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<I>Always Coming Home</I>
Volume 17 Number 3 Article 7 Spring 3-15-1991 The Making of Always Coming Home Ursula K. Le Guin Todd Barton Margaret Chodos-Irvine George Hersh Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Le Guin, Ursula K.; Barton, Todd; Chodos-Irvine, Margaret; and Hersh, George (1991) "The Making of Always Coming Home," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 17 : No. 3 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol17/iss3/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Transcript of panel discussion from 1988 Mythopoeic Conference. Author, illustrator, composer, and cartographer/ researcher discuss the genesis of Always Coming Home. Additional Keywords Le Guin, Ursula K. Always Coming Home; Le Guin, Ursula K. -
Always Coming Home
“A Mere Dream Dreamed in a Bad Time” A Marxist Reading of Utopian and Dystopian Elements in Ursula K. Le Guin’s Always Coming Home Sara Charléz Student Ht 2018 Examensarbete för kandidatexamen, 15 hp Engelska Abstract In Ursula K. Le Guin’s novel Always Coming Home, utopian and dystopian elements interact according to patterns inspired by anarchism and Taoism to criticise material excesses and oppressive social structures under capitalism. Via discussions of gender, state power, and forms of social (re)production, this Marxist reading proposes that the novel’s separation of utopia from dystopia hinges on the absence or presence of a state. The reading also suggests that the novel’s utopia is by its own admission a “mere dream” with limited relevance to anti-capitalist politics, and employs the novel’s own term “handmind” to show that the aesthetic and philosophical dimensions of its anti- capitalist sentiments encourage a reconsideration of utopia, to be viewed not as a fixed future product – a good-place – but as a constant process of becoming – a no-place. Keywords: anarchism, class, ideology, production, science fiction Table of contents Introduction .................................................................................................................... 1 On Always Coming Home ............................................................................................... 3 Utopia, Dystopia, and Marxist Criticism ..................................................................... 5 Utopian and Dystopian Elements in Always -
Ursula Le Guin to Give First Robert C. Elliott Memorial Lecture
Ursula Le Guin to give first Robert C. Elliott Memorial Lecture April 7, 1982 Ursula Le Guin, author of the award-winning novels "The Left Hand of Darkness" and "The Dispossessed," is scheduled to give the first Robert C. Elliott Memorial Lecture Wednesday, April 21, at the University of California, San Diego. The lecture, which is free and open to the public, is titled "A Non-Euclidean View of California as a Cold Place to Be." It will begin at 8 p.m. in room 107 of the Third College Lecture Hall. Le Guin will also hold an informal question and answer session covering her work at 3 p.m. Thursday, April 22, in room 111A of the Administrative Complex at UC San Diego. The Robert C. Elliott Memorial Lecture has been made possible by gifts from colleagues and friends of Elliott, a professor of English literature who died a year ago while hiking in the Anza-Borrego Desert. Elliott, one of the founders of the UC San Diego Department of Literature, joined the university faculty in 1964 and served as chairman of the literature department from 1968 through 1971. Le Guin has written 15 novels as well as a book for children, two collections of short stories and two books of poetry. Born in Berkeley, she received a B.A. degree from Radcliffe College in 1951 and an M.A. degree in French and Italian Renaissance literature from Columbia University in 1952. She received a Fulbright fellowship in 1953 and has received honorary degrees from Bucknell University and Lawrence University and an award for distinguished service from the University of Oregon. -
Ursula K Le Guin
Preface By calling this book The Compass Rose I hoped to suggest that some pattern or coherence may be perceived in it, while indicating that the stories it contains tend to go off each in its own direction. They take place all over the map, including the margins. It is not even clear to me what the map is a map of. A mind, no doubt; presumably the author’s. But I expect there is more to it than that. One’s mind is never simply one’s own, even at birth, and ever less so as one lives, learns, loses, etc. The four directions, NESW, of the Rose of the Winds, our magnetic compass, converge into or arise out of an unspoken fifth direction, the center, the corolla of the rose. Many of the American peoples who were dispossessed by the compass- guided invaders from the East structured their world upon the four wind directions (or half-directions) and two more, Above and Below, also radial to the center/self/here and now, which may sacramentally contain the other six, and thus the Universe. This is the compass in four dimensions, spatial and temporal, material and spiritual, the Rose of the New World. As a guide to sailors this book is not to be trusted. Perhaps it is too sensitive to local magnetic fields. Within it, various circling motions may be perceived,as between the first and last stories, and the fourth and seventeenth. It gives rise to apparent excursions outward which are in fact incursions inward, such as the eleventh story; while the only piece describing a place whose objective reality may be confirmed on a present-day map of present-day Earth, the seventh, is perhaps the most subjective one of the lot. -
Shelf Order for Holdings Code UHS Library Short Story (UHSSC)
Shelf Order for Holdings Code UHS Library Short Story (UHSSC) Call Call Call Call Sorted Author Title Number Number Number Number Call Type Prefix Class Cutter Number X SC Abs SC Abs Absolute magnitude X SC Ada SC Ada Adams, Alice The stories of Alice Adams. X SC Afr SC Afr Larson, Charles R. African short stories; a collection of contemporary African writing, X SC Aft SC Aft Greenberg, Martin After the king : stories in honor of J.R.R. Tolkien Harry X SC Aft SC Aft After X SC Aik SC Aik Aiken, Joan, The far forests : tales of romance, fantasy, and suspense 1924-2004 X SC Alc SC Alc Alcott, Louisa May, Glimpses of Louisa; a centennial sampling of the best short stories. 1832-1888 X SC Ale SC Ale Alexie, Sherman, The Lone Ranger and Tonto fistfight in heaven 1966- X SC Ale SC Ale Alexie, Sherman, Ten little Indians : stories 1966- X SC Alf SC Alf Hitchcock, Alfred, Alfred Hitchcock presents: stories to be read with the lights on. 1899- X SC Alf SC Alf Hitchcock, Alfred, Alfred Hitchcock presents stories to be read with the door locked. 1899-1980 X SC Alp SC Alp Silverberg, Robert Alpha three X SC Ame SC Ame Clarke, John Henrik, American Negro short stories. 1915-1998 X SC Ame SC Ame Greene, Hugh, Sir. The American rivals of Sherlock Holmes X SC Ame SC Ame Skaggs, Calvin The American short story X SC Ame SC Ame America street : a multicultural anthology of stories X SC Ame SC Ame American dragons : twenty-five Asian American voices X SC Ame SC Ame American eyes : new Asian-American short stories for young adults X SC Ame SC Ame American gothic tales X SC Ame SC Ame American voices : best short fiction by contemporary authors : with comments by the authors X SC Ame SC Ame American West : twenty new stories from the Western Writers of America X SC AmI SC AmI Am I blue? : coming out from the silence X SC Ana SC Ana Analog. -
From Master to Brother: Shifting the Balance of Authority in Ursula K. Le Guin's Farthest Shore and Tehanu
From Master to Brother: Shifting the Balance of Authority in Ursula K. Le Guin's Farthest Shore and Tehanu Len Hatfield Children's Literature, Volume 21, 1993 , pp. 43-65 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/chl.0.0516 For additional information about this article http://muse.jhu.edu/journals/chl/summary/v021/21.hatfield.html Access provided by Virginia Polytechnic Inst. __ACCESS_STATEMENT__ St.University __ACCESS_STATEMENT__ (Viva) (7 Feb 2014 09:28 GMT) From Master to Brother: Shifting the Balance of Authority in Ursula K. Le Guin's Farthest Shore and Tehanu Len Hatfield In literature as in "real life," women, children, and animals are the obscure matter upon which Civilization erects itself, phallologically. That they are Other is (vide Lacan et al.) the foundation of language, the Father Tongue. By climbing up into his head and shutting out every voice but his own, "Civilized Man" has gone deaf. He can't hear the wolf calling him brother—not Master, but brother. He can't hear the earth calling him child—not Father, but son. He hears only his own words making up the world. He can't hear the animals, they have nothing to say. Children babble, and have to be taught how to climb up into their heads and shut the doors of perception. No use teaching woman at all, they talk all the time, of course, but never say anything. This is the myth of Civilization, embodied in monotheisms which assign soul to Man alone. [Le Guin, Buffalo Gab 9-10] In recent years Ursula K. -
Nebula Science Fiction Award Winners Bookmark.Pub
Nebula Nebula Nebula Nebula Science Fiction Science Fiction Science Fiction Science Fiction Award Winners Award Winners Award Winners Award Winners Established in 1966 by Established in 1966 by Established in 1966 by Established in 1966 by the Science Fiction and the Science Fiction and the Science Fiction and the Science Fiction and Fantasy Writers of Fantasy Writers of Fantasy Writers of Fantasy Writers of America, this award America, this award America, this award America, this award recognizes excellence in recognizes excellence in recognizes excellence in recognizes excellence in science fiction or fan- science fiction or fan- science fiction or fan- science fiction or fan- tasy works published in tasy works published in tasy works published in tasy works published in the United States. the United States. the United States. the United States. 2006 - Seeker 2006 - Seeker 2006 - Seeker 2006 - Seeker by Jack McDevitt by Jack McDevitt by Jack McDevitt by Jack McDevitt 2005 – Camouflage 2005 – Camouflage 2005 – Camouflage 2005 – Camouflage by Joe Haldeman by Joe Haldeman by Joe Haldeman by Joe Haldeman 2004 – Paladin Of Souls 2004 – Paladin Of Souls 2004 – Paladin Of Souls 2004 – Paladin Of Souls by Lois McMaster Bujold by Lois McMaster Bujold by Lois McMaster Bujold by Lois McMaster Bujold 2003 – The Speed Of Dark 2003 – The Speed Of Dark 2003 – The Speed Of Dark 2003 – The Speed Of Dark by Elizabeth Moon by Elizabeth Moon by Elizabeth Moon by Elizabeth Moon 2002 – American Gods 2002 – American Gods 2002 – American Gods 2002 – American -
Gender Politics in Earthsea
Edith Cowan University Research Online Theses : Honours Theses 2004 Visions must be re-visioned : Gender politics in Earthsea Audrey Barton Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Fiction Commons, and the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Barton, A. (2004). Visions must be re-visioned : Gender politics in Earthsea. https://ro.ecu.edu.au/ theses_hons/1001 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1001 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
On Space, Gender and Class in Ursula K. Le Guin's The
Refectories and Dining Rooms as “Social Structural Joints”: On Space, Gender and Class in Ursula K. Le Guin’s The Dispossessed Joana Caetano, Mariana Oliveira & Miguel Ramalhete Gomes Introduction In “Restaurants, fields, markets, and feasts: Food and culture in semi-public spaces” (2016), Clare A. Sammells and Edmund Searles state that: “One can eat alone, but one can never truly eat in a way or in a place that is devoid of public meanings. It has long been clear that what, how, and with whom one eats indicates social status and economic class” (129). As members and collaborators of ALIMENTOPIA / Utopian Foodways Project, we have explored the social, political and economic implications that foodways have in shaping societies. It is therefore in the framework of this project that we, as researchers of different fields of Literature and Architecture, have come together and will jointly discuss primarily gender but also class dynamics, by projecting and analysing specific food-related spaces in Ursula K. Le Guin’s The Dispossessed. From a multidisciplinary perspective, this chapter proposes a reading of particular spaces where meals take place in Ursula K. Le Guin’s text. This analysis will make use of two specific lenses, gender and class, to argue that these spaces can be perceived as “social structural joints”, in the sense that an “architectural structural joint”, as architect Petra Čeferin proposes, is a junction where building elements meet. Using a three-dimensional view (space, gender and class), we will analyse how food spaces can be platforms for social aggregation or segregation and reveal gender and class dynamics. -
Ursula K. Le Guin: a Critical Companion
Ursula K. Le Guin: A Critical Companion Susan M. Bernardo Graham J. Murphy Greenwood Press URSULA K. LE GUIN Ursula K. Le Guin. Photograph by Marian Wood Kolisch. URSULA K. LE GUIN A Critical Companion Susan M. Bernardo and Graham J. Murphy CRITICAL COMPANIONS TO POPULAR CONTEMPORARY WRITERS Kathleen Gregory Klein, Series Editor GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Bernardo, Susan M. Ursula K. Le Guin : a critical companion / Susan M. Bernardo and Graham J. Murphy. p. cm. — (Critical companions to popular contemporary writers, ISSN 1082–4979) Includes bibliographical references and index. ISBN 0–313–33225–8 (alk. paper) 1. Le Guin, Ursula K., 1929—Criticism and interpretation. 2. Science fiction, American—History and criticism. 3. Fantasy fiction, American—History and criti- cism. I. Murphy, Graham J., 1970– II. Title. III. Series. PS3562.E42Z54 2006 813'.54—dc22 2006017937 British Library Cataloguing in Publication Data is available. Copyright © 2006 by Susan M. Bernardo and Graham J. Murphy All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2006017937 ISBN: 0–313–33225–8 ISSN: 1082–4979 First published in 2006 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 To Mark Wagner, an ever-patient, astute reader and feline loyalist. -
Science Fiction Book Club Interview with Author Julie Phillips June 2019 Julie Phillips Is an American Biographer and Book Criti
Science Fiction Book Club Interview with author Julie Phillips June 2019 Julie Phillips is an American biographer and book critic living in Amsterdam. She is currently working on a book on writing and mothering, “The Baby on the Fire Escape”, as welI as a biography of Ursula K. Le Guin. She is the author of “James Tiptree, Jr.: The Double Life of Alice B. Sheldon,” which received several honors including the National Book Critics Circle Award, the Hugo and Locus Awards, and the Washington State Book Award. Martin Dudley: Any update on the Tiptree Le Guin Russ letters collection mentioned last year? No, sorry. My co-editor and I are being slow. Martin Dudley: I read "On the Last Afternoon" yesterday (Tiptree/Sheldon) and it is littered with phrases that look like quotations (e.g. O rich and sounding voices of the air—I come! I come!—), but I could only track one down as being a line by Jeffers, the poet. Was this a deliberate choice - to create phrases that seem to come from literature, but are not actually. Or am I mistaken and they are quite obscure actual quotations? Probably actual quotations. Try playing around with an internet search. The “rich and sounding voices” is from Lionel Johnson’s “Mystic and Cavalier,” a depressing poem that made a big impression on Alli when she first read it. https://www.bartleby.com/103/54.html She knew it because it was in the Untermeyer overview of British and American poetry that she took with her to boot camp. When I was working on the book I had a midcentury Untermeyer that had belonged to my great-aunt. -
Full Screen View
THE QUEST FOR SELFHOOD IN URSULA LE GUIN'S WIZARD OF EARTHSEA AND THE FARTHEST SHORE by Jerry K. Durbeej A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements of the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida December 2000 THE QUEST FOR SELFHOOD IN URSULA LE GUIN'S THE WIZARD OF EARTHSEA AND THE FARTHEST SHORE By Jerry K. Durbeej This thesis was prepared under the direction of the candidate's thesis advisor, Dr. Robert Collins, Department ofEnglish. It was submitted to the faculty of The Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree ofMaster of Arts. SUPERVISORY COMMJTTEE: ~£i c.r02~ Chairman, Thesis Advisor /ff/IUZ~ Chairperson, Department ofEnglish Vice Provost Date ii ABSTRACT Author: Jerry K. Durbeej Title: The Quest for Selfhood in Ursula Le Guin's The Wizard ofEarthsea and The Farthest Shore Institution: Florida Atlantic University Thesis Advisor: Dr. Robert Collins Degree: Master of Arts Year: 2000 In A Wizard ofEarthsea and The Farthest Shore, Ursula K. Le Guin presents the theme of selfhood, of maturity, and of identity through the character heroes of Ged and Arren. Ofthese two, Ged experiences the quest for selfhood on two levels: first, from boy to manhood, and then from manhood to the awareness of death. Both novels deal with the struggle to create, which is primarily a struggle with self, with one's own powers, and with the need to control these powers and their consequences.