Music in the Garden @ the Noguchi Museum Panther Revue

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26.10.12 Music in the Garden @ The Noguchi Museum Panther Revue Zensor International News Music in the Garden @ The Noguchi Museum Veröffentlicht am Juni 10, 2012 Music in the Garden @ The Noguchi Museum The series opens this Sunday, June 10 @ 3pm with a super special kick-off: Bang on a Can All-Stars bassist extraordinaire Robert Black and the Hartt Bass Band. 8 double basses in action! Many Bang on a Can fans will recall their astonishing performances on our annual Marathon concerts over the years, and this Sunday will be no exception! On the bill are five works written specifically for Robert: David Lang’s I Feel Pretty & Bristle; Michael Gordon’s Paint it Black; Evan Ziporyn’s Hval; and Julia Wolfe’s Stronghold. The Music in the Garden series will continue on July 8 with celebrated post-classical string quartet Ethel; August 12 with composer/performer extraordinaire Andy Akiho; and September 9 with the eclectic electric guitarist and composer Gyan Riley. These concerts are all free with museum admission. For more information, please visit the Noguchi Museum’s website or call 718-204-7088. burkhardt-zensor.de/Panther/music-in-the-garden-the-noguchi-museum/ 1/2 Music in the Garden @ The Noguchi Museum The Hartt Bass Band is: Robert Black, Marshall Greenberg, Emilio Guarino, Douglass Lemke, Olivia Rose Muzzy, Sean Rubin, Evan Runyon, Dan Turkos. David Lang – I Feel Pretty David Lang – Bristle Michael Gordon – Paint It Black Evan Ziporyn – Hval Julia Wolfe – Stronghold Dieser Eintrag wurde veröffentlicht in Concerts, Exhibitions von panther. Permanenter Link des Eintrags [http://burkhardt-zensor.de/Panther/music-in-the-garden-the- noguchi-museum/] . ladend burkhardt-zensor.de/Panther/music-in-the-garden-the-noguchi-museum/ 2/2.

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2001 Next Wave Fe Tival
October 2001 2001 Next Wave Fe tival Brooklyn Ph iI BAM Next Wave Festival sponsor: PHILIP MORRIS ~lA~(8Ill COMPANIES INC Brooklyn Academy of Music and Bang on a Can Bruce C. Ratner Michael Gordon Chairman of the Board David Lang Alan H. Fishman Julia Wolfe Chairman, Campaign for BAM Co-Artistic Directors Karen Brooks Hopkins Kenny Savelson President Executive Producer Joseph V. Melillo Executive Prod ucer present the Bang on a Can Marathon Approximate BAM Howard Gilman Opera House running time: , Oct 28, 2001, at 2pm 8 hours Composers Performers Elizabeth Brown BoaC All-Stars David Chesworth David Chesworth Ensemble Sussan Deyhim Ethel Arnold Dreyblatt Icebreaker Marti Epstein Kyaw Kyaw Naing Joshua Fried Newband John Godfrey The Orchestra of Excited Strings Michael Gordon Ivo Papasov & Zig Zag Trio David Lang So Percussion Marc Mellits Marc Perlman Kyaw Kyaw Naing Kathleen Supove Ivo Papasov TroIIstilt Harry Partch Wu Man/Makubuya Dan Plonsey Evan Ziporyn TroIIstilt Diderik Wagenaar Julia Wolfe Wu Man & James Makubuya Evan Ziporyn Special thanks to Samantha. 25 Program COMPOSER NAME OF WORK PERFORMER 2pm-4pm Harry Partch Castor and Pollux Newband Elizabeth Brown Delerium Newband Joshua Fried Headset Sextet BoaC All-Stars Julia Wolfe Early That Summer Ethel Marc Mellits 5 Machines BoaC All-Stars 4pm-6pm Kyaw Kyaw Naing Hsaing Chaik De Maungt BoaC All-Stars w/Kyaw Kyaw Naing* Sein Osit BoaC All-Stars w/Kyaw Kyaw Naing* Tiloun (U Ko Ko)t BoaC All-Stars w/Kyaw Kyaw Naing* Marti Epstein She Fell into a Wall of Sorrows Kath leen Su pove Diderik Wagenaar Metrum** Icebreaker Evan Ziporyn Be In Ethel w/Evan Ziporyn David Lang The So-called Laws of Naturet So Percussion* 6pm-8pm John Godfrey Gallows' Hillt Icebreaker Michael Gordon Yo Shakespeare Icebreaker Troll stilt Roulette Trollsti It *.
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MEREDITH MONK ··M···EM··O·R···Y ····G·A····ME··· 1 Spaceship (1983) �� 4:18
MEREDITH MONK ··M···EM··O·R···Y ····G·A····ME··· 1 Spaceship (1983) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 4:18 2 Gamemaster’s Song (1983) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 5:12 Vocal Solo: Theo Bleckmann 3 Migration (1983) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 7:37 Words by Ping Chong, performed by Michael Cerveris 4 Memory Song (1983) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 6:44 Words by Meredith Monk 5 Downfall (1983) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 3:56 6 Waltz in 5s (1996) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 3:54 Vocal Solo: Katie Geissinger 7 Tokyo Cha Cha (1983) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 9:45 8 Totentanz (2006) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 3:12 9 Double Fiesta (1986) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 5:42 Vocal Solo: Meredith Monk MEMORY GAME Music by Meredith Monk Meredith Monk & Vocal Ensemble Theo Bleckmann, Katie Geissinger, Meredith Monk, Allison Sniffin: voices Allison Sniffin: bowed psaltery Michael Cerveris: guest artist Bang on a Can All-Stars Ashley Bathgate: cello and voice Robert Black: electric and acoustic bass Vicky Chow: piano, keyboard
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Field Recordings
Photo by Stephanie Berger Bang on a Can All-Stars Field Recordings PROGRAM Sun, Oct 25 at 7pm Bang on a Can All-Stars Royce Hall Ashley Bathgate Cello Robert Black Bass Vicky Chow Piano and keyboard David Cossin Percussion Mark Stewart Electric guitar Ken Thomson Clarinets Andrew Cotton Sound engineer RUNNING TIME FIELD RECORDINGS Approximately 90 minutes; no intermission Julia Wolfe Reeling Florent Ghys An Open Cage Michael Gordon Gene Takes a Drink (with film by Bill Morrison) Christian Marclay Fade to Slide (with film) David Lang unused swan Tyondai Braxton Casino Trem Jóhann Jóhannsson Hz (with film) Todd Reynolds Seven Sundays Steve Reich The Cave of Machpelah (excerpt from The Cave) MEDIA SPONSOR: (arr. Michael Gordon) Bryce Dessner Maximus to Gloucester, Letter 27 [withheld] (with film) Anna Clyne A Wonderful Day PROGRAM NOTES MESSAGE FROM THE CENTER: For 135 years recorded sound has permeated every corner of our For almost 25 years, the phrase Bang On A Can All-Stars lives, changing music along with everything else. Bartok and Kodaly has been synonymous with innovation in the world of took recording devices into the hills of central Europe and modern contemporary music. While the performer lineup may music was never the same; rock and roll’s lineage comes from change periodically, the symbiotic relationship between artists revealed to the world by the Lomaxes, the Seegers, and other musicians and modern composers remains staunchly and archivists. Hip-hop culture democratized sampling: popular music illuminatingly in place. today is a form of musique concrète, the voices & rhythms of the past mixing with the sound of machinery and electronics.
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ABSTRACT of MUSICAL ARTS PROJECT Andrew Michael Bliss
ABSTRACT OF MUSICAL ARTS PROJECT Andrew Michael Bliss The Graduate School University of Kentucky 2008 DAVID LANG: DECONSTRUCTING A CONSTRUCTIVIST COMPOSER ______________________________________________________________ ABSTRACT OF MUSICAL ARTS PROJECT ______________________________________________________________ A musical arts project submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the College of Fine Arts at the University of Kentucky By Andrew Michael Bliss Lexington, Kentucky Director: James B. Campbell, Professor of Music Lexington, Kentucky 2008 Copyright © Andrew Michael Bliss 2008 ABSTRACT OF MUSICAL ARTS PROJECT DAVID LANG: DECONSTRUCTING A CONSTRUCTIVIST COMPOSER The percussion compositions of David Lang hold a prominent place within the percussion solo repertoire. Lang’s constructivist approach to composition, as well as his resistance to tradition, has secured him a highly respected position among performers and composers alike. Percussion repertoire is yet to receive the in-depth scholarship that it currently warrants. Considering the relative youth of the genre, a Pulitzer Prize winning composer such as Lang’s interest in percussion writing should not be overlooked. Furthermore, the logistical nature of dealing with percussion notation, orchestration, and performance requires a specialist, making it difficult for most musicologists to offer the proper insight and observations. This monograph exposes the complex and multi-dimensional solo percussion works of David Lang, specifically The Anvil Chorus, Scraping Song, and Unchained Melody. The document provides insight into the composer’s intentions while offering strategies to confront the physical and psychological issues that arise when preparing these works for performance. It also deconstructs Lang’s compositional processes and reveals the similarities in his approach from piece to piece, thus clarifying his style.
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A House in Bali Based on the Memoir by Colin Mcphee (American Premiere)
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Anthracite Fields Music of the Coal Miner
LOS ANGELES MASTER CHORALE Grant Gershon, Kiki & David Gindler Artistic Director Anthracite Fields Music of the Coal Miner Sunday, March 6, 2016 — 7:30 pm Walt Disney Concert Hall Los Angeles Master Chorale Bang on a Can All-Stars Grant Gershon, conductor Keep Your Lamps arr. André Thomas This concert is made possible, in part, by the National Endowment David Cossin, percussion (b. 1952) for the Arts. All Is Well Sacred Harp Anthology (1844) Babel’s Streams Sacred Harp Anthology Journey Home Sacred Harp Anthology Wayfarin’ Stranger arr. Craig Zamer Kristen Toedtman, mezzo soprano | Scott Graff, baritone (b. 1978) KUSC is our Proud Media Partner The Promised Land Sacred Harp Anthology ListenUp! with composer Julia Wolfe, Artistic Director Grant Gershon and KUSC’s Alan Chapman We’ll Soon Be There Sacred Harp Anthology can be heard online after the concert at www.lamc.org. Wondrous Love Sacred Harp Anthology Your use of a ticket acknowledges your willingness to appear in photographs taken in public areas of Wade in the Water arr. Moses Hogan the Music Center and releases the Zanaida Robles, soprano (1957-2003) Center and its lessees and others from liability resulting from use of INTERMISSION such photographs. Use of any phones, cameras or recording devices is prohibited Anthracite Fields WEST COAST PREMIERE Julia Wolfe during the performance. Program I. Foundation (b. 1958) and artists subject to change. Latecomers will be seated at the II. Breaker Boys discretion of House Management. III. Speech Members of the audience who IV. Flowers leave during the performance will V. Appliances be escorted back into the concert hall at the sole discretion of House Bang on a Can All-Stars Management.
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New and Newer in Santa Fe This Summer, Two Brand-New Quintets from Veterans— and a Piano Quartet from a Relative Youngster
New and Newer In Santa Fe this summer, two brand-new quintets from veterans— and a piano quartet from a relative youngster John Stege hen we think “chamber music festival,” we probably take it for granted that by an instrumentalist will be running the artistic end of the operation. Of W course, said instrumentalist will also have a gift for overseeing the detail, Part of an ongoing series spotlighting detail, detail that makes for a successful festival. But that artistic director started out as a performances supported by the NEA’s pianist or a cellist, say. Not as an administrator. American Masterpieces: Think Marlboro/Serkin, Chamber Music Northwest/Shifrin. Or come up with your Chamber Music initiative own longish list. Still, another kind of festival claims our attention, the composer-driven affair, notable among them Britten-Knussen-Adès at Aldeburgh, Menotti at both Spoletos, The Late June, July & August calendar and a very few others. Now add the Santa Fe Chamber Music Festival and its artistic of American Masterpieces director since 1998, Marc Neikrug. Granted, the man is a pianist and accompanist who activities can be seen on page 14. performs frequently at his own festival and elsewhere. But for Neikrug, composing comes An updated calendar will appear on first. And performing? A distant second. www.chamber-music.org and This helps to explain Santa Fe’s longstanding interest in commissioning and performing will include recently funded programs new music. The NEA American Masterpieces: Chamber Music grants, while not directly presented in May and early June 2010. supporting commissions, have been, both last season and this, deeply supportive of Santa Some of the works being performed are Fe’s new-music initiatives.
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Bang on a Can Marathon Live Online – June 6, 2021
FOR IMMEDIATE RELEASE Press contact: Maggie Stapleton, Jensen Artists 646.536.7864 x2, [email protected] Bang on a Can Announces Bang on a Can Marathon of Song Live Online – Sunday, June 6, 2021 from 1-5pm ET Four Hours of LIVE Music at live.bangonacan.org Note: An embed code for the Bang on a Can Marathon livestream will be available to press upon request, to allow for hosting the livestream on your site. Brooklyn, NY — Bang on a Can announces the Bang on a Can Marathon of Song – Live Online – on Sunday, June 6, 2021 from 1-5pm ET featuring 15 performances streamed from musicians' homes around the country and across the world. For this Marathon all performances will include some type of vocalization – singing, speaking, murmuring, or other use of the voice. The June 6 Marathon of Song marks Bang on a Can’s eighth marathon concert since the start of the pandemic dating back to May 2020 and will bring the tally to over 150 performances, including 70 world premieres of new commissions. Bang on a Can plans to continue these Marathons, streaming online at live.bangonacan.org. The four-hour live Marathon, featuring Fred Frith, L’Rain, Albert Kuvezin from Yat Kha, Charles Amirkhanian, Matana Roberts, and many more, will be hosted by Bang on a Can Co-Founders and Artistic Directors Michael Gordon, David Lang, and Julia Wolfe, who say: “Humming, speaking, crooning, shouting, praying, tuneful, harmonized or noisy, we have spun songs since the beginning of our existence. These adventurous composers are redefining what it means to make song,
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Steel Hammer Music and Text by Julia Wolfe
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Bang on a Can Marathon Live Online Marathon – May 2020
FOR IMMEDIATE RELEASE Press contact: Maggie Stapleton, Jensen Artists 646.536.7864 x2, [email protected] Bang on a Can Announces Bang on a Can Marathon 2020 Live Online! Sunday, May 3, 2020 from 3pm-9pm ET Six Hours of LIVE Music at marathon2020.bangonacan.org Note: An embed code for the Bang on a Can Marathon livestream will be available to press upon request, to allow for hosting the livestream on your site. Brooklyn, NY — Bang on a Can will present an ALL LIVE Bang on a Can Marathon on Sunday, May 3, 2020 from 3pm-9pm ET. The Marathon will be streamed online at marathon2020.bangonacan.org, featuring 26 LIVE performances from musicians' homes in NYC and around the country. The concert begins with a performance by Meredith Monk at 3pm and concludes with a performance by Bang on a Can All-Star pianist Vicky Chow playing John Adams’ China Gates. Additional highlights include Steve Reich’s Vermont Counterpoint performed by flutist Claire Chase, performances by Vijay Iyer, Maya Beiser, Shara Nova, Nathalie Joachim, and many more. The 6- hour live Marathon will be hosted by Bang on a Can Co-Founders and Artistic Directors Michael Gordon, David Lang, and Julia Wolfe, who say: Bang on a Can means a lot of things to us. It means live performance in front of enthusiastic audiences, which none of us can really have right now. It means music-curious people rubbing elbows with each other, in packed concert halls, talking to each other about the role that music plays in their lives, which we can't have now either.
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Bang on a Can and MASS Moca Announce LOUD Weekend Friday, July 30 & Saturday, July 31, 2021
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Oberlin Artist Recital Series: Bang on a Can All-Stars (February
Oberlin Artist Recital Series: Bang on a Can All-Stars (February 28) by Mike Telin On Saturday, February 28 in Finney Chapel, the Oberlin Artist Recital series presented the Bang on a Can All-Stars in a high energy concert that featured music by Bang on a Can founders David Lang, Julia Wolfe and Michael Gordon, as well as works by Kate Moore, Steve Martland and Philip Glass. Since playing their first marathon concert in a SoHo art gallery on Mother’s Day in 1987, the composers/performers collective, Bang on a Can, has grown into one of the world’s premier arts organization. It inspires and fosters the growth of young composers and musicians as well as bringing contemporary music to audiences world-wide. In addition to the All-Stars, their programs include the annual Bang on Can Marathon, The People’s Commissioning Fund, the Summer Music Festival at MASSMoCA, the Asphalt Orchestra, and Found Sound Nation, a technology-based program which led to the creation of OneBeat, a residency that brings American musicians together with young musicians from developing countries. By the middle of David Lang’s Sunray, which opened the program on Saturday, it was clear that Ashley Bathgate (cello), Robert Black (bass), Vicky Chow (piano), David Cossin (percussion), Mark Stewart (electric guitar) and Ken Thomson (clarinet and saxophone) are all extraordinary musicians who possess abundant technique. Here, and throughout the evening, the ensemble continually tossed off extremely complicated rhythmic passages as though they were a walk in the park. Do they each have surgically implanted metronomes? After Sunray’s initial sliver of light evolved into an intense ball of fire and the final chord had dissipated, Lang, who was present at the concert, acknowledged the applause of the large and appreciative audience.
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