Issue 22 October 2019 : Signals from Physics
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Lasa Journal 8 Pp.36- 43) to Set up a Working Group with Us
laSa• International Association of Sound and Audiovisual Archives Association Internationale d' Archives Sonoreset Audiovisuelles Internationale Vereinigung der Schall- und Audiovisuellen Archive laSa• journal (formerly Phonographic Bulletin) no. 9 May 1997 IASA JOURNAL Journal of the International Association of Sound and Audiovisual Archives IASA Organie de l'Association Internationale d'Archives Sonores et Audiovisuelle IASA Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark, The British Library National Sound Archive, 29 Exhibition Road, London SW7 2AS, UK. Fax 441714127413, e-mail [email protected] Reviews and Recent Publications Editor: Pekka Gronow, Finnish Broadcasting Company, PO Box 10, SF-00241, Helsinki, Finland. Fax 358014802089 The IASA Journal is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and 100GBP for institutional members. Back copies of the IASA Journal from -1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP. Le IASA Journal est publie deux fois I'an et distribue a tous les membres. Veuilliez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations anuelles sont en ce moment de 25GBP pour les membres individuels et 100GBP pour les membres institutionelles. Les numeros precedeentes (a partir de 1971) du IASA Journal sont disponibles sure demande. Ceux qui ne sont pas membres de I' Assoociation puevent obtenir un abonnement du IASA Journal pour I'annee courante au cout de 35GBP. -
Lynn Olson: a Tiny History of High Fidelity
A Tiny History of High Fidelity, Part 1 A Rainy Night in Portland, 1936. Thanks to the restoration movement, much of downtown Portland still looks like this. Where do I come from? Where am I going? Who am I? These ancient questions are with us still. With only the slightest of changes, they can be recast into a form that provides a guidepost to the music lover, the audiophile, the hobbyist, and the artisan-engineer. Where does the art of sound reproduction come from? Where is it going? What do I seek from this art? Radio! 1900-1930 In the first years of Electrical Amplification, engineers had their hands full just trying to master the complex and non-intuitive mathematics of vacuum tube amplifiers and oscillators. It is worth keeping in mind that vacuum tubes were electronics in the first half of the Twentieth Century; before Lee DeForest modified Edison's light-bulb, the only form of "amplification" were relays that could repeat and rebuild telegraph signals. Radio relied on tuned circuits, massive brute-force spark-gap transmitters, large long-wave antennas, and crystal-diode rectification that directly powered the headphones. The faint signal that wiggled the headset diaphragm was a infinitesimal fraction of the megawatts that poured in all directions from the transmitter. Records, of course, were purely mechanical and acoustic, and wouldn't work at all if it weren't for horn-gain in recording and playback. What we now think of as electronic engineering back then was electrical engineering, focussed on keeping AC power transmission systems in phase and specialized techniques for pushing a telephone-audio signal down hundreds of miles of wire without benefit of amplification. -
The Story of Alan Blumlein
Alan Dower Blumlein Of the men who were responsible for the development of the Marconi-EMI high-definition television system in the early 1930s, the name of Alan Dower Blumlein stands out. He was one of the most remarkable and significant engineers of the twentieth century. Yet, following his death in 1942, his work was shrouded in secrecy. He received neither obituary nor tributes. This article is based on Robert Alexander's book, which is the first comprehensive Blumlein biography hortly after 4.20 in the He simply found no need to be able afternoon on Sunday, 7 June to write. As with all things in his life S1942 — a glorious summer's up to this time, if he saw no need, he day, clear skies, warm sunshine and showed no interest. It was only perfect visibility for flying — a Halifax through sheer determination that Alan bomber crashed into the steep hillside Blumlein set himself the task of of a valley just north of the River learning to read detailed reference Wye near the village of Welsh books on his chosen subject, realising Bicknor in Herefordshire. All of its the need for this in order to advance eleven occupants were killed in the his passion for everything electrical. enormous fire that engulfed the aircraft on impact. After a slow start... Of the scientific personnel who died Blumlein's career initially took that day, Alan Dower Blumlein stands gradual steps. hi 1925, he co- out as possibly the greatest loss. "A published an elementary paper on national tragedy," one of his electrical principles in Wireless and later friend, Isaac Shoenberg, who Bernard colleagues would call it. -
Alan Blumlein: Wartime Radio Pioneer
Alan Blumlein: wartime radio pioneer to design, develop and install a working designed the Air Interception (Al) radar EMI, including Blumlein. There was no system ready for the BBC launch "in system, which operated automatically. EMI gear on V9977. But there had been November 1936. By May 1937 the EMI By the spring of 1941 they had improv- much debate over whether the H,S test U team had produced outside broadcast ed the accuracy of Al radar sufficiently flights should use magnetrons or equipment which could transmit King for one aircraft to detect another in the klystrons. Winston Churchill was worried George VI's coronation the first ever - air several kilometres away. But it is like- in case the magnetron, which was vir- television broadcast from outside a ly that from as early as 1937, Blumlein's tually indestructible, might fall into studio. real aim was to develop a "plan position enemy hands if there should be a crash. In January 1935, while EMI team the indicator" an airborne radar, that could The fated bomber, Halifax V9977, was was starting work on the 405 -line all - display a picture of the ground or sea fitted with a magnetron and the flight on electronic TV system, Robert (later Sir) below. Some people believe Blumlein June 7 was made solely so that the EMI Watson -Watt was working on a commit- succeeded in this as early as 1938. team could see how the prototype H,S tee, chaired by Henry Tizard, for the Accuracy and clarity of the image magnetron equipment worked at high Scientific Survey Air of Defence. -
Samuel Crowe Curran Was Born in Ballymena on 23 May 1912 His Mother Having Gone to Her Ancestral Home So That Sam Could Be Born in Northern Ireland
Sir SAMUEL CROWE CURRAN DL, MA, BSc, PhD(Glas, Cantab), DSc(Glas), LLD, ScD, Funiv(Cantab), DEng, FEng, FRS Samuel Crowe Curran was born in Ballymena on 23 May 1912 his mother having gone to her ancestral home so that Sam could be born in Northern Ireland. Soon afterwards she returned with him to her husband and family in Wishaw, Lanarkshire where Sam was to spend the remainder of his childhood and youth. He was essentially in speech and outlook a West of Scotland man. He attended the local school, where he became dux, and in 1929, at the age of seventeen he entered Glasgow University, gaining a BSc and an MA with First Class Honours in Mathematics and Physics. He joined the Physics Department as a PhD research student in 1934 to work on the diffraction of beta rays of radium. He found however that little work with radioactive materials was being carried out in the Department and he had to modify and reconstruct Geiger counters that had long lain idle. Completing his thesis in 1937, he moved to Cambridge to study for a further PhD. When he reported to Rutherford at the Cavendish laboratories, he found that although they had just brought into operation a new one-million-volt particle accelerator, no Geigers were working there either. Curran, building on his Glasgow experience, introduced his improved Geiger counters and pushed ahead rapidly with experiments on proton capture by light nuclei. One of his helpers was Joan Strothers, studying for her PhD, who was destined to become Curran’s wife. -
Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract .................................................................................................................... -
Redd Microphone Redd Microphone
REDD MICROPHONE REDD MICROPHONE Continuing in the rich tradition of innovation at EMI, dating back to the early 1930s with Alan Blumlein, the father of ‘Stereo’, the company’s first coil microphones, velocity ‘ribbon’ mics and the “Blumlein pair” technique, Chandler Limited and Abbey Road Stu- dios introduce the first new EMI badged microphone in over a half century, the ‘REDD Microphone’. While the aesthetic is unmistakably classic, an ode to a gilded age of audio, the REDD Microphone is not a U-Type clone, it stands apart and on its own. The patent pending REDD Microphone is a large diaphragm tube condenser microphone, combining mic and preamplifier into the microphone body. Featuring the vacuum tube based REDD.47 Mic Amplifier circuit coupled directly to a custom handmade premium platinum membrane capsule, the REDD Microphone can be used with or without an external preamp. The proximity of the REDD Microphone’s custom capsule to its internal REDD.47 mic preamp circuit, creates the shortest possible path between the two most important elements in the recording chain, delivering a larger than life full-bodied sound, with a silky smooth top-end. Features available from the microphone body, include: 9 gain selections, +4 to +33db in ‘NORM’, extended gain and punch in ‘DRIVE’, Cardioid/Omni patterns, 10db Pad, and Phase. Continu- ous output control and low-contour voicing features are accessible from the high-quality external power supply. HISTORY In 1958, EMI and Abbey Road Studios, through their REDD (Re- cord Engineering Development Department) technical division, designed the REDD.47 line amplifier as a plug-in line amplifier for their new REDD.51 consoles, replacing the Telefunken/Siemens V72s used in early REDD mixing consoles. -
Manual of Analogue Sound Restoration Techniques
MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland The British Library Analogue Sound Restoration Techniques MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland This manual is dedicated to the memory of Patrick Saul who founded the British Institute of Recorded Sound,* and was its director from 1953 to 1978, thereby setting the scene which made this manual possible. Published September 2008 by The British Library 96 Euston Road, London NW1 2DB Copyright 2008, The British Library Board www.bl.uk * renamed the British Library Sound Archive in 1983. ii Analogue Sound Restoration Techniques CONTENTS Preface ................................................................................................................................................................1 Acknowledgements .............................................................................................................................................2 1 Introduction ..............................................................................................................................................3 1.1 The organisation of this manual ...........................................................................................................3 1.2 The target audience for this manual .....................................................................................................4 1.3 The original sound................................................................................................................................6 -
Who, Where and When: the History & Constitution of the University of Glasgow
Who, Where and When: The History & Constitution of the University of Glasgow Compiled by Michael Moss, Moira Rankin and Lesley Richmond © University of Glasgow, Michael Moss, Moira Rankin and Lesley Richmond, 2001 Published by University of Glasgow, G12 8QQ Typeset by Media Services, University of Glasgow Printed by 21 Colour, Queenslie Industrial Estate, Glasgow, G33 4DB CIP Data for this book is available from the British Library ISBN: 0 85261 734 8 All rights reserved. Contents Introduction 7 A Brief History 9 The University of Glasgow 9 Predecessor Institutions 12 Anderson’s College of Medicine 12 Glasgow Dental Hospital and School 13 Glasgow Veterinary College 13 Queen Margaret College 14 Royal Scottish Academy of Music and Drama 15 St Andrew’s College of Education 16 St Mungo’s College of Medicine 16 Trinity College 17 The Constitution 19 The Papal Bull 19 The Coat of Arms 22 Management 25 Chancellor 25 Rector 26 Principal and Vice-Chancellor 29 Vice-Principals 31 Dean of Faculties 32 University Court 34 Senatus Academicus 35 Management Group 37 General Council 38 Students’ Representative Council 40 Faculties 43 Arts 43 Biomedical and Life Sciences 44 Computing Science, Mathematics and Statistics 45 Divinity 45 Education 46 Engineering 47 Law and Financial Studies 48 Medicine 49 Physical Sciences 51 Science (1893-2000) 51 Social Sciences 52 Veterinary Medicine 53 History and Constitution Administration 55 Archive Services 55 Bedellus 57 Chaplaincies 58 Hunterian Museum and Art Gallery 60 Library 66 Registry 69 Affiliated Institutions -
Former Fellows Biographical Index Part
Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part One ISBN 0 902 198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART I A-J C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography. -
Using the Internet, Use the Information Below to Determine Which Year These Events Occurred
Name _______________ Period ___ Using the internet, use the information below to determine which year these events occurred. 1877 Thomas Alva Edison, working in his lab, succeeds in recovering Mary's Little Lamb from a strip of tinfoil wrapped around a spinning cylinder. He demonstrates his invention in the offices of Scientific American, and the phonograph is born. 1878 The first music is put on record: Jules Levy plays "Yankee Doodle" on the cornet. 1881 Clement Ader, using carbon microphones and armature headphones, accidentally produces a stereo effect when listeners outside the hall monitor adjacent telephone lines linked to stage mikes at the Paris Opera. 1887 Emile Berliner is granted a patent on a flat-disc gramophone, making the production of multiple copies practical. 1888 Edison introduces an electric motor-driven phonograph. 1895 Maroni successfully experiments with his wireless telegraphy system in Italy,leading to the first transatlantic signals from Poldhu, Cornwall, UK to St. John's, Newfoundland in 1901. 1898 Valdemar Poulsen patents his "Telegraphone," recording magnetically on steel wire. 1900 Poulsen unveils his invention to the public at the Paris Exposition. Austria's Emperor Franz Josef records his congratulations. Boston's Symphony Hall opens with the benefit of Wallace Clement Sabine's acoustical advice. 1901 The Victor Talking Machine Company is founded by Emile Berliner and Eldridge Johnson. Experimental optical recordings are made on motion picture film. 1906 Lee DeForest invents the triode vacuum tube, the first electronic signal amplifier. 1910 Enrico Caruso is heard in the first live broadcast from the Metropolitan Opera, NYC. 1912 Major Edwin F. -
David Link There Must Be an Angel on the Beginnings of the Arithmetics Of
david link There Must Be an Angel On the Beginnings of the Arithmetics of Rays From August 1953 to May 1954 strange love-letters appeared on the notice board of Manchester University’s Computer Department:1 “darling sweetheart you are my avid fellow feeling. my affection curiously clings to your passionate wish. my liking yearns for your heart. you are my wistful sympathy: my tender liking. yours beautifully m.u.c.”2 The acronym “M.U.C.” stood for “Manchester University Computer”, the ear- liest electronic, programmable, and universal calculating machine; the fully functional prototype was completed in June 1948.3 One of the very first software developers, Christopher Strachey (1916–1975), had used the built-in random generator of the Ferranti Mark I, the first industrially produced computer of this kind, to generate texts that are intended to express and arouse emotions. The 1 T. William Olle, personal communication, 21 February 2006: “I do remember a copy of the Strachey love-letter being put on the notice board and that must have been after August 1953 and probably prior to May 1954 (the date of Alan Turing’s death).” 2 Christopher Strachey, The “thinking” machine. Encounter. Literature, Arts, Politics 13 (1954): 25–31, p. 26. 3 Frederic C. Williams and Tom Kilburn, Electronic digital computers. Nature 162 (1948): 487. By “computing” and “calculating” I mean here and in the following in general the processing of data. Var- ious machines are claimed to be the “first” computer, but all others lack one of the properties men- tioned. The “ABC”, developed by John V.