordance with which we become liable to pay the same until in any other court of competent jurisdiction to accordance with this paragraph 3, we will have paragraph 3, and the Lot is moved to any third payment by you. 11.1 You may not assign either the benefit or burden the extent permitted by the laws of the relevant 1.5.1 we will, until the date and time specified in the the rights set out in paragraph 7 below. party’s premises, the Lot will be held by such third of the Contract for Sale. jurisdiction. Notice to Bidders or otherwise notified to you, party strictly to Bonhams’ order and we will retain 7.3 If you pay us only part of the sums due to us store the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked our lien over the Lot until we have been paid in full such payment shall be applied firstly to the 11.2 The Seller’s failure or delay in enforcing or 12.2 Dispute Resolution down to you, any monies we receive from you will in accordance with paragraph 3. Purchase Price of the Lot (or where you have exercising any power or right under the Contract 1.5.2 subject to any power of the Seller or us to refuse be applied firstly pro - rata to pay the Purchase purchased more than one Lot pro - rata towards for Sale will not operate or be deemed to operate Unless the Buyer buys the Lot as a Consumer to release the Lot to you, we will release the Lot Price of each Lot and secondly pro - rata to pay 6 RESPONSIBILITY FOR THE LOT the Purchase Price of each Lot) and secondly as a waiver of his rights under it except to the from the Seller selling in the course of Business: to you in accordance with paragraph 4 once you all amounts due to Bonhams. to the Buyer’s Premium (or where you have extent of any express waiver given to you in have paid to us, in cleared funds, everything due 6.1 Only on the payment of the Purchase Price to us purchased more than one Lot pro - rata to the 4 COLLECTION OF THE LOT writing. Any such waiver will not affect the Seller’s 12.2.1 any dispute concerning the Description, to us and the Seller; will title in the Lot pass to you. However under the Buyer’s Premium on each Lot) and thirdly to any ability subsequently to enforce any right arising authorship, attribution, condition, provenance, Contract for Sale, the risk in the Lot passed to other sums due to us. under the Contract for Sale. authenticity, age, suitability, quality or origin of 1.5.3 we will provide guarantees in the terms set out 4.1 Subject to any power of the Seller or us to refuse you when it was knocked down to you. the Lot, or the conformity of the Lot with any in paragraphs 9 and 10. to release the Lot to you, once you have paid to 7.4 We will account to you in respect of any balance 11.3 If either party to the Contract for Sale is Description, or whether the Lot is or is not us, in cleared funds, everything due to the Seller 6.2 You are advised to obtain insurance in respect of we hold remaining from any monies received by prevented from performing that party’s respective a Forgery shall be referred, if so required by 1.6 We do not make or give and do not agree and to us, we will release the Lot to you or as the Lot as soon as possible after the Sale. us in respect of any sale of the Lot under our obligations under the Contract for Sale by Bonhams, to an expert or a panel of up to three to make or give any contractual promise, you may direct us in writing. The Lot will only rights under this paragraph 7 after the payment circumstances beyond its reasonable control experts appointed, in the absence of agreement undertaking, obligation, guarantee, warranty, be released on production of a stamped, paid 7 FAILURE TO PAY OR TO REMOVE THE LOT of all sums due to us and/or the Seller within 28 or if performance of its obligations would by among the Seller, you and (if applicable) representation of fact in relation to any invoice, obtained from our cashier’s office. AND PART PAYMENTS days of receipt by us of all such sums paid to us. reason of such circumstances give rise to a Bonhams, by the professional body most Description of the Lot or any Estimate in relation significantly increased financial cost to it, that appropriate in Bonhams’ opinion to advise upon to it, nor of the accuracy or completeness of any 4.2 You must collect and remove the Lot at your own 7.1 If all sums payable to us are not so paid in full 8 CLAIMS BY OTHER PERSONS IN RESPECT party will not, for so long as such circumstances the subject matter of the dispute in question or, Description or Estimate which may have been expense by the date and time specified in the at the time they are due and/or the Lot is not OF THE LOT prevail, be required to perform such obligations. in the absence of such a professional body, by made by us or on our behalf or by or on behalf Notice to Bidders, or if no date is specified, by removed in accordance with this agreement, This paragraph does not apply to the obligations the President of The Law Society of New South of the Seller (whether made orally or in writing, 4.30pm on the seventh day after the Sale. we will without further notice to you be entitled 8.1 Whenever it becomes apparent to us that the imposed on you by paragraph 6. Wales from time to time; including in the Catalogue or on Bonhams’ to exercise one or more of the following rights Lot is the subject of a claim by someone other Website, or by conduct, or otherwise), and 4.3 For the period referred to in paragraph 4.2, the (without prejudice to any rights we may exercise than you and other than the Seller (or that such a 11.4 Any notice or other communication to be given 12.2.2 such experts appointed in accordance with whether made before or after this agreement or Lot can be collected from the address referred on behalf of the Seller): claim can reasonably be expected to be made), under the Contract for Sale must be in writing paragraph 11.2.1 will act as experts and not as prior to or during the Sale. No such Description to in the Notice to Bidders for collection on the we may, at our reasonable discretion, deal with and may be delivered by hand or sent by first arbitrators and their decision will be final and or Estimate is incorporated into this agreement days and times specified in the Notice to Bidders. 7.1.1 to terminate this agreement immediately for your the Lot in any manner which appears to us to class post or air mail or fax transmission, if to the binding on the relevant parties; between you and us. Any such Description or Thereafter, the Lot may be removed elsewhere breach of contract; recognise the legitimate interests of ourselves and Seller, addressed c/o Bonhams at its address Estimate, if made by us or on our behalf, is given for storage and you must enquire from us as to the other parties involved and lawfully to protect or fax number in the Catalogue (marked for the 12.2.3 any other dispute relating to or arising out of on a reasonable basis and honestly and (unless when and where you can collect it, although this 7.1.2 to retain possession of the Lot; our position and our legitimate interests. Without attention of the Company Secretary), and if to the sale of the Lot or this agreement shall be Bonhams itself sells the Lot as principal) made information will usually be set out in the Notice to prejudice to the generality of the discretion and by you to the address or fax number of the Buyer finally resolved, if so required by Bonhams, by as agent on behalf of the Seller. Bidders. 7.1.3 to remove, and/or store the Lot at your expense; way of example, we may: given in the Bidding Form (unless notice of arbitration, under the UNCITRAL arbitration any change of address is given in writing). It is rules in force at the date of the reference to the 4.4 If you have not collected the Lot by the date 7.1.4 to take legal proceedings against you for payment the responsibility of the sender of the notice or arbitration, and the tribunal for such arbitration specified in the Notice to Bidders, you authorise of any sums payable to us by you (including the communication to ensure that it is received in a will consist of a single arbitrator appointed, in the us, acting as your agent and on your behalf, to Purchase Price) and/or damages for breach of legible form within any applicable time period. absence of agreement between the Seller, you and (if applicable) Bonhams, by the President of The Law Society of New South Wales from time to time. The arbitration will take place in Sydney

AUS/NOB/MAIN/V1/11.2020 AUS/NOB/MAIN/V1/11.2020 8.1.1 retain the Lot to investigate any question raised 10 OUR LIABILITY 11 MISCELLANEOUS or reasonably expected by us to be raised in relation to the Lot; and/or 10.1 We acknowledge that certain laws imply 11.1 You may not assign either the benefit or burden terms, conditions or warranties into contracts of this agreement. 8.1.2 deliver the Lot to a person other than you; for the supply of goods or services (including and/or this agreement) that cannot be excluded. For 11.2 Our failure or delay in enforcing or exercising example, for Consumers, services (including any power or right under this agreement will not 8.1.3 commence interpleader proceedings or seek any those under this agreement) come with non - operate or be deemed to operate as a waiver other order of any court, mediator, arbitrator or excludable warranties under consumer protection of our rights under it except to the extent of any government body; and/or legislation that they will be provided with due care express waiver given to you in writing. Any such and skill and be reasonably fit for their purpose waiver will not affect our ability subsequently to 8.1.4 require an indemnity and/or security from you in (where the purpose is made known). We also enforce any right arising under this agreement. return for pursuing a course of action agreed to acknowledge that certain other laws cannot be by you. excluded. Nothing in paragraphs 10.2 to 10.4 is 11.3 If either party to this agreement is prevented from intended to exclude or restrict: performing that party’s respective obligations 8.2 The discretion referred to in paragraph 8.1: under this agreement by circumstances 10.1.1 the application of any consumer protection beyond its reasonable control or if performance 8.2.1 may be exercised at any time during which we legislation; or of its obligations would by reason of such have actual or constructive possession of the circumstances give rise to a significantly Lot, or at any time after such possession, where 10.1.2 our liability for fraud or death or personal injury increased financial cost to it, that party will the cessation of such possession has occurred caused by our negligence (or any person under not, for so long as such circumstances prevail, by reason of any decision, order or ruling of any our control for whom we are legally responsible); be required to perform such obligations. This court, mediator, arbitrator or government body; or paragraph does not apply to the obligations and imposed on you by paragraph 3. 10.1.3 any other liability to the extent that such liability 8.2.2 will not be exercised unless we believe that there may not be excluded or restricted on a matter of 11.4 Any notice or other communication to be given exists a serious prospect of a good arguable law. under this agreement must be in writing and may case in favour of the claim. be delivered by hand or sent by first class post 10.2 Subject to paragraph 10.1, we will not be liable or air mail or fax transmission (if to Bonhams 9 FORGERIES whether in negligence, other tort, breach of marked for the attention of the Company contract or statutory duty or in restitution or Secretary), to the address or fax number of 9.1 We undertake a personal responsibility for any under the Trade Practices Act 1974 or in any the relevant party given in the Contract Form Forgery in accordance with the terms of this other way for lack of conformity with or any (unless notice of any change of address is given paragraph 9. inaccuracy, error, misdescription or omission in writing). It is the responsibility of the sender of in any Description of the Lot or any Entry or the notice or communication to ensure that it is 9.2 Paragraph 9 applies only if: Estimate in respect of it, made by us or on our received in a legible form within any applicable behalf or by or on behalf of the Seller (whether time period. 9.2.1 your name appears as the named person to made in writing, including in the Catalogue, or on whom the original invoice was made out by us in the Bonhams’ Website, or orally, or by conduct or 11.5 If any term or any part of any term of this respect of the Lot and that invoice has been paid; otherwise) and whether made before or after this agreement is held to be unenforceable or invalid, and agreement or prior to or during such unenforceability or invalidity will not affect the Sale. the enforceability and validity of the remaining 9.2.2 you notify us in writing as soon as reasonably terms or the remainder of the relevant term. practicable after you have become aware that 10.3 Subject to paragraph 10.1, our duty to you while the Lot is or may be a Forgery, and in any event the Lot is at your risk and/or your property and 11.6 References in this agreement to Bonhams within one year after the Sale, that the Lot is a in our custody and/or control is to exercise due will, where appropriate, include reference to Forgery; and care and skill in relation to it, but we will not be Bonhams’ officers, employees and agents. responsible for damage to the Lot or to other 9.2.3 within one month after such notification has persons or things caused by: 11.7 The headings used in this agreement are been given, you return the Lot to us in the same for convenience only and will not affect its condition as it was at the time of the Sale, 10.3.1 handling the Lot if it was affected at the time interpretation. accompanied by written evidence that the Lot is of sale to you by woodworm and any damage a Forgery and details of the Sale and Lot number is caused as a result of it being affected by 11.8 In this agreement “including” means “including, sufficient to identify the Lot. woodworm; or without limitation”.

9.3 Paragraph 9 will not apply in respect of a 10.3.2 changes in atmospheric pressure; nor will we be 11.9 References to the singular will include reference Forgery if: liable for: to the plural (and vice versa) and reference to any one gender will include reference to the other 9.3.1 the Entry in relation to the Lot contained in the 10.3.3 damage to tension stringed musical instruments; genders. Catalogue reflected the then accepted general or opinion of scholars and experts or fairly indicated 11.10 Reference to a numbered paragraph is to a para that there was a conflict of such opinion or 10.3.4 damage to gilded picture frames, plaster picture graph of this agreement. reflected the then current opinion of an expert frames or picture frame glass; and if the Lot is acknowledged to be a leading expert in the or becomes dangerous, we may dispose of it 11.11 Save as expressly provided in paragraph 11.12 relevant field; or without notice to you in advance in any manner nothing in this agreement confers (or purports to we think fit and we will be under no liability to you confer) on any person who is not a party to this 9.3.2 it can be established that the Lot is a Forgery only for doing so. agreement any benefit conferred by, or the right by means of a process not generally accepted for to enforce any term of, this agreement. use until after the date on which the Catalogue 10.4.1 Subject to paragraph 10.1 we will not be liable was published or by means of a process which it to you for any loss of Business, Business profits, 11.12 Where this agreement confers an immunity was unreasonable in all the circumstances for us revenue or income or for loss of Business from, and/or an exclusion or restriction of, the to have employed. reputation or for disruption to Business or wasted responsibility and/or liability of Bonhams, it will time on the part of the Buyer’s management or also operate in favour and for the benefit of 9.4 You authorise us to carry out such processes staff or for any indirect losses or consequential Bonhams’ holding company and the subsidiaries and tests on the Lot as we in our reasonable damages of any kind, irrespective in any case of such holding company and the successors discretion consider necessary to satisfy ourselves of the nature, volume or source of the loss or and assigns of Bonhams and of such companies that the Lot is or is not a Forgery. damage alleged to be suffered, and irrespective and of any officer, employee and agent of of whether the said loss or damage is caused by Bonhams and such companies, each of whom 9.5 If we are satisfied that a Lot is a Forgery we will or claimed in respect of any negligence, other will be entitled to rely on the relevant immunity (as principal) purchase the Lot from you and tort, breach of contract, statutory duty, bailee’s and/or exclusion and/or restriction (and Bonhams you will transfer the title to the Lot in question to duty, a restitutionary claim or otherwise. enter into this agreement on trust for each such us, with full title guarantee, free from any liens, person). charges, encumbrances and adverse claims, and 10.4.2 Subject to paragraph 10.1 in any circumstances we will pay to you an amount equal to the sum of where we are liable to you in respect of a Lot, 12 GOVERNING LAW AND DISPUTE the Purchase Price, Buyer’s Premium, GST and or any act, omission, statement, representation RESOLUTION Expenses paid by you in respect of the Lot. in respect of it, or this agreement or its performance, and whether in damages, for an 12.1 Law 9.6 The benefit of paragraph 9 is personal to, and indemnity or contribution or for a restitutionary All transactions to which this agreement applies incapable of assignment by, you. remedy or in any way whatsoever, our liability will and all connected matters will be governed by be limited to payment of a sum which will not and construed in accordance with the laws of 9.7 If you sell or otherwise dispose of your interest exceed by way of maximum the amount of the that state or territory of Australia where the Sale in the Lot, all rights and benefits under this Purchase Price of the Lot plus Buyer’s Premium takes place and (except as provided in paragraph paragraph will cease. (less any sum you may be entitled to recover 12.2) we and you each submit to the exclusive from the Seller) irrespective in any case of the jurisdiction of the courts of that state or territory 9.8 Paragraph 9 does not apply to a Lot made up nature, volume or source of any loss or damage of Australia, save that we may bring proceedings of or including a Chinese painting or Chinese alleged to be suffered or sum claimed as due, against you in any other court of competent paintings, a motor vehicle or motor vehicles, a and irrespective of whether the liability arises jurisdiction to the extent permitted by the laws of Stamp or Stamps or a Book or Books. from negligence, other tort, breach of contract, the relevant jurisdiction. statutory duty, bailee’s duty, a restitutionary claim or otherwise.

You may wish to protect yourself against loss by obtaining insurance.

AUS/NOB/MAIN/V1/11.2020 8.1.1 retain the Lot to investigate any question raised 10 OUR LIABILITY 11 MISCELLANEOUS 12.2 Dispute Resolution LIST OF DEFINITIONS “Notional Charges” the amount of Commission and GST or reasonably expected by us to be raised in Unless the Buyer buys the Lot as a Consumer which would have been payable if the Lot had been sold at the relation to the Lot; and/or 10.1 We acknowledge that certain laws imply 11.1 You may not assign either the benefit or burden from the Seller selling in the course of Business: “ABN” means the same as ABN means in the A New Tax Notional Price. terms, conditions or warranties into contracts of this agreement. System (Australian Business Number) Act 1999. “Notional Fee” the sum on which the Consignment Fee 8.1.2 deliver the Lot to a person other than you; for the supply of goods or services (including 12.2.1 any dispute concerning the Description, “Auctioneer” the representative of Bonhams conducting the payable to Bonhams by the Seller is based and which is and/or this agreement) that cannot be excluded. For 11.2 Our failure or delay in enforcing or exercising authorship, attribution, condition, provenance, Sale. calculated according to the formula set out in the Conditions example, for Consumers, services (including any power or right under this agreement will not authenticity, age, suitability, quality or origin of “Bidder” a person who has completed a Bidding Form. of Business. 8.1.3 commence interpleader proceedings or seek any those under this agreement) come with non - operate or be deemed to operate as a waiver the Lot, or the conformity of the Lot with any “Bidding Form” our Bidding Registration Form, our Absentee “Notional Price” the latest in time of the average of the high other order of any court, mediator, arbitrator or excludable warranties under consumer protection of our rights under it except to the extent of any Description, or whether the Lot is or is not Bidding Form or our Telephone Bidding Form. and low estimates given by us to you or stated in the Catalogue government body; and/or legislation that they will be provided with due care express waiver given to you in writing. Any such a Forgery shall be referred, if so required by “Bonhams” Bonhams 1793 Limited or its successors or or, if no such estimates have been given or stated, the Reserve and skill and be reasonably fit for their purpose waiver will not affect our ability subsequently to Bonhams, to an expert or a panel of up to three assigns. Bonhams is also referred to in the Buyer’s Agreement, applicable to the Lot. 8.1.4 require an indemnity and/or security from you in (where the purpose is made known). We also enforce any right arising under this agreement. experts appointed, in the absence of agreement the Conditions of Business and the Notice to Bidders by the “Notice to Bidders” the notice printed at the back or front of return for pursuing a course of action agreed to acknowledge that certain other laws cannot be among the Seller, you and (if applicable) words “we”, “us” and “our”. our Catalogues. by you. excluded. Nothing in paragraphs 10.2 to 10.4 is 11.3 If either party to this agreement is prevented from Bonhams, by the professional body most “Book” a printed book offered for sale at a specialist book sale. “Purchase Price” the Hammer Price. intended to exclude or restrict: performing that party’s respective obligations appropriate in Bonhams’ opinion to advise upon “Business” includes any trade, business and profession. “Reserve” the minimum price at which a Lot may be sold 8.2 The discretion referred to in paragraph 8.1: under this agreement by circumstances the subject matter of the dispute in question or, “Buyer” the person to whom a Lot is knocked down by the (whether at auction or by private treaty). 10.1.1 the application of any consumer protection beyond its reasonable control or if performance in the absence of such a professional body, by Auctioneer. The Buyer is also referred to in the Contract of Sale “Sale” the auction sale at which a Lot is to be offered for sale 8.2.1 may be exercised at any time during which we legislation; or of its obligations would by reason of such the President of The Law Society of New South and the Buyer’s Agreement by the words “you” and “your”. by Bonhams. have actual or constructive possession of the circumstances give rise to a significantly Wales from time to time; “Buyer’s Agreement” the contract entered into by Bonhams “Sale Proceeds” the net amount due to the Seller from the Lot, or at any time after such possession, where 10.1.2 our liability for fraud or death or personal injury increased financial cost to it, that party will with the Buyer (see Appendix 2 in the Catalogue). sale of a Lot, being the Hammer Price less the Commission, the cessation of such possession has occurred caused by our negligence (or any person under not, for so long as such circumstances prevail, 12.2.2 such experts appointed in accordance with “Buyer’s Premium” the sum calculated on the Hammer Price any GST chargeable thereon, Expenses and any other amount by reason of any decision, order or ruling of any our control for whom we are legally responsible); be required to perform such obligations. This paragraph 11.2.1 will act as experts and not as at the rates stated in the Notice to Bidders. due to us in whatever capacity and howsoever arising. court, mediator, arbitrator or government body; or paragraph does not apply to the obligations arbitrators and their decision will be final and “Catalogue” the Catalogue relating to the relevant Sale, “Seller” the person who offers the Lot for sale named on and imposed on you by paragraph 3. binding on the relevant parties; including any representation of the Catalogue published on our the Contract Form. Where the person so named identifies on 10.1.3 any other liability to the extent that such liability Website. the form another person as acting as his agent, or where the 8.2.2 will not be exercised unless we believe that there may not be excluded or restricted on a matter of 11.4 Any notice or other communication to be given 12.2.3 any other dispute relating to or arising out of “Commission” the commission payable by the Seller to person named on the Contract Form acts as an agent for a exists a serious prospect of a good arguable law. under this agreement must be in writing and may the sale of the Lot or this agreement shall be Bonhams calculated at the rates stated in the Contract Form. principal (whether such agency is disclosed to Bonhams or case in favour of the claim. be delivered by hand or sent by first class post finally resolved, if so required by Bonhams, by “Condition Report” a report on the physical condition of a Lot not), “Seller” includes both the agent and the principal who 10.2 Subject to paragraph 10.1, we will not be liable or air mail or fax transmission (if to Bonhams arbitration, under the UNCITRAL arbitration provided to a Bidder or potential Bidder by Bonhams on behalf shall be jointly and severally liable as such. The Seller is also 9 FORGERIES whether in negligence, other tort, breach of marked for the attention of the Company rules in force at the date of the reference to the of the Seller. referred to in the Conditions of Business by the words “you” contract or statutory duty or in restitution or Secretary), to the address or fax number of arbitration, and the tribunal for such arbitration “Consignment Fee” a fee payable to Bonhams by the Seller and “your”. 9.1 We undertake a personal responsibility for any under the Trade Practices Act 1974 or in any the relevant party given in the Contract Form will consist of a single arbitrator appointed, in the calculated at rates set out in the Conditions of Business. “Specialist Examination” a visual examination of a Lot by a Forgery in accordance with the terms of this other way for lack of conformity with or any (unless notice of any change of address is given absence of agreement between the Seller, you “Consumer” a consumer within the meaning of that term in the specialist on the Lot. paragraph 9. inaccuracy, error, misdescription or omission in writing). It is the responsibility of the sender of and (if applicable) Bonhams, by the President of Trade Practices Act 1974. “Stamp” means a postage stamp offered for sale at a in any Description of the Lot or any Entry or the notice or communication to ensure that it is The Law Society of New South Wales from time “Contract Form” the contract form, or vehicle entry form, as Specialist Stamp sale. 9.2 Paragraph 9 applies only if: Estimate in respect of it, made by us or on our received in a legible form within any applicable to time. The arbitration will take place in Sydney applicable, signed by or on behalf of the Seller listing the Lots “Standard Examination” a visual examination of a Lot by a behalf or by or on behalf of the Seller (whether time period. and all proceedings (whether oral or written) will to be offered for sale by Bonhams. non - specialist member of Bonhams’ staff. 9.2.1 your name appears as the named person to made in writing, including in the Catalogue, or on be conducted in the English language; “Contract for Sale” the sale contract entered into by the Seller “Storage Contract” means the contract described in whom the original invoice was made out by us in the Bonhams’ Website, or orally, or by conduct or 11.5 If any term or any part of any term of this with the Buyer (see Appendix 1 in the Catalogue). paragraph 8.3.3 of the Conditions of Business or paragraph 4.4 respect of the Lot and that invoice has been paid; otherwise) and whether made before or after this agreement is held to be unenforceable or invalid, 12.2.4 all costs and fees incurred in connection with “Contractual Description” the only description of the Lot of the Buyer’s Agreement (as appropriate). and agreement or prior to or during such unenforceability or invalidity will not affect the resolution of a dispute in accordance with (being that part of the Entry about the Lot in the Catalogue “Storage Contractor” means the company identified as such the Sale. the enforceability and validity of the remaining paragraph 11.2 will be borne by the Seller and which is in bold letters, any photograph (except for the colour) in the Catalogue. 9.2.2 you notify us in writing as soon as reasonably terms or the remainder of the relevant term. Buyer in such manner as the expert(s) or the and the contents of any Condition Report) to which the Seller “Terrorism” means any act or threatened act of terrorism, practicable after you have become aware that 10.3 Subject to paragraph 10.1, our duty to you while arbitrator, as the case may be, determines. undertakes in the Contract of Sale the Lot corresponds. whether any person is acting alone or on behalf of or in the Lot is or may be a Forgery, and in any event the Lot is at your risk and/or your property and 11.6 References in this agreement to Bonhams “Description” any statement or representation in any way connection with any organisation(s) and/or government(s), within one year after the Sale, that the Lot is a in our custody and/or control is to exercise due will, where appropriate, include reference to DATA PROTECTION - USE OF YOUR INFORMATION descriptive of the Lot, including any statement or representation committed for political, religious or ideological or similar Forgery; and care and skill in relation to it, but we will not be Bonhams’ officers, employees and agents. relating to its authorship, attribution, condition, provenance, purposes including, but not limited to, the intention to responsible for damage to the Lot or to other As a result of the services provided by us, we obtain personal authenticity, style, period, age, suitability, quality, origin, value, influence any government and/or put the public or any section 9.2.3 within one month after such notification has persons or things caused by: 11.7 The headings used in this agreement are data about you (which expression for the purposes of this estimated selling price (including the Hammer Price). of the public into fear. been given, you return the Lot to us in the same for convenience only and will not affect its paragraph only includes your employees and officers, if “Entry” a written statement in the Catalogue identifying the “Trust Account” the bank account of Bonhams into which all condition as it was at the time of the Sale, 10.3.1 handling the Lot if it was affected at the time interpretation. relevant). You agree to our use of it as follows. Lot and its Lot number which may contain a description and sums received in respect of the Purchase Price of any Lot will accompanied by written evidence that the Lot is of sale to you by woodworm and any damage illustration(s) relating to the Lot. be paid, such account to be a distinct and separate account a Forgery and details of the Sale and Lot number is caused as a result of it being affected by 11.8 In this agreement “including” means “including, We may use your data to notify you about changes to our “Estimate” a statement of our opinion of the range within to Bonhams’ normal business bank account. “Website” sufficient to identify the Lot. woodworm; or without limitation”. services and to provide you with information about products which the hammer is likely to fall. Bonhams website at www.bonhams.com. or services that you request from us or which we feel may “Expenses” charges and expenses paid or payable by “Withdrawal Notice” the Seller’s written notice to Bonhams 9.3 Paragraph 9 will not apply in respect of a 10.3.2 changes in atmospheric pressure; nor will we be 11.9 References to the singular will include reference be of interest to you. Data about you may be analysed to Bonhams in respect of the Lot including legal expenses, revoking Bonhams’ instructions to sell a Lot. Forgery if: liable for: to the plural (and vice versa) and reference to any identify your potential preferences for these purposes. We banking charges and expenses incurred as a result of an “Without Reserve” where there is no minimum price at which one gender will include reference to the other may disclose your data to any member of our group (which electronic transfer of money, charges and expenses for loss a Lot may be sold (whether at auction or by 9.3.1 the Entry in relation to the Lot contained in the 10.3.3 damage to tension stringed musical instruments; genders. means our subsidiaries, our ultimate holding company and its and damage cover, catalogue and other reproductions and private treaty). Catalogue reflected the then accepted general or subsidiaries as defined in section 9 of the Corporations Act illustrations, any customs duties, advertising, packing or opinion of scholars and experts or fairly indicated 11.10 Reference to a numbered paragraph is to a para 2001, including any overseas subsidiary). Subject to this, we shipping costs, reproduction rights’ fees, taxes (including GST), GLOSSARY that there was a conflict of such opinion or 10.3.4 damage to gilded picture frames, plaster picture graph of this agreement. will not disclose your data to any third party but we may from levies, costs of testing, searches or enquiries, preparation of reflected the then current opinion of an expert frames or picture frame glass; and if the Lot is time to time provide you with information about goods and the Lot for sale, storage charges, removal charges or costs The following expressions have specific legal meanings with acknowledged to be a leading expert in the or becomes dangerous, we may dispose of it 11.11 Save as expressly provided in paragraph 11.12 services provided by third parties which we feel may be of of collection from the Seller as the Seller’s agents or from a which you may not be familiar. The following glossary is relevant field; or without notice to you in advance in any manner nothing in this agreement confers (or purports to interest to you. Any member of our group may use your data defaulting Buyer, plus GST if applicable. intended to give you an understanding of those expressions but we think fit and we will be under no liability to you confer) on any person who is not a party to this for similar purposes. “Forgery” an imitation intended by the maker or any other is not intended to limit their legal meanings: - 9.3.2 it can be established that the Lot is a Forgery only for doing so. agreement any benefit conferred by, or the right person to deceive as to authorship, attribution, origin, by means of a process not generally accepted for to enforce any term of, this agreement. We will keep your data for a period of six years from the authenticity, style, date, age, period, provenance, culture, “artist’s resale right”: the right of the creator of a work of art use until after the date on which the Catalogue 10.4.1 Subject to paragraph 10.1 we will not be liable date of your last contact with us so as to simplify any future source or composition, which at the date of the Sale had a to receive a payment on Sales of that work subsequent to the was published or by means of a process which it to you for any loss of Business, Business profits, 11.12 Where this agreement confers an immunity registration. The data may be transferred to and stored outside value materially less than it would have had if the Lot had not original Sale of that work by the creator of it as set out in the was unreasonable in all the circumstances for us revenue or income or for loss of Business from, and/or an exclusion or restriction of, the Australia, particularly the United Kingdom, and you agree to this been such an imitation, and which is not stated to be such Resale Royalty Right for Visual Artists Act 2009. to have employed. reputation or for disruption to Business or wasted responsibility and/or liability of Bonhams, it will transfer. Even when information is stored outside Australia, we an imitation in any description of the Lot. A Lot will not be a “bailee”: a person to whom goods are entrusted. time on the part of the Buyer’s management or also operate in favour and for the benefit of will continue to comply with the National Privacy Principles set Forgery by reason of any damage to, and/or restoration and/ “indemnity”: an obligation to put the person who has the 9.4 You authorise us to carry out such processes staff or for any indirect losses or consequential Bonhams’ holding company and the subsidiaries out in the Australian Privacy Act. or modification work (including repainting or over painting) benefit of the indemnity in the same position in which he would and tests on the Lot as we in our reasonable damages of any kind, irrespective in any case of such holding company and the successors having been carried out on the Lot, where that damage, have been, had the circumstances giving rise to the indemnity discretion consider necessary to satisfy ourselves of the nature, volume or source of the loss or and assigns of Bonhams and of such companies You have the right to request us not to use your information for restoration or modification work (as the case may be) does not not arisen and the expression “indemnify” is that the Lot is or is not a Forgery. damage alleged to be suffered, and irrespective and of any officer, employee and agent of these purposes by contacting Bonhams 1793 Limited at substantially affect the identity of the Lot as one conforming to construed accordingly. of whether the said loss or damage is caused by Bonhams and such companies, each of whom 97-99 Queen Street, Woollahra NSW, 2025, Australia or the description of the Lot. “interpleader proceedings”: proceedings in the Courts to 9.5 If we are satisfied that a Lot is a Forgery we will or claimed in respect of any negligence, other will be entitled to rely on the relevant immunity by email at [email protected]. “GST” means the same as GST means in the A New Tax determine ownership or rights over a Lot. (as principal) purchase the Lot from you and tort, breach of contract, statutory duty, bailee’s and/or exclusion and/or restriction (and Bonhams System (Goods and Services Tax) Act 1999. “knocked down”: when a Lot is sold to a Bidder, indicated by you will transfer the title to the Lot in question to duty, a restitutionary claim or otherwise. enter into this agreement on trust for each such APPENDIX 3 “Guarantee” the obligation undertaken personally by Bonhams the fall of the hammer at the Sale. us, with full title guarantee, free from any liens, person). to the Buyer in respect of any Forgery and, in the case of “lien”: a right for the person who has possession of the Lot to charges, encumbrances and adverse claims, and 10.4.2 Subject to paragraph 10.1 in any circumstances DEFINITIONS and GLOSSARY specialist Stamp sales and/or specialist Book sales, a Lot retain possession of it. we will pay to you an amount equal to the sum of where we are liable to you in respect of a Lot, 12 GOVERNING LAW AND DISPUTE made up of a Stamp or Stamps or a Book or Books as set out “risk”: the possibility that a Lot may be lost, damaged, the Purchase Price, Buyer’s Premium, GST and or any act, omission, statement, representation RESOLUTION Where these Definitions and Glossary are incorporated, the in the Buyer’s Agreement. destroyed, stolen, or deteriorate in condition or value. Expenses paid by you in respect of the Lot. in respect of it, or this agreement or its following words and phrases used have (unless the context “Hammer Price” the price in the currency in which the Sale “title”: the legal and equitable right to the ownership of a Lot. performance, and whether in damages, for an 12.1 Law otherwise requires) the meanings given to them below. The is conducted (including GST, if any) at which a Lot is knocked “tort”: a legal wrong done to someone to whom the wrong 9.6 The benefit of paragraph 9 is personal to, and indemnity or contribution or for a restitutionary All transactions to which this agreement applies Glossary is to assist you to understand words and phrases down by the Auctioneer. doer has a duty of care. incapable of assignment by, you. remedy or in any way whatsoever, our liability will and all connected matters will be governed by which have a specific legal meaning with which you may not “Loss and Damage Warranty” means the warranty described be limited to payment of a sum which will not and construed in accordance with the laws of be familiar. in paragraph 8.2.1 of the Conditions of Business. 9.7 If you sell or otherwise dispose of your interest exceed by way of maximum the amount of the that state or territory of Australia where the Sale “Loss and Damage Warranty Fee” means the fee described in the Lot, all rights and benefits under this Purchase Price of the Lot plus Buyer’s Premium takes place and (except as provided in paragraph in paragraph 8.2.3 of the Conditions of Business. paragraph will cease. (less any sum you may be entitled to recover 12.2) we and you each submit to the exclusive “Lot” any item consigned to Bonhams with a view to its sale from the Seller) irrespective in any case of the jurisdiction of the courts of that state or territory at auction or by private treaty (and reference to any Lot will 9.8 Paragraph 9 does not apply to a Lot made up nature, volume or source of any loss or damage of Australia, save that we may bring proceedings include, unless the context otherwise requires, reference to of or including a Chinese painting or Chinese alleged to be suffered or sum claimed as due, against you in any other court of competent individual items comprised in a group of two or more items paintings, a motor vehicle or motor vehicles, a and irrespective of whether the liability arises jurisdiction to the extent permitted by the laws of offered for sale as one Lot). Stamp or Stamps or a Book or Books. from negligence, other tort, breach of contract, the relevant jurisdiction. “Motoring Catalogue Fee” a fee payable by the Seller to statutory duty, bailee’s duty, Bonhams in consideration of the additional work undertaken by a restitutionary claim or otherwise. Bonhams in respect of the cataloguing of motor vehicles and in respect of the promotion of sales of motor vehicles. You may wish to protect yourself against loss by obtaining insurance.

AUS/NOB/MAIN/V1/11.2020 AUS/NOB/MAIN/V1/11.2020 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Paddle number (for office use only) Please circle your bidding method above.

This sale will be conducted in accordance with Sale title: Sale date: Bonhams’ Conditions of Sale and bidding and buying at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with Sale no. Sale venue: the Sale Information relating to this Sale which sets out the charges payable by you on the purchases If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours you make and other terms relating to bidding and prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue buying at the Sale. You should ask any questions you for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will have about the Conditions before signing this form. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. These Conditions also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to General Bid Increments AU$: bidders and buyers. $500 - 1,000 ...... by 50s $10,000 - 20,000 ...... by 1,000s $1,000 - 2,000 ...... by 100s $20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Data protection – use of your information $2,000 - 5,000 ...... by 200 / 500 / 800s $50,000 - 100,000 ...... by 5,000s Where we obtain any personal information about you, $5,000 - 10,000 ...... by 500s $100,000 - 200,000 .....by 10,000s we shall only use it in accordance with the terms of above $200,000 ...... at the auctioneer’s discretion our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your The auctioneer has discretion to split any bid at any time. information was disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or Customer Number Title requested by post from Customer Services Department, 97-99 Queen Street, Woollahra, NSW 2025. First Name Last Name [email protected]. We may disclose your personal information to any member of our group which means Company name (to be invoiced if applicable) our subsidiaries, our ultimate holding company and its subsidiaries (whether registered in the UK or elsewhere). Address We will not disclose your data to anyone outside our group but we may from time to time provide you with information about goods and services which we feel maybe of interest to you including those provided by third City County / State parties. Would you like to receive information from Post / Zip code Country us by email? or post Telephone mobile Telephone daytime Notice to Bidders. Clients are requested to provide photographic proof of Telephone evening Fax ID - passport, driving licence, ID card, together with proof of address - utility bill, bank or credit card statement etc. Preferred number(s) in order for Telephone Bidding (inc. country code) Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in E-mail (in capitals) your bids not being processed. For higher value lots you By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material may also be asked to provide a bank reference. and news concerning Bonhams. Bonhams does not sell or trade email addresses. I am registering to bid as a private buyer I am registering to bid as a trade buyer BuyersIf successful Premium I will collect the purchases myself Please note a Buyer’s Premium of If registered for ABN please enter your registration here: Please tick if you have registered with us before 23%Please plus arrange GST willshippers be added to contact me with toa quote the Hammer and I agree Price that on youall lots. may pass them / - - my contact details. Please note that all telephone calls are recorded.

Telephone or MAX bid in AU$ Lot no. Brief description Covering bid* Absentee (T / A) (excluding premium & GST)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, GST AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Covering Bid: A maximum bid (exclusive of Buyers Premium and GST) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 97-99 Queen Street, Woollahra, NSW 2025. Tel: +61 (0) 2 8412 2222 Fax: +61 (0) 2 9475 4110, ABN: 19 633 734 676 [email protected], www.bonhams.com/sydney Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. AUS/01/19 登記及競投表格邦瀚斯 (出席者／書面競投／網上／電話競投) 請選擇競投方法號牌 (僅供本公司填寫)

本拍賣會將根據邦瀚斯的「業務規定」進行，在拍賣會標題拍賣會日期拍賣會的競投及購買將由「業務規定」規管。閣 : : 下閱讀「業務規定」時應一併閱讀有關本拍賣會拍賣會編號拍賣會場地的「拍賣會資料」，該「拍賣會資料」載有閣下 : : Sydney 於作出購買時須支付的費用，以及有關在拍賣會如閣下未能親身出席拍賣會，請最遲於拍賣會前24小提供閣下欲競投的拍賣品詳情。競投將被下調至最接近的競投及購買的其他條款。閣下若對「業務規定」競投增幅。請參閱圖錄中「競投者須知」內有關指示邦瀚斯代表閣下執行電話、網上或書面競投的進一步資有任何疑問，應在簽署本表格前提出。「業務規料。邦瀚斯將代表閣下盡力執行該等競投，但本公司並不對任何錯誤或未能執行競投承擔責任。定」亦包含由競投人及買家作出的若干承諾及限一般競投價遞增幅度（澳元）制邦瀚斯對競投人及買家的責任。 : $10,000 - 20,000 ...... 按 1,000s $500 - 1,000 ...... 按 50s $20,000 - 50,000 ...... 按 2,000 / 5,000 / 8,000s $1,000 - 2,000 ...... 按 100s $50,000 - 100,000 ...... 按 5,000s 資料保護－閣下資料的使用 $2,000 - 5,000 ...... 按 200 / 500 / 800s $100,000 - 200,000 ..... 按 10,000s 在本公司獲得任何有關閣下的個人資料時，本公 $5,000 - 10,000 ...... 按 500s 高於 $200,000 ...... 由拍賣官酌情決定司只會根據本公司的「私隱政策」條款使用閣下的資料（以閣下披露資料時給予本公司的任拍賣官可隨時酌情決定把任何競投價拆細。何額外特定同意為準）。閣下可透過本公司網客戶編號稱銜站(www.bonhams.com) 郵寄Customer Services Department, 97-99 Queen Street, Woollahra, 名姓 NSW 2025或電郵[email protected].索取「私隱政策」的副本。我們可能會提供您的個人公司名稱(如適用的話將作為發票收票人) 資訊給公司內成員，意即其子公司、或最终控股公司與其子公司（無論註冊於英國或其他地區），地址我們不會將您的資訊透露給公司以外人員，但可能會不定時向您提供您可能會有興趣之資訊，包括第三方提供之產品及服務。城市縣／郡如欲接收我们的資訊，請選擇：郵編國家電郵郵寄流動電話日間電話競投者須知夜間電話傳真客戶需提供身份證明文件如護照、駕駛執照、身份證的副本證明，以及住址證明如水電費賬單、競投電話號碼（包括電話國家區號）銀行或信用卡結算單等。公司客戶亦需提供公司章程／公司註冊文件的副本，以及授權個別人士代表進行競投的函件。如閣下未能提供上述文件，可能導致本公司未能處理閣下的競投。如閣電郵（大楷）下競投高價的拍賣品，本公司可能要求閣下提供閣下倘若提供以上電郵地址，代表授權邦瀚斯可把跟拍賣會﹑市場資料與消息相關的信息發送至此電郵地址。邦瀚

銀行信用證明。斯不會售賣或與第三方交換此電郵地址資料。本人登記為私人客戶本人登記為交易客戶若成功購買拍品若有ABN請填寫註冊號碼: 以往曾於本公司登記本人將自行提取貨品 / - - / 請安排運輸公司聯繫我提供報價，我同意將本人聯繫資料交予運輸公司。重要提示除非事前另行與邦瀚斯以書面協定競投人以第三方代理人的身份行事，否則一經登記，競投人須對其購買款項承擔個人責任。任何作為他人代理的人士（不論他是否已披露其為代理或其主事人的身份）須就其獲接納的出價而產生的合約與主事人共同及個別地向賣家及邦瀚斯承擔責任。透過簽署此表格，閣下同意接受本圖錄內的「競投者須知」的約束。閣下亦授權邦瀚斯向閣下的銀行查詢閣下的財務狀況。邦瀚斯可要求閣下提供身份證明及永久地址供查核及客戶管理用途。

電話或書面最高澳元競投價拍賣品編號拍賣品說明應急競投價競投 (不包含買家費用及增值稅) *

閣下簽署此表格，則代表閣下已閱讀圖錄，亦已細閱並理解我們的「業務規定」，並願意受其約束，及同意繳付「競投人通告」內提及「買家費用」﹑增值稅及其他收費。這影響閣下的法律權利。

簽字: 日期:

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Antico, Chris, 52 Mackay, Alison, 73, 74 Bachmann, Karoly (Karl), 112 Macleod, Euan, 22, 62, 104, 130 Band, David, 146 Maestri, Guy, 15 Barnes, Robert M., 53 Malherbe, Robert, 17 Barrios, Carlos, 155 McDonald, Angus, 131 Beard, John, 48, 123, 128, 134 Mombassa, Reg, 153 Benjamin, Jason, 63, 81, 126, 157 Morrocco, Leon Francesco, 14 Bird, Stephen, 24 Murphy, Idris, 54, 68 Blackman, Charles, 2, 11, 12, 159, 160 Nivison, Angus, 116 Campbell Laurie, Ross, 51 O'Dwyer, Brian, 168 Cassab, Judy, 86 Olsen, John, 1, 20, 37, 39, 71, 72, 88, 89, 92, 97, 98, 140, 144, 151, Coburn, John, 91, 120, 121, 129 158, 161, 163, 164 Connor, Kevin Leslie, 76 Ormandy, Stephen, 56 Cress, Fred (Frederick Harold), 28, 93, 125, 139 Pople, Rodney, 16 Cummings, Elisabeth, 103, 119 Powditch, Peter, 149 Cyrulla, Dagmar, 82 Quilty, Ben, 99 Davis, Ross, 19 Radke, Bruce, 96 Drinkwater, James, 44 Raftopoulos, George, 32, 47, 77, 84 Dunlop, Brian James, 107 Rish, Adam, 9 Fiddian-Green, Nic, 133 Robba, Leo, 27, 138 Furlonger, Joseph Maxwell (Joe), 35 Robertson-Swann, Ron, 45 Godwin, Peter, 21, 25, 111, 142 Rubin, Victor M., 33, 61 Gordon, James, 141 Schaller, Mark, 34 Griffin, Carole, 23 Sciberras, Luke, 3, 18, 78, 87, 102, 110, 113, 143, 150, 156 Gullett, Celia, 80 Seton, Alex, 85 Haagensen, Ulvi, 83 Sharp, Martin, 100 Hodgkinson, Frank George, 90, 167 Shead, Garry, 4, 8, 10, 26, 40, 70, 101, 108, 136, 165 Hunter, Philip, 162 Shead, Gria, 79, 137 Jacks, Robert, 43, 57, 106 Storrier, Tim, 6, 36, 55, 65, 132, 135 Jackson, Roy, 114 Teer, Dave, 115, 124 Johnson, Ken, 13, 30, 31, 49, 105, 122, 127 Thomson, Ann, 75 Johnson, Michael, 64, 147, 148 Tillers, Imants, 69 Jones, Laura, 118 Unsworth, Ken, 60 Klippel, Robert, 41 Weight, Greg, 166 Kovacs, Ildiko, 95 Westwood, Bryan, 94 Kyle, Dan, 152 Woodward, Margaret, 46 Lanceley, Colin, 29, 42, 58, 59, 66 Yeldham, Joshua, 7, 38 Larwill, David, 50, 145 Zofrea, Salvatore, 5, 154 Leveson, Sandra, 117 MacDonald, Angus, 67 COPYRIGHT

Lot 1 © John Olsen / Copyright Agency, 2021 Lot 78 © Courtesy of the Artist Lot 2 © Charles Blackman / Copyright Agency, 2021 Lot 79 © Gria Shead / Copyright Agency, 2021 Lot 3 © Courtesy of the Artist Lot 80 © Courtesy of the Artist Lot 4 © Garry Shead / Copyright Agency, 2021 Lot 85 © Courtesy of the artist and Sullivan+Strumpf, Sydney Lot 5 © Salvatore Zofrea / Copyright Agency, 2021 Lot 87 © Courtesy of the Artist Lot 6 © Courtesy of the Artist Lot 89 © John Olsen / Copyright Agency, 2021 Lot 7 © Courtesy of the Artist Lot 90 © Frank Hodgkinson / Copyright Agency, 2021 Lot 8 © Garry Shead / Copyright Agency, 2021 Lot 91 © John Coburn / Copyright Agency, 2021 Lot 10 © Garry Shead / Copyright Agency, 2021 Lot 92 © John Olsen / Copyright Agency, 2021 Lot 11 © Charles Blackman / Copyright Agency, 2021 Lot 93 © Fred Cress / Copyright Agency, 2021 Lot 16 © Rodney Pople / Copyright Agency, 2021 Lot 94 © Bryan Westwood / Copyright Agency, 2021 Lot 18 © Courtesy of the Artist Lot 95 © Courtesy of the artist. Ildiko Kovacs is represented Lot 20 © John Olsen / Copyright Agency, 2021 by Martin Brown Contemporary, Sydney and Hugo Michell Gallery, Lot 22 © Euan Macleod / Copyright Agency, 2021 Adelaide Lot 24 © Stephen Bird / Copyright Agency, 2021 Lot 99 © Courtesy of the Artist Lot 26 © Garry Shead / Copyright Agency, 2021 Lot 101 © Garry Shead / Copyright Agency, 2021 Lot 28 © Fred Cress / Copyright Agency, 2021 Lot 102 © Courtesy of the Artist Lot 29 © Colin Lanceley / Copyright Agency, 2021 Lot 103 © Elisabeth Cummings / Copyright Agency, 2021 Lot 33 © Victor Rubin / Copyright Agency, 2021 Lot 104 © Euan Macleod / Copyright Agency, 2021 Lot 36 © Tim Storrier / Courtesy of the Artist, 2021 Lot 106 © Robert Jacks / Copyright Agency, 2021 Lot 39 © John Olsen / Copyright Agency, 2021 Lot 108 © Garry Shead / Copyright Agency, 2021 Lot 40 © Garry Shead / Copyright Agency, 2021 Lot 113 © Courtesy of the Artist Lot 41 © Andrew Klippel. Courtesy of The Robert Klippel Estate, Lot 114 © Roy Jackson / Copyright Agency, 2021 represented by Annette Larkin, Sydney and Galerie Lot 119 © Elisabeth Cummings / Copyright Agency, 2021 Gmurzynska, Zurich / Copyright Agency, 2021 Lot 125 © Fred Cress / Copyright Agency, 2021 Lot 42 © Colin Lanceley / Copyright Agency, 2021 Lot 128 © John Beard / Copyright Agency, 2021 Lot 43 © Robert Jacks / Copyright Agency, 2021 Lot 129 © John Coburn / Copyright Agency, 2021 Lot 46 © Margaret Woodward / Copyright Agency, 2021 Lot 130 © Euan Macleod / Copyright Agency, 2021 Lot 48 © John Beard / Copyright Agency, 2021 Lot 135 © Courtesy of the Artist Lot 50 © David Larwill / Copyright Agency, 2021 Lot 136 © Garry Shead / Copyright Agency, 2021 Lot 54 © Idris Murphy / Copyright Agency, 2021 Lot 141 © Fred Cress / Copyright Agency, 2021 Lot 57 © Robert Jacks / Copyright Agency, 2021 Lot 144 © John Olsen / Copyright Agency, 2021 Lot 59 © Colin Lanceley / Copyright Agency, 2021 Lot 151 © John Olsen / Copyright Agency, 2021 Lot 62 © Euan Macleod / Copyright Agency, 2021 Lot 152 © Dan Kyle / Copyright Agency, 2021 Lot 64 © Michael Johnson / Copyright Agency, 2021 Lot 153 © Reg Mombassa / Copyright Agency, 2021 Lot 65 © Courtesy of the Artist Lot 154 © Salvatore Zofrea / Copyright Agency, 2021 Lot 66 © Colin Lanceley / Copyright Agency, 2021 Lot 156 © Courtesy of the Artist Lot 68 © Idris Murphy / Copyright Agency, 2021 Lot 158 © John Olsen / Copyright Agency, 2021 Lot 69 © Imants Tillers / Copyright Agency, 2021 Lot 161 © John Olsen / Copyright Agency, 2021 Lot 70 © Garry Shead / Copyright Agency, 2021 Lot 162 © Philip Hunter / Copyright Agency, 2021 Lot 71 © John Olsen / Copyright Agency, 2021 Lot 163 © John Olsen / Copyright Agency, 2021 Lot 72 © John Olsen / Copyright Agency, 2021 Lot 167 © Frank Hodgkinson / Copyright Agency, 2021 Lot 75 © Ann Thomson / Copyright Agency, 2021

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