Getting in touch with and hearing about his times working with and the Seasons was a treat. (See 60th Birthday Interview in Newsletter No 39 July 2003). So what better track to start the CD than probably Eddie’s best after ‘’(Dynovoice 204). Unfortunately it was on the ‘B’ side of that 1965 hit otherwise it would have been a hit in its own right. An Eddie Rambeau/Bud Rehak penned song it features for ABC, ATCO, and the one-off on superb Four Season harmony backing Vivid records where he poses as L.B. vocals on a great ‘feelgood’ song. WILSON, ‘Don't’. We hope to feature Switching to one of Bob Crewe’s these tracks on future compilations. female protégé’s we delve into Ginny Another track resurrected from previ- Arnell’s extensive catalogue for one of ous years was released by another Bob’s productions of ‘No One solo singer who featured with Bob Cares’(Warwick 671). This Bob Crewe on only one single. Gaudio composition is also famous for ‘Trance’(Philips 40259), a Bob Gaudio appearing as track 5 on Side 1 of the composition and production, had been Four Seasons ‘Rag Doll’ in written back in 1961 and recorded by 1964. This version by Ginny features Billy Dixon & The Topics (aka Frankie the Seasons on backing vocals as Valli & The Four Seasons to be). This Researching Bob Crewe’s produc- Ginny’s plaintive voice pleads for love version by Tommy we believe features on a 1961 recording of the song. tion history has been a fascinating the Angels on backing vocals on this Another song from the very strong project since 2001 when we put 1965 release. “Rag Doll” album first appeared on together the first compilation in the Shirley Mathews was a Canadian another 1961 Crewe production. ‘The Bob Crewe Presents… ‘Seasons’ vocalist highly rated by Bob Crewe Touch Of You’ ( ABC Paramount Connections Volume 1 (Newsletter and had a run of four impressive sin- 10272) a Bob Gaudio composition No 37 – October 2002). That gles under his tutelage. Our first fea- again featured the Four Seasons on ‘Ultimate ’ compilation had ture of her distinctive vocal is on the falsetto backing vocals to Lenny been inspired by girl group and Crewe-Calello penned mid-tempo O’Henry. Lenny was one of Bob Northern Soul enthusiasts Mick song ‘Private Property’ (Atlantic 2224) Crewe’s featured solo vocalists from Patrick and Malcolm Baumgart who with an unknown female group on 1961 to 1964. Lenny O'Henry’s real compiled ‘The Dynavoice Story’ on backing vocals. name was Daniel Cannon, an original Westside CD WESD 226. Returning to Eddie Rambeau we pick member of The Vibraharps from about The ‘connection’ we followed was up on one of his earlier Crewe pro- 1956. Their last record was released based on tracks either produced or ductions before the success of on ATCO records about 1960, after written by Bob and/or any of the ‘Concrete And Clay’. ‘Come Closer’ which they broke up. Somehow Four Seasons and Charles Calello (20th Century Fox 491) was a Chris Crewe met him and they started work- and included tracks on which they Andrews penned song recorded by ing together in 1961 for ABC featured as backing artists. The amongst others ‘Craig Douglas’ with Paramount Records. He wrote a num- resultant mix of female and male exactly the same . This ber of for Crewe solo artists and groups was an track was probably picked up along including ‘Cheated Heart’, and ‘Goin' eclectic mix of sounds that provid- with ‘Concrete and Clay’ by Dan To A Party’(see below). He later co- ed an entertaining juke box of rari- Crewe on his 1963 visit to the UK to wrote the very collectible northern ties. Since then we have searched meet Andrew Oldham. It is, we are soul ‘Mr. Moonlight’ with Bob Crewe the world to recover more tracks in told, the 4-Evers on backing vocals for Smash records in 1963. This song, this context and we are now able to with Eddie. The b-side of Ed's ‘Come although not part of this selection, present ‘Seasons’ Connections Closer’, ‘She's Smilin' At Me’ was also features The Four Seasons on back- Volume 2. the b-side of Craig Douglas' ‘Come up vocals as well as all his recordings Closer’ 45 on UK Fontana H475. sound occurs regularly along albeit a little uninspiring as a in this collection and song. our next track perhaps Back to Tommy Hayes and the B-side matches them at their of his Philips 40259 single was a best. The Victorians DeHayes penned song ‘Glistening were really Charles Lights’. It is a catchy Bob Gaudio pro- Calello’s group. The duction and Charles Calello arrange- Victorians membership ment on a track released in January we believe included 1965. Even with the Four Seasons on (Tom) DeCillis and backing vocals the song had no hope Layton writers of this against the sounds dominating the track along with possi- charts after the British group invasion. bly Charles Calello. This was one of the last appearances Their version of ‘Baby on backing vocals of the Four Toys’( Reprise 0434) Seasons. composed by DeCillis- Our search for Seasons connections Layton is full of warm led us into Charles Calello’s exploits harmonies on this as a producer and we will feature his Charles Calello pro- productions regularly to show how duced gem from1964. important he was to creating the These tracks both appeared on an A very different sound Bob Crewe and the Four Adam Faith LP, ‘On The Move’ (UK arrangement to the later ‘Toys’ version Seasons wanted. He held so much of Parlophone PMC 1228)- not surpris- (DynoVoice 222). A Jimmy Wisner the sound of those times in his superb ing given the close ties between production this also had different and orchestrations and Adam Faith's management and Chris lyrics and the names of no better example exists than the Andrews. Linzer-Randell added. superb laid-back soul sound of Shirley In Volume 1 we featured tracks by Back to Bob’s boys and ‘I’ll Step Ellis on ‘Backtrack’ from her Columbia one of Bob Crewe’s best female Aside’, the Gaudio-Linzer composition vocalists Tracey Dey. No-one has from 1964 for Jimmy Clanton, who been able to tell us where she is appeared on only one single for Bob today but for a brief period she pro- Crewe (Philips 40181). Notable as a duced some really good tracks. The straight imitation of Bobby Vee at his Rambeau-Rehak composition best this is a catchy song that could ‘Hangin’ On To My Baby’ (Amy 908) have found some chart action. from 1964 rocks along with strong One of the best boy-girl groups that lead vocal and backing by the Rag Bob worked with briefly were the Dolls (and it is suggested The Four Orlons and their handclapping and Graduates – later to become The chanting ‘Goin’ Places’ (Crewe- Happennings). Linzer_Randell)is a classic group The male vocalists who worked with sound from 1964 (Cameo Parkway Bob Crewe enjoyed less success than 332). Described in their ‘All The Hits’ the girls. It wasn’t for want of trying compilation this track was produced in and Kevin McQuinn appeared on 4 an attempt to repulse the dominant singles in the early 60’s with Bob’s British sound which was conquering production. ‘Keep Me On Your Mind’ the US charts. “So the Company (Diamond 101), presumably a self (Cameo Parkway) turned for help to –penned song (E.J.Quinn!!) is notable an outside (but not far away) produc- for a Paul Anka ‘Diana’ type sax intro er, Bob Crewe, whose work with the and a catchy melody. Four Seasons hadn’t been trampled The influence of the Four Seasons underfoot by the British sound. The move failed, although ‘Knock!Knock!’ was as infectious as any of THE ORLONS’ previous records and the 1967 album ‘Sugar, Lets Shing-A- flipside, ‘Goin’ Places” was a fine Ling’ (Columbia CS 9479). This is just reproduction of the pounding, Charles superb and is a taster of some of the Calello orchestrations favoured by the more soulful tracks that appeared on Four Seasons” Crewe (and Calello) productions from Back to Ginny Arnell and the B-side of 1966 on. her version of the Four Seasons ‘No Lenny O’Henry brings us to the mid- One Cares’ was ‘Tribute To point of this collection and what would You’(Warwick 671). A Laraine & Joy have been the last track of our double Darby penned track with Four album of 60’s memories if this had Seasons and unknown females on been on vinyl.’Goin’ To A Party’(ABC backing vocals the tracks pounds Paramount 10272) was another ‘Adventure’ its appearance on the B-side of Mitch (Diamond Ryder’s Dynovoice 901 release in 109) has 1967. The version by Hal Miller fea- unknown tures the same soulful arrangement girl backing but with the Four Seasons and Rag singers Dolls on backing vocal on a 1964 (possibly release. the Angels Lenny O’Henry (aka Daniel who Cannon/Troy Keyes) leads the High worked Keyes (a sound that could well be the with Crewe Four Seasons) on the tale of their a lot “One Horse Town” (Atco 6290). A around this bouncy mid-tempo arrangement by time)chanti- Charles Calello and penned by Troy ng “Follow Keyes himself. Me” with Although Miss Frankie Nolan’s classic support ‘duet’ with Frankie Valli on “I Still from the Care”(Early Fantastic Years SP CD - Four 99005) may have made us believe Seasons as she needed Frankie’s support to deliv- attempt by Bob to get his Sam Cooke he pleads for his girl to embark on the er her best vocal, we found her per- sound-alike noticed on the charts on a adventure of life with him on this Bob formance with backing by Nino & The self-penned song arranged by Crewe penned song. Kevin's real Ebb Tides on “A Week From Sunday” Charles Calello. The effort failed but name was Eddie Quinn, who was a (Madison 151) is quite exquisite the track has what we believe are the former original member of The Mello Boy/Girl harmony at its best . Four Seasons providing the “Ooh- Kings (‘Tonight, Tonight’). They broke Back to Eddie Rambeau and “Clock” Ahh’ ,’Lenny, Lenny, What, What up in 1961. Good strings and a solo (Dynovoice 225). Bell chimes with a Choo Want” backing. trumpet mid break with Kevin asking jaunty ‘oom-pah-pah ‘ arrangement The ‘Rag Dolls’ featured with their two “don’t keep this dandy handyman on best remembered for superb best known tracks on Volume 1 and the shelf”. A B&Q theme song?? Valli/Seasons falsetto backing which we have tracked down all eight songs Next it is back to chants and hand make an indifferent composition by from 1964 and 65 featuring the vocal claps from the back-up girls as Shirley Tony Hayes-Steve Wadley-Michelle talent of Jean Thomas, Mickie Harris Mathews calls out to her ‘Big Town Grainger at least listenable. This was and Susan Lewis. ‘Little Girl Boy’ (Atlantic 2210). A Rambeau- released in 1966 but must have been Tears’(Mala 506 ) was composed by Rehak composition, the Charles recorded in 1963 or 64 as The Four Linzer-Randell-Crewe recorded in Calello arrangement gives a very Seasons no longer backed Crewe’s 1965 and to most ears is a blatant re- soulful feel to this mid-paced bouncer. other vocalists once Joe Long joined working of the Four Seasons, ‘Big In Canada it was16 wks on the Top- the group in February 1965 Girls Don’t Cry’ and at 1 minute 45 50, peaking at # 4 on 01/27/64. Ed Hedy Sontag ,it is rumoured was seconds is one of Bob Crewe’s short- still gets royalties from Canada. Larry Santos’s wife and we are est singles. Soaring harmonies and Jonathan Marcus is a long time friend unsure whether this brought her to staccato handclaps feature as the of Frankie Valli. Better known for his Bob Crewe’s attention or if Crewe group show off their ‘Female Four fame as Joe Pesci, the Hollywood introduced her to Larry. She featured Seasons’ sound on another Charles star of several films, he once record- on at least two Crewe produced sin- Calello arrangement. ed as one of Bob Crewe’s male vocal- gles and here we feature “He Never Amongst the more unusual side pro- ists. Joe’s double tracked imperson- Came Back” (Phillips 40170). It jects that Four Seasons members got ation of the Everly Brothers on “Mad bounces along mid-tempo beat with a involved with was the single by a About You Baby (MGM13580) fea- strong lead vocal with the chanting group called ‘The Page Boys’(Decca tures Joe on a song he co-wrote with Rag Dolls on backing vocals. A 31505) This was a Valli-Gaudio pro- Denny Randell. A good song and an Crewe-Rambeau-Rehak composition duction of a group comprising Ralph excellent sound, on a single produced it was one of several top quality Rizzolo, Ralph DeCapua and Phil by Bob Gaudio. songs these guys wrote together. Melillo. The A-side was the Hoagy Next we feature ’s first We’ll feature more on subsequent vol- Carmichael-Jack Brooks penned stan- effort with her maestro Bob Crewe on umes. dard from 1947, ‘Ole Buttermilk Sky” a song titled “Tender” (Atco 6262), a Staying with the girls, Bob Crewe also from the film ‘Canyon Passage’ star- Crewe-L’Heureux composition it tells managed to give the Shepherd ring Dana Andrews, and a number 2 the tale of a teenage love affair with Sisters a hit with “Don’t Mention My hit at the time. The Page Boys make Diane’s boyfriend Johnny. A typical Name” ( Atlantic2176). A Crewe- this version a typical group harmony example of the girl sound of the time Gaudio composition it features strong sound with again the unmistakable this single was released in 1963 with chanted vocal with brass and drums arrangement of Charles Calello with the Four Seasons on backing vocals. on a typical girl group sound. A #94 possibly Nick Massi helping on “Blessing In Disguise” (Amy909) by hit on the Billboard Chart 9th vocals. Hal Miller is a Bob Crewe-Charles September 1963. The Shepherd Kevin McQuinn’s1962 single Calello composition better known for Sisters were Martha, Mary Lou, Gayle and Judy Shepherd, real sisters from Four Seasons the Rag Dolls. “Put A hen Ray Nichol delves in Middleton, Ohio. They had hits Ring On My Finger” (Mala 506) is a W with "Alone" in 1957 and "Don't strong mid-tempo Seasons sound- to his record collection you Mention My Name" in 1963. alike penned by Crewe-Linzer- can be sure rare gems will Another example of the Four Seasons Randell, the team responsible for surface and so when he com- vocal backing or maybe just Valli on some of the best Seasons composi- piled a minidisk titled the 4-Evers best and most successful tions. This 1965 release failed howev- single (Billboard # 75 on 30th May er to chart and the group would break ‘SeeZoned Trax’ I was so 1964)“Be My Girl”(Smash 1887) As up with Jean Thomas reverting to stu- stunned I had to remaster the the story goes Bob Gaudio wanted to dio work as the remaining Rag Dolls set to CD and add them to flex his talents and produce for him- (with a replacement fulfilling the live my I-Pod. self rather than always playing sec- performances)continuing to tour. (A With the first half dedicated to Four ond fiddle to Bob Crewe. This was to full story on Jean Thomas’s career Season sound-alikes and the second be a long-standing conflict between with Bob Crewe was a feature in half to covers of Four Seasons songs, them that had some part to play in Newsletter No 39 –July 2003) it provides lots of pleasing sounds to their later break from him. So we hope you’ve enjoyed this remind us of the Four Seasons at Bob Crewe liked the 4-Evers (brought review of past projects under the their best. to him by Al Kasha) and gave them to Bob Crewe/ Four Seasons banner. As well as the well known tracks by Bob Gaudio in 1963 when he was still We will add any further information The Rubettes and Paul DaVinci there performing with the Four Seasons. we get on these tracks and the sto- are lots of good quality songs by The This Gaudio composition was a clas- ries behind them to our next Chants, Peppermint Rainbow, The sic imitation of the Four Seasons. The newsletter. There are lots more Classics, Wind and Adrian Baker. sound was even enhanced by Frankie tracks were these came from so But listening throws up a raft of ques- Valli’s unmistakable falsetto which can watch out for our next volume of tions. be heard on the chorus and of course ‘Seasons Connections’. For further Did The Peppermint Rainbow do any Charles Calello’s great arrangement. information on these tracks contact other tracks as good as this? (The full story of the 4-Evers work the following e-mail addresses. The Four Seasons recorded in the with Crewe and Gaudio was in UK: [email protected] 70’s as The Beverley Hills Blues Newsletter No 28 – September 1999) EU:[email protected] , but is this really Paiva-Polci-Shapiro- It has been suggested that the rest of USA:[email protected] Ciccone at their best?. It certainly the Seasons wanted this song for Acknowledgements: Thanks to sounds like it could be them. John themselves and that jealousy prevent- George Ingram, Ray Nichol, Mike and Don don’t think its them but can’t ed the 4-Evers from achieving greater Miller, Mike Edwards, Ed Rambeau( remember what they did!. Is George success. See below) and Stefan Wriedt for Clinton’s original of ‘Life And Breathe’ Back to our hero Lenny O’Henry who their assistance in this research. better than the Four Seasons ver- once again tries (unsuccessfully) for a sion? And surely Jimmy Walker is hit by trying to sound like Sam Cooke really Gary Pucket in disguise. on “Cheated Heart”(ABC Paramount Personally I am not sure the punk 10222). With the Four Seasons versions of those great Seasons num- ‘Whee-Ooohing’ in the background he bers works, but it is good to have makes a competent attempt on this them for the record. Ray has done a self- penned track. great job and he says he has more Our finale track is also the final track to come. Can’ wait!! Chameleon Bob Crewe produced for his female Bob Crewe Revisited – with it! Most "cheater" records do not This complicated quadrangle of tan- glorify the idea. The gled lust is yet another aspect Comments records about cheating teens were of the record, along with the fascinat- ‘I Won't Tell’ by Tracey Dey is my almost always about how much pain, ing music, that grabs our favorite song by her, says Anthony anger, and misery the cheating has attention, and makes us play the song Arena. The song has deep -toned caused. And there are COUNTLESS over and over. In fact it is chunky beats, and it's punctuated with records that express it, like It's My SUCH an ear-grabber, I remain piano notes that sort of jump out at Party - He's A Quiet Guy - The astounded as to why such a perfect you like a bee's sting. Drumrolls Cheater - Baby, It's You, the list goes record was not a monster hit. I can seem to flip on and on. But as far as I only guess that the risque' and skip their way across the song in know, it's only this record, and one nature of the song scared some dee- unexpected places, and on the other called "Softly In The jays away. chorus all the music abruptly cuts out Night" that actually seem to promote But it remains a PERFECT record. I for her to sing "I Won't 'cheating' as a cool, exciting, wouldn't change a single note of TEHH-ELL" followed by one single thing to try and get away with. But it. I'm not kidding. Anthony Arena "SNAP" on the snare drum. This while softly on the night, “I Wont Tell” was included in our record is a work of pure inventive makes cheating seem like nothing but ‘Seasons Connections Volume 1’ genius. I believe it was produced utterly romantic, with gorgeous by Crewe, being influenced by harps, a sultry sax solo, and delicate, Spector, but trying to go one better. tender lyrics,....the best The background vocalists chant "Ooh thing about I WON'T TELL is it still Mow Mow Mow, I won't tell. Ooh keeps the EDGE on. Tracey is Mow Mow Mow, don't tell her about WARNING her secret lover, "Don't me." How can you not love it? you dare give me the eye!" "What And THAT'S another compelling thing would we do with my little sister Sue, about this amazing record. It's If she ever knew, secretly, all about cheating boyfriends and girl- I'm seeing you? I'm supposed to be friends trying to get away dating with your brother Jim." The Peggy Santaglia Discography 1959-1966 The Delicates (Members Peggy Santiglia, Denise Ferri And Arlene Lanzotti) Tender 818 - The Johnny Bunny / My First Date - 1959 Unart 2017 - Black And White Thunderbird / Ronnie Is My Lover - 1959 Unart 2024 - Meussary / Ringa Ding - 1959 United Artists 210 - Flip Flip / Your Happiest Years - 1960 United Artists 228 - Too Young To Date / The Kiss – 1960 Comment The Delicates (Members Peggy Santiglia And Denise Ferri) Roulette 4321 - Little Ship / Not Tomorrow - 1961 Roulette 4360 - Little Boy Of Mone / Dickie Went And Did It - 1961 More Denny...... Roulette 4387 - I Don't Know Why (I Just Do) / Strange Love - 1961 On Denny Randell’s website we also The Angels (Members Linda Jankowski, Phyllis "Jiggs" Allbut And Barbara found the following : Allbut) "In the early `60's Denny wrote, Ascot 2139 - Cotton Fields / Irresistible - 1963 (After This Release Disagreements arranged and produced a record on Within The Group Resulted In Linda Jankowski's Resignation --- She Then which he was also the artist. The Went On To Record Solo Under The Name Carol Lynn Brent) record became a regional hit and Smash 1834 - My Boyfriend's Back* / (Love Me) Now - 1963 (Peggy Santiglia Originally From The Delicates Replaces Linda Jankowski --- *The Spoken Intro caught the ear of New York music Is By Peggy Santiglia) publisher Shapiro Bernstein who Smash 1854 - Thank You And Goodnight / I Adore Him - 1963 brought him on board as a staff song- Smash 1870 - Wow Wow Wee (He's The Boy For Me) / Snowflakes And Teardrops - writer. In addition to working on his 1963 own songs, he was soon arranging Smash 1885 - Little Beatle Boy / Java - 1964 and producing tracks for the compa- Smash 1915 - Dream Boy / Jamaica Boy - 1964 ny's other writers and artists. This led Smash 1931 - Boy From Cross-Town / World Without Love - 1964 to an introduction to Bob Gaudio of The Powder Puffs (Reputably The Angels) the super-hot Four Seasons by Al Imperial 66014 - (You Can't Take) My Boyfriend's Woody / Woody Wagon - 1964 Peggie Sans (Peggy Santiglia) Kasha, a production partner of Tollie 9018 - Snow Man / Give Your Love - 1964 (Co-Produced By Bob Crewe And Gaudio's and an A&R man and record Frankie Valli, This Was To Be Originally Recorded By The Angels But That Idea producer for CBS Records, who heard Was Dropped. Peggy Santiglia Co-Wrote The Songs Under The Name Peggy Denny's songs and musical arrange- Farina) ments. Gaudio asked Denny to The Beach Nuts (Members Peggy Santiglia, Phyllis "Jiggs" Allbut, Barbara arrange and conduct for the Four Allbut, Jean Thomas, Richard Gotteher, Robert Feldman And Jerry Goldstein) Seasons' and introduced him to Bang 504 - Out In The Sun (Hey-O) / Someday Son - 1965 writer/producer Bob Crewe, the Jessica James & The Outlaws (Members Peggy Santiglia ??...... Some people Seasons' producer. Denny arranged argue that this was a fictitious group where Peggy Santiglia worked as a singer / songwriter while still on her leave of abscence from The Angels. She and conducted a number of sides for also composed the arrangements for 's hit "Lightning Strikes" and the Seasons during this period. These in 1969 sang backing vocals on his hit "I'm Gonna Make You Mine") included much of the Rag Doll album, Dyno Voice 213 - Give Her Up, Baby / Come Closer - 1965 the big band rendition of the TV Dyno Voice 220 - We'll Be Makin' Out / Lucky Day - 1966 theme song "On Broadway Tonight" Bronco 220 - We'll Be Makin' Out / Lucky Day - 1966 and the group's hit singles "Big Man Bronco ? - Blue Skies / ? - 1966 In Town" and "Save It For Me". And Note: LOU CHRISTIE sang back-up on the chorus of WE'LL BE he arranged and conducted a last- MAKIN' OUT (© May 13, 1966) minute live version of Rag Doll when JESSICA JAMES AND THE OUTLAWS (= Denise Ferri, Bernadette Carroll and Peggy Santiglia) sang back-up on most Lou Christie MGM recordings includ- President Johnson's daughter Lynda ing RHAPSODY IN THE RAIN (recorded January 8, 1966) which was BANNED Bird asked the Seasons to sing at the in March 1966 because of the line "We were makin' out in the rain." The drum- 1964 Democratic Convention in mer on "We'll BeMakin' Out" plays several fills that recall Lou Christie's Atlantic City.Denny's work with Bob TRAPEZE. Crewe on these Four Seasons records was also the entrée to the songs as "Opus 17 (Don't You Worry edition set at www.hip-oselect.com successful songwriting collaboration `Bout Me)", the Top 5 follow-up to ...... And finally! between Denny and Crewe, both as a "Workin'", "Betrayed", their first Private Stock masters twosome, as on the later written Seasons recorded song, and songs We’ve previously heard that the "Swearin' to God" and other chart recorded by a number of other well- Private Stock masters were destroyed songs including the Disco Tex hit "I known artists...He did later arrange but this note may mean that Gaudio Wanna Dance Witchoo", and also with the Four Seasons' hit version of "And and Valli have them? lyricist Sandy Linzer, as on "Let's That Reminds Me" after Gaudio heard “ The UK group Mud (or at least their Hang On". Denny and Linzer had also the concept Denny had created on a management company) owns their been introduced by Kasha who cut for one of his own groups." Visit material, and I've seen David Soul thought the two might hit it off as col- these sites for a great musical experi- material licensed via Celebrity in LA. I laborators. Denny's collaboration with ence:www.charliecalello.com think Rupert Holmesgot his stuff back Linzer led to a number of hit songs, http://www.dennyrandell.com/bs_let too, so it seems anything with any life including such worldwide classics as shangon.htm We’ve also heard a left in it has reverted to the producers, "A Lover's Concerto" and "Workin' My rumour that the Seasons Motown artists and licensors.Austin”. Way Back To You" and also such Collection could appear as a limited