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Guide to the Papers of the Summer Seminar of the Arts
Summer Seminar of the Arts Papers Guide to the Papers of The Summer Seminar of the Arts Auburn University at Montgomery Library Archives and Special Collections © AUM Library TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2 Biographical Information 3-4 Scope and Content Note 5 Arrangement 5-6 Inventory 6-24 1 Summer Seminar of the Arts Papers Collection Summary Creator: Jack Mooney Title: Summer Seminar of the Arts Papers Dates: ca. 1969-1983 Quantity: 9 boxes; 6.0 cu. ft. Identification: 2005/02 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Summer Seminar of the Arts Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: Jack Mooney donated the collection to the AUM Library in May 2005. Processing By: Samantha McNeilly, Archives/Special Collections Assistant (2005). Copyright Information: Copyright not assigned to the AUM Library. Restrictions Restrictions on access: There are no restrictions on access to these papers. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. 2 Summer Seminar of the Arts Papers Biographical/Historical Information The Summer Seminar of the Arts was an annual arts and literary festival held in Montgomery from 1969 until 1983. The Seminar was part of the Montgomery Arts Guild, an organization which was active in promoting and sponsoring cultural events. Held during July, the Seminar hosted readings by notable poets, offered creative writing workshops, held creative writing contests, and featured musical performances. -
Spring 2009 Number 1 Special Issue a Publication of the Wallace Stevens Society, Inc
The Wallace Stevens Journal “The Less Legible Meanings of Sounds” The Wallace The Wallace Stevens Journal Vol. 33 No. 1 Spring 2009 Vol. Special Issue Wallace Stevens and “The Less Legible Meanings of Sounds” A Publication of The Wallace Stevens Society, Inc. Volume 33 Number 1 Spring 2009 The Wallace Stevens Journal Volume 33 Number 1 Spring 2009 Special Issue Wallace Stevens and “The Less Legible Meanings of Sounds” Edited by Natalie Gerber Contents Introduction —Natalie Gerber 3 Sound at an Impasse —Alan Filreis 15 Sound and Sensuous Awakening in Harmonium —Beverly Maeder 24 The Sound of the Queen’s Seemings in “Description Without Place” —Alison Rieke 44 The “Final Finding of the Ear”: Wallace Stevens’ Modernist Soundscapes —Peter Middleton 61 Weather, Sound Technology, and Space in Wallace Stevens —Sam Halliday 83 Wallace Stevens and the Spoken Word —Tyler Hoffman 97 Musical Transformations: Wallace Stevens and Paul Valéry —Lisa Goldfarb 111 Poems 129 Reviews 133 Current Bibliography 139 Cover Karhryn Jacobi The Tink-tonk of the Rain from “An Ordinary Evening in New Haven,” XIV The Wallace Stevens Journal EDITOR John N. Serio POETRY EDITOR ART EDITOR BOOK REVIEW EDITOR Joseph Duemer Kathryn Jacobi George S. Lensing EDITORI A L ASSIST A NTS EDITORI A L BO A RD William H. Duryea Milton J. Bates George S. Lensing Maureen Kravec Jacqueline V. Brogan James Longenbach Hope Steele Robert Buttel Glen MacLeod Eleanor Cook Marjorie Perloff TECHNIC A L ASSIST A NT Bart Eeckhout Joan Richardson Jeff Rhoades Alan Filreis Melita Schaum B. J. Leggett Lisa M. Steinman The Wallace Stevens Society, Inc. -
The Chapbooks and Broadsides of James Chalmers III, Printer in Aberdeen: Some Re-Discoveries and Initial Observations on His Woodcuts
The Chapbooks and Broadsides of James Chalmers III, Printer in Aberdeen: Some Re-discoveries and Initial Observations on His Woodcuts IAIN BEAVAN BACKGROUND This essay consists of two related elements. First, an empirical discussion of recent evidence to emerge for chapbook and broadside production in Aberdeen. Second, a consideration of some features of the woodcuts used by James Chalmers III and other chapbook printers, which, in the present context, provide the central evidential theme of this investigation. Previous and contemporary scholars have argued that the north-east of Scotland has the richest ballad and popular song tradition in Britain, and that an analysis of Francis Child’s still unsurpassed and authoritative fi ve-volume compilation, The English and Scottish Popular Ballads, shows that ‘one-third of Child’s Scottish texts and almost one-third of his A-texts [his base or ‘prime’ texts, from which variants may be identifi ed] come from Aberdeenshire’.1 Moreover, ‘of some 10,000 variants of Lowland Scottish songs recorded by the School of Scottish Studies [of Edinburgh University] … several thousand are from the Aberdeen area alone’.2 From the early eighteenth century, popular lowland Scottish song had found itself expressed in printed form, early appearances having been James Watson’s Choice Collection of Comic and Serious Scots Poems, 3 parts (Edinburgh, 1706–11), followed by the Edinburgh Miscellany (Edinburgh, 1720) and Allan Ramsay’s Tea-table Miscellany (Edinburgh, 1723).3 From the mid-eighteenth century also, Scottish chapbook texts appeared in ever increasing numbers, given over to different sub-genres, including histories, prophecies, humorous stories and collections of songs (often called garlands). -
How to Submit to Literary Magazines
DON'T LET YOUR STORIES LANGUISH! HOW TO SUBMIT TO LITERARY MAGAZINES A LECTURE BY DORETTA LAU © DORETTA LAU, 2014 Congratulations on completing a short story! Now it's time to send it out for publication. © DORETTA LAU, 2014 AGENDA FOR TODAY'S TALK • Why you should submit to literary magazines • How to submit, broken down into simple steps © DORETTA LAU, 2014 MY EDITORIAL EXPERIENCE • As an undergraduate, I edited a literary magazine at The University of British Columbia called Uprooted. We published short fiction and poetry. • I was a first reader for PRISM International at UBC. • After graduate school I was an editorial assistant for a journal called NOON, which is edited by the American writer Diane Williams and showcases short fiction, essays, and art. • I worked as a production editor for the children's book publisher Scholastic Inc. • I currently work as a freelance copyeditor and proofreader. © DORETTA LAU, 2014 FROM A WRITER'S PERSPECTIVE MY STORY COLLECTION CONSISTS OF 12 STORIES, 8 OF WHICH WERE PREVIOUSLY PUBLISHED IN LITERARY JOURNALS IN CANADA AND THE US. © DORETTA LAU, 2014 THE EIGHT PREVIOUSLY PUBLISHED STORIES FROM MY COLLECTION • 2008: "Left and Leaving", Zen Monster • 2009: "O, Woe is Me", Grain Magazine • 2010: "Two-Part Invention", Grain Magazine • 2012: "How Does a Single Blade of Grass Thank the Sun?", Event • 2013: "Rerun", Grain Magazine • 2013: "Sad Ghosts", A Fictional Residency • 2013: "Days of Being Wild", Ricepaper • 2014: "Robot by the River", Day One © DORETTA LAU, 2014 WHY YOU SHOULD SUBMIT YOUR STORIES TO LITERARY MAGAZINES • Your story deserves an audience beyond your family, friends, and classmates. -
MFA at EASTERN WASHINGTON UNIVERSITY Creative Writing Program Newsletter - January- 2019
MFA AT EASTERN WASHINGTON UNIVERSITY Creative Writing Program Newsletter - January- 2019 What’s Inside • Visiting Writers Visiting Writers Series • (Page 1) • Welcomes Bonnie Nadzam Career Advisor Profile • (page 2) • • Cheers & Kudos • Aunties & Voice Over (page 3) January 18th, 2019 • 7:30 PM-8:30 PM • Letter from the Editor • (page 4) Spark Central • 1214 W Summit Pkwy • Guest Writer • (page 5) • • Submission Opportunities • (Page 6) Bonnie Nadzam is an American writer. Her first novel, Lamb, was recipient of the Center for Fiction First Novel Prize. The book was made into an award-winning independent film, Lamb. Nadzam is co-author of Love in the Anthropocene with environmental ethicist Dale Jamieson. Her second novel, Lions was a Finalist for the PEN USA Literary Award in Fiction. Her third novel, 31, is forthcoming. Her fiction, essays and poetry have appeared in Harper’s Magzine, Orion Maga- zine, Granta, The Kenyon Review, The Alaska Quarterly Review, and many other journals. She holds a Bachelor of Arts degree in English Literature and Environ- mental Studies from Carleton College, a Master of Fine Arts fromArizone State University and an MA and PhD from the University of Southern California. She lives in Minnesota with her family. 1 Aileen Keown Vaux Career Advisor Aileen Keown Vaux, MFA Career Advisor | College of Arts, Letters, and Education Advising for careers in Education & Teaching; Writing, Editing, and Journalism; Philosophy & Humanities; Foreign Languages; Fine & Performing Arts; Health Promotion & Recreation; and Health Sciences. M.F.A., Poetry, Eastern Washington University B.A., English Literature, Whitman College (509) 359-6347 [email protected] Aileen Keown Vaux’s title at EWU is Career Advisor for Arts, Letters & Education. -
2012 Annual Submission Deadlines List
Annual Submission Deadlines Revised 04/19/12 January 1-31 Annual Reading Period Glimmer Train Very Short Fiction Award (up to 3,000 words) Also open to standard submissions. http://www.glimmertrain.com/writguid1.html January 1 Annual Submission Deadline Poetry Southeast Biannual print and online journal of southern poetry http://www.poetrysoutheast.com/?page_id=10 January 1 Reading Period Begins Red Rock Review College of Southern Nevada Accepts fiction, essays, and poetry. http://sites.csn.edu/english/redrockreview/guidelines.htm January 15 Reading Period Begins Jabberwock Review: A Journal of Literature and Art Biannual publication of Mississippi State University Accepts all forms and styles of writing (traditional and experimental). http://www.jabberwock.org.msstate.edu/ January 15 Submission Deadline Ploughshares Tri-annual literary magazine based at Emerson College Accepts short fiction, personal essays, memoirs, and self-contained novel excerpts. http://www.pshares.org/submit/guidelines.cfm January 31 Reading Period Begins Coppernickel: A Journal of Art and Literature Accepts creative nonfiction, fiction, and poetry. http://www.copper-nickel.org/submissions.html January 31 Reading Period Ends Annual Lamar York Prize for Nonfiction Contest Accepts essays of up to 5,000 words. No theoretical, scholarly, or critical essays accepted. http://www.chattahoochee-review.org/ February 1-29 Annual Reading Period Glimmer Train Short Story Award for New Writers http://www.glimmertrain.com/writguid1.html February 15 Submission Deadline The Aurorean Biannual poetry journal http://www.encirclepub.com/poetry/aurorean/guidelines The Aurorean Contests (featured in each issue): 1. Seasonal Poetic Quote 2. Editor’s Chapbook Choice 3. Best-Poem-of-Last-Issue 4. -
Directory to Western Printed Heritage Collections
Directory to western printed heritage collections A. Background to the collections B. Major named Collections of rare books C. Surveys of Early and Rare Books by Place of Origin D. Surveys of Special Collections by Format A. Background to the Collections A1. Introduction. The Library was founded in 1973 (British Library Act 1972). A number of existing collections were transferred into its care at that time, the most extensive of which were those of the British Museum’s Department of Printed Books (including the National Reference Library of Science and Invention), Department of Mss, and Department Oriental Mss and Printed Books. Other collections of rare and special materials have been added subsequently, most notably the India Office Library & Records in 1982. The Library today holds over 150 million collection items, including books, pamphlets, periodicals, newspapers, printed music, maps, mss, archival records, sound recordings, postage stamps, electronic titles, and archived websites; this figure includes an estimated 4.1 million books, pamphlets and periodical titles printed in the West from the 15th cent to the 19th cent. The breadth of collecting in terms of subjects, dates, languages, and geographical provenance has always been a feature of collection building policies. A wide range of heritage materials continues to be acquired from Britain and overseas through purchase and donation. The Library’s early printed materials feature prominently in a range of digital facsimile products, e.g. Early English Books Online, Eighteenth Century Collections Online, Early Music Online, Nineteenth Century Collections Online, and Google Books. Direct links to facsimiles are increasingly provided from the Library’s website, particularly from the main catalogues. -
Sharpe, Tony, 1952– Editor of Compilation
more information - www.cambridge.org/9780521196574 W. H. AUDen IN COnteXT W. H. Auden is a giant of twentieth-century English poetry whose writings demonstrate a sustained engagement with the times in which he lived. But how did the century’s shifting cultural terrain affect him and his work? Written by distinguished poets and schol- ars, these brief but authoritative essays offer a varied set of coor- dinates by which to chart Auden’s continuously evolving career, examining key aspects of his environmental, cultural, political, and creative contexts. Reaching beyond mere biography, these essays present Auden as the product of ongoing negotiations between him- self, his time, and posterity, exploring the enduring power of his poetry to unsettle and provoke. The collection will prove valuable for scholars, researchers, and students of English literature, cultural studies, and creative writing. Tony Sharpe is Senior Lecturer in English and Creative Writing at Lancaster University. He is the author of critically acclaimed books on W. H. Auden, T. S. Eliot, Vladimir Nabokov, and Wallace Stevens. His essays on modernist writing and poetry have appeared in journals such as Critical Survey and Literature and Theology, as well as in various edited collections. W. H. AUDen IN COnteXT edited by TONY SharPE Lancaster University cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Mexico City Cambridge University Press 32 Avenue of the Americas, New York, NY 10013-2473, USA www.cambridge.org Information on this title: www.cambridge.org/9780521196574 © Cambridge University Press 2013 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
University of California Santa Cruz
UNIVERSITY OF CALIFORNIA SANTA CRUZ EXTENDED FROM WHAT?: TRACING THE CONSTRUCTION, FLEXIBLE MEANING, AND CULTURAL DISCOURSES OF “EXTENDED VOCAL TECHNIQUES” A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by Charissa Noble March 2019 The Dissertation of Charissa Noble is approved: Professor Leta Miller, chair Professor Amy C. Beal Professor Larry Polansky Lori Kletzer Vice Provost and Dean of Graduate Studies Copyright © by Charissa Noble 2019 TABLE OF CONTENTS List of Figures v Abstract vi Acknowledgements and Dedications viii Introduction to Extended Vocal Techniques: Concepts and Practices 1 Chapter One: Reading the Trace-History of “Extended Vocal Techniques” Introduction 13 The State of EVT 16 Before EVT: A Brief Note 18 History of a Construct: In Search of EVT 20 Ted Szántó (1977): EVT in the Experimental Tradition 21 István Anhalt’s Alternative Voices (1984): Collecting and Codifying EVT 28evt in Vocal Taxonomies: EVT Diversification 32 EVT in Journalism: From the Musical Fringe to the Mainstream 42 EVT and the Classical Music Framework 51 Chapter Two: Vocal Virtuosity and Score-Based EVT Composition: Cathy Berberian, Bethany Beardslee, and EVT in the Conservatory-Oriented Prestige Economy Introduction: EVT and the “Voice-as-Instrument” Concept 53 Formalism, Voice-as-Instrument, and Prestige: Understanding EVT in Avant- Garde Music 58 Cathy Berberian and Luciano Berio 62 Bethany Beardslee and Milton Babbitt 81 Conclusion: The Plight of EVT Singers in the Avant-Garde -
“Putting My Queer Shoulder to the Wheel”: America's Homosexual
1 “Putting my Queer Shoulder to the Wheel”: America’s Homosexual Epics in the Twentieth Century Catherine A. Davies University College London UMI Number: U592005 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592005 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 I, Catherine Davies, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Index Pages 4 Abstract 5 Introduction 47 “Stranger in America”: Hart Crane’s Homosexual Epic 105 “It occurs to me that I am America”: Ginsberg’s Epic Poems and the Queer Shoulder 165 “Narcissus bent / Above the gene pool”: Merrill’s Epic of Childlessness 203 John Ashbery’s Flow Chart: “The natural noise of the present” 247 Postscript 254 Bibliography 4 Abstract This thesis examines five poems by four twentieth-century poets who have explored the epic tradition. Some of the poems display an explicit concern with ideas of American nationhood, while others emulate the formal ambitions and encyclopaedic scope of the epic poem. -
The Magazines Listed Are Those That Are Currently Held in the Scottish Poetry Library
MAGAZINES The magazines listed are those that are currently held in the Scottish Poetry Library. Back runs of many other periodicals, either no longer in existence or no longer collected, are not included here, but are held on open shelves and fully accessible within the library. For current holdings information, please click on each title to see the record in the SPL online catalogue. Writers aiming to have their poetry published in magazines are strongly advised to familiarise themselves with a particular magazine before submitting work. We endeavour to keep these details up-to-date, but always recommend double checking editor’s names and contact information on the individual publication’s website. Different magazines have different submission guidelines and these need to be followed. Title: 404 Ink Editor: Laura Jones & Heather McDaid Website: http://www.404ink.com/ About: An alternative book and literary magazine publisher based in Edinburgh. Established in mid- 2016. Email: [email protected] Title: Acumen Literary Journal Editor: Patricia Oxley Address: 6 The Mount, Higher Furzeham, Brixham, South Devon, TQ5 8QY Website: www.acumen-poetry.co.uk About: One of the longest-running literary and poetry magazines in the UK. Email: [email protected] Frequency: three times a year Title: Agenda Editor: Patricia McCarthy Address: The Wheelwrights, Fletching Street, Mayfield, Sussex, TN20 6TL Website: www.agendapoetry.co.uk About: Long-standing poetry journal, founded by Ezra Pound. Email: [email protected] Frequency: four issues a year Title: Artemis poetry Editor: Dilys Wood, Katherine Gallagher & Anne Stewart Address: Artemis Poetry, 3 Springfield Close, East Preston, West Sussex, BN16 2SZ Website: www.secondlightlive.co.uk/artemis.shtml About: Journal of Second Light Network for women’s writing. -
One Hundred and Eighty Literary Journals for Creative Writers
180 Literary Journals for Creative Writers Emily Harstone Authors Publish COPYRIGHT 2018 AUTHORS PUBLISH DO NOT DISTRIBUTE WITHOUT WRITTEN PERMISSION QUESTIONS, COMPLAINTS, COMMENTS, CORRECTIONS? EMAIL [email protected] COPY EDITING: S. KALEKAR COVER DESIGN BY JACOB JANS COVER IMAGE CREDIT: SKITTERPHOTO Table of Contents INTRODUCTION ...................................................................................... 5 HOW TO START GETTING YOUR WORK PUBLISHED IN LITERARY JOURNALS .............................................................................................. 7 AGAINST SUBMISSION FEES ................................................................ 11 10 GREAT NEW LITERARY JOURNALS ................................................... 13 25 LITERARY JOURNALS ALWAYS OPEN TO SUBMISSIONS .................. 16 15 JOURNALS WITH FAST RESPONSE TIMES....................................... 20 17 APPROACHABLE LITERARY JOURNALS ........................................... 23 26 RESPECTED LITERARY JOURNALS AND MAGAZINES THAT PUBLISH CREATIVE WRITING ............................................................................... 26 13 LITERARY JOURNALS OPEN TO OTHER ART FORMS ....................... 31 25 LITERARY JOURNALS THAT PAY THEIR WRITERS............................34 40 LITERARY JOURNALS THAT PUBLISH GENRE WRITING ................... 38 9 LITERARY JOURNALS THAT PUBLISH LONGER FICTION .................... 44 PLACES TO FIND MORE LITERARY JOURNALS ...................................... 46 GLOSSARY OF TERMS .........................................................................