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Waylon Jennings New Stuff Album 2017 Mp3 Download Waylon Jennings New Stuff Album 2017 Mp3 Download waylon jennings new stuff album 2017 mp3 download Waylon jennings new stuff album 2017 mp3 download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67d9ae9fdeaa4aaa • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Waylon Jennings - New Stuff (2017) Artist : Waylon Jennings Title : New Stuff Year Of Release : 2017 Label : Black Country Rock Genre : Country, Folk, Americana Quality : FLAC (tracks) Vinyl Total Time : 36:07 min Total Size : 167 MB WebSite : Album Preview. Tracklist: 01. Waylon Jennings - Good Time 02. Waylon Jennings - The Best Side Of Me 03. Waylon Jennings - Changin' Baby's Mind 04. Waylon Jennings - World By The Tail 05. Waylon Jennings - Along For The Ride 06. Waylon Jennings - What Good Would It Do 07. Waylon Jennings - A Few Decembers Ago 08. Waylon Jennings - Muhammed Ali 09. Waylon Jennings - Mickey 10. Waylon Jennings - Billy, Whitey, And Me 11. Waylon Jennings - Talk Good Boogie. Waylon Jennings. Waylon Arnold Jennings (born June 15, 1937 in Littlefield, Texas, died February 13, 2002 in Chandler, Arizona), was an American country music singer, musician, and actor. A self-taught guitar player, he rose to prominence as a bass player for Buddy Holly following the break-up of The Crickets. He escaped death in the February 3, 1959 plane crash that took the lives of Buddy Holly, Ritchie Valens, and The Big Bopper when he gave up his seat to the latter. By the 1970s, he had become associated with so-called "outlaws," an informal group of musicians who worked outside of the Nashville corporate scene. A series of duet albums with Willie Nelson in the late 1970s culminated in the 1978 crossover hit, "Mamas Don't Let Your Babies Grow Up To Be Cowboys". In 1979, he recorded the theme song for the hit television show The Dukes of Hazzard, and also served as the narrator ("The Balladeer") for all seven seasons of the show. He continued to be active in the recording industry, forming the group The Highwaymen with Willie Nelson, Johnny Cash, and Kris Kristofferson. Jennings released his last solo studio album in 1998. In 2001, he was inducted into the Country Music Hall of Fame. Jennings was born in Littlefield, Texas, the son of Lorene Beatrice (n?e Shipley) and William Alvin Jennings. When Waylon was eight, his father taught him how to play guitar, and Waylon formed his first band two years later. During his time working as a DJ, he befriended Buddy Holly. The two were inspired by the music of the Mayfield Brothers of West Texas, Smokey Mayfield, Herbert Mayfield, and Edd Mayfield. When he was twenty-one, Jennings was tapped by Holly to play bass in Holly's new band on a tour through the Midwest in early 1959. Holly also hired guitarist Tommy Allsup and drummer Carl "Goose" Bunch for the "Winter Dance Party" tour. During the early morning hours of February 3, 1959, the charter airplane carrying Buddy Holly, Ritchie Valens and J.P. Richardson (aka "The Big Bopper") crashed outside Clear Lake, Iowa, killing all on board. In his 1996 autobiography, Jennings admitted that in the years afterward, he felt severe guilt and responsibility for the crash. After Jennings gave up his seat, Holly had jokingly told Jennings, "I hope your ol' bus freezes up!" Jennings shot back facetiously, "Well, I hope your ol' plane crashes!" After several years of inactivity, during which time he moved from Texas to Arizona and continued working in radio, Jennings began performing and recording again, this time in Phoenix, Arizona. He performed at a newly opened nightspot called JD's. He signed a contract with Herb Alpert's newly formed A&M Records, and he had a few hit singles on local radio in Phoenix, including "Four Strong Winds" ( written by Ian Tyson) and "Just To Satisfy You" (co-written with Don Bowman). He also recorded an album on the BAT label called simply JD's. 500 copies were pressed and sold at the nightclub, and after they sold out, another 500 copies were pressed by the Sounds label. He also played lead guitar for Patsy Montana on a record album she recorded in Arizona in 1964. Duane Eddy and Bobby Bare recommended Jennings to producer Chet Atkins, who signed Waylon to RCA Victor. Bobby Bare did his own cover of "Four Strong Winds" after hearing Jenning's version. Still under contract to A&M, Alpert released him, allowing him to sign with RCA Records. Jennings packed up and moved to Nashville, Tennessee in 1965. Jennings was accustomed to performing and recording with his own band, The Waylors; this was a practice that was not encouraged by Nashville producers who controlled nearly every aspect of recording. Over time, however, Jennings felt limited by the Nashville Sound and the lack of artistic freedom that came with it in the 1960s country music industry. Jennings and Jessi Colter. His second marriage was to Lynn Jones. He got married for a third time to Barbara Rood. He married for the fourth and final time to Jessi Colter in 1969. Colter (then known as Miriam Eddy) had been married to guitar legend Duane Eddy. With help of Jennings, Colter became a country singer in her own right for a brief period of time during the 1970s, best-known for her 1975 Country-Pop smash, "I'm Not Lisa". Jennings had been growing more frustrated with the Nashville recording scene, and a 1972 bout with hepatitis almost killed him. With his recording contract nearing an end, RCA had already lost another creative force that year: Jennings had met Willie Nelson, who had likewise been frustrated by the lack of freedom in the studio and by the entire Nashville ethos, which led him to relocate his base to Texas two years earlier. Jennings was seriously considering leaving Nashville and returning to a broadcasting career in Phoenix that year. Two things came along to turn Jennings' hard times around. The first was a business manager from New York City named Neil Reshen, and the second was his old friend Willie Nelson. Reshen approached Jennings, still recovering from hepatitis, and offered to re-negotiate his recording and touring contracts. Jennings agreed, and the contract re-negotiation began in earnest. At a 1972 meeting in a Nashville airport, Jennings introduced Reshen to Nelson. By the end of the meeting, Reshen was manager to both singers. By that time, Jennings was aware of the fact that rock bands had almost unprecedented creative freedom to record what they wanted to record, with or without a producer and even to design their album covers. He wanted similar freedom for himself?an unprecedented move in 1972 Nashville. Also in 1972, RCA issued Ladies Love Outlaws, an album that Jennings never wanted released. Nevertheless, the title track is often considered the first song of the outlaw country movement. Reshen drove a hard bargain, but RCA finally agreed to his terms: a $75,000 advance and near-complete artistic control. Re-negotiations of his touring contracts yielded similar positive results, and he began turning a profit from his touring (almost unheard-of in Nashville at that time). Waylon finally had a rock star recording contract, and he looked the part; Reshen had advised him to keep the beard he had grown in the hospital, in order to cultivate a more rock and roll image. By 1973, Nelson had returned to the music industry under the auspices of Atlantic Records, and was on his way to music superstardom. Now based in Austin, Texas, Nelson had made inroads into the rock and roll press by attracting a diverse fan base that included the young rock music audience. Atlantic Records had signed Nelson when the time was right, and they were looking to sign Jennings as well. Nelson's rise to popularity made RCA nervous about losing another hot artist, which gave Jennings the leverage he needed in his contract re-negotiations. He followed with Lonesome, On'ry and Mean and Honky Tonk Heroes in 1973, the first albums recorded and released under his own creative control. The albums were huge commercial and critical successes. More hit albums followed, with The Ramblin' Man and This Time, in 1974, and Dreaming My Dreams in 1975. The pace of recording and performing was lucrative but grueling. In 1976, Jennings came up and helped an old friend of his who was concerting in Toronto, Canada. The friend's guitarist was out sick, and Jennings "Had a week free in Nashville", so he came to help. The friend consented on the condition that they sing together. The friend was his former roommate Johnny Cash. In 1976, Jennings began his career-defining collaborations with Nelson on the compilation album Wanted: The Outlaws!, country's first platinum record. The following year, RCA issued "Ol' Waylon", an album that produced another huge hit duet with Nelson, "Luckenbach, Texas (Back to the Basics of Love)". Waylon and Willie followed in 1978, producing their biggest hit with "Mamas Don't Let Your Babies Grow Up to Be Cowboys".
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