DOCSLIB.ORG

Ghostbusters: the Video Game

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ghostbusters: the Video Game GHOST TOOLS OF “WHO YOU FIELD GUIDE: MULTIPLAYER SUPPLEMENTAL MENU INTRODUCTION WRANGLING THE TRADE GONNA CALL?!” WALKTHROUGH JOBS DATA: UNLOCKABLES CLICK THESE TABS FOR EASY NAVIGATION ® ™ PRIMA OFFICIAL GAME GUIDE WRITTEN BY FERNANDO BUENO PRIMA GAMES AN IMPRINT OF RANDOM HOUSE 3000 LAVA RIDGE COURT SUITE 100 ROSEVILLE, CA 95661 WWW.PRIMAGAMES.COM Protected by copyright. Unauthorized or unlawful copying or downloading expressly prohibited. GHOST TOOLS OF “WHO YOU FIELD GUIDE: MULTIPLAYER SUPPLEMENTAL MENU INTRODUCTION WRANGLING THE TRADE GONNA CALL?!” WALKTHROUGH JOBS DATA: UNLOCKABLES ™ ® Prima Games An Imprint of Random House, Inc. 3000 Lava Ridge Court, St. 100 Fernando “Red Star” Bueno (aka dukkhah) has been a gamer since opening his fi rst Roseville, CA 95661 Atari, and has been writing creatively since his early years in high school. During college www.primagames.com he combined his loves for gaming and writing and began freelancing for popular gaming websites. The San Diego native found his way to Northern California shortly after high The Prima Games logo is a registered trademark of Random House, Inc., school. After graduating from the University of California, Davis, with a dual degree in registered in the United States and other countries. Primagames.com is a English and art history, he was able to land a job as an editor for Prima Games. Though registered trademark of Random House, Inc., registered in the United States. happy with his position as an editor, his life called him to Las Vegas where he now resides. During the move to Nevada, he also made the move to author and has since “GHOSTBUSTERS”, The Video Game Offi cial Game Guide: © 2009 Columbia Pictures written a number of game books, including Naruto Uzumaki Chronicles 2, Prince of Industries, Inc. All rights reserved. Game Guide excluding Columbia Pictures Elements: © Persia: Two Thrones, Fight Night Round 3, and Stubbs the Zombie. 2009 Prima Games. All rights reserved. No part of this book may be reproduced or trans- In his time off he enjoys the works of Hermann Hesse, Johann Van Goethe, Franz Kafka, mitted in any form or by any means, electronic or mechanical, including photocopying, and EGM. When not writing for Prima, he continues to work on his craft as a poet. recording, or by any information storage or retrieval system without written permission from Prima Games. Prima Games is an imprint of Random House, Inc. We want to hear from you! E-mail comments and feedback to [email protected]. Senior Product Manager: Mario De Govia Associate Product Manager: Shaida Boroumand Credits: Design & Layout: Marc W. Riegel Sony Pictures Consumer Products: Mark Caplan, Vice President, Licensing “GHOSTBUSTERS” The Video Game: TM & © 2009 Columbia Pictures Industries, Inc. “GHOSTBUSTERS” with the “GHOST Keith Hargrove, Director/Executive Producer, Licensing DESIGN” is a registered trademark of Columbia Pictures Industries, Inc. “GHOSTBUSTERS” and “GHOSTBUSTERS 2” movies: Special Thanks: © 1984, © 1989 Columbia Pictures Industries, Inc. All rights reserved. Game Software excluding Columbia Pictures Bill Murray Dan Aykroyd Elements: © 2009 Atari Interactive, Inc. All rights reserved. Developed by Terminal Reality, Inc. Multi-player portion of Harold Ramis Ernie Hudson game developed by Threewave Interactive, Inc. Facial Animation software provided by FaceFX. © 2002-2007, OC3 Enter- Ivan Reitman tainment, Inc. and its licensors. All rights reserved. This product contains copyrighted material owned or distributed under authority by Quazal Technologies, Inc. Copyright 1998-2006, Quazal Technologies Inc. All rights reserved. Multiplayer Connectivity by Quazal. Marketed and distributed by Atari, Inc. New York, NY. Atari and the Atari logo are trademarks owned by Atari Interactive, Inc. All other trademarks are the property of their respective owners. The ESRB ratings icon is a registered trademark of the Entertainment Software Association. Microsoft, Xbox, Xbox 360, Xbox LIVE, and the Xbox logos are trademarks of the Microsoft group of companies. “GHOSTBUSTERS” The Video Game: TM & © 2009 Columbia Pictures Industries, Inc. “GHOSTBUSTERS” with the “GHOST DESIGN” is a registered trademark of Columbia Pictures Industries, Inc. “GHOSTBUSTERS” and “GHOSTBUSTERS 2” movies: © 1984, © 1989 Columbia Pictures Industries, Inc. All rights reserved. Game Software excluding Columbia Pictures Elements: © 2009 Atari Interactive, Inc. All rights reserved. Developed by Terminal Reality, Inc. Multi-player portion of game developed by Threewave Interactive, Inc. Facial Animation software provided by FaceFX. © 2002-2007, OC3 Entertainment, Inc. and its licensors. All rights reserved. This product contains copyrighted material owned or distributed under authority by Quazal Technologies, Inc. Copyright 1998-2006, Quazal Technologies Inc. All rights reserved. Multiplayer Connectivity by Quazal. Marketed and distributed by Atari, Inc. New York, NY. Atari and the Atari logo are trademarks owned by Atari Interactive, Inc. All rights reserved. All other trademarks are the property of their respective owners. The ESRB ratings icon is a registered trademark of the Entertainment Software Association. “GHOSTBUSTERS” The Video Game: TM & © 2009 Columbia Pictures Industries, Inc. “GHOSTBUSTERS” with the “GHOST DESIGN” is a registered trademark of Columbia Pictures Industries, Inc. “GHOSTBUSTERS” and “GHOSTBUSTERS 2” movies: © 1984, © 1989 Columbia Pictures Industries, Inc. All rights reserved. Game Software excluding Columbia Pictures Elements: © 2009 Atari Interactive, Inc. All rights reserved. Developed by Terminal Reality, Inc. Multi-player portion of game developed by Threewave Interactive, Inc. Marketed and distributed by Atari, Inc. New York, NY. Atari and the Atari logo are trademarks owned by Atari Interactive, Inc. Windows and DirectX are either registered trade- marks or trademarks of Microsoft Corporation in the United States and/or other countries. Pentium is a trademark or registered trademark of Intel Corporation or its subsidiaries in the United States and other countries. Software platform logo (™ and ©) EMA 2006. All other trademarks are the property of their respective owners. The ESRB ratings icon is a registered trademark of the Entertainment Software Association. Please be advised that the ESRB Ratings icons, “EC,” “E,” “E10+,” “T,” “M,” “AO,” and “RP” are trademarks owned by the Entertainment Software Association, and may only be used with their permission and authority. For information regarding whether a product has been rated by the ESRB, please visit www.esrb.org. For permission to use the Ratings icons, please contact the ESA at esrblicenseinfo.com. Important: Prima Games has made every effort to determine that the information contained in this book is accurate. However, the publisher makes no warranty, either expressed or implied, as to the accuracy, effectiveness, or completeness of the material in this book; nor does the publisher assume liability for damages, either incidental or consequential, that may result from using the information in this book. The publisher cannot provide any additional information or support regarding gameplay, hints and strategies, or problems with hardware or software. Such questions should be directed to the support numbers provided by the game and/or device manufacturers as set forth in their documentation. Some game tricks require precise timing and may require repeated attempts before the desired result is achieved. ISBN: 978-07615-6055-5 2 ---- primagames.com Protected by copyright. Unauthorized or unlawful copying or downloading expressly prohibited. GHOST TOOLS OF “WHO YOU FIELD GUIDE: MULTIPLAYER SUPPLEMENTAL MENU INTRODUCTION WRANGLING THE TRADE GONNA CALL?!” WALKTHROUGH JOBS DATA: UNLOCKABLES Tools of “Who You Field Guide: Multiplayer Supplemental Introduction Ghost wrangling the Trade Gonna Call?!” Walkthrough Jobs Data: Unlockables v Table of Contents CONTENTS INTRODUCTION 4 GHOST WRANGLING 7 TOOLS OF THE TRADE 9 WHO YOU GONNA CALL? 15 TOBIN’S SPIRIT GUIDE 17 FIELD GUIDE ADVENTURE WALKTHROUGH 30 DISTURBANCE GROUND ZERO 31 WELCOME TO THE SEDGEWICK HOTEL 34 PANIC IN TIMES SQUARE 41 CHECKING OUT THE LIBRARY 48 MUSEUM OF (SUPER)NATURAL HISTORY 60 RETURN TO THE SEDGEWICK 69 LOST ISLAND RISING 74 CENTRAL PARK CEMETERY 81 MULTIPLAYER JOBS 90 SUPPLEMENTAL DATA: THE CONTAINMENT GRID 105 Prima official game guide ---- 3 Protected by copyright. Unauthorized or unlawful copying or downloading expressly prohibited. GHOST TOOLS OF “WHO YOU FIELD GUIDE: MULTIPLAYER SUPPLEMENTAL MENU INTRODUCTION WRANGLING THE TRADE GONNA CALL?!” WALKTHROUGH JOBS DATA: UNLOCKABLES ACKNOWLEDGEMENTS “WHAT A RIDE.” WELCOME, ROOKIE! GHOSTBUSTERS: GHOSTBUSTERS GHOSTBUSTERS 2 THE VIDEO GAME ™ ® CLICK THESE TABS FOR EASY NAVIGATION ACKNOWLEDGEMENTS GHOSTBUSTERS 2 What a way to kick off my new year! Not only do I get to work on a project I’ve been Set fi ve years after the events of the haunting for a while (no more Ghostbusters: The Video Game internet rumors for fi rst Ghostbusters, the sequel fi nds the me!), but I get to work with two of my favorite co-workers, Mario De Govia and Shaida ghoul-chasing quartet without a ghost to Boroumand! Thanks for being such a super team. Thanks to all of the people at Atari bust. In fact, despite their being the only and Terminal Reality for being so supportive and making such an amazing and fun group capable of hunting and eliminating game. aggressive multiplanar phantasms, the city sued them after the Gozer incident and put them
Load more

Recommended publications
  • Ghostbusters 1984
    GHOSTBUSTERS Written by Harold Ramis & Dan Aykroyd Final Shooting Script Last revised October 7, 1983 FADE IN 1 EXT. NEW YORK PUBLIC LIBRARY -- DAY 1 The sun shines brightly on the classic facade of the main library at Fifth Avenue and 42nd Street. In the adjacent park area, pretty hustlers and drug peddlers go about their business. FRONT STEPS A few people lounge on the steps flanked by the familiar stone lions. 2 INT. MAIN READING ROOM -- DAY 2 People are dotted throughout the room sitting at the long oak tables polished by decades of use. Reading lamps with green glass shades cast a golden glow on the tables. The patina of age is everywhere. It is very quiet. LIBRARIAN A slightly stout, studious looking girl in her late twenties circulates quietly among the tables picking up books and putting them on her cart. Everything seems completely normal and peaceful. POV A single eerie musical note signals the presence of something strange looking down on the Librarian from a vantage point high above the room. It follows the Librarian as she pushes her cart around the corner. 3 INT. WORK AREA 3 The Librarian is alone in a back room sorting books for reshelving. Behind her is the card catalogue. One of the books attracts her interest and she starts leafing through it. 4 THE CARD CATALOGUE 4 Another eerie note is heard as one of the drawers silently slides open behind the Librarian and hundreds of index cards start popping out. The Librarian continues reading completely oblivious to this strange phenomenon.
    [Show full text]
  • The Real Ghostbusters: the Complete Series
    FOR IMMEDIATE RELEASE WHO YOU GONNA CALL? TELEVISION'S LONGEST RUNNING SPOOKY CARTOON AND FUNNY FAN FAVORITE FINALLY ESCAPES THE GHOST TRAP TO HAUNT THE DVD REALM THE REAL GHOSTBUSTERS: THE COMPLETE SERIES The Animated Series That's As Big As The Stay-Puft Marshmallow Man Finally Comes To Home Video, With All 147 Episodes of The Real Ghostbusters And Slimer! And The Real Ghostbusters In Remastered Clarity Packaged In A Collectible 25-DVD Set Over 12 Hours of Bonus Features Includes Never-Before-Seen Footage, Twenty-One On- Camera Episode Commentaries, Five Documentaries, Extended Interviews, Episode Introductions, Scripts, Art, And Much More AVAILABLE EXCLUSIVELY ONLINE AT WWW.REALGHOSTBUSTERSDVD.COM, PRE-ORDER BEGINS JULY 23, 2008 FAIRFAX, VA – July 24, 2008 – Charge up your Proton Packs and get the P.K.E. Meter running! One of the most popular animated series in television history to spin off from a major motion picture, The Real Ghostbusters, will soon be available for the first time on home video from Time Life. The 25-DVD set includes all 147 astonishing episodes of the seven-season series for over 55 hours of ghost-busting goodness — in their complete original form, but remastered for picture and audio perfection. Produced by some of the team members behind the legendary Ghostbusters motion pictures, The Real Ghostbusters features scripts by some of the top names in animation, science fiction, and horror history, and top-quality visuals, plus a voice cast that included Arsenio Hall, Dave Coulier (Full House), Maurice LaMarche (Pinky & The Brain), and many more! The Real Ghostbusters: The Complete Series also features over twelve hours of fascinating bonus material, including documentaries and twenty-one innovative on-camera commentary tracks featuring producers, writers, artists, voice actors, and other personnel.
    [Show full text]
  • Blink by Steven Moffat EXT
    Blink by Steven Moffat EXT. WESTER DRUMLINS HOUSE - NIGHT Big forbidding gates. Wrought iron, the works. A big modern padlock on. Through the gates, an old house. Ancient, crumbling, overgrown. Once beautiful - still beautiful in decay. Panning along: on the gates - DANGER, KEEP OUT, UNSAFE STRUCTURE -- The gates are shaking, like someone is climbing them -- -- and then a figure drops into a view on the other side. Straightens up into a close-up. SALLY SPARROW. Early twenties, very pretty, just a bit mad, just a bit dangerous. She's staring at the house, eyes shining. Big naughty grin. SALLY Sexy! And she starts marching up the long gravel drive ... CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY - NIGHT The big grand house in darkness, huge sweeping staircase, shuttered window, debris everywhere -- One set of shutters buckles from an impact from the inside, splinters. SALLY SPARROW, kicking her away in -- CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY/ROOMS - NIGHT SALLY, clutching a camera. Walks from one room to another. Takes a photograph. Her face: fascinated, loving this creepy old place. Takes another photograph. CUT TO: INT. WESTER DRUMLINS HOUSE. CONSERVATORY ROOM - NIGHT In the conservatory now - the windows looking out on a darkened garden. And a patch of rotting wallpaper catches SALLY'S eye -- 2. High on the wall, just below the picture rail, a corner of wallpaper is peeling away, drooping mournfully down from the wall -- -- revealing writing on the plaster behind. Just two letters we can see - BE - the beginning of a word -- She reaches up on tiptoes and pulls at the hanging frond of wallpaper.
    [Show full text]
  • THE CRIMSON HORROR.Fdr
    (Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed) Current Revisions by (Current Writer, date) Name (of company, if applicable) Address Phone Number 1 INT. MRS GILLYFLOWER’S HOUSE. PARLOUR. DUSK. 1 The crashing chords of a pipe organ. Someone is bashing out the tune of a grim and worthy hymn. We’re in a large, red- walled room, suffocating in Victorian bric-a-brac. Track past a series of strange still-lifes. Those oddly disturbing Victorian tableaux - colourful birds stuffed and arranged on twigs, surrounded by artificial flowers and under big glass bell-jars. Gas-light glints in the creatures’ beady glass eyes. The playing stops and a woman rises from the organ. We don’t see her face as she runs her hand over the line of bell-jars. MRS GILLYFLOWER Like pretty maids all in a row. She makes a gentle cooing. Then there’s another sound. A strangely horrible gurgling. Like a contented baby. A door opens behind the woman, framing a black-bonneted silhouette. CUT TO: 2 INT. MILL. SPIRAL STAIRCASE. DUSK. 2 Tap, tap, tap. A white cane clatters away as a pair of neat little feet ascend a darkened, spiral staircase. The staircase finally ends in a door, padded with old, stained green baize. Fumbling, lace-gloved female hands flutter around the bottom of the door, eventually locating a sort of cat-flap. The hands push through a bowl of grisly-looking food. From the other side of the door comes the sound of heavy, ragged breathing.
    [Show full text]
  • “LISTEN” by STEVEN MOFFAT
    Series 8 “LISTEN” By STEVEN MOFFAT Producer PETER BENNETT Director DOUGLAS MacKINNON DURATION: 47’56” 25FPS UK TX SPOOL NO: TBC PROG ID: DRR B084L/01 © BBC 2014 PRIVATE AND CONFIDENTIAL DOCTOR WHO - POST PRODUCTION SCRIPT – SERIES 8 10:00:00 EXT. SPACE - DAY A star field. Panning past the TARDIS. It is turning gently in space. The doors now visible, standing open. The warmth of the control room rotating past. Tilting up. Sitting, cross-legged on the roof of the police box - - THE DOCTOR! Eyes closed, as if in a trance. On his face, a ferocity of concentration! Closer, his face rotates into a big close-up, his eyes snap open, fierce and blazing, right at us. 10:00:17 THE DOCTOR Listen! CUT TO: 10:00:18 INT. TARDIS - DAY THE DOCTOR is walking round the console room, extinguishing the candles. THE DOCTOR Question! Why do we talk out loud when we know we're alone? (A beat, looks around) Conjecture: because we know we are not. Thoughtfully, he fingers a piece of chalk. JUMP CUT TO: THE DOCTOR at one of the blackboards, his chalk pattering across. We pan down from the words he has already written... EVOLUTION PERFECTS ...To the words he is just completing. 10:00:40 THE DOCTOR (cont'd) Evolution perfects survival skills. Page 1 of 70 DOCTOR WHO - POST PRODUCTION SCRIPT – SERIES 8 CUT TO: 10:00:48 EXT. THE AFRICAN VELDT - DAY On THE DOCTOR. He's sitting in a tree, watching the scene below through binoculars. THE DOCTOR (OS) There are perfect hunters.
    [Show full text]
  • Doctor Who and the Creation of a Non-Gendered Hero Archetype
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo.
    [Show full text]
  • State of the Wine Industry 2012-2013
    STATE OF THE WINE INDUSTRY 2012-2013 Written by Rob McMillan | Founder, Wine Division | 707.967.1367 | [email protected] Page Executive Summary 4 Visiting Ghosts of The Past 5 Supply Busters 6 Varietal Inventory 9 Supply Summary and Forecast 9 Euro Busters 10 Econ Busters 12 Demand Busters 13 Demographic Busters 14 Social Media Busters 17 CRM Busters 18 The Vision of the Fifth Column 19 Legislative Busters 20 Flash Site Busters 21 Contents Pricing Busters 22 Financial Performance of Wineries … busters? 23 Final Comments 24 State of the Wine Industry 2012-2013 Dr. Peter Venkman: This city is headed for a disaster of Biblical proportions. Mayor: What do you mean, “Biblical”? Dr. Ray Stantz: What he means is Old Testament, Mr. Mayor: Real wrath of God type stuff. Dr. Peter Venkman: Exactly. Dr. Ray Stantz: Fire and brimstone coming down from the skies! Rivers and seas boiling! Dr. Egon Spengler: Forty years of darkness! Earthquakes, volcanoes … Winston Zeddemore: The dead rising from the grave! Dr. Peter Venkman: Human sacrifice, dogs and cats living together, Republicans and Democrats governing … mass hysteria!i State of the Wine Industry 2012-2013 Wait … what? That’s like some parallel universe, an altered reality. ghosts of confusion in the 2012-2013 SVB Annual State of the Wine Republicans and Democrats governingii — now that’s preposterous. Industry Report. <Queue theme song … >v You probably recognize the dialogue, though. It’s from the 1984 critically ridiculed movie and box office success Ghostbusters.iii That’s Executive Summary the backdrop we are using this year to paint our view and predictions for the wine business.
    [Show full text]
  • Comedic Devices HUMOROUS LITERARY DEVICES About Comedic Devices
    Comedic Devices HUMOROUS LITERARY DEVICES About Comedic Devices We have all heard of literary devices in literature. Since elementary school, we have studies things like plot, setting, denouement, and conflict. We have even studied literary devices that fall specifically under the umbrella of figurative language: metaphor, simile, allegory, allusion. Did you know that there are certain literary devices whose purpose is to enhance the comedic aspects of literature? We will be looking at several of these devices and evaluating our text, A Midsummer Night’s Dream, for both examples of comedic devices and to explore how these devices enhance the comedy of Shakespeare’s play. Repetition Repetition in comedic writing is a bit different than repetition in poetry or prose. In comedy, repetition can also be referred to as a callback. It occurs when a statement or a theme is recalled as the punch line to a joke or at the close of a scene. Repetition is also considered a “classic example of the tension and release …where repetition is used to set up a modus operandi and build tension before [a solution] provides the resolving juxtaposition.” (Comedic Device) Example: Picture a comedic scene in which a wife and husband are getting ready to go to work. The wife judiciously reminds the husband that “It’s cold outside, so grab a sweater.” Throughout their morning routine, the wife keeps reminding the husband to grab a sweater. When the wife drives by her husband on his bicycle (on his way to work) we see the icicles hanging from his nose and his face and ears red with cold.
    [Show full text]
  • Ghostbusters Game Features Matrix
    Ghostbusters Game Features Matrix Main NYC has been invaded by a horde of ghostly apparitions Attractions Collect loose ghost spirits to activate different play mode features Become a Ghostbuster and clean up the town All original art packages done by "Zombie Yeti" a.k.a. Jeremy Packer Score BIG on the 3D animated Slimer feature Custom speech and narration by Ghostbusters actor Ernie Hudson a.k.a. "Winston Zeddemore" Hit theme song "Ghostbusters" by Ray Parker Jr. Original music compositions with that "Ghostly" theme Premium Limited Pro Edition Edition Game Production limited to 500 machines Features Certificate of Authenticity signed by Gary Stern Designer Autographed playfield featuring John Trudeau's signature under hard coat Serialized number plate Shaker Motor Color-changing Stay Puft Marshmallow Man toy Rotating motorized animated interactive Slimer toy Motorized animated interactive Slimer toy Unique interactive holographic Ecto Goggles 3D molded Public Library Public Library butyrate 3D molded Storage Containment facility with 2 lights and flasher Storage Containment facility butyrate with 2 lights Haunted magnetic slingshot Traditional mechanical slings 2 Pop-up Scoleri Brothers rollover drop targets Underground subway ball lock Subway ball eject Steel drop off speed ramp through subway ball lock Repeatable steel crossover looping ramp Bi-directional ramp Triple Newton Ball "Public Library" feature Single Newton Ball "Stacked Books" feature Control gate 9 - stand-up targets Backglass
    [Show full text]
  • Series 8, Episode 1
    Series 8, Episode 1 “DEEP BREATH” By STEVEN MOFFAT Producer NIKKI WILSON Director BEN WHEATLEY DURATION: 79’07” 24FPS UK TX SPOOL NO: TBC PROG ID: DRR B081E/01 DOCTOR WHO - POST PRODUCTION SCRIPT – SERIES 8 10:00:00 EXT. SKY - DAY A beautiful blue sky - no clue where this is. A huge, thunderous impact, earth-shaking - and now, swaying into view the head of a Tyrannosaurus Rex. It roars, it sways its mighty head - And now another sound. The tolling of bell. The Tyrannosaurus, looking around. Now bending to investigate this strange noise. Panning down with the mighty to discover the clock tower of Big Ben. Now there are the cries of terrified Londoners, screams and yells. CUT TO: 10:00:21 EXT. BANKS OF THE THAMES - DAY A row of terrified Victorian Bobbies, cordoning off gob-smacked members of the public. The screams continue, and we see their view of the Tyrannosaur dwarfing Big Ben. At the front is jaw-dropped Inspector Gregson, staring up at the impossible creature. Pushing their way, through the garden, comes the Veiled Detective herself - Madame Vastra. Following, Jenny Flint and Strax. 10:00:37 INSPECTOR GREGSON Madame Vastra, thank God. I'll wager you've not seen anything like this before! Vastra steps forward, looking up at the bellowing creature - VASTRA Well - She throws back her veil, revealing her green, reptile skin. VASTRA (cont'd) - not since I was a little girl. © BBC 2014 PRIVATE AND CONFIDENTIAL DOCTOR WHO - POST PRODUCTION SCRIPT – SERIES 8 Jenny and Strax, stepping forward to join her.
    [Show full text]
  • The Hinchcliffe/Holmes Era of Doctor Who (1975-77) Matt Hills
    ‘Gothic’ Body Parts in a ‘Postmodern’ Body of Work? The Hinchcliffe/Holmes Era of Doctor Who (1975-77) Matt Hills (1) The names Philip Hinchcliffe and Robert Holmes may not be greatly familiar to many academic readers of this volume, unless, that is, they also happen to be fans of the (1963-1989, 1996, 2005-) BBC TV series Doctor Who. Hinchcliffe was the producer of this series on all episodes originally transmitted in the UK between 25/1/1975 and 2/4/77, while Holmes was script editor on all material broadcast between 28/12/74 and 17/12/77. However, he went un-credited in this role on stories where he was named as writer, due to BBC regulations which forbade script editors to commission from themselves (see Howe and Walker, 1998). In story terms, Philip Hinchcliffe produced ‘The Ark in Space’ through to ‘The Talons of Weng-Chiang’, whilst Holmes script-edited stories running from ‘Robot’ through to ‘The Sun Makers’ (1977). Under Hinchcliffe as producer, Holmes also wrote ‘The Ark in Space’, ‘The Deadly Assassin’ and ‘The Talons of Weng-Chiang’, and effectively wrote, or at least heavily reworked, ‘The Pyramids of Mars’ and ‘The Brain of Morbius’ (on-screen, these were attributed to the pseudonyms Stephen Harris and Robin Bland). Today, Philip Hinchcliffe is a regular contributor to DVD commentaries and features accompanying ‘his’ Doctor Who stories. Robert Holmes passed away on 24th May, 1986: his overall contribution to Doctor Who is the subject of a documentary on the DVD release of the (1985) story ‘The Two Doctors’.
    [Show full text]
  • Download Metal Slug 6 for Pc Full Version Frequently Asked Questions
    download metal slug 6 for pc full version Frequently Asked Questions. Simple! To upload and share games from GOG.com. What is the easiest way to download or extract files? Please use JDownloader 2 to download game files and 7-Zip to extract them. How are download links prevented from expiring? All games are available to be voted on for a re-upload 30 days after they were last uploaded to guard against dead links. How can I support the site? Finding bugs is one way! If you run into any issues or notice anything out of place, please open an issue on GitHub. Can I donate? Donate. Do you love this site? Then donate to help keep it alive! So, how can YOU donate? What are donations used for exactly? Each donation is used to help cover operating expenses (storage server, two seedboxes, VPN tunnel and hosting). All games found on this site are archived on a high-speed storage server in a data center. We are currently using over 7 terabytes of storage. We DO NOT profit from any donations. What is the total cost to run the site? Total expenses are €91 (or $109) per month. How can I donate? You may donate via PayPal, credit/debit card, Bitcoin and other cryptocurrencies. See below for more information on each option. Metal Slug 4. Metal Slug 4 is a fun online Neo-Geo game that you can play here on Games HAHA. If you enjoyed this game and want to play similar fun games then make sure to play Scrap Metal Heroes, Metal Fighter or Crunched Metal Drifting Wars or just go to the Neo-Geo games page.
    [Show full text]