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Official Form 309F (For Corporations Or Partnerships)
17-22445-rdd Doc 9 Filed 03/28/17 Entered 03/28/17 11:28:37 Ch 11 First Mtg Corp/Part Pg 1 of 3 Information to identify the case: Debtor Metro Newspaper Advertising Services, Inc. EIN 13−1038730 Name United States Bankruptcy Court Southern District of New York Date case filed for chapter 11 3/27/17 Case number: 17−22445−rdd Official Form 309F (For Corporations or Partnerships) Notice of Chapter 11 Bankruptcy Case 12/15 For the debtor listed above, a case has been filed under chapter 11 of the Bankruptcy Code. An order for relief has been entered. This notice has important information about the case for creditors, debtors, and trustees, including information about the meeting of creditors and deadlines. Read both pages carefully. The filing of the case imposed an automatic stay against most collection activities. This means that creditors generally may not take action to collect debts from the debtor or the debtor's property. For example, while the stay is in effect, creditors cannot sue, assert a deficiency, repossess property, or otherwise try to collect from the debtor. Creditors cannot demand repayment from the debtor by mail, phone, or otherwise. Creditors who violate the stay can be required to pay actual and punitive damages and attorney's fees. Confirmation of a chapter 11 plan may result in a discharge of debt. A creditor who wants to have a particular debt excepted from discharge may be required to file a complaint in the bankruptcy clerk's office within the deadline specified in this notice. -
EU Page 01 COVER.Indd
JACKSONVILLE ENING! ffashionashion sshowshows OP aandnd vvintageintage sswapswaps eentertainingntertaining u nnewspaperewspaper free weekly guide to entertainment and more | september 28-october 4, 2006 | www.eujacksonville.com 2 september 28-october 4, 2006 | entertaining u newspaper on the cover: photo by Carlos Hooper | model Jane Gilcrease | table of contents clothes by Laura Ryan feature Pump It Up ...................................................................................... PAGE 17 Fresh Fashion at Cafe 11 ................................................................. PAGE 18 Up and Cummers Fashion Show ...................................................... PAGE 19 movies The Guardian (movie review) ............................................................. PAGE 6 Movies In Theatres This Week ....................................................PAGES 6-10 Seen, Heard, Noted & Quoted ............................................................ PAGE 7 School For Scoundrels (movie review) ............................................... PAGE 8 Fearless (movie review)..................................................................... PAGE 9 Open Season (movie review) ........................................................... PAGE 10 at home Kinky Boots (DVD review) ............................................................... PAGE 12 Studio 60 On The Sunset Strip (TV review) ...................................... PAGE 13 Men In Trees (TV review) ................................................................. PAGE -
Community Redevelopment Area Plans
February 2015 Community Redevelopment Area Plans Northbank Downtown CRA & Southside CRA Downtown Jacksonville Community Redevelopment Plan July 30, 2014 Acknowledgements This Community Redevelopment Plan has been prepared under the direction of the City of Jacksonville Downtown Investment Authority serving in their capacity as the Community Redevelopment Agency established by City of Jacksonville Ordinance 2012-364-E. The planning effort was accomplished through considerable assistance and cooperation of the Authority’s Chief Executive Officer, the Governing Board of the Downtown Investment Authority and its Redevelopment Plan Committee, along with Downtown Vision, Inc. the City’s Office of Economic Development and the Planning and Development Department. The Plan has been prepared in accordance with the Community Redevelopment Act of 1969, Chapter 163, Part III, Florida Statutes. In addition to those listed below, we are grateful to the hundreds of citizens who contributed their time, energy, and passion toward this update of Downtown Jacksonville’s community redevelopment plans. Mayor of Jacksonville Jacksonville City Council Alvin Brown Clay Yarborough, President Gregory Anderson, Vice-President Downtown Investment Authority William Bishop, AIA, District 2 Oliver Barakat, Chair Richard Clark, District 3 Jack Meeks, Vice-Chair Donald Redman, District 4 Craig Gibbs, Secretary Lori Boyer, District 5 Antonio Allegretti Matthew Schellenberg, District 6 Jim Bailey, Jr. Dr. Johnny Gaffney, District 7 Melody Bishop, AIA Denise Lee, District -
071014Front FREE PRESS FRONT.Qxd
Dr. Jeremiah Locked Up, Study Reveals Wright: Christians Left Behind: that Locking Should Work Up Juveniles Together, Juvenile Justice Likely Makes Uplift Black System Failing Them Adult Community Southern Youth Criminals Page 6 Page 10 Page 4 PRST STD What Does 50c U.S. Postage PAID Jacksonville, FL TV Teach Permit No. 662 Us About RETURN SERVICE REQUESTED Black Families? Page 9 50 Cents Michelle Howard Becomes Navy's Volume 27 No. 36 Jacksonville, Florida July 10-16, 2014 First Female Four-star Admiral The U.S. Navy has promoted Vice Adm. Michelle All Students Benefit Howard to admiral, making her the first female four- star officer in the Navy's 236-year-history, the White House aoounced. from Minority Teachers Howard, who was the first African-American By Freddie Allen rooms with culturally relevant woman to command a Navy ship, will become vice (NNPA) – Despite the cry from experiences and examples, setting chief of naval operations, according to her online people of color for more teachers high academic expectations, devel- Navy biography. who look like them, both Whites oping trusting student-teacher rela- "Her historic career is taking a next step today," and Blacks benefit from a more tionships, and serving as cultural White House spokesman Josh Earnest said. diverse teaching force, according to and linguistic resources—as well as Howard's promotion comes nearly six years after Army Gen. Ann E. a study by Center of American advocates, mentors, and liaisons— Dunwoody became the U.S. military's first female four-star officer. Progress. for students’ families and commu- Howard, a 1982 graduate of the Naval Academy, made history when she “… A study of the relationship nities.” commanded the amphibious dock landing ship Rushmore in 1999, Earnest between the presence of African A study titled, “Teacher Diversity said. -
Participating Publishers
Participating Publishers 1105 Media, Inc. AB Academic Publishers Academy of Financial Services 1454119 Ontario Ltd. DBA Teach Magazine ABC-CLIO Ebook Collection Academy of Legal Studies in Business 24 Images Abel Publication Services, Inc. Academy of Management 360 Youth LLC, DBA Alloy Education Aberdeen Journals Ltd Academy of Marketing Science 3media Group Limited Aberdeen University Research Archive Academy of Marketing Science Review 3rd Wave Communications Pty Ltd Abertay Dundee Academy of Political Science 4Ward Corp. Ability Magazine Academy of Spirituality and Professional Excellence A C P Computer Publications Abingdon Press Access Intelligence, LLC A Capella Press Ablex Publishing Corporation Accessible Archives A J Press Aboriginal Multi-Media Society of Alberta (AMMSA) Accountants Publishing Co., Ltd. A&C Black Aboriginal Nurses Association of Canada Ace Bulletin (UK) A. Kroker About...Time Magazine, Inc. ACE Trust A. Press ACA International ACM-SIGMIS A. Zimmer Ltd. Academia Colombiana de Ciencias Exactas, Fisicas y Acontecimiento A.A. Balkema Publishers Naturales Acoustic Emission Group A.I. Root Company Academia de Ciencias Luventicus Acoustical Publications, Inc. A.K. Peters Academia de las Artes y las Ciencias Acoustical Society of America A.M. Best Company, Inc. Cinematográficas de España ACTA Press A.P. Publications Ltd. Academia Nacional de la Historia Action Communications, Inc. A.S. Pratt & Sons Academia Press Active Interest Media A.S.C.R. PRESS Academic Development Institute Active Living Magazine A/S Dagbladet Politiken Academic Press Acton Institute AANA Publishing, Inc. Academic Press Ltd. Actusnews AAP Information Services Pty. Ltd. Academica Press Acumen Publishing Aarhus University Press Academy of Accounting Historians AD NieuwsMedia BV AATSEEL of the U.S. -
ABSTRACT by John Nyrere Frazier for Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf Is a Choreopoem Performa
ABSTRACT FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE WHEN THE RAINBOW IS ENUF: LIVING IN THE WORD AN EXAMINATION OF THE TEXT AND TRADITIONAL PERFORMANCES OF FOR COLORED GIRLS… AS A STUDY FOR A MULTICULTURAL PRODUCTION by John Nyrere Frazier for colored girls who have considered suicide when the rainbow is enuf is a choreopoem performance play written and developed by Ntozake Shange. The piece grew out of an artistic collective which included Asians, Black Americans, Northern Continental Indigenes Peoples, European Americans, and Puerto Rican. The original west coast production included both Puerto Ricans and Asians. I believe that, that casting choice was as deliberate as Shange’s choices of language and content. Those multicultural women were bodied cultural references. In its move and further development, though, the casting changed to only include Black American women; narrowing the works physicalized cultural references. The major focus of my paper is to reconnect with Shange’s original casting choices as reasoning for re-widening casting and by extension, bodied cultural reference. My purpose is to lay the foundation for a return to the author’s original cultural intentions for the play which I assert were to write and perform a feminist piece that presented the lives and cultures of many “different kinds” (ethnicities/ cultures/ nationalities) of women. In addition, through the bodied references in the production, I intend to apply the work to the lives of more than just Black American and African American women; using the play as a feminist connective tissue between different women and differing feminisms that are all fighting again female oppression. -
The Parallel Influences, Characteristics and Criticisms of the Blaxploitation Cinema and Gangsta Rap Movements Dustin Engels
Engels: Baadassss Gangstas: The Parallel Influences, Characteristics and JOURNAL OF HIP HOP STUDIES . Baadassss Gangstas: The Parallel Influences, Characteristics and Criticisms of the Blaxploitation Cinema and Gangsta Rap Movements Dustin Engels Abstract Serving as two of the most visible African American cultural movements, blaxploitation cinema and gangsta rap played essential roles in giving African American artists an outlet to establish a new black identity for mainstream audiences. After exploring the similarities between the cultural and economic conditions that spawned both movements, this essay examines the parallel techniques by which the preeminent entries in both genres established themselves as culturally relevant for African American audiences. These techniques included a reliance on place and space to establish authenticity, as well as employing African American myths and folklore such as the Signifying Monkey and the badman. By establishing themselves as mainstream representations of black identity, the harshest critics and staunchest defenders of both movements came from within the African American community, a clear indication of the important role each would play in establishing a new era of black representation in popular culture. In October 2012, New Orleans rapper Curren$y released a mixtape online for his fans entitled Priest Andretti. Taking its name from the main character of the 1972 blaxploitation film Super Fly, this fourteen-track mixtape frequently pays homage to the blaxploitation movement that occurred in the early 1970s by incorporating clips from Super Fly throughout, as well as including songs entitled “Max Julien” (star of the 1973 film The Mack) and “Cleopatra Jones” (title character of the 1973 film Cleopatra Jones). -
Urban Core Citizens Planning Advisory Committee Meeting
Urban Core Citizens Planning Advisory Committee March 4, 2019 Meeting Summary Ed Ball Building, 214 W. Adams St. Meeting Attendance CPAC Members: Staff and Elected Officials: Chair: Michelle Tappouni Duval County Public School Board: Warren Jones Vice Chair: Kim Pryor JSO: Lt. James Ricks Churchwell Lofts: Dimitri Demopoulos JFRD: Mike Allen Eastside Community Coalition: Tia Keitt Parks, Recreation and Community Services: Keith Meyerl Grand Boulevard Crime Watch: Deloris Swain Municipal Code Compliance: Timothy Myers JASMYN: Cindy Watson Municipal Code Compliance: Robert Bautochka Parks at the Cathedral: Greg Radlinski Jacksonville Public Library: Sara Roberts Planet Watch Neighborhood: Juanita Senior Jacksonville Public Library: Marshelle Berry Planet Watch: Terry Canty JTA: Cheryl Riddick The Plaza: Glen VanVorst Duval County Public Schools: Wayne Green Neighborhood Services Office: Amy Holliman Visitors: Richard Lewis: The Plaza Brenda Boydston: Fresh Ministries Aisha Alami: The Plaza Cathy Reed: Parks at the Cathedral Darcel Fisher Harris: Crime Task Force Shanell Davis-Bryant 1. Call to Order/Verify Quorum: CPAC Chair Michelle Tappouni called the meeting to order at 5:33 p.m. After members introduced themselves, staff confirmed a quorum. 2. Approval of Previous Meeting’s Summary: Dimitri Demopoulos motioned to approve the February 4, 2019 CPAC meeting summary. Glen VanVorst seconded the motion. The motion passed unanimously, with one change to the summary. 3. Chair Report: Michelle Tappouni shared a letter from Teresa Eichner from the City’s Budget Office requesting input to the 2020-2024 Capital Improvement Plan (CIP). Amy Holliman will email the 2019-2023 capital improvement requests submitted in 2018. Time will be set aside during the April 1, 2019 meeting to discuss Urban Core additions to the 2020-2024 CIP. -
Sculptor Charles Adrian Pillars
CHARLES ADRIAN PILLARS (1870-1937), JACKSONVILLE‟S MOST NOTED SCULPTOR By DIANNE CRUM DAWOOD A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2011 1 © 2011 Dianne Crum Dawood 2 ACKNOWLEDGMENTS I would first like to acknowledge my thesis chair, Dr. Melissa Hyde, and committee members, Dr. Eric Segal and Dr. Victoria Rovine, for serving on this project for me. Their suggestions, insightful analysis, encouragement, and confidence in my candidacy for a master‟s in art history were important support. I also enjoyed their friendship and patience during this process. The wordsmithing and editing guidance of Mary McClurkin was a delightful collaboration that culminated in a timely finished paper and a treasured friendship. Assistance from Deanne and Ira in the search of microfilm and microfiche records turned a project of anticipated drudgery into a treasure hunt of exciting finds. I also appreciated the suggestions and continued interest of Dr. Wayne Wood, who assured me that Charles Adrian Pillars‟s story was worthy of serious research that culminated in learning details of his life and career heretofore unknown outside of Pillars‟s family. Interviews with Pillars‟s daughter, Ann Pillars Durham, were engaging time travels recalling her father and his celebrity and the family‟s economic and personal vicissitudes during the Great Depression. She also graciously allowed me to review her personal papers. Wells & Drew, the parent company of which was founded in Jacksonville in 1855, permitted my use of a color image, and The Florida Times-Union granted permission to use some of their photographs in this paper. -
Historic Eastside/Springfield
Historic Eastside/Springfield Community Quality-of-Life Plan Planning Task Force: Individuals Helen Albee • Jennifer Anderson • Rickey Anderson & Guest • Michael Arbery • Shawn Ashley • April Atkins • Valerie Baham • Shakera Bailey • Nevesha Baker • Casey Barnum • Lester Bass • Lucille Battle • Annie Bean • Quinn Bell • Larry Bennett • Claudia Bentford • Jerry F. Box • Brenda Boydston • Michelle Braun • Bill Brinton • John Brooken • Tina Brooks • Justin Brown • Mickee Brown • Niki Brunson • J.F. Br yan • Co’Relous Bryant • Catherine Burkee • Richard Burnett • David Byres • Leigh Cain • Bishop Terrance Calloway • Jim Capraro • Kathleen Carignan • Katy Carigno • Wilmot Carson • Mike Cochran • Michelle Cooper • Ken Covington • Lauren Cowman • Christina Crews • Chris Cunninghan • Evan Daniels • Melissa Davis • Rose Devoe • Ty Dixon • Farand Dockett • Fran Downing • Lloyd Downing • Jacqueline Dunbar • Cathy DuPont • Vincent Edmonds • Chistina Edwards • John Fabiano • Christine Farley • Donnie Ferguson • LaTanya Ferguson • Ronnie Ferguson • Jewel Flornoy • Robert Flornoy • Geraldine Ford-Hardine • Terri Foreman • Jeff Fountain • Dr. Johnny Gaffney • Jeff Gardner • Jolee Gardner • Felicia Garrison • Kevin T. Gay • Audrey Gibson • Marion Graham • Carl Green • Kendalyn Green • Michael Hancox • Florence Handen • Al Hardin • Jacqueline Harrington • Greta Harris • Marilyn Hauser • Robert Hauser • Nathaniel Hendley • William Hoff • Bryant Holley • Joseph Howard • Taffie Hubbard • Michelle Hughes • Liz Hubbard • Samuel Hunt • Riyan Jackson • Derek Jayson • Valerie Jenkins • Carlos Johnson • Ebony Johnson • Linda Johnson • Shanita Johnson • Theresa Johnson • Faye Johnson • Joann Jones • Wayshawn Kay Jefferson • Tia Keitt • Alice Kimbrough • Riva Kimbrough • Dave Knadler • Gary Kresel • Karen Landry • Clinton Lane • Jackie Lattimore • Lucius Lattimore • Laura Lavenia • Bobby Lee • Alisha Lewis • Crystal Lewis • Jackie Littlebee • Reginald Lott • Janice R. Love • Earline Lowe • Bob Lyle • Lane Manis • Steve Manis • Monica Martin • Sabrena McCullough • Marc A. -
Florida Historical Quarterly, Vol. 49, Number 2
Florida Historical Quarterly Volume 49 Number 2 Florida Historical Quarterly, Vol 49, Article 1 Number 2 1970 Florida Historical Quarterly, Vol. 49, Number 2 Florida Historical Society [email protected] Find similar works at: https://stars.library.ucf.edu/fhq University of Central Florida Libraries http://library.ucf.edu This Full Issue is brought to you for free and open access by STARS. It has been accepted for inclusion in Florida Historical Quarterly by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Society, Florida Historical (1970) "Florida Historical Quarterly, Vol. 49, Number 2," Florida Historical Quarterly: Vol. 49 : No. 2 , Article 1. Available at: https://stars.library.ucf.edu/fhq/vol49/iss2/1 Society: Florida Historical Quarterly, Vol. 49, Number 2 Published by STARS, 1970 1 Florida Historical Quarterly, Vol. 49 [1970], No. 2, Art. 1 FRONT COVER The river front in Jacksonville in 1884. The view is looking west from Liberty Street. The picture is one of several of Jacksonville by Louis Glaser, 1 and it was printed by Witteman Bros. of New York City. The series of 2 /2'' 1 x 4 /2'' views were bound in a small folder for sale to visitors and tourists. This picture is from the P. K. Yonge Library of Florida History, University of Florida. https://stars.library.ucf.edu/fhq/vol49/iss2/1 2 Society: Florida Historical Quarterly, Vol. 49, Number 2 THE FLORIDA HISTORICAL SOCIETY Volume XLIX, Number 2 October 1970 Published by STARS, 1970 3 Florida Historical Quarterly, Vol. 49 [1970], No. -
The Problem of Female Antagonisms in Blaxploitation Cinema Melissa
1 Who’s Got the “Reel” Power? The Problem of Female Antagonisms in Blaxploitation Cinema Melissa DeAnn Seifert, University of Wisconsin-Milwaukee Abstract: Between 1973 and 1975, films starring Pam Grier and Tamara Dobson such as Cleopatra Jones (Jack Starrett, 1973), Coffy (Jack Hill, 1973) and Foxy Brown (Hill, 1974) introduced leading black women into the predominantly male blaxploitation scene as aggressive action heroines. Within the cinematic spaces of blaxploitation films which featured women as active agents, a racial and sexual divide exists. These films positioned women either inside or outside of gender tolerability by utilising binary constructions of identity based on race, sex and elementary constructions of good and evil, black and white, straight and gay, and feminine and butch. Popular representations of lesbianism and sisterhood within blaxploitation cinema reflect a dominant social view of American lesbianism as white while straight women are consistently represented as black. However, these spaces also constricted black and white female identities by limiting sexuality and morality to racial boundaries. This article seeks to question the unique solitude of these female heroines and interrogate a patriarchal cinematic world where sisterhood is often prohibited and lesbianism demonised. I don’t believe in [women’s lib] for black people … we’re trying to free our black men … I like being a woman. I have been discriminated against, but not because I’m a woman. It’s because I am black … before [people] see me as being female, they see me as being black. The stigma that’s been placed on you because you’re black gives you enough kill to get you through the woman thing … it’s much tougher being black than being a woman.