Commercial Radio Australia Is on Facebook, Twitter and Instagram

Total Page：16

File Type：pdf, Size：1020Kb

Commercial Radio Australia Is on Facebook, Twitter and Instagram

MEDIA RELEASE 26 September 2013 When does TSL really happen? President of ACC Consulting & Marketing International, Tom Watson, will shed light on how listeners use radio, regardless of format, on a daily basis at the upcoming National Radio Conference in Brisbane on 11 October. Mr Watson’s presentation, “When does TSL (Time Spent Listening) really happen?” will aim to debunk some of the myths of how listeners fill out their ratings survey, with the intention of helping radio makers program each hour for maximum credit in the ratings survey. The international speaker has a unique perspective into the Australian radio landscape, having spent six years with the Australian Radio Network (ARN) in Melbourne and Sydney. For over 25 years, Mr Watson has consulted radio stations all over the world, in Los Angeles, Chicago, London, Dublin, Hong Kong, Miami, Seattle, Honolulu, New Orleans and other American markets. He has programmed stations in Los Angeles, San Francisco, San Diego, Washington D.C., Dallas, and Denver, taking all stations to #1 in their target demos. Previously announced conference speakers include: online video sensation Natalie Tran, Today Network Drive host Jules Lund, Naked Communications' Adam Ferrier, the man behind Hamish & Andy, Sam Cavanagh, 2014 radio ratings provider, GfK, plus leading US radio sales industry trainer, Pat Bryson. The National Radio Conference will be staged for the first time in Brisbane at the Royal International Convention Centre on 11 October 2013. Media contact: Melissa Fleming 0417 499 529 or Robbie Keswick 0424 951 910. www.commercialradio.com.au Commercial Radio Australia is on Facebook, Twitter and Instagram. The National Radio Conference hashtag is #CRAconf. .

Copy Link

Recommended publications

Youtube 1 Youtube
YouTube 1 YouTube YouTube, LLC Type Subsidiary, limited liability company Founded February 2005 Founder Steve Chen Chad Hurley Jawed Karim Headquarters 901 Cherry Ave, San Bruno, California, United States Area served Worldwide Key people Salar Kamangar, CEO Chad Hurley, Advisor Owner Independent (2005–2006) Google Inc. (2006–present) Slogan Broadcast Yourself Website [youtube.com youtube.com] (see list of localized domain names) [1] Alexa rank 3 (February 2011) Type of site video hosting service Advertising Google AdSense Registration Optional (Only required for certain tasks such as viewing flagged videos, viewing flagged comments and uploading videos) [2] Available in 34 languages available through user interface Launched February 14, 2005 Current status Active YouTube is a video-sharing website on which users can upload, share, and view videos, created by three former PayPal employees in February 2005.[3] The company is based in San Bruno, California, and uses Adobe Flash Video and HTML5[4] technology to display a wide variety of user-generated video content, including movie clips, TV clips, and music videos, as well as amateur content such as video blogging and short original videos. Most of the content on YouTube has been uploaded by individuals, although media corporations including CBS, BBC, Vevo, Hulu and other organizations offer some of their material via the site, as part of the YouTube partnership program.[5] Unregistered users may watch videos, and registered users may upload an unlimited number of videos. Videos that are considered to contain potentially offensive content are available only to registered users 18 years old and older. In November 2006, YouTube, LLC was bought by Google Inc.
[Show full text]
The 66Th Sydney Film Festival Begins 05/06/2019
MEDIA RELEASE: 9:00pm WEDNESDAY 5 JUNE 2019 THE 66TH SYDNEY FILM FESTIVAL BEGINS The 66th Sydney Film Festival (5 – 16 June) opened tonight at the State Theatre with the World Premiere of Australian drama/comedy Palm Beach. Festival Director Nashen Moodley was pleased to open his eighth Festival to a packed auditorium including Palm Beach director Rachel Ward and producers Bryan Brown and Deborah Balderstone, alongside cast members Aaron Jefferies, Jacqueline McKenzie, Heather Mitchell, Sam Neill, Greta Scacchi, Claire van der Boom, and Frances Berry. Following an announcement of increased NSW Government funding by the Premier Gladys Berejiklian, Minister for the Arts Don Harwin commented, “Launching with Palm Beach is the perfect salute to great Australian filmmaking in a year that will showcase a bumper list of contemporary Australian stories, including 24 World Premieres.” “As one of the world’s longest-running film festivals, I’m delighted to build on our support for the Festival and Travelling Film Festival over the next four years with increased funding of over $5 million, and look forward to the exciting plans in store,” he said. Sydney Film Festival Board Chair, Deanne Weir said, “The Sydney Film Festival Board are thrilled and grateful to the New South Wales Government for this renewed and increased support. The government's commitment recognizes the ongoing success of the Festival as one of the great film festivals of the world; and the leading role New South Wales plays in the Australian film industry.” Lord Mayor of Sydney, Clover Moore also spoke, declaring the Festival open. “The Sydney Film Festival’s growth and evolution has reflected that of Sydney itself – giving us a window to other worlds, to enjoy new and different ways of thinking and being, and to reach a greater understanding of ourselves and our own place in the world.” “The City of Sydney is proud to continue our support for the Sydney Film Festival.
[Show full text]
2013-14 Campus Food & Garden Guide
FOOD SYSTEMS WORKING free! GROUP DINING HALLS 2013 CAMPUS EATERIES 2014 CAMPUS GARDENS FOOD SYSTEMS RELATED ACADEMIC COURSES STUDENT AND COMMUNITY ORGANIZATIONS VOLUNTEER OPPORTUNITIES STUDENT INTERNSHIPS & PROJECTS 8th edition FARMERS’ MARKETS FOOD FACTS Where to find sustainable food at UC Santa Cruz and discover ways to engage in your campus and community food system! The Food Systems Working Group ormed in 2003–2004, the • Creating Food Systems Working opportunities for F Group (FSWG) includes students to receive credit through • UCSC Undergraduate and Graduate UCSC students, staff, faculty, and classes and internships that focus students community members who have on food and farming • California Student Sustainability Coalition (CSSC) come together with the goal of • Supporting student projects with improving the campus food system. Measure 43 funding How YOU Can Get Involved • Hosting “Field to Fork” tours for FSWG works to bring sustainably To find out how to other universities and colleges grown food produced by socially attend upcoming interested in starting their own responsible operations to campus FSWG meetings farm-to-college programs dining halls and through a about exciting collaborative process, promote FSWG includes representatives from: campus and education and awareness of our • Center for Agroecology & community events food system. Sustainable Food Systems (CASFS) and projects, visit See pages 4–6 in this Guide for a • Community Agroecology Network us at casfs.ucsc.edu/farm-to-college, detailed history of the farm-to-
[Show full text]
Teenagers Today Having Better Sex Than You Ever
BREAKING HEADLINE : Some UnAustralian bastard criticises our Diggers UNEMPLOYED JANET ALBRECHTSEN: GAYS TAKING WELFARE Why I BENEFITS eat babies THARUNKA FOUNDATION DAY VOL 55, ISSUE 5 JULY 2009 Political correctness gone mad as faceless bureaucrats of Middle Eastern SCANDAL appearance waste your Teenagers today having better hard-earned tax dollars giving condoms to kids sex than you ever did EXCLUSIVE INSIDE Greens to blame for everything Editorial Lelcome in Thalunka edition fifth for year 2009, theme in ‘Foreigners’, hope you make good time read with us. Foreigners edition very good value for you! On page 10 got story about Asian parents turn very silly gong-gong when come to Australia. On page 20 got man want make violent with refugee. Also got very crazy angry man on page 28, name in ‘Kwan’, we think he from China too. Also, in this issue is commemorate Foundation Day for university. Did you know UNSW is first founding in 1949, same year with People’s Republic? Now got many Chinese come study with you, ha ha. Maybe they come read Thalunka too, only English not so good for them. Hope Thalunka make you benefit for mind and fun time for reading. Person in edit Thalunka 2009 tharunka EDITORIAL TEAM Bart Cummings Su Min Lim Sean Lawson DESIGNER Elliott Bryce Foulkes INSIDE CONTRIBUTORS Matt Kwan, Jess Bellamy, David Mahor, 02 EDITORIAL Victor Bourke, Emily Bek, Thom Loveday, 04 LETTERS Bobby Chen, Ketki Kotwal, Sing Keng Loon. 06 WORLD NEWS OF THE WORLD FOREIGNERS IMAGE CONTRIBUTORS 08 WAR MINUS THE SHOOTING 12 NOT RACIST BUT Joanna Frank, Joshua Lincoln,.
[Show full text]
Our Common Purpose: Reinventing American Democracy for the 21St Century (Cambridge, Mass.: American Academy of Arts and Sciences, 2020)
OUR COMMON REINVENTING AMERICAN PURPOSEDEMOCRACY FOR THE 21ST CENTURY COMMISSION ON THE PRACTICE OF DEMOCRATIC CITIZENSHIP Thus I consent, Sir, to this Constitution because I expect no better, and because I am not sure that it is not the best. The opinions I have had of its errors, I sacrifice to the public good. I have never whispered a syllable of them abroad. Within these walls they were born, and here they shall die. If every one of us in returning to our Constituents were to report the objections he has had to it, and endeavor to gain partizans in support of them, we might prevent its being generally received, and thereby lose all the salutary effects and great advantages resulting naturally in our favor among foreign Nations as well as among ourselves, from our real or apparent unanimity. —BENJAMIN FRANKLIN FINAL REPORT AND RECOMMENDATIONS FROM THE COMMISSION ON THE PRACTICE OF DEMOCRATIC CITIZENSHIP OUR COMMON REINVENTING AMERICAN PURPOSEDEMOCRACY FOR THE 21ST CENTURY american academy of arts & sciences Cambridge, Massachusetts © 2020 by the American Academy of Arts & Sciences All rights reserved. ISBN: 0-87724-133-3 This publication is available online at www.amacad.org/ourcommonpurpose. Suggested citation: American Academy of Arts and Sciences, Our Common Purpose: Reinventing American Democracy for the 21st Century (Cambridge, Mass.: American Academy of Arts and Sciences, 2020). PHOTO CREDITS iStock.com/ad_krikorian: cover; iStock.com/carterdayne: page 1; Martha Stewart Photography: pages 13, 19, 21, 24, 28, 34, 36, 42, 45, 52,
[Show full text]
Yearly Report 2016–2017 in a MOMENT“ of COMPETING HEADLINES and HARMFUL MISREPRESENTATION of PEOPLE DIFFERENT THAN US, the PROGRAM IS a REMINDER THAT
Creators for Change Yearly Report 2016–2017 IN A MOMENT“ OF COMPETING HEADLINES AND HARMFUL MISREPRESENTATION OF PEOPLE DIFFERENT THAN US, THE PROGRAM IS A REMINDER THAT NONE OF US ARE VOICELESS, OUR STORIES DESERVE TO BE TOLD, AND ANYONE HAS“ THE POWER TO HIT RECORD. Amani Fellow, USA YouTube Creators for Change UK, Internet Citizens workshop, April 2017 2 4 Foreword 46 Meet the Fellows 56 Chapter 3: Contents 7 Introducing YouTube 48 BENI Rallying a Global Creators for Change 49 Subhi Taha Audience 8 Year One 49 Myles Dyer 58 World Refugee Day 10 Program Timeline 49 Jovi Adhiguna Hunter 60 Pride 49 I’mJette 61 International Day 12 Chapter 1: 49 Zukar of the Girl Engaging through 49 Niharika Nm Grassroots Programs 49 KhanStopMe 62 Find Out More 14 France and Belgium 49 Evelyn from 18 UK the Internets 20 Germany 49 ItsRadishTime 24 Turkey 49 ArthurPrsl 26 Israel 49 Datteltäter 27 Spain 50 Shog AL Maskery 28 Indonesia 50 Them Boxer Shorts 32 Australia 50 Gita Savitri Devi 50 EmotionalFulls 34 Chapter 2: 50 Maha AJ Creator Role Models 50 JustKissMyFrog 36 Meet the Global 50 İlker Gümüşoluk Ambassadors 50 Film Maker Muslim 38 Humza Arshad 50 Kamusal Mizah 40 Dina Torkia 50 Ezaldeen Aref 42 Abdel En Vrai 51 Amani 43 Cameo ProJect 51 Swann Périssé 44 All India Bakchod 52 SuperSamStuf 44 Omar Hussein 52 Rosianna Halse RoJas 45 Natalie Tran 53 Tazzy Phe 45 John Green 53 L-FRESH the LION 45 Franchesca Ramsey 3 Foreword We are proud to have created a platform Take L-FRESH the LION, a Sikh hip-hop artist that empowers anyone to have a voice and from Australia, who created a two-part track see the world.
[Show full text]
P229A180024 California State University
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE Language Resource Centers CFDA # 84.229A PR/Award # P229A180024 Gramts.gov Tracking#: GRANT12660353 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P229A180024 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (GEPAStatement1012310445) e12 6. Grants.gov Lobbying Form e13 7. Dept of Education Supplemental Information for SF-424 e14 Attachment - 1 (ExemptResearchNarrative1012310429) e15 8. ED Abstract Narrative Form e16 Attachment - 1 (Abstract1012310446) e17 9. Project Narrative Form e18 Attachment - 1 (Narrative1012310447) e19 10. Other Narrative Form e72 Attachment - 1 (CurriculaVitaes1012310441) e73 Attachment - 2 (PositionDescriptions1012310442) e120 Attachment - 3 (LettersOfSupport1012310443) e124 Attachment - 4 (PerformanceMeasureForm1012310444) e141 Attachment - 5 (LogicModel1012310448) e145 Attachment - 6 (OrganizationalChart1012310449) e146 Attachment - 7 (TableofObjectives1012310450) e147 Attachment - 8 (TimelineofProjectActivities1012310451) e150 11. Budget Narrative Form e154 Attachment - 1 (BudgetNarrative1012310427) e155 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. Page numbers created by the e-Application PDF functionality will be preceded by the letter e (for example, e1, e2, e3, etc.). Page e2 OMB Number: 4040-0004 Expiration Date: 12/31/2019 Application for Federal Assistance SF-424 * 1. Type of Submission: * 2.
[Show full text]
I-SCREENS: SCREEN PERFORMANCE and SCREEN PRESENCE AS the CURRENCY of CONTEMPORARY SUBJECTIVITY
1 i-SCREENS: SCREEN PERFORMANCE AND SCREEN PRESENCE AS THE CURRENCY OF CONTEMPORARY SUBJECTIVITY Ken Miller Curtin University IM 6: Performance < i-Screens: Screen Performance and Screen Presence> < Ken Miller> ©IM/NASS 2010. ISSN 1833-0538 2 Abstract This essay explores the pervasive influence of screen-based performances in the context of a world that envelops us with its mediations. The essay argues, firstly, that we have become so attuned to these external, image-based performances that we tend to conflate them with our own interior sense of self, and secondly, that as we become increasingly wedded to screen media — not just as consumers but also as ―DIY‖ producer-performers — the phenomenon of having a screen/media presence for our own self-performances is becoming a significant means by which we authenticate ourselves as subjects. The essay proposes that our growing intimacy with cameras and screens, combined with an apparently intensifying imperative to perform ourselves to real or imagined audiences via various screen-based channels of mediation, could be said to be transforming us into postmodern ―performing subjects‖. Keywords: cyberspace, DIY culture, participatory media, performative documentary, reality television, screen performance, self-reflexivity, social media, vlogging, web 2.0, YouTube. Introduction In this essay I explore several significant manifestations as to how screen performances have intruded into our consciousness and experience of the world, in ways that affect our self-perceptions and social behaviours. I propose that we have become so attuned to the ubiquity of the screen performances that surround us that we tend to conflate our own identities with these external images and performances, to the extent that we begin to feel as if we too are performers.
[Show full text]
View Publication
Social Media in Asia Co-editors: Cui Litang Xiamen University, Tan Kha Kee College Michael H. Prosser University of Virginia and Shanghai International Studies University Dignity Press World Dignity University Press Copyright © 2014 Michael H. Prosser, except for the parts indicated otherwise. Tis work is licensed under the Creative Commons Attribution-Share-Alike 3.0 Unported License. Please note: Tis license allows free use of the material with the restrictions that authors and editors have to be mentioned as the originators and that works making use of it have to stay open under the same license. For details see: http://creativecommons .org/licenses/by-sa/3.0/. Published by Dignity Press 16 Northview Court Lake Oswego, OR 97035, USA www.dignitypress.org Book design by Uli Spalthof Front cover map from http://commons.wikimedia.org/wiki/File:Map_of_Asia.svg by Cacahuate. Printed on paper from environmentally managed forestry: http://www.lightningsource.com/chainofcustody Book website: www.dignitypress.org/social-media-in-asia ISBN 978-1-937570-36-1 Also available as EPUB: ISBN 978-1-937570-43-9 and Kindle eBook: ISBN 978-1-937570-44-6 589 XVIII. Australian Social Media Trends John Harrison School of Journalism and Communication, The University of Queensland, Brisbane, Australia [email protected] Sean Rintel School of Journalism and Communication, The University of Queensland, Brisbane, Australia [email protected] Elizabeth Mitchell School of Journalism and Communication, The University of Queensland, Brisbane, Australia Corresponding author: [email protected] Abstract Te vast distances Australians must negotiate to connect their small, highly urbanized population both nationally and internationally have long created the incentive for invention, innovation and the early adoption of communication technologies.
[Show full text]
Mapping the Landscape of Social Impact Entertainment
Bonnie Abaunza Neal Baer Diana Barrett Peter Bisanz Dustin Lance Black Johanna Blakley Caty Borum Chattoo Don Cheadle Wendy Cohen Nonny de la Peña Leonardo DiCaprio Geralyn Dreyfous Kathy Eldon Eve Ensler Oskar Eustis Mapping the landscape of Shirley Jo Finney social impact entertainment Beadie Finzi Terry George Holly Gordon Sandy Herz Reginald Hudlin Darnell Hunt Shamil Idriss Tabitha Jackson Miura Kite Michelle Kydd Lee Anthony Leiserowitz David Linde Tom McCarthy Cara Mertes Sean Metzger Pat Mitchell Shabnam Mogharabi Joshua Oppenheimer Elise Pearlstein Richard Ray Perez Gina Prince-Bythewood Ana-Christina Ramón James Redford Liba Wenig Rubenstein Edward Schiappa Cathy Schulman Teri Schwartz Ellen Scott Jess Search Fisher Stevens Carole Tomko Natalie Tran Amy Eldon Turteltaub Gus Van Sant Rainn Wilson Samantha Wright Welcome to the test — a major university research SIE’s work to date: the most effective Welcome center focused on the power of strategies for driving impact through entertainment and performing arts to storytelling; the question of when, inspire social impact. The structure of within the creative process, impact Note this new center would be built upon three should first be considered; the key role pillars: research, education and special of research to explore, contextualize initiatives, and public engagement, and help define the field; and the programming and exhibition. importance of partnering with the right allies across the entertainment At the time, there wasn’t a university and performing arts industries for new model fully focused on this topic that ideas, special projects and initiatives. I could draw upon for information as the field was in its infancy.
[Show full text]
Regatta Program, Unless Otherwise Announced by the Regatta Commentator
1 | P a g e Founded 1878 ROWING NEW SOUTH WALES Founded 1878 Current Life Members Mr A Brown, Mr J Coates AC, Mr S Derwin, Mr K Jameson OAM, Mrs M Mackenzie OAM, Mr B Moynahan OAM, Mr C Noel OAM, Mr E O’Hanlon, Mr D Sollom Past Life Members Mr P Cayzer OAM, Mr E Chapman OAM, Mr D Croot AM, Mr E Dorsch, Mr N Garratt AM, Mr J Lanning, Mr G Neilson OAM, Mr G Parlby OAM, Mr M Reddan OAM, Mr R Stride, Dr W Webb OAM, Mr M Wood MBE President Stephen Donnelley Deputy President Stephen Handley Directors Deanna Fekete, Victor Walter, Sarah Hill, Peggy McBride, Liam James, Stuart Welch, Adam Ramshaw Staff CEO: Margot Harley Sport Development Manager: Alan Bennett Regatta Operations Manager: Owen Nix Events and Volunteer Manager: Olivia Bartram Membership Engagement Coordinator: Emily Kass Referee (President of Jury) Victor Walter Jury Graham Walker, Gregory Smith, Judith McDonald (T), Victor Walter [PoJ], Christopher Watson, Joanne Ferguson, Louis Petrin, Jennifer Pollock, Mun Lum Announcers Peter Waldersee , Michael McCrea, Nathan Birch, Lizzi Chapman Technical Operations Terry Maher, Stephen Croot SPECIAL THANKS to the volunteers from our clubs and schools who fulfil the many tasks required to conduct a successful regatta. 2 | P a g e COURSE MAPS 3 | P a g e COMPETITOR INSTRUCTIONS Sydney International Regatta Centre ELIGIBILITY: Each competitor must be eligible to compete with respect to the Status Rules governing competition. Substitutes in crews must be advised in writing to the Referee on a Substitution Form (Schedule 15) more than 60 minutes prior to competing in accordance with the Rules.
[Show full text]
Feisty Geishas, Friendly Dragon Ladies and Imperfect Model Minorities: the New Asian Women of Youtube
Feisty Geishas, Friendly Dragon Ladies and Imperfect Model Minorities: The New Asian Women of YouTube By Venus Fung University of Calgary Calgary, Alberta March, 2018 Supervisor: Dr. Annie Rudd A Thesis Submitted to the Faculty of Arts in partial fulfillment for the requirement for the degree of Bachelor of Arts (Honours) in Communication Studies 2 ACKNOWLEDGEMENTS I would like to express my sincere gratitude to my thesis supervisor, Dr. Annie Rudd, for joining me in this long (and at times, seemingly endless) writing journey. Thank you for your patience, guidance, and most of all—for showing a continued interest in my project. This thesis would not have been possible without your thought-provoking input, suggestions and encouragement. I cannot thank you enough. Thank you to my parents and sister, for your constant support in the past months. I know that the world of research and writing is a world away from what you are used to; nonetheless, thank you for understanding why I sometimes couldn't come upstairs in time for dinner. I truly appreciate the daily homecooked meals that accompanied me during late night writing sessions. Also, thank you to my best friends: Nesia, Hin Ling, and Valerie. The world is big, but it is not so scary knowing that you always have people to count on (and rant to)—even if they are miles and continents away. Finally, thank you to my "COMS Squad"—Sandhya and Krystal—as well as my honours cohort, for letting me bounce ideas off you. I never cease to be amazed at your intellect and keen observations.
[Show full text]