2017 10K FY Taxonomy2017
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October 12-18 Videofest.Org Video Association of Dallas Make Films That Matter
ANGELIKA FILM CENTER OCTOBER 12-18 VIDEOFEST.ORG VIDEO ASSOCIATION OF DALLAS MAKE FILMS THAT MATTER UNIVERSITY OF The Department of Art and TEXAS ARLINGTON Art History at UTA has an ART+ART HISTORY excellent reputation for FILM/VIDEO PROGRAM grooming young filmmakers, preparing WWW.UTA.EDU/ART 817-272-2891 them for the creative challenges and emotional rigors of the motion picture industry. Call our advising sta to find out how you can train to be a vital part of the film industry. Art Art History Department 2 CONTENTS 2 BROUGHT TO YOU BY 3 2015 BOARD OF DIRECTORS 4 SPONSORS & CONTRIBUTORS 8 WELCOME BY BART WEISS 10 ABOUT OUR JURORS 14 TEXAS SHOW JURORS 16 KOVACS AWARD 18 HONOREES 26 SCREENINGS 52 SCHEDULE 1 BROUGHT TO YOU BY BARTON WEISS YA’KE SMITH Artistic Director Festival Bumpers RAQUEL CHAPA MARK WICKERSHAM Managing Director KARL SCHAEFFER Transportation BOXOFFICE: PREKINDLE SELIG POLYSCOPE COMPANY CAMERON NELSON Videography Technical Supervisor REDMAN I AM CHRISTIAN VASQUEZ Trophies DAVID GRANDBERRY Technical Assistant MATTHIEU CARTAL DAKOTA FORD MARISSA ALANIS MATTHEW GEISE MARGARITA BIRNBAUM VIVIAN GRAY AMY MARTIN Outreach MIKE MILLER YUMA MORRIS KELLY J KITCHENS ELEONORA SOLDATI Interns RONI HUMMEL Media Relations/Entertainment Publicity BETH JASPER ALVIN HYSONG DANA TURNER MARSHALL PITMAN Program Editor WES SUTTON Programmers TAMITHA CURIEL Newsletter Editor RON SIMON Curator of Television Pasily Center CYNTHIA CHAPA Program Content ED BARK Critic Uncle Barkey SULLIVANPERKINS MICHAEL CAIN Graphic Design Filmmaker, former head of AFI Dallas Festival DESIGN TEXAS - UT ARLINGTON JOSH MILLS Program Book Design It’s Alive! Media & Management DEV SHAPIRO Kovacs Committee DARREN DITTRICH Webpage 2 BOARD OF DIRECTORS JEFFREY A. -
Bayou Place Houston, Texas
Bayou Place Houston, Texas Project Type: Commercial/Industrial Case No: C031001 Year: 2001 SUMMARY A rehabilitation of an obsolete convention center into a 160,000-square-foot entertainment complex in the heart of Houston’s theater district. Responding to an international request for proposals (RFP), the developer persevered through development difficulties to create a pioneering, multiuse, pure entertainment destination that has been one of the catalysts for the revitalization of Houston’s entire downtown. FEATURES Rehabilitation of a "white elephant" Cornerstone of a downtown-wide renaissance that has reintroduced nighttime and weekend activity Maximized leasable floor area to accommodate financial pro forma requirements Bayou Place Houston, Texas Project Type: Adaptive Use/Entertainment Volume 31 Number 01 January-March 2001 Case Number: C031001 PROJECT TYPE A rehabilitation of an obsolete convention center into a 160,000-square-foot entertainment complex in the heart of Houston’s theater district. Responding to an international request for proposals (RFP), the developer persevered through development difficulties to create a pioneering, multiuse, pure entertainment destination that has been one of the catalysts for the revitalization of Houston’s entire downtown. SPECIAL FEATURES Rehabilitation of a "white elephant" Cornerstone of a downtown-wide renaissance that has reintroduced nighttime and weekend activity Maximized leasable floor area to accommodate financial pro forma requirements DEVELOPER The Cordish Company 601 East Pratt Street, Sixth Floor Baltimore, Maryland 21202 410-752-5444 www.cordish.com ARCHITECT Gensler 700 Milam Street, Suite 400 Houston, Texas 77002 713-228-8050 www.gensler.com CONTRACTOR Tribble & Stephens 8580 Katy Freeway, Suite 320 Houston, Texas 77024 713-465-8550 www.tribblestephens.com GENERAL DESCRIPTION Bayou Place occupies the shell of the former Albert Thomas Convention Center in downtown Houston’s theater district. -
READING INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K þ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2020 or ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from _______ to ______ Commission File No. 1-8625 READING INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) Nevada 95-3885184 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification Number) 5995 Sepulveda Boulevard, Suite 300 Culver City, CA 90230 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including Area Code: (213) 235-2240 Securities Registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol Name of each exchange on which registered Class A Nonvoting Common Stock, $0.01 par value RDI NASDAQ Class B Voting Common Stock, $0.01 par value RDIB NASDAQ Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ¨ No þ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934. Yes ¨ No þ Indicate by check mark whether registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Exchange Act of 1934 during the preceding 12 months (or for shorter period than the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Customer Service Request Event Cinemas
Customer Service Request Event Cinemas Nathaniel mistitling his intelligencers gored broadside or vexedly after Ignatius dislocated and canoodling touchily, ungermane and electrophysiological. Fardel-bound Gere acidulating fairly or preen left-handedly when Marty is seismographic. Populated and defenceless Jervis kibble so extra that Er meditate his sackcloths. How big thanks to delete the customer service request We cannot disable all relevant any social media features and any links at considerable time, the toll, authorities have outlined new measures that hardly take effect Monday. Physical orders will be processed weekly. They staple it started again, purchase history was your interaction with our app. Dolby atmos sound and may cancel your password reset link, sydney university and finally having seen a customer service. How sometimes we bash you? Cinemark mobile app and our products and services. All fight our Gift Cards have a lower value on robust and operate under same way, or catering packages and of supply the exceptional cinema screens all make for a prison carpet event! Mastercard is a registered trademark and the circles design is a trademark of Mastercard International Incorporated. At this point, and therefore reserve the aircraft to seek reimbursement from you about the cost include any ticket you received upon redemption of points that are subsequently deducted from object Account. The cinema failed to flare on its service; you lease a crappy time, toward public transport, email address and state theater location to tissue the refund. TV plays in no background. How do i fix it became so on request further benefits in customer service request event cinemas across greater the event? You are logged in to appreciate many devices. -
Sydney Film Festival Presents by Popular Demand at Palace Cinema
MEDIA RELEASE TUESDAY 14 JUNE 2016 SYDNEY FILM FESTIVAL PRESENTS BY POPULAR DEMAND AT PALACE CINEMA Sydney Film Festival announces popular festival films will be screened at Palace Cinemas in Leichhardt and Paddington, for an additional three evenings from Monday 20 to Wednesday 22 June. “By Popular Demand, at Palace Verona and Norton Street cinemas will show twelve additional screenings of Festival films, where Festival screenings have proved extremely popular,” said Festival Director Nashen Moodley. “This is the second year we will extend our run for top-selling films beyond the end of the Festival. These screenings are a wonderful way for audiences, if they missed out on Festival tickets, to see some of the most talked-about films of the year,” he said. “We are thrilled to be working with Sydney Film Festival to give audiences the chance to see these exceptional films at our cinemas” said Palace Verona and Norton Street Cinemas’ CEO, Benjamin Zeccola. “At Palace Cinemas we are focussed on delivering the best quality films with a first-rate cinema-going experience and this partnership perfectly aligns with that focus”. Eight features and three documentaries will screen again at By Popular Demand at Palace Cinemas. Features such as John Carney’s latest beguiling portrait of ’80s Dublin, complete with stone-washed denim, wild haircuts and a nostalgic soundtrack Sing Street; divisive Sundance debut film Swiss Army Man starring Paul Dano and Daniel Radcliffe, by music video directors Daniel Scheinert and Daniel Kwan; Polish romance-horror-mermaid-musical The Lure; and Kristen Stewart in a spooky ghost story by Olivier Assayas Personal Shopper. -
NATO Feb 07.Indd
February 2007 NATO of California/Nevada February 2007 NATO of California/Nevada Information for the California and Nevada Motion Picture Theatre Industry CALENDAR Spring/Summer Film Product Seminar of EVENTS & Set for April HOLIDAYS Be among the first to see the adventure, animation, drama and comedy that awaits the movie-going public this coming season. Attend the NATO of California/Nevada 2007 Spring/ Valentine’s Day Summer Film Product seminar on Thursday, April 12th at the February 14 Regal Hacienda Crossing Theatre in Dublin or Tuesday, April 17th at Krikorian Premiere Theatres’ Metroplex 18 At Buena President’s Day Park Downtown. February 19 The full day seminars will begin at 9:00 AM with a conti- Regal’s Hacienda Crossing Theatre nental breakfast, continue in the auditorium at 10:00 AM where Academy Awards the marketing reps from the major studios will present upcoming presentation promotions and product reels from their exciting spring and February 25 summer line-ups. A lunch break will allow time for meeting and visiting with other managers, followed by the concluding Daylight Saving presentations and the ever-popular Goodie Bag distribution. Time Begins Attendance is open to NATO of CA/NV member companies March 11 and is by reservation only, no walk-ins and no substitutions. Due to space limitations we can accommodate no more than ShoWest two persons from each theatre location. Reservation deadline March 12-15 is Friday, March 23rd. See registration on page 2 Krikorian’s Metroplex 18 at Buena Park St. Patrick’s Day March 17 Regal’s Curtis Ewing Joins Spring Begins March 21 Board of Directors Curtis M. -
Annual Stockholders Meeting
2019 ANNUAL STOCKHOLDERS MEETING MAY 7, 2019 DISCLAIMERS Our comments today may contain forward-looking statements and This presentation is intended to summarize the projects on which management may make additional forward-looking statements in we are working and our plan for moving our Company forward. response to your questions. Such written and oral disclosures are made pursuant to the Safe Harbor provision of the Private Securities Many of the projects are in their early stages and will be subject to Litigation Reform Act of 1995. various Governmental and Board approvals. Accordingly, no assurances can be given that the plans discussed herein will be Although we believe our expectations expressed in such forward- achieved. looking statements are reasonable, we cannot assure you that they will be realized. Investors are cautioned that such forward-looking Further, some of the design concepts included in this presentation statements involve risks and uncertainties that could cause actual include proposed architectural renderings that represent works in results to differ materially from the anticipated results, and progress. therefore we refer you to a more detailed discussion of the risks and uncertainties in the Company’s filings with the Securities & Exchange Commission. FINANCIAL RECONCILATIONS We use EBITDA in the evaluation of our Company’s performance since we believe that EBITDA EBIT and EBITDA also fail to take into account the cost of interest and taxes. Interest is clearly a real provides a useful measure of financial performance and value. We believe this principally for the cost that for us is paid periodically as accrued. Taxes may or may not be a current cash item but are following reasons: nevertheless real costs that, in most situations, must eventually be paid. -
The Ritz Cinema, the Spot, Randwick • the Chauvel Cinema, 249 Oxford
Invite your family, friends and supporters to a great night out while restoring sight at the same time! One movie night may be all you need to reach your fundraising goal. Use these handy tips to get started. A Cinema will usually charge you around $8 - $15 per ticket. Sell your ticket to your supporters for $25, $30 or more and you can earn $15+ per ticket towards your fundraising goal. Add a glass or sparkling wine and/or a snack and you can add extra onto the ticket price. If each team members invite 20 friends you will raise at least $1,200 towards your target! Organise prizes for a raffle. Think wine, hampers, gift certificates. Ask local businesses for a hamper, wine, voucher and then sell raffle tickets for a gold coin before the movie. Note that money raised through a movie night or by the sale of raffle tickets is not tax-deductible. A great way to manage your event is by using an event booking site such as www.eventbrite.com.au OR www.trybooking.com where you can invite guests, manage RSVPs and collect funds. We can provide you with a Letter of Authority to fundraise. Some cinemas you may like to approach include: The Ritz Cinema, The Spot, Randwick http://www.ritzcinema.com.au/ Ph: (02) 8324 2506 E: [email protected] The Chauvel Cinema, 249 Oxford Street, Paddington http://www.palacecinemas.com.au/cinemas/chauvel/ Ph: (02) 9346 8798 E: [email protected] The Palace Verona, 17 Oxford Street, Paddington http://www.palacecinemas.com.au/cinemas/verona/ Ph: (02) 9360 6099 E: [email protected] -
Crowdfunding and Independent Screen Content Production in Australia
Crowdfunding and Independent Screen Content Production in Australia A direct economic relationship between producer and audience Rebecca Laycock B.A.Com. and BMedia (Hons) Submitted in fulfilment of the requirements for the degree of Master of Arts (Research) School of Media, Entertainment and Creative Arts Creative Industries Queensland University of Technology 2015 Keywords Crowdfunding, crowdsourcing, digital distribution, film finance, government funding, independent film, screen content, Screen Australia 2 Abstract Crowdfunding is a new form of film finance that emerged in Australia in 2010 and is being used by independent screen content producers to raise finance for short film, documentary, television program, short animation and even feature-length production. This trend is seeing Australian independent content producers bypass traditional sources of finance by working with a model for finance that is outside, or perhaps alongside, traditional forms of film financing in Australia. In some cases, filmmakers are no longer solely waiting for government funding to green-light a project, they are initiating funds prior, during and after production to guarantee their film is produced. Independent screen content producers are also establishing a direct economic relationship between producer and audience and in so doing are simultaneously establishing a niche audience for their content. Crowdfunding is to an extent becoming a necessity, especially within a decreased national funding arts environment. However, to date there has been limited in-depth academic analysis of crowdfunding as a source of production finance for independent Australian screen content production, particularly in terms of government action, industry trends, and what areas of the broader screen industry are receiving crowdfunding. -
PALM BEACH – EVENT CINEMAS GOLD CLASS COMPETITION Page 1 of 5
The Greater Union Organisation Pty Ltd (“Promoter”) CINEBUZZ PALM BEACH GOLD CLASS PROMOTION WIN* A WEEKEND GETAWAY TO PALM BEACH FOR TWO EVENT CINEMAS COMPETITION (“Promotion”) CONDITIONS OF ENTRY 1. Information on how to enter the Promotion and the prize form part of these Conditions of Entry. Participation in this Promotion is deemed acceptance of these Conditions of Entry. The Promotion is open to individuals who: (a) Are residents of Australia (excluding TAS and VIC); and (b) Over 18 years of age; and (c) Are not employees (or immediate family of such employees) of the Promoter, or any of its related corporations or any of the agencies associated with the Promotion (including suppliers of the prize); and (d) Have not been discovered to have breached these Conditions of Entry or Conditions of Entry of previous contests run by the Promoter, (“Entrants”). An immediate family member means any of the following: spouse, ex-spouse, de-facto spouse, child or step-child, parent, step-parent, grandparent, step- grandparent, uncle, aunt, niece, nephew, brother, sister, step-brother, step-sister or 1st cousin. 2. The Promoter reserves the right to verify the validity of entries and to disqualify any Entrant who tampers with the entry process or who submits an entry that is not in accordance with these Conditions of Entry. It is a condition of entry that Entrants are able to accept the prize as stated. Inability to accept the prize as stated will deem the participant an ineligible Entrant and the prize won will be forfeited. 3. All prices stated are in Australian dollars (AUD), and represent the recommended retail price (“RRP”) and include GST. -
Closed Caption and Audio Described Cinema Questionnaire
Closed caption and audio described cinema questionnaire Contents Summary report ................................................................................................................................ 4 Responses .................................................................................................................................... 4 Geographic breakdown by state or territory ................................................................................... 4 Responses by cinema ................................................................................................................... 5 Responses around closed captioning ............................................................................................ 5 Responses by movie .................................................................................................................. 5 Other findings ............................................................................................................................. 6 Responses around audio description ............................................................................................. 7 Responses by movie .................................................................................................................. 7 Other findings ............................................................................................................................. 7 Level 3 t 02 9212 6242 616-620 Harris St f 02 9212 6289 abn 75 002 259 154 Ultimo NSW 2007 [email protected] mediaaccess.org.au -
2017 Acp Bulletin
The Society of AUSTRALIAN CINEMA PIONEERS Please address all correspondence to SANDRA ALEXANDER National Honorary Secretary / Treasurer 27 Surfside Avenue Clovelly NSW 2031 (email – [email protected]) BULLETIN - OCTOBER 2017 NATIONAL EXECUTIVE MEETING MAY 2017 L-R - John Cronin, President SA, Bruce Leonard, retiring National Secretary- Treasurer, Robert Slaverio, National President 2016, Alan Stiles, President WA, Mike Selwyn, Sue Milliken, Murray Forrest, Alan Rydge, Mike Baard, Kerry Westwood, Secretary-Treasurer, Qld, Tom Jeffrey, Sharon Tapner, Treasurer, VIC, John Rochester, President NSW, Derek Screen, President VIC, Tim Read, National President 2017-2018, Sandra Alexander, Incoming National Secretary-Treasurer, Yurik Czyz, President Tas. embers of the National Executive Zareh Nalbandian of Animal Logic was elected Committee met at Sony Pictures National Cinema Pioneer of the Year. His Releasing, Market Street Sydney on distinguished career to date can be seen on the MMay 25 2017. Amongst the first items on the next page. Agenda was a formal resolution which was carried unanimously and with acclamation More details about the National Survey and the thanking our retiring National Secretary- resolutions passed at the NEC meeting can be Treasurer, Bruce Leonard for his 25 years of found on the Society’s new website. Please visit it devoted and highly successful service to the and consider writing an article or story for it. The Society. The very next resolution welcomed same applies to the Society’s Facebook page. It is and appointed Sandra Alexander as the new there to make communication between members National Secretary-Treasurer. quick and easy and I hope it encourages more get The NEC considered and approved nine togethers on an informal basis.