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Journal of the American Viola Society Volume 17 No. 2, 2001
J OURNAL "' . ·--.-.... .. of the .-r....... ~- . . .:- • ~· .. ·~ .. · f -.. Al\4ERICAN VIOLA SOCIETY Vol. 17 No. 2 FEATURES 15 An Overview ofTwentieth-Century Viola Works, Part II By Jacob Glick -I .• 21 The Basics Revisited: Artistic Distinctions "Flexibility of Vibrato: Controlling Width and Speed" By Heidi Castleman .. 29 An Interview with Steven R Gerber By jeffrey fames 39 Report on the Violin Society of America's 14th Annual Competition for Instrument Making By Christine Rutledge ·.-· ... ... 45 2001 Primrose Memorial Scholarship Competition By Kathryn Steely • • •• .. OFFICERS Peter Slowik President Profossor o[Viola Oberlin College Conservatory 13411 Compass Point Strongsville, OH 44136 peter.slowik@oberlin. edu I William Preucil Vice President 317 Windsor Dr. Iowa City, /A 52245 Catherine Forbes Secretary 1128 Woodland Dr. Arlington, TX 76012 Ellen Rose Treasurer 2807 Lawtherwood Pl. Dallas, TX 75214 Thomas Tatton Past President 7511 Parkwoods Dr. Stockton, CA 95207 BOARD Victoria Chiang Donna Lively Clark Paul Coletti Ralph Fielding Pamela Goldsmith john Graham - -~_-·-· -~E~I Barbara Hamilton Karen Ritscher Christine Rutledge -__ -==~~~ Kathryn Steely juliet White-Smith Louise Zeitlin EDITOR, JAVS Kathryn Steely Baylor University P.O. Box 97408 Woco, TX 76798 PAST PRESIDENTS Myron Rosenblum (1971-1981) Maurice W Riley (1981-1986) David Dalton (1986-1990) Alan de Veritch (1990-1994) HONORARY PRESIDENT William Primrose (deceased) oftf:Y Section ofthe International Viola Society The journal ofthe American Viola Society is a peer-reviewed publication of that organization and is produced at A-R Editions in Middleton, Wisconsin. © 2001, American Viola Society ISSN 0898-5987 ]AVS welcomes letters and articles from its readers. Editor: Kathryn Steely Assistant Editor: Jeff A. -
NATIONAL GALLERY ORCHESTRA PERSONNEL, 1988-89 George Manos, Conductor the F
NATIONAL GALLERY ORCHESTRA PERSONNEL, 1988-89 George Manos, Conductor THE F. LAMMOT BELIN CONCERTS Violins Lily Kramer Flutes Priscilla Fritter Judith Parkinson John Lagerquist Cynthia Montooth Stephani Stang/McCusker National Gallery of Art Melissa Graybeal Shin-yeh Lu Oboes Gene Montooth Patricia Cochran Carole Libelo Mary Price Kathleen Golding Roger Weiler Clarinets Merlin Petroff Victoria Noyes Charles Hite Cynthia Mauney Stephen Bates Sarah Botti Eugene Dreyer Bassoons James Bolyard Maurice Myers Donald Shore Lawrence Wallace Nancy Stutsman Delores Robbins Horns Gregory Drone Robert Spates Carolyn Parks Timothy Macek Amy O’George Douglas Dube Virginia Day Linda Leanza Trumpets Dennis Edelbrock Violas Shelly Coss Robert Hazen Evelyn Harpham Christopher Tranchitella Carl Rubis Trombones Edward Kiehl Barbara Winslow Donald King George Ohlson David Summers David Basch Tuba Michael Bunn Cellos Robert Newkirk David Premo Timpani Ronald Barnett Forty-sixth American Music Festival Jean Robbins Helen Coffman Percussion Albert Merz Under the Direction of George Manos Carla Rosenberg William Richards Thomas Jones Basses John Ricketts Harp Rebecca A. Smith Norman Irvine Mark Stephenson Organ and Harpsichord Stephen Ackert Eugene Dreyer, Personnel Manager O O O O CONCERTS IN JUNE, 1989 Sunday Evenings, April 2 through May 28, 1989 4 Weekley and Arganbright, piano duo 11 Nana Mukhadze, piano at Seven O’clock 18 Paul Maillet, piano West Building, West Garden Court 25 National Gallery Orchestra, George Manos, Conductor Open to the public, free of charge 1927th Concert —April 2, 1989 Conductor, composer and pianist GEORGE MANOS has been Director of NATIONAL GALLERY ORCHESTRA Music at the National Gallery and Artistic Director of the Gallery’s American Music Festival since 1985. -
Affirming Richard Wilson 11 DAVID CLEARY
21ST CENTURY MUSIC APRIL 2001 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. Subscription rates in the U.S. are $84.00 (print) and $42.00 (e-mail) per year; subscribers to the print version elsewhere should add $36.00 for postage. Single copies of the current volume and back issues are $8.00 (print) and $4.00 (e-mail) Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. e-mail: [email protected]. Typeset in Times New Roman. Copyright 2001 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Typescripts should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors with access to IBM compatible word-processing systems are encouraged to submit a floppy disk, or e-mail, in addition to hard copy. -
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559618 bk Gerber US 6/4/09 09:47 Page 8 Sara Davis Buechner AMERICAN CLASSICS The pianist Sara Davis Buechner is a Bronze Medalist of the 1986 Tchaikovsky International Piano Competition in Moscow. With an active repertoire of over a hundred piano concertos ranging from Albéniz to Zimbalist, she has appeared as soloist with North America’s most prominent orchestras and tours widely throughout the Far East on a yearly Steven R. basis. She has collaborated in many celebrated recordings on the Connoisseur Society and Koch International labels, as well as a library of Yamaha Disklavier files, and has Photo: Peter Schaaf performed and commissioned many new works by composers such as Dorothy Chang, Stephen Chatman, Pierre Charvet, Dick Hyman, Henry Martin, Paul Moravec, Yukiko GERBER Nishimura and Charles Wuorinen. She actively appears in collaborations with film and dance at venues such as Lincoln Center and with the Mark Morris Dance Group. Sara Davis Buechner is Associate Professor of Music at the University of British Columbia in Vancouver, and formerly served on the piano faculty of New York University. She has given many master-classes internationally, and her popularity in Japan has led to her Piano Trio becoming an Honorary Member of the Hanshin Tigers baseball team of Osaka. Duo • Elegy Notturno Kurt Nikkanen, Violin and Viola Cho-Liang Lin, Violin Cyrus Beroukhim, Violin Brinton Smith, Cello Sara Davis Buechner, Piano 8.559618 8 559618 bk Gerber US 6/4/09 09:47 Page 2 Steven R. Cyrus Beroukhim GERBER Violinist Cyrus Beroukhim has received international recognition as a soloist, recitalist and chamber musician, and has appeared at major venues worldwide. -
The New York Virtuoso Singers Harold Rosenbaum, Conductor
Festival Opening Night Wednesday, June 4, 2008 7:30pm The American Composers Alliance presents: The New York Virtuoso Singers Harold Rosenbaum, conductor Christopher Oldfather, piano FIVE LIVE CONCERTS MORE THAN 30 COMPOSERS Festival Schedule: Wednesday, June 4 at 7:30 PM Leonard Nimoy Thalia Thursday, June 5 at 7:30 PM at Peter Norton Symphony Space Friday, June 6 at 7:30 PM 2537 Broadway (at 95th St.) Saturday, June 7 at 4:00 PM New York City Saturday, June 7 at 7:30 PM The American Composers Alliance is a not-for-profit corporation. This event is made possible in part, with funds from the Argosy Foundation, BMI, the City University Research Fund, the Alice M. Ditson Fund of Columbia University, the NYU Arts and Sciences Music Department, and other foundations, businesses, and individuals. 1 The American Composers Alliance Festival of American Music 2008 (9th Annual) The New York Virtuoso Singers, Harold Rosenbaum, Conductor Christopher Oldfather, piano Mark Zuckerman Two Browning Settings (1998/99) Brian Fennelly Soon Shall the Winter’s Foil (1994) Robert Ceely Five Contemplative Pieces (2000) Gregory Hall April (2005) Jody Rockmaker Yiddish Choruses (2006) Intermission *Presentation of the ACA Laurel Leaf Award to Harold Rosenbaum Hubert S. Howe, President, ACA Louis Karchin To the Stars (2003) John Eaton Duo (1977) Soprano solo: Cynthia Richards Wallace Edward Jacobs When Time (2007) Elliott Schwartz Two Watterson Poems (2004) Percussion: Adam Forman, Paul Kerekes Steven R. Gerber Sessions of Sweet Silent Thought (2003/04) The New York Virtuoso Singers Sopranos: Cynthia Richards Wallace and Julie Morgan Altos: Hai Ting Chinn and Nancy Wertsch* Tenors: Neil Farrell and Michael Steinberger Basses: James Gregory and Nicholas Hay *choral contractor Many of the works performed at this year's Festival of American Music are published and distributed by the American Composers Alliance. -
Here Should Add $36.00 for Postage
21ST CENTURY MUSIC MARCH 2002 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $84.00 (print) and $42.00 (e-mail) per year; subscribers to the print version elsewhere should add $36.00 for postage. Single copies of the current volume and back issues are $8.00 (print) and $4.00 (e-mail) Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. e-mail: [email protected]. Typeset in Times New Roman. Copyright 2001 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Typescripts should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors with access to IBM compatible word-processing systems are encouraged to submit a floppy disk, or e-mail, in addition to hard copy.