A Study of Uplifting and Upbuilding in the Novels of Joseph Furphy

Total Page:16

File Type:pdf, Size:1020Kb

A Study of Uplifting and Upbuilding in the Novels of Joseph Furphy Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Man makes man : a study of uplifting and upbuilding in the novels of Joseph Furphy Raymond Driehuis Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the English Language and Literature Commons Recommended Citation Driehuis, R. (1999). Man makes man : a study of uplifting and upbuilding in the novels of Joseph Furphy. https://ro.ecu.edu.au/theses/1226 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1226 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. USE OF THESIS The Use of Thesis statement is not included in this version of the thesis. ' i.~,,,. , .....,. ..... .,.~ "'"-'" ~, ·~.---...- ~,.,.._._..~ ...........y ••.._ - -- I Man Makes Man: A Study of Uplifting and Upbuilding in the Novels of Joseph Furphy. by Raymond Driehuis, B.A. (Hons). A Thesis submitted for the Award of Doctor of Philosophy in English Studies. at the Faculty of Community Services, Education and Social Sciences. Mt. Lawley Campus, Edith Cowan University. Perth, Western Australia. Date of Submission: 28th of May, 1999. Abstract. In a letter to Kate Baker, circa November 1910, Furphy wrote, '[b)ut ain't it anomalous that the erratic G.H [Grant Hervey], the saintly Dr. Strong, and the perverse T.C. [Tom Collins] should be working strenuously toward the same goal, namely, the uplifting and upbulldtng qfAustralia' (in Barnes and Hoffmann, eds, 1995:259. My italics). This thesis is an investigation of the ideas of uplifting and upbutldtng, and their relevance to Tom Collins and his concerns. The reason for Furphy waiting so long to lay bare his designs can only be speculated. Rather than accepting the general critical stance that Collins is unreliable, and that Furphy meticulously sets out to expose his flaws, this thesis argues that this is not the case. Since he distanced himself publicly from his own novels, refusing to have authorship credited to his name, Furphy wanted his readers to respond to Collins not as his literary creation, but as a fully developed and self-reliant identity capable of setting an example of what it means to uplift and upbuild a national community. The ideas of uplifting and upbuilding are simple enough to comprehend. Yet a proper appreciation of their scope in the novels requires a careful consideration of the historical context which links Collins to many issues of the 1880s. The chief issue is the textual construction of an Australian identity vis-a-vis an Anglo-Australian identity, and the influence literature has on the common mind. Because of his involvement with uplifting, upbuilding and self­ reliance, there is a complexity to Tom Collins that is the result of his being the implied author, controlling the selection of characters and their narratives, as well as his own self-image, in the novels. The thesis argues that Collins' representation of "Collins", and other characters in the Riverina, is designed to represent the "right" qualities for an Australian character or type, which is consistent with uplifting and upbuilding. For these reasons, the novels are considered as Collins' strategic response to the contemporary representations of life in terms of their value to the search for meaning, and to ways of seeing and responding to the good of an Australian life. iii. Indeed, the character of Tom Collins is very much concerned with personal and communal well-being in an environment of colonial loyalties, rivalry and division, and a landscape often categorized as exotically cruel or dangerous. Because this is so, Collins is concerned with the value of education, with the value of notable Western thinkers and artists, and with the shifting of ignorance for better judgment. He is also concerned with the benefits of democracy and the democratic temper over aristocracy and its emphasis on class and station. Collins is quite a modem thinker, deeply concerned with actions and consequences in art and life. He is a modern thinker because he believes, as Paine, Emerson and Whitman do, that the idea of natural rights is the cornerstone of moral progress for civilization, but only if men and women accept and practise the civil rights that necessarily come with the pursuit of liberty, fraternity, equality and happiness. iv. Declaration. I certify that this thesis does not, to the best of my knowledge and belief: {i) incorporate without acknowledgement any material previously submitted for a degree or diploma in any institution of higher education; {ii) contain any material previously published or written by another person except where due reference is made in the text; or {iii) contain any defamatory material. Signed: Date: .:i.."5 ... 0~ - l C\C\C\ V. Acknowledaements. I wish to extend my deepest gratitude to my supervisors, Professor Andrew Taylor and Dr. Jill Durey, for their continued support and critical appraisal of this work. Their skills and knowledge are, Without a doubt, of great value to the academic community and the community at large. I also feel the need to extend the self-same gratitude to Dr. Alan Tapper. Although he was not my supervisor, he has left a permanent mark on my thought, namely that Wisdom is the goal of any inquily. I would equally like to thank the staff at the library on the Mt. Lawley campus for their excellent services, as well as their many diplomatic reminders regarding overdue books. I think many Will agree that living With a postgraduate student engaged in research is not an easy one, and no amount of words Will ever express the love I feel for my Wife, Jo-Anne. Her patience is a godsend. On this personal note, I would like to dedicate this thesis to my recently deceased dog, Zeus, for his companionship and frequent demand for walks. Without you, my friend, the hurdles would have been greater than they were. And finally, I offer this work to the spirit and Wisdom of Joseph Furphy: half bushman, half bookworm, full genius. vi. Table of Contents. Introduction: remarks on unreliable narration and the direction of the thesis (1). 1. Man and Nation: towards an understanding of the ideas of uplifting and upbuilding (7). a 1.1. Furphy's 1880s: a searchfor meaning in the public domain(7). a 1.2. A Philosophe: some historical and epistemological orientations qfJoseph Furphy (24). a 1.3. The Penguin and the Man-0'-War Hawk: a parable on opportunism(51). a 1 .4. The Gospel According to Collins: uplifting and upbuilding through the idea of rights (80). 2. Man and Art: the ethics of representing Australia for Australia (95). a 2.1. The Normative Theory of Art: creativity, culture and value(95). a 2.2. Social Architecture and the Theory of the Controlling Alternatives (124). a 2.3. On Seeing Tom Collins as Implied Author and Hero (151). a 2.4. Uplifting and Upbuilding the Antipodes: concluding remarks onAuthorship (177). 3. Man and Identity: new worlds, guardianship and the antipodean type (187). a 3.1. Reading and Weaving a Nation: morality and the looselyfederated yams (187). a 3.2. Half Bushman and Half Bookworm: identity, well­ being and the guardian-type (209). a 3.3. The Coming Australian Debate: landscape, gender and the Australienne (240). a 3.4. Men, Women and Marriage: the imagined community through the Australian romance (261). 4. Conclusion: remarks on observant reading for future studies on Furphy (296). Bibliography (301). vii. Introduction: remarks on unreliable narration and the direction of the thesis. Since this thesis investigates what Furphy meant by the nationalist ideas of uplifting and upbuilding, one of the key aims is to tease out the complexity of Furphy's creation, Tom Collins. During my research, I became increasingly dissatisfied with the traditional view that Tom Collins is simply an unreliable narrator, and that Furphy intervenes in the novels quite regularly in order to foreground the blindness of his narrator to the actual state of affairs in the "world" around him. Simply put, Furphy shows his readers that Tom Collins is an inept chronicler of life by providing the clues which Collins does not notice during his observations, despite the fact that these clues occur rtght before his eyes. Collins is an observer, but he is not observant, and by aligning ourselves with Furphy we are privy to Collins' inadequacies and mistakes, making the necessary connections Collins fails to make. There are two important points underpinning this view, namely Furphy's 1903 review of the novel and Wayne Booth's idea of the unreliable narrator. In the last paragraph of the review, Furphy states that '[u]nderneath this obvious dislocation of anything resembling continuous narrative run several undercurrents of plot, manifest to the reader, though ostensibly unnoticed by the author' (1969:130).
Recommended publications
  • (WA) from 1938 to 1980 and Its Role in the Cultural Life of Perth
    The Fellowship of Australian Writers (WA) from 1938 to 1980 and its role in the cultural life of Perth. Patricia Kotai-Ewers Bachelor of Arts, Master of Philosophy (UWA) This thesis is presented for the degree of Doctor of Philosophy at Murdoch University November 2013 ABSTRACT The Fellowship of Australian Writers (WA) from 1938 to 1980 and its role in the cultural life of Perth. By the mid-1930s, a group of distinctly Western Australian writers was emerging, dedicated to their own writing careers and the promotion of Australian literature. In 1938, they founded the Western Australian Section of the Fellowship of Australian Writers. This first detailed study of the activities of the Fellowship in Western Australia explores its contribution to the development of Australian literature in this State between 1938 and 1980. In particular, this analysis identifies the degree to which the Fellowship supported and encouraged individual writers, promoted and celebrated Australian writers and their works, through publications, readings, talks and other activities, and assesses the success of its advocacy for writers’ professional interests. Information came from the organisation’s archives for this period; the personal papers, biographies, autobiographies and writings of writers involved; general histories of Australian literature and cultural life; and interviews with current members of the Fellowship in Western Australia. These sources showed the early writers utilising the networks they developed within a small, isolated society to build a creative community, which welcomed artists and musicians as well as writers. The Fellowship lobbied for a wide raft of conditions that concerned writers, including free children’s libraries, better rates of payment and the establishment of the Australian Society of Authors.
    [Show full text]
  • Squeaky Wheels of New Zealand Cinema Brenda Allen* in Two Recent
    The Man Alone, the Black Sheep and the Bad Apple: Squeaky Wheels of New Zealand Cinema Brenda Allen* In two recent New Zealand films, Black Sheep (Jonathan King, 2006) and Eagle vs Shark (Taika Waititi, 2007), the now passé trope of the Man Alone is framed as a squeaky wheel in love with its own malfunction. In King’s horror-comedy, a reluctant hero, Henry, who is pathologically afraid of sheep, fights his older brother Angus, a mutant were-sheep, with the assistance of his eco-activist love interest, Experience. By the end of the adventure Henry, a de facto city boy, reconciles with the land of his settler forebears. Waititi’s romantic comedy presents a self-absorbed and unromantic hero, Jarrod, who struggles to shine in the shadow of his deceased brother, Gordon. Jarrod and his dysfunctional father, Jonah, find themselves and each other through the supportive example and family values of love interest Lily. In both films the heroes begin as dysfunctional “men alone” and female characters, together with renewed contact with the land of their family homes, prove crucial to their catharsis, an outcome that is often missing in more traditional treatments of the trope. The strategy for recuperating these men alone involves Antipodean Camp, a style of humour identified by Nick Perry in 1998 and characterised by excess, reversal and parody. Perhaps because they come almost a decade later, Eagle vs Shark and Black Sheep do not encode the “genuflections to European taste” Perry notes in his examples, and, unlike those films, Black Sheep and Eagle vs Shark are self-aware enough to play on double meanings that point to “any idea of culture, including a national culture, as artifice” (Perry 14).
    [Show full text]
  • The Passing of the Mythicized Frontier Father Figure and Its Effect on The
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1991 The ap ssing of the mythicized frontier father figure and its effect on the son in Larry McMurtry's Horseman, Pass By Julie Marie Walbridge Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Walbridge, Julie Marie, "The asp sing of the mythicized frontier father figure and its effect on the son in Larry McMurtry's Horseman, Pass By" (1991). Retrospective Theses and Dissertations. 66. https://lib.dr.iastate.edu/rtd/66 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The passing of the mythicized frontier father figure and its effect on the son in Larry McMurtry's Horseman, Pass By by Julie Marie Walbridge A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English Major: English (Literature) Iowa State University Ames, Iowa 1991 ----------- ii TABLE OF CONTENTS Page INTRODUCTION 1 CHAPTER ONE 7 CHAPTER TWO 1 5 CONCLUSION 38 WORKS CITED 42 WORKS CONSULTED 44 -------- -------· ------------ 1 INTRODUCTION For this thesis the term "frontier" means more than the definition of having no more than two non-Indian settlers per square mile (Turner 3).
    [Show full text]
  • Marjorie Barnard: a Re-Examination of Her Life and Work
    Marjorie Barnard: a re-examination of her life and work June Owen A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales Australia School of the Arts and Media Faculty of Arts and Social Science Thesis/Dissertation Sheet Australia's Global UNSWSYDNEY University Surname/Family Name OWEN Given Name/s June Valerie Abbreviation for degree as give in the University calendar PhD Faculty Arts and Social Sciences School School of the Arts and Media Thesis Title Marjorie Barnard: a re-examination of her life and work Abstract 350 words maximum: (PLEASE TYPE) A wealth of scholarly works were written about Marjorie Barnard following the acclaim greeting the republication, in 1973, of The Persimmon Tree. That same year Louise E Rorabacher wrote a book-length study - Marjorie Barnard and M Barnard Eldershaw, after agreeing not to write about Barnard's private life. This led to many studies of the pair's joint literary output and short biographical studies and much misinformation, from scholars beguiled into believing Barnard's stories which were often deliberately disseminated to protect the secrecy of the affair that dominated her life between 1934 and 1942. A re-examination of her life and work is now necessary because there have been huge misunderstandings about other aspects of Barnard's life, too. Her habit of telling imaginary stories denigrating her father, led to him being maligned by his daughter's interviewers. Marjorie's commonest accusation was of her father's meanness, starting with her student allowance, but if the changing value of money is taken into account, her allowance (for pocket money) was extremely generous compared to wages of the time.
    [Show full text]
  • PLEASE DO NOT REMOVE THIS PAGE Finding Furphy Country: Such Is Life and Literary Tourism
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RMIT Research Repository Thank you for downloading this document from the RMIT Research Repository 7KH50,75HVHDUFK5HSRVLWRU\LVDQRSHHQDFFHVVGDWDEDVHVKRZFDVLQJWWKHUHVHDUFK RXWSXWVRI50,78QLYHUVLW\UHVHDUFKHUV 50,755HVHDUFK5HHSRVLWRU\KWWSUHVHDUFKEDQNUPLWHGXDX Citation: Magner, B 2013, 'Finding Furphy country: such is life and literary tourism', JASAL - Journal of the Association for the Study of Australian Literature, vol. 13, no. 1, pp. 1-18. See this record in the RMIT Research Repository at: http://researchbank.rmit.edu.au/view/rmit:22904 Version: Published Version Copyright Statement: © 2013 Author, Association for the Study of Australian Literature Link to Published Version: http://www.nla.gov.au/openpublish/index.php/jasal/article/view/2597 PLEASE DO NOT REMOVE THIS PAGE Finding Furphy Country: Such is Life and Literary Tourism BRIGID MAGNER RMIT University Joseph Furphy, considered to be ‘the father of the Australian novel’, is best known for Such is Life, a little-read and often baffling novel about life in rural Australia. In 1981 Manning Clark claimed that Furphy is ‘the author of a classic which few were to read and no one was ever to establish clearly what it was all about’. Julian Croft observes that Such is Life is a ‘cultural monument’ which is ‘more often referred to than read for pleasure’ since it ‘tests the skill, patience and endurance of those who attempt it’ (TC 275). The demanding nature of the novel, with its unusually complex narrative structure, inter- textual references and playful use of language, can be off-putting to many readers but it has attracted a small number of dedicated followers, who have been largely responsible for the efforts to memorialise Furphy and his contribution to Australian literary culture.
    [Show full text]
  • SPRING 1993 NUMBER 3 $5.00 Essays on the Literature and Culture of the Asia-Padfic Region
    STORIES, POEMS, ARTICLES, REVIEWS SPRING 1993 NUMBER 3 $5.00 Essays on the Literature and Culture of the ASia-Padfic Region BRUCE BENNETT & DENNIS HASKEll $19.00 The Centre for Studies in Australian Literature The University of Western Australia NEDLANDS WA 6009 Phone (09) 380 2101 Fax (09) 380 1030 WESTERLY a quarterly review ISSN 0043-342x EDITORS: Delys Bird, Peter Cowan, Dennis Haskell EASTERN STATES EDITOR: Bruce Bennett EDITORIAL ADVISORS: Margot Luke (Prose), Brenda Walker (Reviews), Fay Zwicky (Poetry) EDITORIAL CONSULTANTS: Diana Brydon (University ofGuelph), Yasmine Gooneratne (Macquarie University), Brian Matthews (Flinders University), Vincent 0'Sullivan (Victoria University, Wellington), Peter Porter (London), Robert Ross (University of Texas at Austin), Anna Rutherford (University of Aarhus), Andrew Taylor (Edith Cowan University), Edwin Thumboo (National University of Singapore) ADMINISTRATOR: Caroline Horobin Westerly is published quarterly at the Centre for Studies in Australian Literature in the English Department, University of Western Australia with assistance from the Commonwealth Government through the Australia Council, and the State Government of W.A. through the Department for the Arts. The opinions expressed in Westerly are those of individual contributors and not of the Editors or Editorial Advisors. Correspondence should be addressed to the Editors, Westerly, Department of English, University of Western Australia, Nedlands, Western Australia 6009 (telephone (09) 380 210 1). Unsolicited manuscripts not accompanied by a stamped self-addressed envelope will not be returned. All manuscripts must show the name and address of the sender and should be typed (double-spaced) on one side of the paper only. Whilst every care is taken of manuscripts, the editors can take no final responsibility for their return; contributors are consequently urged to retain copies of all work submitted.
    [Show full text]
  • Books: 1. Ho Chi Minh 2. Monopoly Capital 3. on Native Grounds
    I But even without these special cir­ Books cumstances I wculd have been fascin­ ated by the figure who had just come into the room . The first thing that struck me, apart from this un­ looked for air of benignity, was the extraordinary glow in the eyes beneath his bushy brows, huge forehead and tuft of grey hair . The expression in those remarkable eyes would have HO CHI MINH, by Jean invited the word “ingenuous”, except Lacouture, Allen Lane. The that I knew things about him which Penguin Press. $5.25. precluded any possibility that ingenu­ ousness might be among his attri­ THE DECISION of President John­ butes . son to call a halt to the US bombing of N orth Vietnam has already set When he asked me to have a cup many people asking “Why?” State­ of tea, or drew up a chair for me, or ments from military and political lead­ offered me a cigarette, it was as ers in America and South Vietnam though he were making apologies for have assured us that the war in Viet­ living among the trappings of a col­ nam is being won by the Allies. Why onial governor. Since then, people then, at this moment, should a halt have assured me this awkwardness be called? was an act . But can mere artifice really have produced that engaging No one can understand this situa­ manner and that extraordinary gift tion without attempting some study for making contact, a gift which at of the history of the Vietnamese nat­ once engendered a warm and direct ion and Ho Chi Minh, the man who exchange of views and gave a startling- leads it in the north, and who com­ ly fresh ring to commonplace words?" mands the love and respect of millions in the south as well.
    [Show full text]
  • Biographical Information
    BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi­ autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England.
    [Show full text]
  • The Rise of the Australian Novel
    Richard Nile The Rise of the Australian Novel (PhD Thesis, School of History University of New South Wales, December 1987) UNIVERSITY OF N.S.W. - 8SEP 1988 LIBRARY TABLE OF CONTENTS PAGE INTRODUCTION 1 CHAPTER 1 PRODUCTION 34 CHAPTER 2 PROFESSIONAL! SAT ION 91 CHAPTER 3 CENSORSHIP 140 CHAPTER 4 REPUTATION 183 CHAPTER 5 MODERNISM 225 CHAPTER 6 WAR 268 CHAPTER 7 INDUSTRIALISM 312 CONCLUSION 357 APPENDICES 362 BIBLIOGRAPHY 378 THIS THESIS IS MY OWN WORK this thesis is dedicated to weirdo Those who read many books are like the eaters of hashish. They live in a dream. The subtle poison that penetrates their brain renders them insensible to the real world and makes them prey of terrible or delightful phantoms. Books are the opium of the Occident. They devour us. A day is coming on which we shall all be keepers of libraries, and that will be the end. (Anatole France 1888) I was wondering about the theory of the composite man. The man who might evolve in a few thousand years if we broke down all the barriers. Or if they broke themselves down, which is more likely. A completely unrestricted mating - black, white, brown, yellow, all the racial characteristics blended, all the resulting generations coming into the world free of the handicaps that are hung round the necks of half-casts now. (Eleanor Dark 1938) ACKNOWLEDGEMENTS To write this history of Australian literature was as difficult as it was enjoyable. Many times I felt very alone, locked into a private world of books and ideas. Yet many people expressed interest in this project and offered their support.
    [Show full text]
  • FAHRENHEIT 451 by Ray Bradbury
    1 FAHRENHEIT 451 By Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book- paper catches fire and burns 2 PART I IT WAS A PLEASURE TO BURN IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the 3 igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at 4 himself, a minstrel man, burnt- corked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his face muscles, in the dark.
    [Show full text]
  • The Deer and the Cauldron-Two Chapters from a Novel by Louis Cha Tra Nslated Byjoh N Minfo Rd
    East Asian History NUMBER 5 . JUNE 1993 THE CONTINUATION OF Papers on Far Eastern History Institute of Advanced Studies Australian National University Editor Geremie Barme Assistant Editor Helen Lo Editorial Board John Clark Igor de Rachewiltz Mark Elvin (Convenor) Helen Hardacre John Fincher Andrew Fraser Colin Jeffcott W.] .F. Jenner Lo Hui-min Gavan McCormack David Marr Tessa Morris-Suzuki Michael Underdown Business Manager Marion Weeks Production Oanh Collins & Samson Rivers Design Maureen MacKenzie, Em Squared Typographic Design Printed by Goanna Print, Fyshwick, ACT This is the fifth issue of Ea st Asian History in the series previously entitled Papers on Fa r Ea stern History. The journal is published twice a year. Contributions to The Editor, EastAs ian History Division of Pacific & Asian History, Research School of Pacific & Asian Studies Australian National University, Canberra ACT 0200, Australia Phone +61 6 249 3140 Fax +61 6 249 5525 Subscription Enquiries Subscription Manager, Ea st Asian History, at the above address Annual Subscription Australia A$45 Overseas US$45 (for two issues) iii CONTENTS 1 The Deer and the Cauldron-Two Chapters from a Novel by Louis Cha Tra nslated byJoh n Minfo rd 101 Selling Smiles in Canton: Prostitution in the Early Republic VirgilKit- yiu Ho 133 The Formation of the Guomindang Youth Corps: an Analysis of its Original Objectives Huang Jianli 149 Swan Songs: Traditional Musicians in Contemporary China -Observations from a Film Miriam Lang iv Cover calligraphy Yan Zhenqing Mll�@n, Tang calligrapher
    [Show full text]
  • The Unpublished Plays of Miles Franklin
    The Unpublished Plays of Miles Franklin Jocelyn Hedley Master of Arts (Research) 2007 Faculty of Arts University of New South Wales THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hedley First name: Jocelyn Other name/s: Patricia Abbreviation for degree as given in the University calendar: MRes School: English, Media and Performing Arts Faculty: Arts Title: The Unpublished Plays of Miles Franklin Abstract 350 words maximum: (PLEASE TYPE) With the publication of her novel, My Brilliant Career, in 1901, Miles Franklin became the darling of the Sydney literati. Great things were expected of the little girl from the bush. But five years later, nothing had eventuated; her talent, Miles thought, was barely recognised in Australia. In the hope of gaining greater writing opportunities, she shipped to Chicago where she became involved in social reform. It was hard work and ill paid, and though she bewailed the fact that it sapped her writing energy, she nonetheless felt a commitment to the cause such that she remained for almost a decade. In her spare time, though, she continued to write – and not just prose. More and more she wrote for the theatre, attempting to push into a world of which she had always dreamed. Blessed with a beautiful singing voice, she had long desired to be on the stage. This was impossible, though; her voice, she believed, had been ruined by bad training in her youth. To write for the stage, then, though a poor substitute, was at least in the field of her original ideal. Miles’ plays, though, are not remembered today, and are little thought of in scholarship, are considered, in fact, to have failed.
    [Show full text]