Frankenstein by Mary Shelley

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YA Inspired by Mary Shelley’s FRANKENSTEIN This Dark Endeavour & Such Wicked Intent by Kenneth Oppel: When his twin brother falls ill in the family's chateau in the independent republic of Geneva in the eighteenth century, sixteen-year-old Victor Frankenstein embarks on a dangerous and uncertain quest to create the forbidden Elixir of Life described in an ancient text in the family's secret Biblioteka Obscura. Mister Creecher by Chris Priestley: In 1918 London, fifteen-year-old Billy, a pickpocket, meets Mr. Creecher, a monstrous giant, and their relationship swiftly turns from pure convenience to a strong bond as they journey northwards on the trail of Victor Frankenstein. Dr Frankenstein’s Daughters by Suzanne Weyn: Giselle and Ingrid are the twin daughters of Doctor Victor Frankenstein, but they are very different people, and when they inherit his castle in the Orkney Islands, Giselle dreams of holding parties and inviting society--but Ingrid is fascinated by her father's forbidden experiments. Gris Grimly’s Frankenstein, or, The Modern Prometheus: Retells, in graphic novel format, Mary Shelley's classic tale of a monster, assembled by a scientist from parts of dead bodies, who develops a mind of his own as he learns to loathe himself and hate his creator. Man Made Boy by Jon Skovron: Tired of being sheltered from humans, seventeen- year-old Boy, son of Frankenstein's monster and the Bride of Frankenstein, runs away from home and embarks on a wild road trip that takes him across the country and deep into the heart of America. This Monstrous Thing by Mackenzi Lee: When Alasdair Finch, a talented mechanic in 1818 Geneva, brings his brother back from the dead using clockwork parts, Oliver returns more monster than man. The citizens of Geneva think the pair were the inspiration for the recently published Frankenstein. The Dark Descent of Elizabeth Frankenstein: The events of Mary Shelley's Frankenstein unfold from the perspective of Elizabeth Lavenza, who is adopted as a child by the Frankensteins as a companion for their volatile son Victor. Little Book of Horror: Frankenstein by Steve Niles: In this special re-telling of Mary Shelley's Frankenstein, writer Steve Niles (Wake the Dead) works from the original text of the novel, presenting the tale in prose excerpts, each accompanied by a full-page spread from award-winning illustrator Scott Morse. The Strange Case of the Alchemist's Daughter by Theodora Gross: Alone and penniless, Mary Jekyll hunts for her father’s killer, a former friend named Edward Hyde, along with help from Sherlock Holmes and Dr. Watson resulting in the discovery of a secret society of immoral and power-crazed scientists. Series: Extraordinary adventures of the Athena Club. Book descriptions via NoveList. Updated 2019 .

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Representations of Love and Marriage in the Works of Mary Wollstonecraft Hels Ley and Percy Bysshe Shelley Jenna E
Student Publications Student Scholarship Spring 2016 “One Feeling in Such a Solitude”: Representations of Love and Marriage in the Works of Mary Wollstonecraft helS ley and Percy Bysshe Shelley Jenna E. Fleming Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Comparative Literature Commons, and the Literature in English, British Isles Commons Share feedback about the accessibility of this item. Fleming, Jenna E., "“One Feeling in Such a Solitude”: Representations of Love and Marriage in the Works of Mary Wollstonecraft Shelley and Percy Bysshe Shelley" (2016). Student Publications. 456. https://cupola.gettysburg.edu/student_scholarship/456 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 456 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. “One Feeling in Such a Solitude”: Representations of Love and Marriage in the Works of Mary Wollstonecraft helS ley and Percy Bysshe Shelley Abstract The ae rly nineteenth century was characterized by a dynamic literary discussion and debate over the nature and effects of human relationships. Mary Wollstonecraft heS lley and Percy Bysshe Shelley, two of the foremost writers of the period, experimented with and drew conclusions about differing images of marriage within their works. Making use of this public literary genre, the couple engaged in a conversation with one another as they explored and refined their views and judgments of relationships including their own.
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The Horror Film Series
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Discussion Questions for Frankenstein Written by Hailey Toporcer, Hiram College Class of 2019 Edited by Prof
Discussion Questions for Frankenstein Written by Hailey Toporcer, Hiram College Class of 2019 Edited by Prof. Kirsten Parkinson As you read Mary Shelley’s Frankenstein, either on your own or with a group, we invite you to use these questions to add layers to your discussion or thinking about the novel. The first section includes questions for each chapter of the novel; you will find questions reflecting on the book as a whole at the end. We have not included specific pages numbers as various editions have different page numbers, but the quotations are based on the 1831 edition of the novel. Discussion Questions for Each Chapter Letters I through IV 1. Frankenstein begins and ends with letters written by Robert Walton. Why do you think that Mary Shelley chose to have him frame the novel? How would your opinions of Victor Frankenstein and his creation differ if their story was told directly by Victor Frankenstein himself? What if the story was told solely by the creation? 2. Walton yearns for a friend, much like Victor Frankenstein’s creature does. What does this tell you about human nature? Is it in our nature to want companionship, someone to confide in, and someone to care for? 3. In Letter IV, Walton writes, “Yesterday the stranger said to me, “You may easily perceive, Captain Walton, that I have suffered great and unparalleled misfortunes. I had determined at one time that the memory of these evils should die with me, but you have won me to alter my determination. You seek for knowledge and wisdom, as I once did; and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been.
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Mary Shelley: Life and Works British Romantic Indira Gandhi Literature National Open University School of Humanities
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Frankenstein in Mary Shelley’S Novel “Frankenstein”
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For More Than Seventy Years the Horror Film Has
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Frankenstein a Resource for Teachers
English Literature Frankenstein A resource for teachers Frankenstein A resource for teachers 1 Contents 2 Guidelines for teachers 3 Teaching ideas 4 Background 5 Characters 5 Behind the scenes 6 Excerpts 8 Interview 9 OperaVision 9 La Monnie Photo credits Cover, inside cover, pages 2, 5, 6, 7 © La Monnaie Page 4 © Moviestore Collection; © Bauman Rare Books Cover Image: Act I set of Frankenstein Page 6 © Simon van Rompay Left: Chorus in Act I of Frankenstein Page 9 © Royal College of Music; © Philippe De Gobert 2 OperaVision Guidelines for teachers Frankenstein is one of the great The pack contains teaching ideas, a background works of English literature. First pub- to the novel and opera, an interview with bari- tone Scott Hendricks and excerpts from chap- lished in 1818, Mary Shelley’s novel ters 23 and 24. broke new ground and helped to define the form of modern science The opera Frankenstein is a new opera composed by Mark fiction. Its obsessive scientist and his Grey and produced by La Monnaie / De Munt. hideous monster have appeared in It received its world premiere in Brussels on 8 dozens of stage and screen adapta- March 2019. A subsequent performance was tions, from Richard Brinsley Peake’s streamed live on OperaVision on 15 March 2019. 1823 play to James Whale’s 1931 film Contextual videos staring Boris Karloff, to Mark Grey’s As showing the full performance in class may 2019 opera. be impractical, this pack instead suggests three short-form videos to illustrate the opera. They are: ‘Let us begin’, a scene from Act I; a For pupils studying the novel, these adaptations timelapse makeup video; and ‘Lifeless, inani- can breathe life into the text and help them to mate’, an aria from Act II.
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Author Index
SF PORNOGRAPHY AUTHOR INDEX Anonymous All the books listed here are novels. Attributions are given where known. The Adult Version of Dracula. CALGA CP808, Los Angeles, 1970, (nov,rewrite), 190pp. “3 May. Bistritz: A piece of ass is a piece of ass—be it in England or here in Transylvania.” A rewritten version of Bram Stoker’s classic vampire novel. Contains scattered fragments of Stoker’s text, with several gratuitous sex scenes added. Adapted by Hal Kantor, q.v., per copyright registration. Begotten of the Devil. SATAN’S LIBRARY SL-105, (Star Distributors, Ltd.), New York City, 1978, (nov,orig), 180pp. “She looked into his penetrating eyes and tears filled her own.” Combines elements of Rosemary's Baby and The Omen. Laura Adler's husband has made a pact with Satan. Their daughter spearheads a worldwide revival of Satanism. Beloved of Satan. SATAN’S LIBRARY SL-112, (Star Distributors, Ltd.), New York City, 1979, (nov,orig), 180pp. “She could feel the intense heat pouring off of his cock as it approached her tender young cunny.” An evil rock musician named Zorba impregnates a groupie named Dalia with a Satanic child. The Bewitched. MASTER CLASSIC 6002, (N.P., Inc.), n.p., 1969, (nov,orig), 152pp, cover by O. U. Sutinen. (“translated by A. De Granamour”) “There are certain men who constantly meet together in restaurants and bars to exchange tales of their days in the army.” A trio of ex-army buddies are seduced by a pack of demonic women. A. De Granamour is one of the many pseudonyms of Paul Hugo Little, (1915-1987) US.
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Frankenstein
Mary Shelley Frankenstein "infinite perfectability of man," Gothic novelists portrayed human beings as BACKGROUND INFO woefully imperfect and at the mercy of far more powerful forces, such as nature and death. AUTHOR BIO EXTRA CREDIT Full Name: Mary Wollstonecraft Shelley A ghost story. On a stormy night in June of 1816, Mary Shelley, her husband, Date of Birth: 1797 and a few other companions, including the Romantic poet Lord Byron, decided to try to write their own ghost stories, but Shelley couldn't come up with any Date of Death: 1851 ideas. A few nights later, she had a dream in which she envisioned "the pale Place of Birth: London student of unhallowed arts" kneeling beside his creation—the monster. She Brief Life Story: Mary Wollstonecraft Shelley was the daughter of the began writing the story that became Frankenstein the next morning. philosopher William Godwin and the writer Mary Wollstonecraft, who wrote The Tale of Two Frankensteins. Shelley published the first edition of "Vindication of the Rights of Woman" (1792). Shelley's mother died in Frankenstein anonymously, perhaps due to her concern that such a grim and childbirth and she was raised by her father. At age 18 Shelley ran off with violent tale would not be well received by her audience if they knew her Percy Bysshe Shelley, a leading British Romantic poet, who she married in gender. She revised the novel and published it under her real name in 1831. 1816. The couple had a son, but after her husband died in a shipwreck in Some key differences exist between the editions, namely that in the first 1822, Mary Shelley fell into poverty.
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