The Promise of Happiness / Sara Ahmed
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Willing Slaves: the Victorian Novel and the Afterlife of British Slavery
Willing Slaves: The Victorian Novel and the Afterlife of British Slavery Lucy Sheehan Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2016 Lucy Sheehan All rights reserved ABSTRACT Willing Slaves: The Victorian Novel and the Afterlife of British Slavery Lucy Sheehan The commencement of the Victorian period in the 1830s coincided with the abolition of chattel slavery in the British colonies. Consequently, modern readers have tended to focus on how the Victorians identified themselves with slavery’s abolition and either denied their past involvement with slavery or imagined that slave past as insurmountably distant. “Willing Slaves: The Victorian Novel and the Afterlife of British Slavery” argues, however, that colonial slavery survived in the Victorian novel in a paradoxical form that I term “willing slavery.” A wide range of Victorian novelists grappled with memories of Britain’s slave past in ways difficult for modern readers to recognize because their fiction represented slaves as figures whose bondage might seem, counterintuitively, self-willed. Nineteenth-century Britons produced fictions of “willing slavery” to work through the contradictions inherent to nineteenth-century individualism. As a fictional subject imagined to take pleasure in her own subjection, the willing slave represented a paradoxical figure whose most willful act was to give up her individuality in order to maintain cherished emotional bonds. This figure should strike modern readers as a contradiction in terms, at odds with the violence and dehumanization of chattel slavery. But for many significant Victorian writers, willing slavery was a way of bypassing contradictions still familiar to us today: the Victorian individualist was meant to be atomistic yet sympathetic, possessive yet sheltered from market exchange, a monad most at home within the collective unit of the family. -
Artistbio 957.Pdf
An undiscovered island. An epic journey. An illustrious ship. Known just by its name and its logo, GALANTIS could be all or none of these things. A Google search only turns up empty websites and social pages, and mention of a one-off A-Trak collaboration. Is it beats? Art? Something else entirely? At the most basic level, GALANTIS is two friends making music together. The fact that they’re Christian “Bloodshy” Karlsson of Miike Snow and Linus Eklow, aka Style of Eye, is what changes the plot. The accomplished duo’s groundbreaking work as GALANTIS destroys current electronic dance music tropes, demonstrating that emotion and musicianship can indeed coexist with what Eklow calls “a really really big kind of vibe.” “GALANTIS is about challenging, not following.” says Karlsson. Karlsson should know about shaking things up. As half of production duo Bloodshy & Avant, he reinvented pop divas like Madonna, Britney Spears and Kylie Minogue in the early 2000s. He co-wrote and produced Spears’ stunning, career-changing single “Toxic” to the tune of a 2005 Grammy Award for Best Dance Recording. Since then he’s been breaking more ground as one-third of mysterious, jackalobe-branded band Miike Snow. The trio’s two albums, 2009’s self-titled debut and 2011’s Happy To You, fuse the warm pulse of dance music with inspired songcraft, spanning rock, indie, pop and soul. And they recreated that special synthesis live, playing over 300 shows, including big stages like Coachella, Lollapalooza and Ultra Music Festival. As Style of Eye, Eklow has cut his own path through the wilds of electronic music for the last decade, defying genre and releasing work on a diverse swath of labels including of- the-moment EDM purveyors like Fool’s Gold, OWSLA and Refune; and underground stalwarts like Classic, Dirtybird and Pickadoll. -
Anger and Contested Place in the Social World
Sociology Mind, 2018, 8, 226-248 http://www.scirp.org/journal/sm ISSN Online: 2160-0848 ISSN Print: 2160-083X Anger and Contested Place in the Social World Warren D. TenHouten Department of Sociology, University of California, Los Angeles, CA, USA How to cite this paper: TenHouten, W. D. Abstract (2018). Anger and Contested Place in the Social World. Sociology Mind, 8, 226-248. The root term angr includes in its meaning anger-rage and sadness-grief, https://doi.org/10.4236/sm.2018.83018 which today are recognized as two primary or basic emotions. Anger involves the brain’s “rage system”, an architecture widely represented in the animal Received: April 27, 2018 Accepted: June 2, 2018 kingdom. Anger and its opposite, fear, are the positive and negative adaptive Published: June 5, 2018 reactions to the existential problem of social hierarchy and associated compe- tition for resources and opportunities. Anger’s valence can be negative insofar Copyright © 2018 by author and as it is unpleasant for all involved but is primarily positive because anger is Scientific Research Publishing Inc. This work is licensed under the Creative goal-seeking and approach-oriented. Anger functions to assert social domin- Commons Attribution International ance, and detection of anger in others reveals possible challenge intentions. License (CC BY 4.0). The management and control of anger is linked to impulsivity, patience, and http://creativecommons.org/licenses/by/4.0/ tolerance. While the Russell-Fehr model views emotions such as aggressive- Open Access ness, sullenness, and resentment as subcategories of anger, we rather contend that anger is an embedded subcategory of secondary- and tertiary-level emo- tions. -
Fantasy Favourites from Abarat to Oz!
Fantasy Favourites From Abarat To Oz! Fans of hobbits and Harry Potter have had a magical SS TED PRE TED A I C effect on the world of O SS fantasy fiction. We take A you inside this exploding J.R.R. Tolkien genre where the impossible is possible! BY DAVID MARC FISCHER J.K. Rowling © Pierre Vinet/New Line Productions Vinet/New © Pierre © 2009 Scholastic Canada Ltd. V001 Flights of Fantasy 1 of 12 eroes and heroines. Fantasy books have lightning-bolt scar and a Dungeons and dragons. frequently dominated the knack for riding broomsticks. H Swords, sorcerers, U.S. Young Adult Library When J.K. Rowling’s first witches, and warlocks. It’s the Services Association poll of Harry Potter book hit U.S. stuff of fantasy fiction, and it young readers’ favourites. bookstores in 1998, no one has cast a powerful spell on Books on the Top Ten list could have predicted its teen readers everywhere. have included Cornelia impact. Harry Potter and the “Fantasy fiction has helped Funke’s The Thief Lord, Garth Sorcerer’s Stone (“Philosopher’s sculpt the person I am today,” Nix’s Abhorsen, and Holly Stone” in Canada) topped says 17-year-old Nick Feitel, who Black’s Title: the best-seller lists, where it enjoys fantasy sagas from J.R.R. A Modern Faerie Tale. was quickly followed by every Tol k ien’s The Lord of the Rings to other book in the series. Tamora Pierce’s Circle of Magic. POTTER POWER The boy wizard you grew up “I think I became a lot more Why is fantasy so popular with continued to set sales creative as a result of reading among young readers? records. -
Collision Course
FINAL-1 Sat, Jul 7, 2018 6:10:55 PM Your Weekly Guide to TV Entertainment for the week of July 14 - 20, 2018 HARTNETT’S ALL SOFT CLOTH CAR WASH Collision $ 00 OFF 3ANY course CAR WASH! EXPIRES 7/31/18 BUMPER SPECIALISTSHartnett's Car Wash H1artnett x 5` Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 DANA F. HARTNETT LIC. #9482 Ian Anthony Dale stars in 15 WATER STREET “Salvation” DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents • Slip &Fall • Motorcycle &Pedestrian Accidents John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks • Injuries2 x to 3 Children Voted #1 1 x 3 With 35 years experience on the North Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful While Grace (Jennifer Finnigan, “Tyrant”) and Harris (Ian Anthony Dale, “Hawaii Five- The LawOffice of 0”) work to maintain civility in the hangar, Liam (Charlie Row, “Red Band Society”) and STEPHEN M. FORLIZZI Darius (Santiago Cabrera, “Big Little Lies”) continue to fight both RE/SYST and the im- Auto • Homeowners pending galactic threat. Loyalties will be challenged as humanity sits on the brink of Business • Life Insurance 978.739.4898 Earth’s potential extinction. Learn if order can continue to suppress chaos when a new Harthorne Office Park •Suite 106 www.ForlizziLaw.com 978-777-6344 491 Maple Street, Danvers, MA 01923 [email protected] episode of “Salvation” airs Monday, July 16, on CBS. -
A Comparative Study of the Bell Jar and the Poetry of a Few Indian Women Poets
AKHTAR JAMAL KHAN, BIBHUDUTT DASH Approaches to Angst and the Male World: A Comparative Study of The Bell Jar and the Poetry of a Few Indian Women Poets Pitting Sylvia Plath’s speakers against male chauvinism is a usual critical practice, but this antinomy primarily informs her work. Most of her writings express an anguish that transcends the torment of the individual speakers in question, and voices or represents the despair of all women who undergo similar anguish. As David Holbrook writes: “When one knows Sylvia Plath’s work through and through, and has penetrated her inner topography, the confusion, hate and madness become frighteningly apparent” (357). The besetting question is what causes this angst. Apparently, a stifling patriarchal system that sty- mies woman’s freedom seems to be the cause of this anguish. However, it would be lopsided to say that Plath’s work is simply an Armageddon between man and woman. This paper compares Sylvia Plath’s novel The Bell Jar (1963) and the poetry of a few twentieth-century Indian women poets such as Kamala Das, Mamta Kalia, Melanie Silgardo, Eunice de Souza, Smita Agarwal and Tara Patel to study the angst experienced by the speakers and their approaches to the male world. Here, the term ‘male world’ refers to any social condition where man overtly or tacitly punctuates a woman’s life. Thus, it precisely refers to a patriarchal social order. Talking about twentieth-century poetry and making references to the posi- tion of women poets, John Brannigan writes: “In their time, Elizabeth Jennings, Sylvia Plath and Eliza- beth Bishop seemed isolated and remote from the male-dominated generation of the fifties and sixties” (Poplawski 632). -
Anxiety, Angst, Anguish in Fin De Siècle Art and Literature
Anxiety, Angst, Anguish in Fin de Siècle Art and Literature Anxiety, Angst, Anguish in Fin de Siècle Art and Literature Edited by Rosina Neginsky, Marthe Segrestin and Luba Jurgenson Anxiety, Angst, Anguish in Fin de Siècle Art and Literature Edited by Rosina Neginsky, Marthe Segrestin and Luba Jurgenson This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Rosina Neginsky, Marthe Segrestin, Luba Jurgenson and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-4383-8 ISBN (13): 978-1-5275-4383-6 TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Introduction .............................................................................................. xiv Part I: Thresholds Chapter One ................................................................................................. 2 Le Pays intermédiaire saloméen: un lieu entre expérience de l’angoisse et libération créatrice – The Salomean Land Between: A Place between Experience of Anguish and Creative Liberation Britta Benert Chapter Two ............................................................................................. -
Willy Russell on Educating Rita
PRESENTS Playing February 21 to March 2, 2013 At Sagebrush Theatre Study Guide wctlive.ca Table of Contents Introduction ..............................................................................................................................1 Curriculum Connections......................................................................................................... 2 Production Personnel .............................................................................................................. 3 Western Canada Theatre Staff................................................................................................4 Inside Western Canada Theatre: Director............................................................................. 5 A Sneak Peak at Directing Educating Rita .............................................................................6 About the Play.......................................................................................................................... 7 Characters.................................................................................................................................8 Playwright, Willy Russell.........................................................................................................9 Willy Russell on Educating Rita.............................................................................................10 Interview with Actor Holly Lewis...........................................................................................11 Accents and Dialects.............................................................................................................. -
About Emotions There Are 8 Primary Emotions. You Are Born with These
About Emotions There are 8 primary emotions. You are born with these emotions wired into your brain. That wiring causes your body to react in certain ways and for you to have certain urges when the emotion arises. Here is a list of primary emotions: Eight Primary Emotions Anger: fury, outrage, wrath, irritability, hostility, resentment and violence. Sadness: grief, sorrow, gloom, melancholy, despair, loneliness, and depression. Fear: anxiety, apprehension, nervousness, dread, fright, and panic. Joy: enjoyment, happiness, relief, bliss, delight, pride, thrill, and ecstasy. Interest: acceptance, friendliness, trust, kindness, affection, love, and devotion. Surprise: shock, astonishment, amazement, astound, and wonder. Disgust: contempt, disdain, scorn, aversion, distaste, and revulsion. Shame: guilt, embarrassment, chagrin, remorse, regret, and contrition. All other emotions are made up by combining these basic 8 emotions. Sometimes we have secondary emotions, an emotional reaction to an emotion. We learn these. Some examples of these are: o Feeling shame when you get angry. o Feeling angry when you have a shame response (e.g., hurt feelings). o Feeling fear when you get angry (maybe you’ve been punished for anger). There are many more. These are NOT wired into our bodies and brains, but are learned from our families, our culture, and others. When you have a secondary emotion, the key is to figure out what the primary emotion, the feeling at the root of your reaction is, so that you can take an action that is most helpful. . -
5. Emotions: Taming the Destructive and Cultivating Balance
5. EMOTIONS: TAMING THE DESTRUCTIVE AND CULTIVATING BALANCE Chapter Overview As the title states, this chapter is about emotions, how to reduce destructive emotions and cultivate helpful emotions. To begin with we will look at what we mean by emotions and explore what we know of emotions from a contemporary scientific perspective and a traditional Buddhist perspective. The chapter will outline how mindfulness can be used to balance our emotions and short circuit dysfunctional emotions. We will explore anger, fear, sadness and happiness in detail and how mindfulness can be used to understand and balance these emotions. The chapter will conclude by offering some strategies for working with painful emotions. What are emotions? The word emotion originates from the Latin "emovere", which means to disturb. The first part of the word, "e" means “out”, and “movere” translates as “to move”. When we need to function effectively in a demanding world, emotions move us to action. There is no direct Pali equivalent for the term “emotion”. Rather emotions are understood as a combination of physical sensations, feelings (vedana), states of heart-mind (citta) and mental and physical patterns. Emotions involve complex body-mind interactions. Emotions are necessary for our personal development, survival and thriving as a human being. They save lives, motivate behaviour and help us form relationships. Balanced emotions are essential for effective communication and the welfare and wellbeing of our families and communities. Unfortunately emotions can be unbalanced, dysfunctional, painful and destructive. At times, emotions can move us to act unskilfully with dire consequences. Emotions can arise and pass relatively quickly. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -