DOCSLIB.ORG

Hagop Kevorkian Center Review 2011/2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hagop Kevorkian Center Review 2011/2012 HAGOP KEVORKIAN CENTER 1 REVIEW 2011/2012 The Hagop Kevorkian Center for Near Eastern Studies at NYU is a Title VI National Resource Cen- ter (NRC) for modern Middle Eastern Studies as named by the United States Department of Education. NRC support is essential to the Center’s graduate program (area and language studies) and bolsters outreach programs to the NYU academic community, local educators, media and culture workers as well as the general public. Title VI funding, through its Foreign Language and Area Studies (FLAS) fel- lowships, also enables important opportunities for NYU graduate students to intensively study the lan- guages of the Middle East and South Asia (including Arabic, Hebrew, Hindi, Persian, Turkish and Urdu). 2 STAFF Director Michael Gilsenan Interim Director Zvi Ben-Dor Benite Associate Director Greta Scharnweber Director of Graduate Studies Nadia Guessous 2011-2012 Program Coordinator Arthur Starr Administrative Aide Lauren Marten Hagop Kevorkian Center New York University 50 Washington Square South, 4th Floor New York, NY 10012 http://neareaststudies.as.nyu.edu Editors Greta Scharnweber, Khelil Bouarrouj, Fatima Malik Copy Editor Lauren Marten Layout and Design Melissa Runstrom Cover Design The Goggles (Paul Shoebridge and Michael Simons) Copyright 2012. All rights reserved. 3 Contents Reflections and Acknowledgements 5 Reflections on the Uprisings Area Code for the Heart 6 Not the State, But a Way of Life 8 A Shift in Balance 10 Media A Life Unfinished: Anthony Shadid 12 Research Visceral Politics and Sartorial Rifts 14 From the Margins of Middle East Studies 17 Illegal Oil Trade in Eastern Turkey 18 Visual Culture A ‘Bridge’ to Iran? 20 New Books Saddam Hussein’s Ba’th Party 22 Towards a New Image of Hamas 23 K-16 Outreach Meeting Places: Friends in Ramallah 25 People Power: Revolts in the Arab World 28 Collaborations The Program in Ottoman Studies 30 Suddenly Something Recklessly Gay 30 Experiences All the News that’s Fit to Click 31 Notes from the Field 31 Students In Fond Memory of Falak Sufi 32 MA Student News 34 PhD Student News 36 Faculty News 38 Events Archive 43 4 Reflections and Acknowledgements The passing year was exciting for the center in many ways. We as our first Clinical Assistant Professor of Near Eastern Studies. Chal- began with financial uncertainties but have managed to weather a land received his PhD from the European University Institute, and storm of cuts to our federal National Resource Center (NRC) grant. has taught and completed research at universities across Europe. The generous support of NYU’s Graduate School of Arts and Sci- His mixed background in political sociology and history informs his ences ensured that we were able not only to maintain our various work on Arab civil society, questions of aid and development and first-rate programs, but have also renewed and increased our efforts religion and modernity. Challand’s and and Mikdashi’s expertise will through newly hired faculty and a conscious expansion to include add considerably to our curriculum and to our intellectual commu- more content related to Central Asia and the Indian Ocean regions. nity. We welcome them both. As the content of this HK Review demonstrates, events in the Middle The Center staff deserves recognition for the hard work that they do East continue to demand our attention, and we have vacillated be- to keep things running smoothly. Arthur Starr, in his first year in the tween admiration and despair as we watched unprecedented politi- Program Coordinator position, has managed to hit the ground run- cal changes unfold in Libya, Egypt, Yemen, Bahrain, and Syria and ning and will help us shepherd in our largest incoming MA class yet. beyond. Indeed, many of our students, alumni, and faculty have con- Lauren Marten’s invaluable assistance with virtually all of the Center tributed to the discourse and analyses of the uprisings across the operations has been carried out with great attention to detail, a will- region. Our robust academic events program dedicates a special ing spirit, and a sense of humor. Our graduate student assistants series to reflecting on the uprisings, and we will continue to provide continue to be an indispensable part of the Kevorkian team—and a forum through which our students and faculty may provide deeper this year we bid farewell to Rafat Azad, Gozde Guran, Rebecca Kele- context to these exciting, if all too often tragic, moments. her, Lila Nazemian, and Sean O’Neill. Now, as ever, a deep understanding of the languages, cultures, and We should take a moment to recognize the departure of Peter Magier- histories of the modern Middle East remains crucial to our collective ski from NYU Libraries as he makes the move to Columbia University interests. Working closely with the departments of Middle Eastern over the summer. He helped build a number of exciting resources and Islamic Studies and Hebrew and Judaic Studies, we support a at the Middle East Collection at Bobst, including but not limited to robust language training program in Arabic, Hebrew, Hindi, Persian, the Afghan Digital Library and the more recently acquired Jack G. Turkish, and Urdu. Despite the atmosphere of continued cutbacks at Shaheen archive on stereotypes of Arabs and Muslims in US media the US Department of Education, we have been fortunate to continue and culture. This latter collection holds nearly 3,000 moving images granting Foreign Language and Area Studies (FLAS) scholarships including motion pictures, cartoons, newsreels, and television pro- to students at the BA, MA and PhD levels to study these and other grams, as well as editorial cartoons, advertisements, books, maga- languages to advanced levels. zines, comic books, toys, and games, the Jack G. Shaheen Archive reveals U.S. representations of Arabs from the early-20th century to This year we graduated our largest ever class of students from our the present. The archive is a major focus for the Center’s fundraising MA program in Near Eastern Studies—29 received their degrees. We and outreach efforts in the coming months and years. We are proud wish them the best as they venture out into the world, and we plan to to have launched a travelling exhibition culled from the archive called welcome yet another large class this Fall. We unfortunately must say “A is for Arab” with the Asian/Pacific/American Institute this past Feb- goodbye to the inimitable Nadia Guessous, who has accepted a po- ruary. The exhibit will make a prominent appearance at this year’s sition in at Rutgers University in Women and Gender Studies. Nadia’s annual meeting of the Middle East Studies Association (MESA), and contributions to our graduate program have been insightful, and her NYU distinguished scholar Jack Shaheen will speak at a variety of attention to the well-being of our students is deeply appreciated. We events inspired the exhibit and by his work. We hope you will join us wish her well in her next exciting step and look forward to future col- in celebrating and supporting this amazing collection. laborations. Maya Mikdashi, just finishing her PhD in Anthropology at Columbia University will take on the Director of Graduate Stud- Last but not least, we welcome back the Center’s director, Michael ies role beginning Fall 2012. A legal anthropologist, Mikdashi’s work Gilsenan, from a fruitful research leave. He will see us through yet navigates the intersections and impasses between law and citizen- another dynamic year of programming and academic achievement. ship in Lebanon through an investigation of personal status laws. We also are fortunate to be adding a new faculty position in the Center. Zvi Ben-Dor Benite, Interim Director Benoit Challand, a political sociologist, joins the Center in September Greta Scharnweber, Associate Director 5 Area Code for the Heart by Ahmad Diab, PhD Candidate MEIS This article, originally in Arabic and published in Jadaliyya, was abridged and translated by the author. was a stupid idea. I woke up after a short sporadic actly as she ridicules our cowardly silence. We will laugh. It sleep and decided that the smell of shaving cream We will laugh a lot on our free tomorrow. We will laugh at all might lessen the bitterness of yesterday’s news. the times we laughed at this tiny joke of a Homs. How stupid! I was trembling in fear of what the process Today, however, we cry. We cry for how the killed will res- would entail: looking abject helplessness straight in the cue the killed––for a while. We cry for how the displaced face. will shelter the displaced––for a while. We cry for how we all abandoned you, Homs. My internationalist friend tells There, where the heart is, blood and limbs are everywhere. me “40,000 leftist foreigners went to Spain to fight fascism Their images flow out of my slick laptop screen into my in the 1930s. Today we can’t even acknowledge another nightmares. I stand before the mirror but see no one. “Al- Guernica happening even when it’s being broadcast live, right, trace the contour of your chin and shave quickly,” I in full color, 24/7.” I think of all of those who fought for Pal- thought. I rub in the cream and start with a stroke of the estine the day we lost it…of the benches of first love… blade. I cut myself, and blood flows warm and steady…. of “Al-Farabi”…the high school the regime of death has I look at the mirror again and I see half a bloody face with turned into a checkpoint for its sniper fire. My high school. the jaw blown off, bits of mouth and chin dangling below On my Facebook page, I make out the most recent names the collarbone.
Load more

Recommended publications
  • Herein Is to Be Reproduced Or Adapted to Other Works Without the Expressed Written Consent of the Editors of the Journal of Middle Eastern Politics and Policy
    Journal of Middle Eastern Politics and Policy A Harvard Kennedy School student publication Beyond Borders: Middle East In Empire, Diaspora, And Global Transitions This issue is dedicated to the tenth anniversary of the Syrian revolution Spring 2021 Journal of Middle Eastern Politics and Policy Beyond Borders: Middle East In Empire, Diaspora, And Global Transitions This issue is dedicated to the tenth anniversary of the Syrian revolution Spring 2021 Spring 2020 i Staff Editor in Chief Associate Editors Reilly Barry Michael Johns, Jr. – Regional Security & Iran Gilad Kabilo – Military-Security & Israel Managing Editor Joseph Leone – Levant Ghazi Ghazi Xuechen Wang – Gulf Senir Staff Writer Mouhanad Al Rifay Staff Writers Christina Bouri Sumaya Malas Copyright The Journal of Middle Eastern Politics and Policy does not accept responsibility for the views expressed by individual authors. No part of the publication may be reproduced or transmitted in any form without the expressed written consent of the editors of the Journal of Middle Eastern Politics and Policy. © 2021 by the President and Fellows of Harvard College. All rights reserved. Except as otherwise specified, no article or portion herein is to be reproduced or adapted to other works without the expressed written consent of the editors of the Journal of Middle Eastern Politics and Policy. ii Journal of Middle East Politics and Policy Acknowledgements Martha Foley, Publisher Richard Parker, Faculty Advisor Tanner Jensen, Copy Editor Lilliana Ballesteros, Layout Design The Journal of Middle Eastern Politics and Policy would like to thank a number of individuals and institutions whose support proved invaluable to the production of this edition.
    [Show full text]
  • Nothing in Its Right Place
    DEMANDS OF JUSTICE AND COMING TO TERMS WITH THE PAST IN THE POST-CONFLICT PERIOD NOTHING IN ITS RIGHT PLACE Nesrin UÇARLAR English Translation: Justyna Szewczyk NOTHING IN ITS RIGHT PLACE DEMANDS OF JUSTICE AND COMING TO TERMS WITH THE PAST IN THE POST-CONFLICT PERIOD NESRİN UÇARLAR Englsh Translaton: Justyna Szewczyk DISA PUBLICATIONS DIYARBAKIR INSTITUTE FOR POLITICAL AND SOCIAL RESEARCH (DISA) NOTHING IN ITS RIGHT PLACE DEMANDS OF JUSTICE AND COMING TO TERMS WITH THE PAST IN THE POST-CONFLICT PERIOD DISA PUBLICATIONS Author: Nesrin Uçarlar Project Management: Murad Akıncılar English Translation: Justyna Szewczyk Publication Identity Design: Bang Medya Visual Documentary Curator: İshak Dursun Junior field researchers: Berivan Alagöz, İshak Dursun Cover Design: Şendoğan Yazıcı Page Layout: Şendoğan Yazıcı Cover Photo: Ubeydullah Hakan Printing: MATSİS MATBAA SİSTEMLERİ - Tevfikbey Mah. Dr. Ali Demir Cad. No: 51 Sefaköy / İSTANBUL Tel: 0212 624 21 11 First Edition: Istanbul, June 2015 ISBN: 978-605-5458-25-6 Copyright © June 2015 All rights reserved. No part of this publication may be reproduced without the permission of Diyarbakır Institute for Political and Social Research (DISA). Mimar Sinan Cad. Aslan Apt. B Blok No: 12 21100 YENİŞEHİR/ DİYARBAKIR Tel: 0412 228 1442 Faks: 0412 224 1442 www.disa.org.tr [email protected] Nesrn Uçarlar, receved her PhD from the Department of Poltcal Scence, Lund Unversty n 2009. She works as lecturer at Department of Internatonal Relatons, İstanbul Blg Unversty. She currently conducts a research project on the communty-based restoratve justce n Turkey at Dyarbakır Socal and Poltcal Research Insttute. Her recent studes focus on the elaboraton of the Kurdsh ssue from the vewpont of contemporary poltcal phlosophy n the framework of the concepts such as power, resstance, justce and the poltcal.
    [Show full text]
  • Who's Who in Politics in Turkey
    WHO’S WHO IN POLITICS IN TURKEY Sarıdemir Mah. Ragıp Gümüşpala Cad. No: 10 34134 Eminönü/İstanbul Tel: (0212) 522 02 02 - Faks: (0212) 513 54 00 www.tarihvakfi.org.tr - [email protected] © Tarih Vakfı Yayınları, 2019 WHO’S WHO IN POLITICS IN TURKEY PROJECT Project Coordinators İsmet Akça, Barış Alp Özden Editors İsmet Akça, Barış Alp Özden Authors Süreyya Algül, Aslı Aydemir, Gökhan Demir, Ali Yalçın Göymen, Erhan Keleşoğlu, Canan Özbey, Baran Alp Uncu Translation Bilge Güler Proofreading in English Mark David Wyers Book Design Aşkın Yücel Seçkin Cover Design Aşkın Yücel Seçkin Printing Yıkılmazlar Basın Yayın Prom. ve Kağıt San. Tic. Ltd. Şti. Evren Mahallesi, Gülbahar Cd. 62/C, 34212 Bağcılar/İstanbull Tel: (0212) 630 64 73 Registered Publisher: 12102 Registered Printer: 11965 First Edition: İstanbul, 2019 ISBN Who’s Who in Politics in Turkey Project has been carried out with the coordination by the History Foundation and the contribution of Heinrich Böll Foundation Turkey Representation. WHO’S WHO IN POLITICS IN TURKEY —EDITORS İSMET AKÇA - BARIŞ ALP ÖZDEN AUTHORS SÜREYYA ALGÜL - ASLI AYDEMİR - GÖKHAN DEMİR ALİ YALÇIN GÖYMEN - ERHAN KELEŞOĞLU CANAN ÖZBEY - BARAN ALP UNCU TARİH VAKFI YAYINLARI Table of Contents i Foreword 1 Abdi İpekçi 3 Abdülkadir Aksu 6 Abdullah Çatlı 8 Abdullah Gül 11 Abdullah Öcalan 14 Abdüllatif Şener 16 Adnan Menderes 19 Ahmet Altan 21 Ahmet Davutoğlu 24 Ahmet Necdet Sezer 26 Ahmet Şık 28 Ahmet Taner Kışlalı 30 Ahmet Türk 32 Akın Birdal 34 Alaattin Çakıcı 36 Ali Babacan 38 Alparslan Türkeş 41 Arzu Çerkezoğlu
    [Show full text]
  • Anatomy of a Civil War
    Revised Pages Anatomy of a Civil War Anatomy of a Civil War demonstrates the destructive nature of war, rang- ing from the physical destruction to a range of psychosocial problems to the detrimental effects on the environment. Despite such horrific aspects of war, evidence suggests that civil war is likely to generate multilayered outcomes. To examine the transformative aspects of civil war, Mehmet Gurses draws on an original survey conducted in Turkey, where a Kurdish armed group, the Kurdistan Workers’ Party (PKK), has been waging an intermittent insurgency for Kurdish self- rule since 1984. Findings from a probability sample of 2,100 individuals randomly selected from three major Kurdish- populated provinces in the eastern part of Turkey, coupled with insights from face-to- face in- depth inter- views with dozens of individuals affected by violence, provide evidence for the multifaceted nature of exposure to violence during civil war. Just as the destructive nature of war manifests itself in various forms and shapes, wartime experiences can engender positive attitudes toward women, create a culture of political activism, and develop secular values at the individual level. Nonetheless, changes in gender relations and the rise of a secular political culture appear to be primarily shaped by wartime experiences interacting with insurgent ideology. Mehmet Gurses is Associate Professor of Political Science at Florida Atlantic University. Revised Pages Revised Pages ANATOMY OF A CIVIL WAR Sociopolitical Impacts of the Kurdish Conflict in Turkey Mehmet Gurses University of Michigan Press Ann Arbor Revised Pages Copyright © 2018 by Mehmet Gurses All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S.
    [Show full text]
  • Weapons Transfers and Violations of the Laws of War in Turkey
    WEAPONS TRANSFERS AND VIOLATIONS OF THE LAWS OF WAR IN TURKEY Human Rights Watch Arms Project Human Right Watch New York AAA Washington AAA Los Angeles AAA London AAA Brussels Copyright 8 November 1995 by Human Rights Watch. All rights reserved. Printed in the United States of America. Library of Congress Catalog Card Number: 95-81502 ISBN 1-56432-161-4 HUMAN RIGHTS WATCH Human Rights Watch conducts regular, systematic investigations of human rights abuses in some seventy countries around the world. It addresses the human rights practices of governments of all political stripes, of all geopolitical alignments, and of all ethnic and religious persuasions. In internal wars it documents violations by both governments and rebel groups. Human Rights Watch defends freedom of thought and expression, due process and equal protection of the law; it documents and denounces murders, disappearances, torture, arbitrary imprisonment, exile, censorship and other abuses of internationally recognized human rights. Human Rights Watch began in 1978 with the founding of its Helsinki division. Today, it includes five divisions covering Africa, the Americas, Asia, the Middle East, as well as the signatories of the Helsinki accords. It also includes five collaborative projects on arms transfers, children's rights, free expression, prison conditions, and women's rights. It maintains offices in New York, Washington, Los Angeles, London, Brussels, Moscow, Dushanbe, Rio de Janeiro, and Hong Kong. Human Rights Watch is an independent, nongovernmental organization, supported by contributions from private individuals and foundations worldwide. It accepts no government funds, directly or indirectly. The staff includes Kenneth Roth, executive director; Cynthia Brown, program director; Holly J.
    [Show full text]
  • Mostly Modern Miniatures: Classical Persian Painting in the Early Twentieth Century
    classical persian painting in the early twentieth century 359 MARIANNA SHREVE SIMPSON MOSTLY MODERN MINIATURES: CLASSICAL PERSIAN PAINTING IN THE EARLY TWENTIETH CENTURY Throughout his various writings on Persian painting Bek Khur¸s¸nº or Tur¸basº Bek Khur¸s¸nº, seems to have published from the mid-1990s onwards, Oleg Grabar honed to a fi ne art the practice of creative reuse and has explored the place of the medium in traditional replication. Indeed, the quality of his production, Persian culture and expounded on its historiography, represented by paintings in several U.S. collections including the role played by private collections, muse- (including one on Professor Grabar’s very doorstep ums, and exhibitions in furthering public appreciation and another not far down the road), seems to war- and scholarly study of Persian miniatures.1 On the rant designating this seemingly little-known painter whole, his investigations have involved works created as a modern master of classical Persian painting. His in Iran and neighboring regions from the fourteenth oeuvre also prompts reconsideration of notions of through the seventeenth century, including some of authenticity and originality within this venerable art the most familiar and beloved examples within the form—issues that Oleg Grabar, even while largely canonical corpus of manuscript illustrations and min- eschewing the practice of connoisseurship himself, iature paintings, such as those in the celebrated 1396 recognizes as a “great and honorable tradition within Dºv¸n of Khwaju Kirmani, the 1488 Bust¸n of Sa{di, and the history of art.”5 the ca. 1525–27 Dºv¸n of Hafi z.
    [Show full text]
  • Hagop Kevorkian Center 2015/2016 Review
    HAGOP KEVORKIAN CENTER REVIEW 2015/2016 STAFF Director Helga Tawil-Souri Associate Director Greta Scharnweber Director of Graduate Studies Joanne Nucho Faculty Fellow Begum Adalet Program Coordinator Arthur Starr 2015–2016 Outreach Administrator Diana Shin Administrative Aide Vitandi Singh Writer-in-Residence Fall 2015 Nancy Kricorian Human Rights Activist-in-Residence Spring 2016 Sarah Leah Whitson Hagop Kevorkian Center NYU 50 Washington Square South, 4th Floor New York, NY 10012 http://neareaststudies.as.nyu.edu #nyuKevo The Hagop Kevorkian Center for Near Eastern Studies at NYU is a Title VI National Resource Center (NRC) for modern Middle Eastern Studies as named by the United States Department of Education. NRC support is essential to the Center’s graduate program (area and language studies) Editor Greta Scharnweber, Sabahat Zakariya and bolsters outreach programs to the NYU academic community, local educators, media and culture workers as well as the general public. Title VI funding, through its Foreign Language and Layout and Design Melissa Runstrom & Josh Anderson Area Studies (FLAS) fellowships, also enables important opportunities for NYU graduate students Cover Design The Goggles (Paul Shoebridge, Michael Simons, Mika Senda) to intensively study the languages of the Middle East and South Asia (including Arabic, Hebrew, Hindi, Persian, Turkish and Urdu). Copyright 2016. All rights reserved. Contents Letter from the Director Letter from the Director 5 It is a pleasure to celebrate the Kevorkian Center’s achievements by look- crew! Our indefatigable Associate Director, Greta Scharnweber, continues ing back at another great year. This HK Review also marks the mid-point of to make all aspects of what we do possible, and does so with excellence Scholars the Center’s 50th year, a milestone that we began honoring in Spring 2016 and affability.
    [Show full text]
  • The Emamzadeh Yahya at Varamin: a Present History of a Living Shrine, 2018–20
    Journal of Material Cultures in the Muslim World 1 (2020) 120–149 brill.com/mcmw The Emamzadeh Yahya at Varamin: A Present History of a Living Shrine, 2018–20 Keelan Overton Independent Scholar, Santa Barbara, CA, USA [email protected] Kimia Maleki Graduate Student, History of Art, Johns Hopkins University, Baltimore, MD, USA [email protected] Abstract The Emamzadeh Yahya at Varamin, a tomb-shrine located south of Tehran, is well known for supplying global museums with iconic examples of Ilkhanid-period luster tilework. After provid- ing a historiography of the site, including its plunder in the late nineteenth century, we explore its current (2018–20) “life” in order to illuminate the many ways that it can be accessed, used, perceived, and packaged by a wide range of local, national, and global stakeholders. Merging past and present history, art history and amateur anthropology, and the academic, personal, and popular voice, this article explores the Emamzadeh Yahya’s delicate and active existence between historical monument, museum object, sacred space, and cultural heritage. Keywords Emamzadeh Yahya (Imamzada Yahya) – Varamin (Veramin, Waramin) – Iran – Ilkhanid – shrine – luster – tilework – mihrab – museums – present history – COVID-19 The Emamzadeh Yahya at Varamin (35.31614, 51.648336) poses a number of art histori- cal conundrums. Despite the fact that it is located just 35 miles south of Tehran and its Ilkhanid period (1256–1353) luster tilework enjoys endless visibility online, in print, and in museums (fig. 1), the shrine itself remains relatively anonymous beyond its immedi- ate demographic and specialist research. In the age of ongoing renovations of Islamic art galleries, we expect to see its famous tiles redisplayed and reevaluated, but the com- plex’s history and interpretation tend to end at its moment of rupture in the late nine- teenth century, when its tilework was systematically removed and dispersed across the globe.
    [Show full text]
  • It Seems Barely an Exaggeration to Say That Arab and Muslim Americans Are Constantly Talked About but Almost Never Heard From. T
    It seems barely an exaggeration to say that Arab and Muslim Americans are constantly talked about but almost never heard from. The problem is not that they lack representations but that they have too many. And these are all abstractions. Arabs and Muslims have become a foreign-policy issue, an argument on the domestic agenda, a law-enforcement priority, and a point of well-meaning concern. They appear as shadowy characters on terror television shows, have become objects of sociological inquiry, and get paraded around as puppets for public diplomacy…They are floating everywhere in the virtual landscape of the national imagination, as either villains of Islam or victims of Arab culture. — Moustafa Bayoumi, How Does it Feel to be a Problem1 36 Waleed F. Mahdi investigation of the historical trajectory of Hollywood's engagement with the Arab American cultural identity. INTRODUCTION Popular culture in the United States functions through sensational and rating­ based entertainment. It also promotes a hegemonic frame of reference for cultural citizenship and national belonging in the life of "cultural citizens.'" It serves as an ideological state apparatus, to echo French philosopher Louis Althusser, guiding citizens through an acculturation process that homogenizes their own subjectivity.' In this sense, this article defines cultural citizenship as a tool to sUbjectify minorities through the mediation of popular culture.4 In his scholarly reviews of Hollywood's history, Lary May emphasizes the cinema's role in enunciating cultural citizenship. Hollywood, he argues, has been a site of fury for debates around "good citizenship" because of its connection to "political power, cultural authority, and the very meaning of national identity."5 For decades, Hollywood has played a major role in Circulating a popular sense of American collective imagination and manufacturing sensational conceptions of cultural Otherness.
    [Show full text]
  • Afruz Amighi Mångata
    AFRUZ AMIGHI MÅNGATA AFRUZ AMIGHI MÅNGATA LEILA HELLER GALLERY. 7 9 11 13 14 15 17 19 20 23 25 27 28 DIGGING: ARTIFACTS FROM THE FUTURE Afruz Amighi discusses her practice with friend and fellow artist, Ali Banisadr and curator, Brooke Lynn McGowan. Brooke: Let’s begin with what we can see: your linear, rational, and Afruz: I love industrial materials. They have this anonymity to them. I was using a material associated with abjection to cast shadows Afruz: That’s very nice to hear, because I always hope that someone structural works are often presented in a darkened environment, Often I will see a material somewhere in the city, like the mosquito containing patterns and designs associated with power and will find some sense of quiet with my work. And I think this quiet devoid of, even absorbent of, and antithetical to color. netting you mentioned. One night on my way home from JFK, I opulence. Somehow in the realm of shadows, a dematerialized can be channeled with materials like concrete and steel, materials noticed all these buildings that were in a state of construction… realm, these two opposites made contact. that are often associated with the opposite sensations, urban Afruz: When I am thinking about a new sculpture, the colors that they were draped with black netting and lit with these giant bulbs sprawl, frenzy, oppressive containment. come up for me are the ones inherent to the medium that I think from inside. I thought it was so elegant. Brooke: In the sense of material, your work seems to be would best suit the forms I want to make.
    [Show full text]
  • CURRICULUM VITAE Holly Pittman April 2016 Department of the History of Art 301 Jaffe Building 3405 Woodland Walk Univer
    CURRICULUM VITAE Holly Pittman April 2016 Department of the History of Art 301 Jaffe Building 3405 Woodland Walk University of Pennsylvania Philadelphia, PA 19104-6208 Tel: 215-898-3251 Fax: 215-573-2210 [email protected] EDUCATION Ph.D. Columbia University, Department of Art History and Archaeology Dissertation: Glazed Steatite Glyptic Style: The Structure and Function of an Image System. Awarded with Distinction. 1990. M.A. Columbia University, Department of Art History and Archaeology. 1975. Thesis: Metal Working Techniques of the Scythian Nomads. B.A. State University of New York at Binghamton, Harpur College. 1970-1971 Degree awarded in History. Bryn Mawr College, Ancient and Modern History. 1966-1969. EMPLOYMENT University of Pennsylvania: Department of the History of Art 1989-1999 Associate Professor 1999 Professor 2000-2009 College for Women Class of 1963 Endowed Term Professor in the Humanities Departmental Chair, History of Art 2010 Bok Family Professor in the Humanities University of Pennsylvania Museum of Archaeology and Anthropology: 1994-present Curator, Near Eastern Section July 2005-2008 Deputy Director for Academic Programs 2007- present Project Coordinator for Publication of Penn Excavations at Hasanlu. Center for Ancient Studies: Director, 1996-1999; 2003-2007 Co-Director Program for the Archaeology of Ukraine 2003 to present Metropolitan Museum of Art: Department of Ancient Near Eastern Art 1974-1989 Consultant, Curatorial Assistant, Assistant Curator, Associate Curator AWARDS AND FELLOWSHIPS Honorary Member, Shabahang (Iranian Cultural Society) Bok Family Professor in the Humanities University of Pennsylvania School of Arts and Sciences, 2010 Citation for Contribution to Archaeology of Kerman Province, awarded by Kerman Cultural Ministry, Kerman Iran May 2008 Norman Freehling Visiting Professor, Institute for the Humanities, University of Michigan for Spring 2005.
    [Show full text]
  • Hagop Kevorkian Center Review 2009/2010
    HAGOP KEVORKIAN CENTER REVIEW 1 2009/2010 HAGOP KEVORKIAN CENTER REVIEW 2009/2010 2009-2010 The Hagop Kevorkian Center for Near Eastern Studies at NYU is a Title VI National Resource Cen- ter (NRC) for modern Middle Eastern Studies as named by the United States Department of Education. NRC support is essential to the Center’s graduate program (area and language studies) and bolsters outreach programs to the NYU academic community, local educators, media and culture workers as well as the general public. Title VI funding, through its Foreign Language and Area Studies (FLAS) fel- lowships, also enables important opportunities for NYU graduate students to intensively study the lan- guages of the Middle East and South Asia (including Arabic, Hebrew, Hindi, Persian, Turkish and Urdu). 2 STAFF Director Michael Gilsenan Associate Director Greta Scharnweber Director of Graduate Studies Nadia Guessous Program Coordinator Amal Hageb 2009-2010 Administrative Aide Sarah Coffey Hagop Kevorkian Center New York University 50 Washington Square South New York, NY 10012 www.nyu.edu/gsas/program/neareast Editors Greta Scharnweber, Melissa Runstrom Copy Editors Nadia Khalaf, Lila Nazemian, Katie Rende Layout and Design Melissa Runstrom Cover Design The Goggles (Paul Shoebridge and Michael Simons) Copyright 2010. All rights reserved. 3 Contents Letter from the Director 5 Spotlight Mardomi-Nejad vs. The Greens: Iran’s Political Struggle Captured in Election Posters 6 Research Workshops Alumni Q & A: Medical Anthropologist Sherine Hamdy 8 Seminars Riyadh Drift:
    [Show full text]