Kurze Biographie
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
40Th Anniversary Reunion (DVD) Page 1 of 2
FAME Review: Emerson, Lake, & Palmer - 40th Anniversary Reunion (DVD) Page 1 of 2 FAME Review: Emerson, Lake, & Palmer - 40th Anniversary Reunion (DVD) 40th Anniversary Reunion Emerson, Lake, & Palmer MVD Visual - MVD5219D (DVD) Available from ELP's web store . A review written for the Folk & Acoustic Music Exchange by Mark S. Tucker ([email protected] ). While I was ecstatically getting my brain razed by some of the latest NuProgressives (Chocolate Horses and Nerves Junior being two of the most recent and among the best), this MVD DVD providentially came my way as kind of a subtle grail, a piece of the true cross, a time machine back to where it all started. Emerson, Lake, and Palmer have reigned as co-equal kings among a coterie of legendary ensembles from an age when unbelievable intelligence, talent, and musical mastery held sway, a time that sadly waned as the shenanigans of punk took over (a regicide happily and speedily failed, as we've seen), and is now in the last gasps of its glory. Before Jorden Rudess, Vitali Kuprij, and others arose, Keith Emerson, Jon Lord, Kerry Minear, Mike Pinder, and sundry geniuses established what virtuosity meant in a rock keyboardist. Before Mike Portnoy, Neil Peart, and other skins-pounders took over the reins, Carl Palmer, Bill Bruford, Ginger Baker, Keith Moon, and others were the drummers to be feared and admired. And when it came to the bass guitar, Greg Lake, Colin Hodgkinson, and Percy Jones preceded Flea and the gaggle of modern day four- stringers. There are aways antecedents. Earlier, Emerson fulfilled a dream we progheads have long held: the reunion of his pre-ELP band, The Nice, and, man, was it ever a rare thrill to see Keith, Brian Davison, and Lee Jackson making music again (if you're a Nice fan, check out the hideously cool Microwerks Diamond Hard Blue Apples of the Moon 2-CD issuance of 'bootleg' materials from the original 60s Nice). -
Forms of Intertextuality: Keith Emerson’S Development As a “Crossover” Musician
FORMS OF INTERTEXTUALITY: KEITH EMERSON’S DEVELOPMENT AS A “CROSSOVER” MUSICIAN Akitsugu Kawamoto A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Department of Music. Chapel Hill 2006 Approved by Advisor: John Covach Reader: John Nádas Reader: Severine Neff Reader: Allen Anderson Reader: David Garcia © 2006 Akitsugu Kawamoto ALL RIGHTS RESERVED ii ABSTRACT AKITSUGU KAWAMOTO: Forms of Intertextuality: Keith Emerson’s Development as a “Crossover” Musician (Under the direction of John Covach) Despite the broad range of attempts to mix “rock” and “classical” music by “progressive (“prog”) rock” musicians from the late 1960s, many writers on prog rock have interpreted the music in a relatively monolithic manner; they often have interpreted the resulting intertextuality simplistically as an elitist experiment that opposes rock’s populist origin. This could certainly be one interpretation of prog, but it is only one of many; there are additional kinds of possible narratives, according to the specific ways in which the materials are combined and fused. Yet the variety of intertextual approaches has rarely been recognized explicitly, and little analytical or musicological attention has been paid to the distinctly different intertextual styles. Generalized approaches to intertextuality have been common not only within popular music studies, however, but also within many humanistic fields. Since Julia Kristeva’s coinage of the term intertextuality in the late 1960s, theorists of the arts (literature, music, painting, architecture, etc.), sociology, politics, economics, and many other fields, have almost always treated intertextuality in a singular manner, presuming that all intertextual practices are more or less of the same kind. -
Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
Genesis: Get ‘Em Out By Friday The Official Release Dates 1968-78 Introduction Depending on where one looks for the information, the original release dates of Genesis singles and albums are often misreported. This article uses several sources, including music paper cuttings, websites and books, to try and determine the most likely release date in the UK for their officially released product issued between 1968 and 1978. For a detailed analysis to be completed beyond 1978 will require the input of others that know that era far better than I with the resources to examine it in appropriate levels of detail. My own collection of source material essentially runs dry after 1978. As most people searching for release dates are likely to go to Wikipedia that is where this search for the truth behind Genesis’ back catalogie. The dates claimed on Wikipedia would themselves have come from a number of sources referenced by contributors over the years but what these references lack is the evidence to back up their claims. This article aims to either confirm or disprove these dates with the added bonus of citing where this information stems from. It’s not without a fair share of assumptions and educated deductions but it offers more on this subject than any previously published piece. The main sources consulted in the writing of this article are as follows: 1. The Genesis File Melody Maker 16 December 1972 2. Genesis Information Newsletter Issue No. 1 October 1976 3. Wax Fax by Barry Lazzell - a series of articles on Genesis releases published in Sounds over several weeks in 1977 4. -
University Initiates Self-Study to Prepare for March Visit
Vol. LIV, No.8 GEORGETOWN UNIVERSITY, WASHINGTON, D.C. Thursday, October 22,1970 University Initiates Self-Study To Prepare For March Visit The University has been divided Association visit in March of next It is hoped that the self-study into twelve sections that are ex- year. will set basic priorities for the amining themselves and which will The twelve divisions consist of 1970's and will clarify George report on their findings to the the five undergraduate schools, the town's purposes. Also, according to Middle States Evaluation Commit- Summer School, the Law Center, Fr. Fitzgerald, self-study will help tee, chaired by the Rev. Thomas R. the Hospital, and the Schools of form the basis of the University's Fitzgerald, S.J., academic vice presi- Dentistry and Medicine. Also taking five year and ten year plans. In dent. part in self-study is a committee on addition, self-study should make it The examination process, student life, headed by the Rev. possible "for the President, as he termed "self-study" has been in Robert K. Judge, S.J., dean of men. earnestly wishes, to layout a ten preparation for th; Middle States According to Fr. Fitzgerald, the year program of fund raising." The Rev. Robert K. Judge, S.J., dean of men, has been appointed by Fr. Steering Committee of Self-Study In the letter, Fr. Fitzgerald Fitzgerald to head a committee that will prepare a self-study report on (Middle States Evaluation Commit noted various strengths and weak student life. tee) will take the twelve reports and nesses of the Law SchOOl, the consolidate them into a final one Medical Center, the Main Campus, hundred page report which will be and the University. -
Download (1MB)
University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
The Published Music of Keith Emerson: Expanding the Solo Piano
THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS (Under the Direction of Richard Zimdars) ABSTRACT The study examines the published music of Keith Emerson (b.1944) and includes solo piano transcriptions of thirteen of his compositions. Emerson’s music was published on three continents over a period of thirty years (1975-2005). Because almost all of it is currently out of print, a need exists for a cataloguing and a rediscovery of his music. The work is in five chapters. The first, a short biography, examines Emerson as a composer. The second addresses the importance of Emerson’s music. The third covers the sources of Emerson’s published compositions and a performance and recording history of Emerson’s music performed by pianists other than the composer. The fourth chapter surveys thirteen compositions which appear as solo piano transcriptions in the fifth chapter. INDEX WORDS: Keith Emerson, Dissertation, Published Music, Rock history, Transcriptions, Solo piano repertoire, ELP, Emerson Lake & Palmer, Tarkus, Pictures at an Exhibition THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2006 © 2006 Giuseppe Lupis All Rights Reserved. THE PUBLISHED MUSIC OF KEITH EMERSON: EXPANDING THE SOLO PIANO REPERTOIRE by GIUSEPPE LUPIS Major Professor: Richard Zimdars Committee: Evgeny Rivkin Ivan Frazier Leonard Ball Susan Thomas Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2006 DEDICATION To Keith Emerson iv ACKNOWLEDGEMENTS I wish to acknowledge the many people who supported my research: Karen Stober, private collector, United States; Virginia Feher, University of Georgia Library, United States; Dominik Brükner, professor, University of Freiburg, Germany; Roberto Mosciatti, Italy; Maurizio Pisati, composer, Italy; Marco Losavio, Italy; Ms. -
Diner Manager Terry Kyratzis Inspects Part of the Voorheesville Patrons for Guthrie and Hank New Diner’S Cooling System on Tuesday, July 10
Inside Broken glass closes pool Vandals strike at Elm Avenue Park Page 4 T H E www.spotlightnews.com Serving Bethlehem, New Scotland & Guilderland Volumeume LV Number 29 $1.00 July 18, 2012 Eat for free The Bethlehem YMCA has received a grant to provide free Cops: lunches to summer campers. See Page 3. We’re cut to the bone Report tallying potential cuts draws ire of police By MARCY VELTE [email protected] The latest report presented Drumming up by Bethlehem’s Budget Advisory Committee identifi ed about $550,000 interest worth of potential savings in the A Different Drummer’s Kitchen town’s police department, but police has several cooking classes that ca- brass say the force is already limited. ter to kids, including an upcoming “Public safety is expensive,” American Girl Afternoon. said Police Chief Louis Corsi at a Town Board meeting held on See Page 19. Wednesday, July 11, at which the report was discussed. “We have cut Fireman’s fair adds rides everything to the bone. I’m working understaffed and if we continue in Glenmont event rolls on that course, it’s not going to rest with for a 56th year me, it’s going to rest with the board.” Recommendations in the report By MARCY VELTE included freezing police hiring [email protected] for a year, reducing the amount of overtime and response to non- Although the steamed clams are the emergency calls by officers and traditional draw, this year’s 56th annual requiring a 4 percent reduction Glenmont Fireman’s Fair will include in contractual services. -
Plattenbörsen 2005
2 Oldie Markt 08/05 Schallplattenbörsen Plattenbörsen 2005 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, daß sie längst nicht mehr nur eventuell Platz für Tummelplatz für Insider sind. Neben teuren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Anzeige oder Bücher Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in Bild wird von geliefertem der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeit- Film einmontiert! schrift monatlich den aktuellen Börsen- kalender. Folgende Termine wurden von den Veranstaltern bekanntgegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 28. Juli Berlin Statthaus Böcklerpark Kurt Wehrs ¤ (030) 67 77 62 42 28. August Leipzig Uni Mensa First & Last ¤ (03 41) 699 56 80 29. August Berlin Velodrom First & Last ¤ (03 41) 699 56 80 3. September Hamburg Uni Mensa WIR ¤ (0 51 75) 92 23 59 4. September Bielefeld Spinnerei Ravensberg WIR ¤ (0 51 75) 92 23 59 10. September Bremen Konsul Hackfeld Haus WIR ¤ (0 51 75) 92 23 59 11. September Cottbus Stadthalle First & Last ¤ (03 41) 699 56 80 11. September Köln Tanzbrunnen Wolfgang W. Korte ¤ (061 01) 12 86 62 11. September Braunschweig Mensa 2 WIR ¤ (0 51 75) 92 23 59 12. September Plauen Festhalle First & Last ¤ (03 41) 699 56 80 17. September Erfurt Thüringerhalle Iris Lange ¤ (056 59) 73 24 18. September Frankfurt/Main Jahrhunderthalle Wolfgang W. Korte ¤ (061 01) 12 86 62 18. September Chemnitz Stadthalle Iris Lange ¤ (056 59) 73 24 25. September Essen Grugahalle First & Last ¤ (03 41) 699 56 80 25. -
GR.Aphael Looning ·· Wr Apent Four Mo 11 Th1 Loo Nlni: Around Crrm Any and the So Ulh of Fran«
6 NEW MUSICAL EXPRESS On sale, Friday, week endin& November 1, 1969 A NICE A IVEEK: No. I KEITH EMERSON WANTS CLASSICAL MUSIC TO SURVIVE By RICHARD GREEN •hlch I l1 norc-d and U ■ e: d lo 10 Into QNE of the hfghspots of Keith Emerson's career occurred only a fortnight ago, lhl.' common room and play !he when the Nice played with the London Symphony Orchestra al Croydon's Fair• 1 f~ini~g ~n · ~~ t~~io. ·~~ ~ ~ r1~'~r:i: field Halls. The reception was, to say the teas~ tumultuous and mur.h of the credit for [~~- ~n lh~~ ol~~l~~: .n~a::r,r :;,~l~~!j this outstanding success must go to Keith, who did the arrangements and wrote the 1 h •:~i,h ~!~ ~r~~~t~h;f.~!t 1~1!1: c:.~~ new "Five Bridges Suite." 11,ok various uama But he ,rot to To organ ist-composer Keith, who will be 25 u n Sunday, classical music is something whk:h must lhe 1111e where ' 1 I think I hi d not be a llowed lo fade with time. He has a duty t o himself, it seems, to ensure that this does not outr rown lht IHc:htr .. It was I q uestion or comlnJ 10 London. where happen and, 1<' his c redit, appears to be succeeding. he knew nobody, or 1r1ehlna hlmrr ll. During breaks In rehearsals in minded a.nd, to an extent, he 1 1 ~~c:o~~: eant:r 0~!~!1~n~f1,U•,ttt~1~: :~ th~~,,~d•h~Sw ::1 t n~d~~di~·,.ah: ~: ~•~7 ~\~· t1~e ' ~~~ ;os1ng grae:~ ••Ith bands. -
Tea Council's Giant New Sound Search
NOVEMBER 1,1969 S1.00 BBOBIG*204UNIBZ740007K9A1300R BIG ALS RECORuSALES SEVENTY-FIFTH YEAR WOPV5MESI 02903 siNNimpolosisionvisamatninemswohi The International MJsic-Record-Tape Newsweekly COIN MACHINE omr PAGES 59 TO 64 Tea Council's GiantPeace Festival, TV Sound Takes New Sound SearchGovt. Style, Set Cue From Disks ByCLAUDE HALL By ELIOT TIEGEL NEW YORK-One ofthe The promotion will be un- LOS ANGELES-The sound Jimmy Bowen's Amos Produc- greatest searches for record tal- veiled to the iced tea industry For August '70 of television and motion picture tions. ent will he launched nationwide Sunday (2) to Wednesday (5) at musicisabout to undergo a AndyWilliamsandAlan Feb. 1,1970,with Top 40 its Nassau convention. Radio sta- By FRED KIRBY radical change. Amos Engineer- Bernard,theexecutivepro- radio stations participating. tions are being invited to par- ing, a freelanceengineering ducers of the Saturday evening Sponsoring the drive to locate ticipate in the search. Only one NEW YORK - TheU.S. company,hasbeenhiredto hour program, came to Amos and spotlight new sounds and station per market will be in- government, music industry and oversee the musical sound of becausetheywere concerned talents will be the Tea Council volved, on afirst -come,first - other major industries will co- Williams about obtaining a recording in- operateina theweekly"Andy of the U.S.A., Inc., in conjunc- served basis. The search will in- massive"1970 Show" on NBC. And the com- dustrystandardof soundfor tion with Billboard Magazine. clude both large and small mar- United States Peace Festival," pany has just signed an agree- television. Prizes willrange from record kets. -
The Nice Ars Longa Vita Brevis Mp3, Flac, Wma
The Nice Ars Longa Vita Brevis mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Ars Longa Vita Brevis Country: UK Released: 1987 Style: Art Rock, Prog Rock MP3 version RAR size: 1997 mb FLAC version RAR size: 1913 mb WMA version RAR size: 1124 mb Rating: 4.8 Votes: 701 Other Formats: AIFF MP4 RA FLAC APE MPC DTS Tracklist Hide Credits Daddy Where Did I Come From 1 3:40 Written-By – Emerson*, Jackson* Little Arabella 2 4:14 Written-By – Emerson*, Jackson* Happy Freuds 3 3:25 Written-By – Emerson*, Jackson* Intermezzo From The Karelia Suite 4 8:52 Composed By – Sibelius* Don Edito El Gruva 5 0:12 Written-By – Davidson*, Emerson*, Jackson* Ars Vita Longa Brevis Prelude 6 1:48 Written-By – Davidson* 1st Movement - Awakening 7 3:58 Written-By – Davidson* 2nd Movement - Realisation 8 4:28 Written-By – O'List*, Emerson*, Jackson* 3rd Movement - Acceptance "Brandenburger" 9 4:43 Written-By – Davidson*, Emerson*, Jackson* 4th Movement - Denial 10 3:21 Written-By – Davidson*, Emerson*, Jackson* Coda - Extension To The Big Note 11 0:46 Written-By – Davidson*, Emerson*, Jackson* Companies, etc. Licensed From – Interworld Communications Phonographic Copyright (p) – United Partnership Glass Mastered At – Nimbus Credits Bass Guitar [Uncredited], Lead Vocals [Uncredited] – Lee Jackson Drums [Uncredited] – Brian Davison Keyboards [Uncredited], Vocals [Uncredited], Lead Vocals [Uncredited] – Keith Emerson Notes Made in the U.K. Barcode and Other Identifiers Barcode: 5013428703151 Matrix / Runout: CLACD 120 :: .MASTERED. .BY NIMBUS. Other versions