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Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. – The Collection (2015) [Qobuz FLAC 24bit/96kHz] Dolly Parton – The Collection (2015) FLAC (tracks) 24 bit/96 kHz | Time – 05:05:09 minutes | 6,07 GB | Genre: Country Studio Masters, Official Digital Download – Source: Qobuz | Front Cover | © RCA/Legacy/ Recorded: 1966-1980. Dolly Rebecca Parton is an American singer, , multi-instrumentalist, , actress, author, businesswoman, and philanthropist, known primarily for her work in . It’s difficult to find a country performer who has moved from her country roots to international fame more successfully than Dolly Parton. Her autobiographical single “” shows the poverty of growing up one of 12 children on a rundown farm in Locust Ridge, . At 12 years old, she was appearing on Knoxville television; at 13 she was recording on a small label and appearing on the . Her 1967 hit “Dumb Blonde” (which she’s not) caught ’s ear, and he hired Parton to appear on his television show, where their duet numbers became famous. By the time her “Joshua” reached number one in 1970, Parton’s fame had overshadowed her boss’, and she had struck out on her own, though she still recorded duets with him. During the mid-’70s, she established herself as a country superstar, crossing over into the pop mainstream in the early ’80s, when she smoothed out the rough edges in her music and began singing pop as well as country. In the early ’80s, she also began appearing in movies, most notably the hit . Though her savvy marketing, image manipulation (her big dumb blond stage persona is an act), extracurricular forays into film, and flirtations with country-pop have occasionally overshadowed her music, at her core Parton is a country gal and a tremendously gifted singer/songwriter. Among her classics are “Coat of Many Colors,” “Jolene,” “,” “,” “,” and “Tennessee Homesick ,” and they give a hint as to why her contribution to bringing country music to a wide audience, not only in America but throughout the world, cannot be overestimated. The fourth of 12 children, Parton was born and raised in Locust Ridge, Tennessee, just next to the Smoky Mountains National Forest. Parton’s family struggled to survive throughout her childhood, and she was often ridiculed for her poverty, yet music soothed their worries. Though her farming father did not play, her half-Cherokee mother played guitar and her grandfather, Rev. Jake Owens, was a fiddler and songwriter (his “Singing His Praise” was recorded by ). When she was seven, her uncle Bill Owens gave her a guitar, and within three years, she became a regular on WIVK Knoxville’s The Cas Walker Farm and Home Hour. Over the next two years, her career steadily increased, and in 1959 she made her debut on the Grand Ole Opry; the following year, she recorded her first single, “Puppy Love,” for Goldband. When she was 14 years old, Parton signed to Mercury Records, but her 1962 debut for the label, “It’s Sure Gonna Hurt,” was a bomb, and the label immediately dropped her. Over the next five years, she shopped for a new contract and did indeed record a number of , which were later reissued through budget-line records. She continued to attend high school, playing snare drum in the marching band. After she graduated, she moved to Nashville, where she stayed with Bill Owens. Both pitched songs across Nashville with no success, and Parton began singing on demos. Early in 1965, both Parton and Owens finally found work when Fred Foster signed them to his publishing house, Combine Music; Foster subsequently signed her to Monument Records. Parton’s first records for Monument were marketed to pop audiences, and her second record, “Happy, Happy Birthday Baby,” nearly made the charts. In 1966, Bill Phillips took two of Parton’s and Owens’ songs — “Put It Off Until Tomorrow” and “The Company You Keep” — to the Top Ten, setting the stage for Parton’s breakthrough single, “Dumb Blonde.” Released early in 1967, the record climbed to number 24, followed shortly afterward by the number 17 “Something Fishy.” The two hit Monument singles attracted the attention of country star Porter Wagoner, who was looking to hire a new female singer for his syndicated television show. Parton accepted the offer and began appearing on the show on September 5, 1967. Initially, Wagoner’s audience was reluctant to warm to Parton and chanted for Norma Jean, the singer she replaced, but with Wagoner’s assistance, she was accepted. Wagoner also convinced his label, RCA, to sign Parton. Since female performers were not particularly popular in the late ’60s, the label decided to protect their investment by releasing her first single as a duet with Wagoner. Their first single, “The Last Thing on My Mind,” reached the country Top Ten early in 1968, launching a six-year streak of virtually uninterrupted Top Ten singles. Parton’s first solo single, “Just Because I’m a Woman,” was released in the summer of 1968 and was a moderate hit, reaching number 17. For the remainder of the decade, none of her solo efforts — even “In the Good Old Days (When Times Were Bad),” which would later become a standard — were as successful as her duets. The duo was named Vocal Group of the Year in 1968 by the Country Music Association, but Parton’s solo records were continually ignored. Wagoner and Parton were both frustrated by her lack of solo success, because he had a significant financial stake in her future; as of 1969, he was her co-producer and owned nearly half of the publishing company Owepar. By 1970, Porter had her sing Jimmie Rodgers’ “ ( No. 8),” a gimmick that worked. The record shot to number three on the charts, followed closely by her first number one single, “Joshua.” For the next two years, she had a number of solo hits — including her signature “Coat of Many Colors” (number four, 1971) — in addition to her duets. Though she had successful singles, none of them were blockbusters until “Jolene” reached number one in early 1974. Parton stopped traveling with Wagoner after its release, yet she continued to appear on television and sing duets with him until 1976. Once she left Wagoner, Parton’s records became more eclectic and diverse, ranging from the ballad “I Will Always Love You” (number one, 1974) and the racy “” (number one, 1975) to the crossover pop of “” (number one, 1977) and the disco experiments of “Baby I’m Burning” (number 25 pop, 1978). From 1974 to 1980, she consistently charted in the country Top Ten, with no less than eight singles reaching number one. Parton had her own syndicated television show, Dolly, in 1976, and by the next year had gained the right to produce her own albums, which immediately resulted in diverse efforts like 1977’s New Harvest…First Gathering. In addition to her own hits during the late ’70s, many artists, from and Kitty Wells to Olivia Newton-John, , and , covered her songs, and her siblings Randy and Stella received recording contracts of their own. Though she was quite popular, Parton became a genuine superstar in 1977, when the Barry Mann/Cynthia Weil song “Here You Come Again” became a huge crossover hit, reaching number three on the pop charts, spending five weeks at the top of the country charts, and going gold. Its accompanying went platinum and the follow-up, Heartbreaker, went gold. Soon, she was on the cover of country and mainstream publications alike. With the new financial windfall, a lawsuit against Wagoner — who had received a significant portion of her royalties — ensued. By the time it was settled, she regained her copyrights while Wagoner was given a nominal fee and the studio the duo shared. In the wake of the lawsuit, a delayed duet album, Making Plans, appeared in 1980; its title track hit number two on the country charts. Parton’s commercial success continued to grow during 1980, as she had three number one hits in a row: the Donna Summer-written “Starting Over Again,” “Old Flames (Can’t Hold a Candle to You),” and “9 to 5.” The latter was the theme song to Parton’s acting debut, 9 to 5. Also starring Jane Fonda and Lily Tomlin, the movie became a huge success, establishing Parton as a movie star. The song became her first number one pop single as well. 9 to 5 gave Parton’s career momentum that lasted throughout the early ’80s. She began appearing in more films, including the Burt Reynolds musical The Best Little Whorehouse in Texas (1982) and the Sylvester Stallone comedy (1984). Parton’s singles continued to appear consistently in the country Top Ten: between 1981 and 1985, she had 12 Top Ten hits and half of those were number one singles. Parton continued to make inroads on the pop charts as well with a re-recorded version of “I Will Always Love You” from The Best Little Whorehouse in Texas scraping the Top 50 and her duet “Islands in the Stream” (which was written by the Bee Gees and produced by Barry Gibb) spending two weeks at number one. However, by 1985 many old-time fans had felt that Parton was spending too much time courting the mainstream. Most of her albums were dominated by the adult contemporary pop of songs like “Islands in the Stream,” and it had been years since she had sung straightforward country. She also continued to explore new business and entertainment ventures such as her theme park, which opened in 1985. Despite these misgivings, she had continued to chart well until 1986, when none of her singles reached the Top Ten. RCA Records didn’t renew her contract after it expired that year, and she signed with Columbia in 1987. Before she released her Columbia debut, Parton joined forces with Linda Ronstadt and Emmylou Harris to record the rootsy Trio album. Trio became a huge hit, earning both critical and popular acclaim, selling over a million copies, and peaking at number six on the pop charts; it also spawned three Top Ten country singles: “To Know Him Is to Love Him,” “,” and “.” Following the success of the album, she had a weekly variety television show, Dolly, on ABC that lasted only one season. Trio also provided a perfect launching pad for her first Columbia album, 1989’s , which produced two number one hits in “Why’d You Come in Here Lookin’ Like That” and “.” Though it looked like Parton’s career had been revived, it was actually just a brief revival before contemporary country came along in the early ’90s and pushed all veteran artists out of the charts. Parton had a number one duet with Ricky Van Shelton, “Rockin’ Years,” in 1991, but after that single, she slowly crept out of the Top Ten and later the Top 40. Parton was one of the most outspoken critics of radio’s treatment of older stars. While her sales had declined, she didn’t disappear. Despite her lack of sales, Parton remained an iconic figure in country music, appearing in films (the 1991 TV movie Wild Texas Wind, 1992’s Straight Talk), selling out concerts, and releasing a series of acclaimed albums — including 1993’s , a collaboration with and — that all sold respectably. Furthermore, “I Will Always Love You” was covered in 1992 by Whitney Houston, who took it to number one on the pop charts; the single spent 14 weeks at number one, becoming the biggest pop hit of the rock & roll era (it was unseated four years later by Mariah Carey and Boyz II Men’s “One Sweet Day”). In 1994, Parton published her autobiography, My Life and Other Unfinished Business. Treasures, her 1996 album, was a praised collection of unusual covers, ranging from to . followed in 1998, and early the following year she reunited with Ronstadt and Harris for a second Trio collection in addition to releasing the solo . A rootsy effort, it was well received and prompted the release of more recordings like it on in 2001 and Halos & Horns in 2002. The patriotic For God and Country appeared in 2003 and was followed by the CD and DVD a year later. Those Were the Days from 2005 found Parton covering her favorite pop songs from the ’60s and ’70s. , Parton’s first mainstream country album in nearly 20 years, arrived on her own Dolly Records imprint in 2008. Live from London followed in 2009. An album of all Parton-written material, Better Day, appeared from Dolly Records in 2011, the 41st studio release of her long career. Three years later, Blue Smoke was released, appearing first in Australia and New Zealand in January, then in other territories, including America, in May. In 2015, Parton’s classic song “Coat of Many Colors” was adapted into a made-for-TV movie, which featured Alyvia Alyn Lind as the young Dolly Parton and Jennifer Nettles (from the group Sugarland) as her mother. Parton was a producer on the film, which became a major success in the ratings, and a Christmas-themed sequel was put into production for the 2016 holiday season. In the summer of 2016, Parton announced that she was headlining a 60-date North American concert tour, her most extensive run of shows in 25 years. The jaunt was being billed as the Pure & Simple Tour, and not coincidentally, Parton also revealed she was releasing a new album in August 2016, a set of ten original love songs also called Pure & Simple. -Artist Biography by David Vinopal. Tracklist: Disc 1 – 1967 – Hello, I’m Dolly 1 Dumb Blonde 00:02:30 2 Your Ole Handy Man 00:02:13 3 I Don’t Want to Throw Rice 00:02:25 4 Put It off Until Tomorrow 00:02:22 5 I Wasted My Tears 00:02:20 6 Something Fishy 00:02:10 7 Fuel to the Flame 00:02:42 8 The Giving and the Taking 00:02:27 9 I’m In No Condition 00:02:13 10 The Company You Keep 00:02:37 11 I Lived My Life 00:02:39 12 The Little Things 00:02:23. Disc 2 – 1969 – My Blue Ridge Mountain Boy 1 In the Ghetto 00:02:51 2 Games People Play 00:02:26 3 ‘Til Death Do Us Part 00:03:09 4 Big Wind 00:02:18 5 Evening Shade (Remastered) 00:03:22 6 I’m Fed Up with You 00:02:00 7 My Blue Ridge Mountain Boy 00:03:32 8 Daddy 00:02:51 9 We Had All the Good Things Going 00:02:46 10 The Monkey’s Tale 00:01:51 11 Gypsy, Joe and Me 00:03:14 12 Home for Pete’s Sake 00:02:00. Disc 3 – 1974 – Jolene 1 Jolene 00:02:43 2 When Someone Wants to Leave 00:02:07 3 River of Happiness 00:02:20 4 Early Morning Breeze 00:02:47 5 Highlight of My Life 00:02:19 6 I Will Always Love You 00:02:57 7 Randy 00:01:53 8 Living On Memories of You 00:02:48 9 Lonely Comin’ Down 00:03:14 10 It Must Be You 00:01:51. Disc 4 – 1974 – 1 Love Is Like a Butterfly 00:02:23 2 If I Cross Your Mind 00:02:41 3 My Eyes Can Only See You 00:02:48 4 Take Me Back 00:02:38 5 Blackie, Kentucky 00:03:32 6 Gettin’ Happy 00:02:40 7 You’re the One That Taught Me How to Swing 00:02:08 8 Highway Headin’ South 00:02:08 9 Once Upon a Memory 00:03:13 10 Sacred Memories 00:02:42. Disc 5 – 1975 – The Bargain Store 1 The Bargain Store 00:02:45 2 Kentucky Gambler 00:02:41 3 When I’m Gone 00:02:17 4 The Only Hand You’ll Need to Hold 00:02:12 5 On My Mind Again 00:02:51 6 I Want to Be What You Need 00:02:43 7 Love to Remember 00:02:33 8 You’ll Always Be Special to Me 00:02:23 9 He Would Know 00:02:35 10 I’ll Never Forget 00:02:47. Disc 6 – 1976 – All I Can Do 1 All I Can Do 00:02:27 2 The Fire That Keeps You Warm 00:02:52 3 When the Sun Goes Down Tomorrow 00:02:09 4 I’m a Drifter 00:02:57 5 Falling Out of Love with Me 00:02:50 6 Shattered Image 00:02:27 7 Boulder to Birmingham 00:04:17 8 Preacher Tom 00:03:45 9 Life’s Like Poetry 00:01:52 10 Hey, Lucky Lady 00:02:21. Disc 7 – 1977 – New Harvest… First Gathering 1 Light of a Clear Blue Morning 00:04:56 2 Applejack 00:03:26 3 My Girl (My Love) 00:03:47 4 Holdin’ On to You 00:02:47 5 You Are 00:05:19 6 How Does It Feel 00:03:15 7 Where Beauty Lives In Memory 00:03:58 8 Higher and Higher 00:02:54 9 Getting In My Way 00:02:41 10 There 00:05:34. Disc 8 – 1977 – Here You Come Again 1 Here You Come Again 00:02:59 2 Baby Come Out Tonight 00:03:29 3 It’s All Wrong, but It’s All Right 00:03:21 4 Me and Little Andy 00:02:41 5 Lovin’ You 00:02:26 6 Cowgirl & The Dandy 00:03:49 7 00:03:09 8 God’s Coloring Book 00:03:15 9 As Soon as I Touched Him 00:03:14 10 00:03:09. Disc 9 – 1978 – Heartbreaker 1 00:03:10 2 It’s Too Late to Love Me Now 00:03:02 3 We’re Through Forever (‘Til Tomorrow) 00:03:51 4 Sure Thing 00:03:33 5 With You Gone 00:03:06 6 Baby I’m Burnin’ 00:02:37 7 Nickels and Dimes 00:03:25 8 The Man 00:03:17 9 Heartbreaker 00:03:36 10 I Wanna Fall In Love 00:02:25. Disc 10 – 1980 – 1 9 to 5 00:02:47 2 Hush-A-Bye Hard Times 00:03:50 3 The House of the Rising Sun 00:04:03 4 Deportee (Plane Wreck at Los Gatos) 00:04:43 5 Sing for the Common Man 00:03:48 6 Working Girl 00:03:21 7 Detroit City 00:03:39 8 But You Know I Love You 00:03:20 9 Dark as a Dungeon 00:03:29 10 Poor Folks Town 00:02:57. Releasing the Angels of Abundant Harvest. God gave me a profound prophetic word about the angels of abundant harvest and I’ve raced to get this book into your hands so you can hear the word of the Lord and apply biblical principles that will position you to reap the overflow in this season. My publisher is urgently rushing this life- changing revelation to the printer right now. Pre-order at a discount and we’ll send you an autographed copy as soon as it gets into our hands! This book will be released before the first of the year. I expect backorders and reprints. Order your copy today and be the first to receive it! Additional information. Weight 1 lbs Dimensions .1 × .1 × .1 in. 8 reviews for Releasing the Angels of Abundant Harvest. Anna Marie Castner – April 11, 2019. Elize Stockton – April 11, 2019. Releasing Angels in abundant harvest please! Thank you Sis Jennifer. Elize Stockton – April 11, 2019. May i receive your book Sister Jennifer – Angels of Abundant Harvest! Be most grateful. Sesilia – April 12, 2019. Constructive and open eyes. Michelle (verified owner) – April 13, 2019. Thank You would love a copy to give to my accountability partner as a gift. Luda – April 13, 2019. I am from Ukraine. George Muzaale – May 14, 2019. I would like to receive the book, releasing the angels of abundant harvest. Donna – July 18, 2019. Thank you for the blessing of this book. This site uses Akismet to reduce spam. Learn how your comment data is processed. His Kingdom Prophecy. Christian Prophecy, Prayers & Sharing — Updated Daily. Angels of Harvest are on the Earth! Watch! Angels of the harvest are now being released into the earth! At midnight last night I was suddenly awoken by a gentle whisper. A voice spoke to me saying, “Daughter of the Most High, awake and see, for the Angels of the Harvest are now being released into the Earth!” I sat up and suddenly a vision opened up before me where I saw an Angel of the LORD standing over the Nations of the Earth with what looked like a large golden Winnowing Fork which he held in his hand. Then as I pressed in deeper the vision became clearer. I watched as the Angel of the LORD lifted up the golden Winnowing Fork over the Nations then he began to speak saying , “Behold, I Come quickly for the Fields are ripe for Harvest”. Then out of the second heavens I saw a multitude of Angels descend upon the Earth. I watched as they began to move and position themselves strategically across the Nations. Again the Angel of the LORD spoke saying, “Make Way, Make Way for the Wind of Change now blows across the Nations.” Suddenly a mighty whirlwind began to form in the heavens. Then I heard the sound of a shofar coming from deep within the Whirlwind. Then I heard a voice that echoed from the heavens saying, “These are the days of Elijah. These are the days of War and Harvest. These are the days of a Great Awakening among the people of All Nations. Prepare, prepare for these are the days to take possession of that which I have promised”, says the Spirit of the LORD. On hearing these words, suddenly the mighty whirlwind began to move upon the earth with great power and momentum. Then I watched as the Angels of the Harvest went forth into all four corners of the Earth, some to the North, the South, then the East and the West. Suddenly again I heard a sound, it was the sound of many voices rising up from the earth saying, “Behold Make straight the way for the LORD of the Harvest. Make straight the Way for the LORD of War.” Then the Vision left me…! Watch, pray and be prepared in this hour and season. Make room, make way for the LORD of the harvest and the LORD of war now comes quickly upon the earth….! Creatively Sam's. A teaching website for diy. home decor, crafting, sewing & lots of creative ideas. Harvest Angel Tutorial. I’ve wanted to make a Harvest Angel for a long time. Now that October is here, it seemed like the right time to do it. This is a step by step tutorial of how I made her. I’ll forewarn you, this is a long one because it’s loaded with pictures. I started with a porcelain angel head and hands, a cardboard cone, some green crushed velor fabric, and a chenille stem. The first thing that I did was to measure the chenille stem for the arms. I bent the chenille stems for elbows then folded up the excess, and when I got the length right, I cut off the excess. After I cut off the excess chenille stem, I glued the center of the stem to the top of the cone & then glued on the porcelain hands. Then I added extra glue to the top of the cone & added the Angel head. I cut a long rectangular piece of the velor that was 3 times the width of the wrists & 1 1/2 times the length of both ‘arms’. I used hot glue to form a seam, but you could sew it if you like. Once the glue had dried, I cut the length in half & turned the fabric right side out. I turned one end of the tube under & glued it to the shoulder of the porcelain head. I used some matching thread to tie off the other end to the hand. Then I covered the thread with some green ribbon. Repeat for the other arm. With the same ribbon, I covered the top of the sleeves to give it a finished look. I cut a rectangle of the velor twice as wide as the width of the bottom of the cone and slightly longer than the cone. Then I used the hot glue to hem under the top & bottom of the rectangle. Once the hems were dried, I glued the rectangle into a tube. Once the glue had dried, I turned it right side out. Then, glue the center of the front of the tube to the center of the front of the angel. Repeat on the center of the back. Then glue the dress under the arms. Keep gluing until the top of the angel’s dress is glued down. Once the dress is glued down all the way around, cover the top of the dress with the same ribbon & tie in the back. Then I gathered a handful of doll hair & glued it to the angel’s head. I cut some small leaves from their stems & glued them randomly to the dress. Then I cut off some tiny berries from the fall leaf stems. Then I glued the berries & some ribbon roses around the top of the angel’s head to form a halo. On to the wings. I had these sheer wings, but you could use any pre-made wings. I glued some fall leaves to one side of the wings. Then I repeated the same color leaves on the other side of the wings. I added a single leaf to the center of the wings on one side to cover the part that showed. This will be on the outside. I glued the other side of the wings to the back of the angel. She could have been done at this point, but I felt her hands needed something. Since Fall is the time that is associated with Thanksgiving, I wanted the sign to reflect that. I got a small piece of wood that would fit in her hands. You could use card stock instead. I dampened the edges of the wood & colored it with a brown marker. Then I dampened the marker to make it bleed onto the wood. Once it had dried, I used a fine line brown Sharpie to write in the words. Then I hot glued the little sign to the hands of the angel. I added some of the left over berries to cover the glue that was showing. And yes, I added a little rhinestone to the base of her throat. I’ve got to have some bling or I wouldn’t be me. Now that she’s done, what do you do with her? I thought she’d make a lovely centerpiece. I had this brown glass tray & I found some great potpourri. It’s from Better Homes & Gardens. I chose the Candied Caramel Pecan scent just because of the colors that were in the bag. I dumped the potpourri into a bowl & separated the pieces that I wanted to use. Then I put the Harvest Angel in the center of the tray & surrounded her with fall leaves. Then I added the pieces of the potpourri that I had chosen as well as some small artificial gourds that I had. She looks just as good from the back: Then I thought of using her as a vignette. I placed her in front of the little lamp that sits in the corner. Oh, I fell in love with the way the light gave her a glow. And it goes so well with the Dollar Tree Fall Centerpiece. I just love the way she turned out, and I think that she just might stay in front of that lamp for the rest of the season.