DANCING STORYBOOK to DIXIELAND JAZZ
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Opening Remarks
Opening Remarks Lawrence Adams was Amy Bowring’s revered mentor; his example has guided and encouraged her to tackle, with determination and purpose, assorted pursuits in dance. As Research Co-ordinator at Dance Collection Danse, Amy has been working with the organization, on contract, for five years. Many of you may know Amy through some of the projects in which she has been involved, and also as founder of the Society for Canadian Dance Studies which can boast a solid and active membership under her direction. First introduced to Dance Collection Danse in 1993 as a student undertaking research through York University’s dance programme, Amy’s passion for dance history triggered her interest in becoming seriously involved with DCD. After completing her BA in Fine Arts, Amy earned an MA in journalism from the University of Western Ontario. She is copy editor for The Dance Current magazine, has written various dance articles and encyclo- pedia entries, and is researching and writing a book on the 1948-1954 Canadian Ballet Festival phenomenon. And, to add more ingredients to the mix, she is a whiz at the computer! As Dance Collection Danse undergoes its planning process for upcoming and future activities, you can expect to see Amy’s involvement with DCD increase. To work with someone who is dedicated and skilled is a blessing, but to have someone on board who is also mindful and gracious is the best. The Editoral Committee and Board of Directors of Dance Collection Danse have dedicated this issue to Lawrence Adams, whose contribution to Canadian dance makes him deserving of .. -
From Del Ray to Monterey Pop Festival
Office of Historic Alexandria City of Alexandria, Virginia Out of the Attic From Del Ray to Monterey Pop Festival Alexandria Times, February 11, 2016 Image: The Momas and the Popas. Photo, Office of Historic Alexandria. t the center of Alexandria’s connection to rock and folk music fame was John Phillips. Born in South A Carolina, John and his family lived in Del Ray for much of his childhood. He attended George Washington High School, like Cass Elliot and Jim Morrison, graduating in 1953. He met and then married his high school sweetheart, Susie Adams, with whom he had two children, Jeffrey and Mackenzie, who later became famous in her own right. Phillips and Adams lived in the Belle Haven area after high school, but John left his young family at their Fairfax County home to start a folk music group called the Journeymen in New York City. The new group included lifelong friend and collaborator Philip Bondheim, later known as Scott McKenzie, also from Del Ray. The young men had met through their mothers, who were close friends. While in New York, John’s romantic interests turned elsewhere and he told Susie he would not be returning to her. Soon after, he married his second wife, Michelle Gilliam, who was barely out of her teens. They had one daughter, Chynna, who also gained fame as a singer. Gilliam and Phillips joined two former members of a group called the Mugwumps, Denny Doherty and Cass Elliot to form The Mamas and the Papas in 1965. This photo from that time shows Gilliam and Doherty to the left, Phillips and Elliot to the right, and fellow Alexandrian Bondheim at the center. -
Happy Birthday!
THE THURSDAY, APRIL 1, 2021 Quote of the Day “That’s what I love about dance. It makes you happy, fully happy.” Although quite popular since the ~ Debbie Reynolds 19th century, the day is not a public holiday in any country (no kidding). Happy Birthday! 1998 – Burger King published a full-page advertisement in USA Debbie Reynolds (1932–2016) was Today introducing the “Left-Handed a mega-talented American actress, Whopper.” All the condiments singer, and dancer. The acclaimed were rotated 180 degrees for the entertainer was first noticed at a benefit of left-handed customers. beauty pageant in 1948. Reynolds Thousands of customers requested was soon making movies and the burger. earned a nomination for a Golden Globe Award for Most Promising 2005 – A zoo in Tokyo announced Newcomer. She became a major force that it had discovered a remarkable in Hollywood musicals, including new species: a giant penguin called Singin’ In the Rain, Bundle of Joy, the Tonosama (Lord) penguin. With and The Unsinkable Molly Brown. much fanfare, the bird was revealed In 1969, The Debbie Reynolds Show to the public. As the cameras rolled, debuted on TV. The the other penguins lifted their beaks iconic star continued and gazed up at the purported Lord, to perform in film, but then walked away disinterested theater, and TV well when he took off his penguin mask into her 80s. Her and revealed himself to be the daughter was actress zoo director. Carrie Fisher. ©ActivityConnection.com – The Daily Chronicles (CAN) HURSDAY PRIL T , A 1, 2021 Today is April Fools’ Day, also known as April fish day in some parts of Europe. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
At GW High School Some California Dreamin
Office of Historic Alexandria City of Alexandria, Virginia Out of the Attic At GW High School, some California dreamin’ Alexandria Times, January 28, 2016 Image: Ellen Naomi Cohen, known as Mama Cass Elliot. Photo, Office of Historic Alexandria. nother of the legendary musical performers that attended George Washington High School in Alexandria’s Del Ray neighborhood was A Ellen Naomi Cohen, who became known the world over as Mama Cass Elliot. Cohen was born in Baltimore in 1941 to the children of Russian immigrants. The family moved to Alexandria in her childhood and rented an apartment at 1502 Commonwealth Ave. Cohen did her best to fit in at GW, and adopted the nickname “Cass” possibly after the well-known comedian of the time, Peggy Cass. At the school she became interested in the performing arts and during the summer of her senior year she was cast in a production of the comedic farce, “The Boy Friend” at the Owings Mills Playhouse in Maryland. There she played the minor role of a French nurse, but her vocal talents lifted the production immensely with her solo rendition of “It’s nicer, much nicer, in Nice.” Cass left high school before graduation in 1961 and moved to New York where she assumed the stage name Elliot in memory of a recently departed friend. She worked at The Showplace nightclub in Greenwich Village as a singing coat check attendant, and could often be found performing at late-night “open mike” at area bars. In 1962, after losing out to Barbra Streisand for a part in the Broadway production of “I Can Get it for You Wholesale,” she returned to the Washington area to attend American University. -
Adéla Jonášová
Wikipedista:Alfi51 Žiji v Českém Těšíně. Aleš Havlíček Jsem důchodce a rád si hraji s počítačem. Články mnou založené Alannah Currie Aldeburgh Angie Dickinson Alexandre Francois Debain Alex Sadkin Andělín Grobelný Adéla Jonášová Anita Carter Axel Stordahl The Beatmen Beatles For Sale Bedřich Havlíček Berthold Bartosch Biela voda (přítok Teplice) Billy Vera Bob Chester Bobbi Kristina Brown Bobby Vee Bobby Vinton Carlene Carter Carl Perkins Chuck Jackson Dana Vrchovská Eydie Gormé Emil Vašek Festival Kino na hranici Flora Murrayová Frankie Avalon Frank P. Banta French press Aleš v roce 2008 George Dunning George Botsford Gene Greene Hal Základní informace David Hans Mrogala Harmonium Harry James Helen Carter Help! (album) Howard Deutch Ida Münzbergová Narození 21. dubna 1951 Ina Ray Hutton Ipeľská pahorkatina Ivana Ostrava, Česko Wojtylová Izabela Trojanowska Jakub Mátl James Scott Žánry pop, blues (hudebník) Jan Hasník Javorianska hornatina Jerzy Povolání hudební skladatel, počítačový Kronhold Jimmy Durante John Keeble José Feliciano Joseph Lamb Judy Clay June Hutton Jungle fanatik a wikipedista Funk Kateřina Kornová Koruna (hudba) Kunešovská Nástroje kytara hornatina Ladislav Báča Largo (Florida) LaVerne Sophia Aktivní roky dosud Andrews Les Brown (hudebník) Let It Be (album) Louis Manžel(ka) Dagmar Krzyžánková Prima Louisa Garrett Andersonová Madelyn Deutch Maggi Hambling Martha a Tena Maxene Angelyn Andrews Děti Aleš, Martin Mezinárodní divadelní festival Na hranici Millicent Garrett Rodiče Bedřich Havlíček, Fawcett Mira Kubasińska Mud -
2004 Cecchetti Newsletter V3
CECCHETTI INTERNATIONAL CLASSICAL BALLET Newsletter No. 10, 2004 Mission Statement: to foster the development of the method to develop training for the future to keep alive the essence of the method’s historical tradition Enrico Cecchetti as to raise the profile of the method world-wide Kastchei in L’Oiseau de feu (Firebird) with the to encourage the profession and the art of dance by interaction Ballets Russes, at the between members and the international dance profession Paris Opera, 1910. Photographic negatives to enhance the status of dance in the context by Raffaello Bencini. of the arts and education Photo courtesy of Dance Collection Danse Letter from the Chairman Dear Members and Friends of Cecchetti International - Classical Ballet (CICB) It is with great delight that we can tell you that our international organization is now a legal non-profit entity. We were incorpo- rated in Canada on July 2nd, 2004 and we thank the Canadian delegates for facilitating this. Congratulations to everyone, and welcome to Cecchetti International - Classical Ballet. The Corporate Members of CICB have had an inaugural teleconference. Matters needing clarification were discussed, and over all it was an excellent meeting. Hereunder are set out the categories of membership of our new International Society, so that all our members can understand their standing in the new organization. a) Corporate Members - there are six corporate members who have come together to promote the Cecchetti Method and comprise the Board of CICB. Cecchetti Societies of: Australia, Canada, Southern Africa, and USA Cecchetti Council of America, Danzare Cecchetti - ANCEC Italia also represented are Korea, Malaysia, Namibia, New Zealand Thailand and Zimbabwe b) Represented Members - we are all Represented Members if we belong to one of the six Societies above and are in good standing with that society. -
Government Issue What Will Prime Minister Stephen Harper’S Arts and Culture Legacy Be?
EQUITY QUARTERLY FALL 2009 TIME FOR A CULTURAL POLICY REVIEW ADRIENNE CLARKSON ON THE ARTS EQ CAN A UNION CHANGE A COUNTRY? The Government Issue What will Prime Minister Stephen Harper’s arts and culture legacy be? 1932 – Prime Minister R.B. Bennett initiates the creation of the CBC 1951 – Louis St. Laurent asks Vincent Massey to chair the Royal Commission on culture, which recommends the creation of the Canada Council for the Arts, established in 1957 1983 – The Federal Cultural Policy Review Committee, appointed by the Trudeau government, issues the Applebaum-Hébert Report on cultural policy 2000 – The government of Jean Chrétien creates the Tomorrow Starts Today arts funding initiative 2008 – Harper government cuts the Trade Routes and PromArt touring programs President’s message After writing the end-of-term summary for the last EQ, and then the full online report, I’m not certain what I have left to say. People who know me well will want to mark this occasion down in their diary or note it in their blog. Perhaps some kind of celebration is in order.... We are fast approaching the end of the Council term, and by the time you read this we will be in the middle of elections for the next. It has been an honour serving both Council and the membership as President for the past three years. It was a lot of work, but enormously fulfilling. That said, I need to remind everyone that the President is not at the top of the governance structure; that position belongs to Council itself. -
ABOUT the RESTORATION This New Digital Restoration Was Undertaken by the Criterion D
“California at that point was PRESENTS everybody’s idea of a new kind of place to find yourself . It wasn’t just the drugs, but the kind of music and the lifestyle that it began to represent.” —D. A. Pennebaker “Monterey was the purest, most beautiful moment of the whole sixties trip . It was a magical, pure moment in time.” —Dennis Hopper “Ralph Gleason and Bill Graham helped bring San Francisco and Los Angeles together. They were the musical ambassadors who really made the festival happen.” —Lou Adler On a beautiful June weekend in 1967, at the beginning of the Summer of Love, the first Monterey International Pop Festival roared forward, capturing a decade’s spirit and ushering in a new era of rock and roll. Monterey featured career-making performances by Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few among a wildly diverse cast that included Simon and Garfunkel, the Mamas and the Papas, the Who, the Byrds, Hugh Masekela, and the extraordinary Ravi Shankar. With his characteristic vérité style, D. A. Pennebaker captured it all, immortalizing moments that have become legend: Pete Townshend destroying his guitar, Jimi Hendrix burning his. ABOUT THE RESTORATION This new digital restoration was undertaken by the Criterion D. A. Pennebaker, Chris Hegedus, and Frazer Pennebaker. Collection with L’Immagine Ritrovata and Metropolis Post. The soundtrack was remastered by Eddie Kramer from the The original 16 mm A/B reversal was scanned in 16-bit 4K original analog 8-track tapes produced by Lou Adler and resolution. The restoration was supervised and approved by John Phillips. -
MA Thesis Document
DANCING FOR CANADA/DANCING BEYOND CANADA: THE HISTORY OF THE NATIONAL BALLET OF CANADA AND THE ROYAL WINNIPEG BALLET’S INTERNATIONAL TOURS, 1958-1974. by Nadia van Asselt A thesis submitted to the Department of History in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada Final (QSpace) submission May, 2021 Copyright ©Nadia van Asselt, 2021 Abstract This thesis traces the growth of the National Ballet of Canada (NBC) and the Royal Winnipeg Ballet (RWB) through international ballet exchanges and reveals how foundational they were to the companies’ current reputations. In the mid-twentieth century, the development of Canadian ballet was intertwined with international exchanges because the Canada Council of the Arts viewed national success as synonymous with international success. The National Ballet of Canada and the Royal Winnipeg Ballet developed different ways of being viewed as Canadian while abroad and established themselves as noteworthy cultural institutions. This thesis is also a study of the non-state actors’ role – ballet companies’ personnel, artistic directors, dancers, and media – in producing or furthering diplomatic relations with host countries and how they either upheld or contradicted state interests. Chapter two examines ten years (1958-1968) of negotiations between the NBC and the Instituto Nacional de Bellas Artes to show how the NBC used Canadian cultural policies and Canada’s national language to attain international tours that focused on fostering the company’s growth. Also, the tour resulted in the NBC building a relationship with Mexico without much help from the government. Chapter three studies the RWB’s engagement with Jamaica for the country’s independence celebrations in 1963 from the perspective of non-state actors – the dancers, media, and private sectors – to understand the motivations in carrying out state interest. -
Danceinternational Journey to Soif
$7.50 • SUMMER 2014 INTERNATIONAL danceGinette Laurin’s Journey to Soif A New Danseur Noble Crazy Cabaret Girls Galleryspace La Monarca GLOBAL REPORTS: FLAMENCO MEN IN JEREZ, ROMEO AND JULIET IN WINNIPEG, BACKSTAGE AT THE BOLSHOI PMA No.40050848 INTERNATIONAL danceCLASSICAL AND CONTEMPORARY DANCE IN CANADA AND ABROAD SUMMER 2014 VOL. 42 No. 2 Publisher Vancouver Ballet Society Editor Kaija Pepper Shakespeare’s Romeo and Juliet features a female Copy Editor Margaret Jetelina lead who goes through an intense emotional jour- Web Administrator & Gabriele Walkow Social Media Manager ney within the story’s tight time frame. The es- Web Design Spry sential Juliet is about tempestuous first love, but Art Direction, Design Brenda Finamore the enriching details are up to the actress/balle- & Production rina playing her. Fulfillment The Oyster Group The two ballet productions I’ve seen so far this Printing Horseshoe Press Inc. year had memorable Juliets. The Royal Winnipeg Photo: Steven Lemay Steven Photo: Mailing Mail-O-Matic Ballet’s delicate heroine — in Rudi van Dantzig’s Advertising Kelsey Jorssen 1967 version — was made even more ethereal by pink satin pointe shoes, whether danced by Amanda Green, Elizabeth Lamont or Sophia Lee (yes, DANCE INTERNATIONAL is published quarterly by the Vancouver Ballet Society and is available by I saw all three casts, on tour in Vancouver). By contrast, on my recent visit membership in the society or by subscription. to Dresden, the Semperoper Ballett’s Julia Weiss — in Stijn Celis’ 2013 con- Opinions expressed within are those of the temporary telling — was a thrillingly grounded young woman in white shirt, authors and do not necessarily represent the shorts and shoes. -
John Phillips
John Phillips 1 / 4 John Phillips 2 / 4 3 / 4 John Phillips can be heard weekdays at 3 p.m. on “The Drive Home with Jillian Barberie and John Phillips” on KABC/AM 790. Phillips earned a Bachelor of Arts .... John Phillips is Digital Editor with CNBC.com, covering a range of topics including the global economy, financial markets and corporate news. Before joining .... John Phillips. John grew up in the Culver City area of Southern California. During his college and law school years, he worked with his dad at Fox Studios where .... John Phillips, the founder and principal songwriter of the 1960s vocal group, the Mamas and Papas, has died aged 65. He arranged their .... As the daughter of the Mamas and the Papas' John Phillips reveals she had an incestuous relationship with her father, Chris Campion looks .... John Phillips, songwriter and founding member of 1960's folk-pop group the Mamas and the Papas, dies at age 65; photo (M). John B. Phillips Jr., 72, of Lookout Mountain, Tenn., an endlessly loved husband, father, grandfather, brother, friend, advisor, author and seeker .... Michelle Phillips, Denny Doherty and John Phillips, here in 1998, were members of the Mamas & the Papas. If the song were to be updated today, .... John Phillips. #82 -. TE. HT: WT: 6' 5". 251. AGE: DOB: 32. 6/ 11/ 87. EXPERIENCE: 9 Seasons. COLLEGE: Virginia. STATS OVERVIEW, CAREER STATS .... John Phillips, co-founder, songwriter and musical architect of the Mamas and the Papas died of heart failure on Sunday morning at 8:15 a.m. .... Explore releases from John Phillips at Discogs.