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May, 2011 Subject: Monthly Media Dossier Medium Appeared In
MEDIA DOSSIER Period Covered: May, 2011 Subject: Monthly Media Dossier Medium Appeared in: Print & Online For internal circulation only Monthly Media Dossier May 2011 Page 1 of 121 PERCEPT AND INDUSTRY NEWS Percept Limited Pg 03 ENTERTAINMENT Percept Sports and Entertainment PDM Pg 23 - Percept Activ Pg 28 - Percept ICE Pg 35 - Percept Sports _____ - Percept Entertainment _____ P9 INTEGRATED Pg 40 PERCEPT TALENT Pg 42 Content Percept Pictures Pg 43 Asset Percept IP _____ MEDIA ALLIED MEDIA Pg 46 PERCEPT OUT OF HOME Pg 50 PERCEPT KNORIGIN Pg 52 COMMUNICATIONS Advertising PERCEPT/H Pg 53 MASH _____ IBD INDIA _____ Percept Gulf _____ Hakuhodo Percept Pg 59 Public Relations PERCEPT PROFILE INDIA Pg 63 IMC PERSPECTRUM _____ INDUSTRY & COMPETITOR NEWS Pg 66 Monthly Media Dossier May 2011 Page 2 of 121 PERCEPT LIMITED SLAMFEST Source: Experiential Marketing, Date: May, 2011 *************** Shailendra Singh, Percept Picture Company Source: Box Office India , Date: May 28. 2011 ******************** Marketing to men as potential customers! Source: Audiencematters.com; Date: May 31, 2011 Monthly Media Dossier May 2011 Page 3 of 121 Men are quite different from the females not only in their physical appearance but also when it comes to their buying habit. Marketers cannot market for men and women in the same way. It's not a simple transformation of changing colors, fonts or packaging. Men and women are different biologically, psychologically and socially. There are lots of things that marketers should keep in mind before targeting men. Men believe in purchase for ‘now’. Unlike women who don’t have anything particular in mind but still can shop for hours, men buy what they need in the recent future. -
Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. -
Farmer Suicides and Local Mental Health in Telangana, India
CULTIVATING DISTRESS: FARMER SUICIDES AND LOCAL MENTAL HEALTH IN TELANGANA, INDIA NANDA KISHORE KANNURI Thesis submitted in partial requirement for the degree of Doctor of Philosophy DIVISION OF PSYCHIATRY UNIVERSITY COLLEGE LONDON 2014 Declaration I, Nanda Kishore Kannuri, confirm that the work presented in this thesis is entirely my own. Where the information has been derived from other sources, I confirm that this has been indicated in the thesis. Signature: Date: 01/06/2015 2 Abstract This thesis examines the manifestation of global and national policies in rural distress and mental health wellbeing of cotton farmers in India. It draws upon the disciplines of medical anthropology and cultural psychiatry to argue for a re- calibration of health care systems and mental health pedagogy. The thesis addresses three interlinked research questions. Firstly, to examine the social and cultural contexts of farmer suicides. Secondly, how and why do these socio-cultural issues mediate between cotton farming and mental distress? The third question investigates the psycho-social consequences for survivors. Ethnographic field work for 12 months (2011-2012) was conducted in a village in Warangal district, Telangana State, India. A nuanced analysis points at a confluence of global and local forces in defining rural predicament when encountering modernity. Bt cotton symbolises this plight as it demonstrates the transformation of rural landscapes into environmentally and culturally toxic terrains. Such toxic landscapes amplify existing social and cultural marginalities leading to immense distress. Marginalised communities embody their suffering in both psychological and social forms. Furthermore this process generates an unrelenting state of social defeat amongst the despaired farmers. -
Farmers Suicide and Response of the Government in India -An Analysis
IOSR Journal of Economics and Finance (IOSR-JEF) e-ISSN: 2321-5933, p-ISSN: 2321-5925.Volume 7, Issue 3. Ver. I (May. - Jun. 2016), PP 01-06 www.iosrjournals.org Farmers Suicide and Response of the Government in India -An Analysis Dr. G. L. Parvathamma Associate professor&co-ordinator, Department of Economics, Bangalore University, P.G.Centre, Kolar, Abstract: India is an agrarian country with around 60% of its people depending directly or indirectly upon agriculture. Farmer suicides account for 11.2% of all suicides in India. Farmer suicide in India is the intentional ending of one's life by a person dependent on farming as their primary source of livelihood .There are number of reasons for farmer suicides, such as monsoon failure, high debt burdens, genetically modified crops, government policies, public mental health, personal issues and family problems. There is also accusation of states fudging the data on farmer suicides. In 2012, the National Crime Records Bureau of India reported 13,754 farmer suicides. The highest number of farmer suicides was recorded in 2004 when 18,241 farmers committed suicide. The farmer’s suicide rate in India has ranged between 1.4 to 1.8 per 100,000 in the total population, over a 10-year period through 2005. From 1995 to 2013, a total of 296,438 farmers have killed themselves in India, or an average of 16,469 suicides per year. During the same period, about 9.5 million people died per year in India from other causes including malnutrition, diseases and suicides that were non- farming related, or about 171 million deaths from 1995 to 2013.The present paper made an attempt to analyses the reasons for farmers suicide in India and the State government field surveys (Statistics) on variation of Farmers suicides in Different states. -
Aug 02, 2020.Qxd
ENTERTAINMENT TRULY TIMES 8 JAMMU, SUNDAY, AUGUST 02, 2020 COFFEE BREAK Meena Kumari 87th birth anniversary: CARTOON Remembering B-Town’s original tragedy queen! If Dilip Kumar is tagged as of the Indian film industry - ‘tragedy king’ by millions besides Madhubala, of of his fans, Meena Kumari course - and rightly so. is generally referred to as Mahie Gill, who has played the 'tragedy queen' of Hindi a prominent role in Sahib cinema. Born on August 1, Biwi Aur Gangster, is an 1933, Mahajabeen, better ardent fan of the late actor. known as Meena Kumari, The actress had once said was one of the most beauti- that it was a great honour ful heroines Hindi cinema for her to emulate Meenaji has ever seen. While her onscreen for her role in the father was a theatre person- film Gangs of Ghost. ality and poet, her mother Not many know that Meena was a stage actor and started her career at the age dancer. of seven, when other girls In her over three decade her age were just starting long career, Meena Kumari school. Her first role was in appeared in more than 90 the film Farzand-e-Watan, films. However, her most released in 1939. It was of a wife trapped in a love- and her heavy drinking memorable work was her Baiju Bawra (1952) that less marriage became a cult damaged her liver and even- 216 BC Hannibal Barca wins his greatest role in Pakeezah. Even gave her star status. Her offering. She married direc- tually caused her death on victory over the Romans at Cannae. -
Chapter 10 Gender, Disability and the Postcolonial Nexus
Chapter 10 Gender, Disability and the Postcolonial Nexus Pushpa Naidu Parekh Spelman College In my reflections and academic presentations (2005, 2006) on my personal/political life living with polio in post-independent India and subsequently in the United States, I have articulated “postcolonial feminist disability theory and praxis” as a framework of intersecting theories, practices and discourses. I have revisited this critical and interventionist paradigm in my pedagogical practices in teaching postcolonial literature, and my professional research on race, gender, disability and postcoloniality. My framework is a re-consideration of Rosemarie Garland Thomson’s (1997) “feminist disability” theorizing in the context of American culture and literature as it relates to and is reshaped in postcolonial contexts and texts. I attempt to analyze the conflicting, competing, co-opting, and intersecting spaces of identity nexus formations, whether geo- political, socio-economic, cultural, or ideological. Moreover, this framework is useful so far as it makes transparent the matrices of oppressive, hierarchical, and discriminatory ideologies, practices, and politics. In many ways, the intersectional approach complicates concepts of emancipation and decolonization to include historical and culture specific engagements with differing and shifting colonizer-colonized interactions and relationships. Critical to this methodology is tracing the genealogies of institutions that codified social relations and processes of knowledge construction and disciplines as well as discourses that legitimated assumptions and speculations about racial, sexual, physical and mental differences, and spawned debates about heredity and environment. Post- independent responses to colonial agendas, policies, and structures constitute another level of re-evaluating degrees to which complicit as well as counter discourses and practices of emerging nations were located in immediate crisis resolution imperatives.