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MALACAÑANG MANILA BY THE PRESIDENT OF THE PHILIPPINES EXECUTIVE ORDER 231 CREATING THE PRESIDENTIAL FACT-FINDING AND POLICY ADVISORY COMMISSION ON THE PROTECTION OF OVERSEAS FILIPINOS WHEREAS, recent events have evoked the nation’s serious concern for and recognition of overseas Filipinos; WHEREAS, it is the policy of the Philippine government to be firmly committed to the protection of overseas Filipinos; WHEREAS, certain claims and assertions as well as accusations have been made against some officials of the Philippine Government in connection with its efforts to protect overseas Filipinos; WHEREAS, there is a need to determine with utmost certainty the circumstances surrounding recent events involving the policies and actions of government in relation to the protection of overseas Filipinos; and WHEREAS, much can be learned from instances in which such policies and actions of government have succeeded and from those which did not lead to the desired results. NOW, THEREFORE, I, FIDEL V. RAMOS, President of the Republic of the Philippines, by virtue of the powers vested in me by law, do hereby order: Section 1. The Presidential Commission. — There is hereby created a Presidential Fact-Finding and Policy Advisory Commission on the Protection of Overseas Filipinos, hereinafter referred to as the Commission. The Commission shall immediately begin its work once it is constituted and shall accomplish its objectives within three (3) months thereof, after which, unless otherwise ordered by the President, the Commission shall be dissolved. Section 2. Composition. — The Commission shall be composed of a Chairman and six (6) members to be appointed by the President, as follows: 2.1. -
Women in Filipino Religion-Themed Films
Review of Women’s Studies 20 (1-2): 33-65 WOMEN IN FILIPINO RELIGION-THEMED FILMS Erika Jean Cabanawan Abstract This study looks at four Filipino films—Mga Mata ni Angelita, Himala, Ang Huling Birhen sa Lupa, Santa Santita—that are focused on the discourse of religiosity and featured a female protagonist who imbibes the image and role of a female deity. Using a feminist framework, it analyzes the subgenre’s connection and significance to the Filipino consciousness of a female God, and the imaging of the Filipino woman in the context of a hybrid religion. The study determines how religion is used in Philippine cinema, and whether or not it promotes enlightenment. The films’ heavy reference to religious and biblical images is also examined as strategies for myth-building. his study looks at the existence of Filipino films that are focused T on the discourse of religiosity, featuring a female protagonist who imbibes the image and assumes the role of a female deity. The films included are Mga Mata ni Angelita (The Eyes of Angelita, 1978, Lauro Pacheco), Himala (Miracle, 1982, Ishmael Bernal), Ang Huling Birhen sa Lupa (The Last Virgin, 2002, Joel Lamangan) and Santa Santita (Magdalena, 2004, Laurice Guillen). In the four narratives, the female protagonists eventually incur supernatural powers after a perceived apparition of the Virgin Mary or the image of the Virgin Mary, and incurring stigmata or the wounds of Christ. Using a feminist framework, this paper through textual analysis looks at the Filipino woman in this subgenre, as well as those images’ connection and significance to the Filipino consciousness of a female God. -
Dr. Riz A. Oades Passes Away at Age 74 by Simeon G
In Perspective Light and Shadows Entertainment Emerging out Through the Eye Sarah wouldn’t of Chaos of the Needle do a Taylor Swift October 9 - 15, 2009 Dr. Riz A. Oades passes away at age 74 By Simeon G. Silverio, Jr. Publisher & Editor PHILIPPINES TODAY Asian Journal San Diego The original and fi rst Asian Philippine Scene Journal in America Manila, Philippines | Oct. 9, It was a beautiful 2008 - My good friend and compadre, Riz Oades, had passed away at age 74. He was a “legend” of San Diego’s Filipino American Community, as well day after all as a much-admired academician, trailblazer, community treasure and much more. Whatever super- Manny stood up. His heart latives one might want to apply was not hurting anymore. to him, I must agree. For that’s Outside, the rain had how much I admire his contribu- stopped, making way for tions to his beloved San Diego Filipino Americans. In fact, a nice cool breeze of air. when people were raising funds It had been a beautiful for the Filipinos in the Philip- day after all, an enchanted pines, Riz was always quick to evening for him. remind them: “Don’t forget the Bohol Sunset. Photo by Ferdinand Edralin Filipino Americans, They too need help!” By Simeon G. I am in Manila with my wife Silverio, Jr. conducting business and visit- Loren could be Publisher and Editor ing friends and relatives. I woke up at 2 a.m. and could not sleep. Asian Journal When I checked my e-mail, I San Diego read a message about Riz’s pass- temporary prexy The original and fi rst ing. -
A Dirty Affair Political Melodramas of Democratization
6 A Dirty Affair Political Melodramas of Democratization Ferdinand Marcos was ousted from the presidency and exiled to Hawaii in late February 1986,Confidential during a four-day Property event of Universitycalled the “peopleof California power” Press revolution. The event was not, as the name might suggest, an armed uprising. It was, instead, a peaceful assembly of thousands of civilians who sought to protect the leaders of an aborted military coup from reprisal by***** the autocratic state. Many of those who gathered also sought to pressure Marcos into stepping down for stealing the presi- dential election held in December,Not for Reproduction not to mention or Distribution other atrocities he had commit- ted in the previous two decades. Lino Brocka had every reason to be optimistic about the country’s future after the dictatorship. The filmmaker campaigned for the newly installed leader, Cora- zon “Cory” Aquino, the widow of slain opposition leader Ninoy Aquino. Despite Brocka’s reluctance to serve in government, President Aquino appointed him to the commission tasked with drafting a new constitution. Unfortunately, the expe- rience left him disillusioned with realpolitik and the new government. He later recounted that his fellow delegates “really diluted” the policies relating to agrarian reform. He also spoke bitterly of colleagues “connected with multinationals” who backed provisions inimical to what he called “economic democracy.”1 Brocka quit the commission within four months. His most significant achievement was intro- ducing the phrase “freedom of expression” into the constitution’s bill of rights and thereby extending free speech protections to the arts. Three years after the revolution and halfway into Mrs. -
Reinforcing Myths About Women in Philippine Culture 275
Mendoza / Reinforcing Myths About Women in Philippine Culture 275 REINFORCING MYTHS ABOUT WOMEN IN PHILIPPINE CULTURE Semiotic Analyses of the Sexbomb Girls in Eat Bulaga’s Laban o Bawi Trina Leah Mendoza University of the Philippines Los Baños [email protected] Abstract Movie and TV stars are an influential part of Philippine society. Not only do they entertain audiences with their television shows or movies, but their private lives and actions are arguably as interesting to the public. Celebrities and stars are admired, idolized, and looked up to by many of their followers, such that their values and actions can greatly influence their fans. However, their images may hold various meanings that are not evident to many people. This study analyzes a group of unconventional stars that changed the landscape of noontime viewing—the Sexbomb Girls—using a semiotic approach. It seeks to reveal the different images of women portrayed by the Sexbomb Girls, and understand how media can reinforce myths. The Sexbomb Girls were a social phenomenon and a product of production that depicted binary oppositions and metaphors: virgin/vamp, loud woman, and ordinary woman. These signs, binary oppositions, and metaphors served as myths that naturalized, influenced, and reinforced sexy female background dancers into becoming an ordinary part of noontime and game shows. Because they appeared six days a week in Eat Bulaga, the Sexbomb Girls have desensitized the Filipino masses such that seeing sexily clad background dancers in these shows has become ordinary and acceptable. Keywords binary oppositions; metaphors; semiotics; Sexbomb Girls; signs; social phenomenon Kritika Kultura 33/34 (2019/2020): 275–298 © Ateneo de Manila University <http://journals.ateneo.edu/ojs/kk/> Mendoza / Reinforcing Myths About Women in Philippine Culture 276 About the Author Trina Leah Mendoza is an assistant professor at the Department of Development Broadcasting and Telecommunication, College of Development Communication, University of the Philippines Los Baños (UPLB). -
BONIFACIO ILAGAN's Directed by JOEL LAMANGAN
TAG-ANI PERFORMING ARTS SOCIETY ASIAN FEDERATION AGAINST INVOLUNTARY DISAPPEARANCES present BONIFACIO ILAGAN’s Directed by JOEL LAMANGAN onceived in 1997 during the from Enforced Disappearance CHALLENGED CInternational Week of the ratified by 58 states and signed by PAGSAMBANG BAYAN (LITURGY OF THE MASSES) Disappeared, the Asian Federation 97; by Khurram Parvez, Chairperson, AFAD BUT GRATEFUL Against Involuntary Disappearances • Playing a supportive role in the (AFAD) was born on 4 June 2018 long process of lobbying for by Mary Aileen D. Bacalso – two decades ago today. From the eventual enactment of the or the people living their lives under authoritarian transformed and subsequently leads the people’s Secretary-General, AFAD a core of three organizations, Anti Enforced or Involuntary Fregimes or in conflict regions, the oppression is uprising against the dictatorship. This is important i.e. the Families of Victims of Disappearance Act of 2012; normalised by the regimes. Using fear and censor, even today in not just the Philippines but across the Involuntary Disappearance (FIND) • Facilitating psychosocial the public memory is threatened to not remember world. The religious and moral leadership in many in the Philippines, the Association accompaniment for victims of the violence of the regime. In this kind of situation, countries is silent on the persecution suffered by the of Parents of Disappeared Persons disappearances especially in the memory of the oppressed can become the most crucial people who otherwise are supposed to be morally (APDP) in Kashmir and the now first stages of the reunification of instrument to build the consciousness of the masses led by the religious leadership in times of darkness defunct Organization of Parents stolen children in Timor-Leste with in order to evolve and sustain the resistance against and tribulations. -
Filipino Film-Based Instructional Plan for Pre Service Education Students
International Journal of e-Education, e-Business, e-Management and e-Learning Filipino Film-Based Instructional Plan for Pre Service Education Students Leynard L. Gripal* University of the Philippines Diliman, Quezon City, Philippines. * Corresponding author. Tel.: 632 981 85 00 local 3404; email: [email protected] Manuscript submitted August 20, 2015; accepted December 15, 2015. doi: 10.17706/ijeeee.2016.6.1.56-70 Abstract: A Filipino film-based instructional plan was implemented in a pre service education class offered at a polytechnic college in Marikina City Philippines. Modified Dick & Reiser’s instructional plan and two films about Filipino school teachers were utilized in this study which is descriptive and quasi-experimental in nature. The qualitative measures include selection of film and effects of the created instructional plan. The quasi-experimental measures include implementation of the plan to the students. Simple student survey, post-survey of student’s feedback and focus group discussion feedback were used to analyze the study. The results stated that the films Munting Tining by Gil Portes and Mila by Joel Lamangan are good full length films that showed Filipino school teacher. A well-designed and –prepared Filipino film-based instructional plan that is based on the 1996 modified instructional plan by Dick & Reiser is a great aid in teaching pre-service education students. The created Filipino film-based instructional plan made impact to pre service education students. Key words: Dick & Reiser, Filipino film, instructional design, learning, teaching. 1. Introduction The ever changing technological environment renders interrelated and connected in a world. Communities, institutions and people including educators are challenged to answer to the call of globalization through various means, one of which is technology awareness. -
The Term Vaginal Economy Was First Used by a Feminist Columnist of A
Guest Editor’s Introduction Vaginal Economy: Cinema and Sexuality in the Post- Marcos, Post- Brocka Philippines The term vaginal economy was first used by a feminist columnist of a lead- ing newspaper in the Philippines to refer to “how the otherwise legitimate deployment of Filipino women entertainers has deteriorated into their mas- sive trafficking into sex work.”1 In the dominant Philippine — as well as the global — context, the term, however, evokes a much larger scope than sex trafficking, though certainly this subaltern sphere is essentially constitutive of the economy. About half of the 2.45 million people trafficked worldwide, 1.36 million, are from the Asia- Pacific region.2 Vaginal economy refers to the female sex as the primary instrument of national development and is char- acterized by the massive deployment of overseas contract workers (OCWs; as much as two- thirds are women), the greater sexualization of female domestic labor (sex work and trafficking as an extreme yet common feature; pigeon- holed in “3D” jobs that are “domestic, degrading and demeaning”), the positions 19:2 doi 10.1215/10679847- 1331706 Copyright 2011 by Duke University Press Downloaded from http://read.dukeupress.edu/positions/article-pdf/19/2/229/460309/pos192_01_Tolentino_FPP.pdf by guest on 24 September 2021 positions 19:2 Fall 2011 230 feminization of male labor (also entering domestic work as the main thrust of OCW, and suffering a decline in employment in developed nations), and the double- or triple- feminization of female labor (breadwinning yet absent mother, transnational mothering and care, transnational economy of emo- tions and devotion; or being woman, foreign, and doing socially reproduc- tive work). -
Cinema) History
Campos / Ghostly Allegories 611 GHOSTLY ALLEGORIES: HAUNTING AS CONSTITUTION OF PHILIPPINE (TRANS) NATIONAL (CINEMA) HISTORY Patrick Campos University of the Philippines Film Institute [email protected] Abstract By reading through the con–texts of Yam Laranas’s The Echo (2008) and Kelvin Tong’s The Maid (2005), the essay considers three Filipino genres that ironically gathered momentum at the time of the Philippine film industry’s crisis and decline in the 1990s up to the 2000s – the historical drama, the OFW (overseas Filipino worker) film, and horror. In the process, the essay constitutes an alternative map of Philippine cinema premised on inter-national transactions across states and film industries, on the one hand, and on the nodal and spectral bodies of Filipinas that network these states and industries, on the other hand. Dwelling on multiform hauntings, it ultimately focuses on how nations/cinemas – through (de)localized genres – are constituted and called into account by specters of (cinema) histories. Keywords Philippine cinema, Singapore cinema, transnational cinema, Asian horror, OFW film About the Author Patrick Campos is Assistant Professor at the University of the Philippines Film Institute. He is currently Director of the Office of Extension and External Relations of the College of Mass Communication, University of the Philippines, Diliman, where he previously served as College Secretary. Kritika Kultura 21/22 (2013/2014): –643 © Ateneo de Manila University <http://kritikakultura.ateneo.net> Campos / Ghostly Allegories 612 I came here to see the world. I ended up looking into the saddest and darkest part of the human heart. Here my journey ends. -
Global Makeover Cover V2.Indd 12/21/2010 3:18:21 PM
(1,1) -1- FINAL_global makeover cover v2.indd 12/21/2010 3:18:21 PM � e 11 studies in this book show the “makeover” that selected countries in Asia have undergone due to globalization. Clearly, the la� er’s eff ects go beyond economics as Asian politics and culture (including media) tend to evolve due to the changing times. While these studies do not cover the entire Asian experience with regard to globalization and other in� uences, they nevertheless give interested readers the speci� c experience in selected Asian countries like the Philippines, Korea and East Timor while providing a general context of Asian media and culture. Editor’s Introduction Regional Contexts of Media Cooperation and Artistic Collaboration in East Asia by Caroline S. Hau Whose Stories Do We Listen To? World-System and the Pa� ern of International News Flow global makeover by Seung Joon Jun and Ju-Yong Ha A Yearning for Tenderness in Korean Cinema Media and Culture in Asia by Ju-Yong Ha and Joel David Cultural Proximity and Cultural Distance: � e Reception of Korean Films in China � rough the Case of My Sassy Girl in the Early 2000s by Ying Huang and Kwang Woo Noh Edited by Danilo Araña Arao � e ‘English Fever’ in Korea by Doobo Shim and Joseph Sung-Yul Park � e New Fantasy-Adventure Film as Contemporary Epic, 2000-2007 by Patrick F. Campos � e Alternative Metaphor in Metaphors: Discursive ‘Readings’ on Language, Symbols and Enculturation in Philippine Cinema and Other Media by Shirley Palileo-Evidente Orientalism and Classical Film Practice by Joel David � e Grassroots Approach to Communication: How Participatory Is Participatory Communication in the Philippines? by Randy Jay C. -
Rethinking Philippine Labour Export
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Rethinking Philippine Labour Export Kaur, Arunajeet 2016 Kaur, A. (2016). Rethinking Philippine Labour Export. (RSIS Commentaries, No. 284). RSIS Commentaries. Singapore: Nanyang Technological University. https://hdl.handle.net/10356/87913 Nanyang Technological University Downloaded on 28 Sep 2021 11:58:34 SGT www.rsis.edu.sg No. 284 – 18 November 2016 RSIS Commentary is a platform to provide timely and, where appropriate, policy-relevant commentary and analysis of topical issues and contemporary developments. The views of the authors are their own and do not represent the official position of the S. Rajaratnam School of International Studies, NTU. These commentaries may be reproduced electronically or in print with prior permission from RSIS and due recognition to the author(s) and RSIS. Please email: [email protected] for feedback to the Editor RSIS Commentary, Yang Razali Kassim. Rethinking Philippine Labour Export By Arunajeet Kaur Synopsis The Philippines has a culture of politics-induced labour migration. It relies heavily on labour export and remittance money but that has resulted in many negative consequences for the country's economic and social development. Notwithstanding President Rodrigo Duterte’s pronouncement on changing this situation, no imminent change is expected. Commentary DESPITE HIS declared interest in changing Filipino attitude on overseas employment, it does not look like President Rodrigo Duterte is making inroads on this front. Indeed, it does not look like the policy on Philippine labour export will change in the foreseeable future. So far President Duterte is making headlines more for his foreign engagements with China, Japan and the United States than following through with his declared interest on reversing the overseas employment policy. -
Protecting Overseas Workers Will Gain More Attention As Temporary Migration Continues States
Insight PROGRAM ON MIGRANTS, MIGRATION, AND DEVELOPMENT SEPTEMBER 2007 SUMMARY Countries of origin can play a major role in Protecting Overseas protecting their migrant workers abroad. A government-operated welfare fund that Workers: migrants and/or their employers finance offers a potentially efficient and feasible solution to sharing the cost of protection. An analysis of Lessons and Cautions the world’s largest migrant welfare fund, the Philippines’ Overseas Workers Welfare from the Philippines Administration (OWWA), shows that protec- tion of migrant workers can be institutional- ized through three elements: (1) a mechanism for repatriation, (2) provision of insurance Dovelyn Rannveig Agunias and loans, and (3) education and training. Migration Policy Institute However, countries of origin must overcome several limitations if they want to realize Neil G. Ruiz these benefits. The Philippine case highlights The Brookings Institution the importance of tailoring services to the immediate or core needs of overseas work- ers without overextending the government’s I. Introduction capacity, as well as of creating meaningful partnerships with members of the civil soci- International labor mobility is increasing, as a matter of ety and the private sector. Also critical to successful operation is a strong state capacity policy and a matter of fact. Yet, countries of origin and that allows for the representation and mean- destination have reached little consensus on how best to ingful participation of migrant workers; politi- mitigate the social costs of a more integrated global labor cal, administrative, and financial transparency and accountability; and the effective use of market. As proposals for temporary worker programs in government employees.