Bury My Heart at Wounded Knee
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Descendants‟ Organizations, Historical
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE RECLAIMING THE PAST: DESCENDANTS‟ ORGANIZATIONS, HISTORICAL CONSCIOUSNESS, AND INTELLECTUAL PROPERTY IN KIOWA SOCIETY A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By MICHAEL P. JORDAN Norman, Oklahoma 2011 RECLAIMING THE PAST: DESCENDANTS‟ ORGANIZATIONS, HISTORICAL CONSCIOUSNESS, AND INTELLECTUAL PROPERTY IN KIOWA SOCIETY A DISSERTATION APPROVED FOR THE DEPARTMENT OF ANTHROPOLOGY BY __________________________ Dr. Daniel C. Swan, Chair __________________________ Dr. Morris Foster __________________________ Dr. Gus Palmer, Jr. __________________________ Dr. Sean O‟Neill __________________________ Dr. Richard Lupia © Copyright by MICHAEL P. JORDAN 2011 All Rights Reserved. To my Mother, JoAnn Batte Jordan, and the memory of my Father, Paul Nelson Jordan ACKNOWLEDGEMENTS I owe a tremendous debt to the people of the Kiowa Tribe of Oklahoma, whose generous assistance made this project possible. Since my first trip to southwestern Oklahoma as an undergraduate in 1998, countless Kiowa people have taken the time to share their knowledge with me. I am especially thankful for the many community members who assisted me with my dissertation research. Space prevents me from acknowledging each of them by name, but I would particularly like to thank the members of the Chief Satanta (White Bear) Descendants, the Old Chief Lonewolf Descendants, and Satethieday Khatgomebaugh. Without their help this project would not have been possible. Dr. Daniel C. Swan invested tremendous time and energy in my scholarly development. I am thankful for all that he has taught me, including what it means to be a mentor. Dr. Morris Foster has always been a source of sound advice. -
Red River War of 1874-1875 Clash of Cultures in the Texas Panhandle
TEXAS HISTORICAL COMMISSION Red River War of 1874-1875 Clash of Cultures in the Texas Panhandle A Texas Travel Guide Red River War Battles Lost, Battles Found of 1874-1875 The Red River War Battle Sites Project During the 1870s, an epic struggle for control Clash of Cultures of the Southern Plains pitted Native Americans against the U.S. Army. For almost two centuries, in the Texas Panhandle Europeans and Euro Americans had interacted with bands of Comanche, Kiowa, Southern Headdress of Ervin “Buck” Cheyenne, and Arapaho. Some relations were Chapman, grandson of Amos mutually beneficial, as those involving trade. Chapman (scout who survived But violent conflicts intensified as more Battle of Buffalo Wallow) and and more whites moved westward into native Mary Longneck Chapman territory in the early 1800s. (granddaughter of Cheyenne To end the clash of cultures, the U.S. Army Chief Black Kettle). resolved to force the Indians onto reservations in Courtesy Wolf Creek Heritage Museum. Indian Territory (now Oklahoma). e ensuing 2 TEXAS HISTORICAL COMMISSION Red River War of 1874–1875 proved a turbulent In 1998, the Texas Historical Commission turning point in the history of the frontier. observed the 125th anniversary of the conflict A score of battles and running skirmishes by launching the Red River War Battle Sites raged across the plains and canyons with some Project. Archeological fieldwork conducted from 3,000 soldiers engaging up to 700 Indian 1998 to 2003 used metal detectors to locate and warriors. Several pivotal battles took place in unearth battlefield artifacts at six battlegrounds— the Texas Panhandle during the summer and Red River, Lyman’s Wagon Train, Buffalo fall of 1874. -
Toward the Origins of Peyote Beadwork
TOWARD THE ORIGINS OF PEYOTE BEADWORK A THESIS IN Art History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Gerald R. Hubbell B.Sc., California State University, Sacramento, 1979 Kansas City, Missouri 2018 ©2018 GERALD R. HUBBELL ALL RIGHTS RESERVED THE ORIGIN OF PEYOTE BEADWORK Gerald R. Hubbell, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2018 ABSTRACT Peyote beadwork is a nuanced and elegant art form. Hundreds of thousands of people today use peyote beadwork, including the Native American Church, powwow people, gourd dancers and Native Americans wanting a marker of Native Identity. Mainstream society has relegated this art form to the status of craft. It is virtually unstudied in the academic world. This paper accepts that objects so decorated are art, that is, expressions that are a means of communication among humans, and both a sacred art as well as a means of establishing cultural identity. The lack of academic study has led to hypotheses about its origin that obscure rather than reveal how it began. This paper aims to describe when and by whom the beadwork began, as well as how it was first disseminated. iii APPROVAL PAGE The faculty listed below, appointed by the Dean of the College of Arts and Sciences, have examined a thesis titled “The Origin of Peyote Beadwork,” presented by Gerald Hubbell, candidate for the Master of Arts degree, and certify that in their opinion it is worthy of acceptance. Supervisory Committee Maude Southwell Wahlman, Ph.D., Committee Chair Dorothy and Dale Thompson Endowed Professor of Global Arts, Professor of Art and Art History, Department of Art History, UMKC Robert Prue, Ph.D. -
William L. Clements Library Richard Pohrt, Jr. Collection of Native American Photography Partial Subject Index
William L. Clements Library Richard Pohrt, Jr. Collection of Native American Photography Partial Subject Index Finding Aid: https://quod.lib.umich.edu/c/clementsead/umich-wcl-F-1156poh?view=text This partial subject index serves as a guide to some of the main individuals, organizations, tribes, geographic locations, events, and other general subjects that are represented throughout the collection. Because this is an abbreviated listing, a number of subjects that are present in Pohrt Collection catalog records are absent from this index. Call numbers for photographs associated with a given subject are listed beneath each entry. To request materials, please return to the contents listing section of the finding aid. Abiquiu (N.M.) • Photo Div Pohrt STE Wheeler.041 (Box 3) African Americans--Mixed descent. • Photo Div Pohrt BOU She.001 (Box 8) • Photo Div Pohrt MEDIUM Uni.005 (Box 12) Ahpeatone, 1855 or 1856-1931. • Photo Div Pohrt CAB Tra-Kuh.001 (Box 5) • Photo Div Pohrt MEDIUM Irw.001 (Box 11) Ainsworth, Clay, approximately 1870-1887. • Photo Div Pohrt OVERSIZE Tip.001 (Box 17) Alchesay (Apache Chief), approximately 1853-1928. • Photo Div Pohrt BOU MilA.001 (Box 7) Algonquian Indians. • Photo Div Pohrt CASED Uni.004 (Box 1) • Photo Div Pohrt CASED Uni.005 (Box 1) • Photo Div Pohrt CASED Uni.006 (Box 1) • Photo Div Pohrt CDV Cos-Mos.001 (Box 1) • Photo Div Pohrt CDV Cru.001 (Box 1) • Photo Div Pohrt CDV Eber.001 (Box 1) • Photo Div Pohrt CDV Hud.001 (Box 1) • Photo Div Pohrt CDV Hud.002 (Box 1) • Photo Div Pohrt CDV Kni.001 (Box 1) • Photo Div Pohrt CDV Sou.001 (Box 1) • Photo Div Pohrt CDV Tur.001 (Box 1) • Photo Div Pohrt CDV Tur.002 (Box 1) • Photo Div Pohrt CDV Uni.003 (Box 1) 1 William L. -
In Tulsa, OKC, and Carnegie
Merry Christmas Carnegie, OK December 11, 2018 Vol. 2 Issue 4 Kiowa Elder Christmas In Tulsa, OKC, and Carnegie and memories by several of the Elders. In OKC’s Remington Park, the turnout was well over 200. The Chairman as well a several members of the Kiowa Legisla- ture spoke to the crowd, giving an up- date on the status of the Tribe. Meanwhile in Carnegie, with the threat of inclement weather in the forecast the decision was made to begin release Elder Payment checks, on Thursday, to those who chose to go to the Kiowa Complex. Over one hundred showed up to receive their annual payment.The forecast turned out to be erroneous, so the Friday event in Red Buffalo Hall had several full ta- bles. Cecil Gray was called upon to make the celebration a success. He and his band Native Blues had the crowd dancing and The 2018 Christmas for the Kiowa singing along. The music takes over, Elders began on December 3rd, at The Eldest Kiowa male and female were as Cecil Gray and Na- the HardRock Casino Hotel in Ca- honored with Pendletons. The male was tive Blues perform at toosa, Oklahoma. Luke Toyebo Sr. and the eldest female the Kiowa Elders Day Stops would also include Oklahoma was Peggy Tsoodle. Two are brother and sister. event in Carnegie. City and at home base in Carnegie. The Catoosa event started slow, but Also the youngest Kiowa was present. His name is Boston Vonn Highwalker. Above Tulsa Elders within a short time over 100 Elders filled the Sequoia Room to enjoy For those Elders unable to attend the enjoy a catered meal at gatherings, checks were mailed to all Hard Rock Hotel/ Ca- money and a meal. -
Photographs of Indians in the United States: Select Audiovisual Records. INSTITUTION National Archives and Records Service (GSA), Washington, D.C
DOCUMENT RESUME RD 256 560 RC 015 279 TITLE Photographs of Indians in the United States: Select Audiovisual Records. INSTITUTION National Archives and Records Service (GSA), Washington, D.C. National Audiovisual Center. PUB DATE 77 NOTE 24p. PUB TYPE Reference Materials - Bibliographies (131) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *American Indian History: *American Indians; Archives; Armed Forces; Children; Clothing; *Cultural Activities; Dance; Food; Games; Handicrafts; Housing; *Photographs; *School Activities; Transportation, Tribes IDENTIFIERS Fishing; Villages ABSTRACT Selected from pictorial records deposited in the National Archives by government agencies, the leaflet lists 194 photographs or copies of artworks portraying American Indians, their homes, and activities. The picture descriptions are grouped by such subject areas as the following: agency buildings (4 citations), agriculture (6), basketwork (3), camps (3), children (7), councils (4), crafts (4), dances (8), delegations in Washington, D.C. (5), female costumes (6), fishing (4), food preparation (5), games and recreation (3), groups (6), ho'as (12), hunting (3), individual portraits (42), male costumes (8), pictographs (4), pottery (3), prisoners (3), school activities (14), scouts for the Army (6), transportation (6), villages (6), weapons (4), weaving? (4), and World War II activities (5). Each citation includes, if available, the name of photographer or artist, the date (1585-1957) of the item, and the identification number in italics. English names of individuals have been used, with native or secondary designations where known and where appropriate. An index by tribe follows the list. The leaflet concludes with instructions for ordering sets of slides, individual prints, negatives or slides of all photographs listed.