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December People Band Biographies
December People Band Biographies Robert Berry: Robert Berry was born into a musical family. His father had a dance band that travelled the ballroom circuit in the late 40's and 50's, where his mother was the featured vocalist. When Berry was born his father opened a music store. There, through the busy store’s affiliation with Vox guitars and amps - the brand the Beatles used, Robert was introduced to many of the local musicians. Local hit makers like the Count Five, Syndicate of Sound, Harper’s Bizarre and others often frequented the store. Berry began studying piano in earnest at 6 years old and by age 12 was recruited to join his first rock band with 4 older high school seniors. He continued classical and jazz studies before entering San Jose State University, as a music major. Berry first gained international attention with San Francisco based Hush, and headed to the UK to play in GTR along with Steve Howe of Yes fame, and then achieved a top ten charting single and toured with 3, his partnership with Keith Emerson and Carl Palmer. Before launching December People, Robert played with Sammy Hagar and toured with Ambrosia. When not touring with December People Robert is the bass player with the Greg Kihn Band. Gary Pihl: Raised in the suburbs of Chicago for the first 12 years of his life, Gary Pihl relocated to the San Francisco Bay area. Gary had his recording debut at age 19 with Day Blindness. He says, “After my time in Day Blindness, I was in a band called Fox with Roy Garcia and Johnny V (Vernazza), who went on to play in Elvin Bishop’s band. -
Boston Guide
Ü >ÌÜ >ÌÊ ÌÌÊ ``Ê UUÊ Ü iÀiÜ iÀ iÊ ÌÌÊ }}Ê UUÊ Ü >ÌÜ >ÌÊ ÌÌÊ Ãii September 7–20, 2009 INSIDERSINSIDERS’ GUIDEto BOSTON INCLUDING: -} ÌÃii} / i ÃÌ ÃÌ >` Ì i 9Õ ½Ì i} LÀ ` Àii` /À> Ü Õ`ià E >«Ã NEW WEB bostonguide.com now iPhone and Windows® smartphone compatible! Johanna Baruch G:8:EI>DC L>I= I=: 6GI>HI H:E EB 6GI :M=>7>I H:E ID D8I oyster perpetual gmt-master ii CJB>CDJH D>A DC E6C:A 60" M 44" European Fine Arts Furnishings, Murano Glass, Sculptures, Paintings, Leather, Chess Sets, Capodimonte Porcelain OFFICIALROLEXJEWELER ROLEX OYSTER PERPETUAL AND GMT-MASTER II ARE TRADEMARKS. H:K:CIN C>C: C:L7JGN HIG::I s 7DHIDC B6HH68=JH:IIH telephone s LLL <6AA:G>6;ADG:CI>6 8DB 6 91, " , 9 "/" */ *** -/ 1 * ,* /" 9 *" ,"9 ,/ , **"/ 8 - *1- 1 / 1 E , , , - "/" contents COVER STORY 10 The Boston You Don’t Know Everything you didn’t know you wanted to know about the Hub DEPARTMENTS 8 hubbub 54 around the hub Cambridge Carnival 54 CURRENT EVENTS 62 ON EXHIBIT 18 calendar of events 66 SHOPPING 73 NIGHTLIFE 20 exploring boston 76 DINING 20 SIGHTSEEING 31 FREEDOM TRAIL 33 NEIGHBORHOODS 47 MAPS WATER UNDER THE BRIDGE: The seemingly mis- named Harvard Bridge spans the ``ÊÌ iÊ*iÀviVÌÊ >` Ì i *iÀviVÌ >` Charles River, connecting the Back Bay with the campus of the ÜÜÜ° Àii°V Massachusetts Institute of Technology. Refer to story, page 10. PHOTOBY ,58,58"/.$'2%%. "/.$ '2%%. C HRISTOPHER W EIGL *%7%,29 7!4#(%3 ')&43 s 3).#% on the cover: {£È ÞÃÌ -ÌÀiiÌ "-/" ȣǮ ÓÈÈ°{Ç{Ç A statue of famed patriot Paul Revere stands along the * ,* // 1 , ,/ , 8 - *1- 1 / ,,9 "/, >V , , - "/" **"/ >Þ LiÌÜii À}Ì >` iÀiiÞ -ÌÀiiÌ® Freedom Trail near the Old North Church in the North End. -
FILM MANUFACTURERS INC. Presents MAPPLETHORPE: LOOK at the PICTURES a Film by Fenton Bailey & Randy Barbato
FILM MANUFACTURERS INC. Presents MAPPLETHORPE: LOOK AT THE PICTURES A film by Fenton Bailey & Randy BArbAto BERLINALE SCREENING SCHEDULE (PREMIERE) Sunday, February 14th at 5:00 PM @ (P&I SCREENING) Sunday, FebruAry 14th At 9:00 PM @ Running Time: 1:48:24 minutes For press materials, please visit: Press ContAct Press ContAct Public Insight Dogwoof Andrea Klasterer Yung Kha Office: +49/ 89/ 78 79 799-12 Office: +44(0)20 7253 6244 Andrea cell: +49 163 680 51 37 Yung cell: +44 7788546706 Email: [email protected] Email: [email protected] InternAtionAl Sales InternAtionAl Press DOGWOOF [email protected] Vesna Cudic [email protected] / +44 7977 051 577 www.mapplethorpefilm.com www.facebook.com/MapplethorpeFilm www.twitter.com/Mapplethorpedoc www.filminc.com MAPPLETHORPE: LOOK AT THE PICTURES A film by Fenton Bailey & Randy Barbato SHORT SYNOPSIS MAPPLETHORPE: LOOK AT THE PICTURES is the first definitive, feature length portrait of the controversial artist since his untimely death in 1989. A catalyst and an illuminator, but also a magnet for scandal, Robert Mapplethorpe had but one goal: to ‘make it’ as an artist and as an art celebrity. He could not have picked a better time: the Manhattan of Warhol’s Factory, Studio 54, and an era of unbridled hedonistic sexuality. His first solo exhibition in 1976 already unveils his subjects: flowers, portraits and nudes. Mapplethorpe quickly gains notoriety through his explicitly sexual photographs from the gay sadomasochistic scene as well as nude pictures of black men. Directors Fenton Bailey and Randy Barbato were given unrestricted access to Mapplethorpe’s archives for their documentary Mapplethorpe: Look at the Pictures, in which this exceptional artist talks candidly about himself in recently discovered interviews. -
Night Ranger
FEATURE NIGHT RANGER Night Ranger rocking a particularly strong look in Milwaukee, Wisconsin, 3 August 1985. L-R: Jeff Watson (guitar), Kelly Keagy (drums and vocals), Jack Blades (bass and vocals), Alan Fitzgerald (keyboards), Brad Gillis (guitar) BOOGIE NIGHT! WHAT WAS THE MUSIC SCENE LIKE IN SAN band in 1979 and became our touring drummer, but Everybody knows that NIGHT RANGER’s ‘Sister Christian’ featured in the film Boogie Nights, FRANCISCO WHEN YOU FIRST GOT TOGETHER when Rubicon eventually broke up we formed a group but there was a whole lot more to this platinum-selling American rock band than just one ALL THOSE YEARS AGO? called Stereo and started playing all the small clubs in great song. Xavier Russell hooks up with original members JACK BLADES, BRAD GILLIS Kelly Keagy: “It was really vibrant there back in the late San Francisco. Huey Lewis and the American Express – and KELLY KEAGY to talk about the many highs and occasional lows of a stellar career ’70s and early ’80s. But what was really interesting was as Huey’s band was called back then – would come and spanning more than 35 years… that there was so much varied music going on in the see us. So would Eddie Money, Billy Satellite and Neal Bay Area at that time, from Santana to The Tubes. It was Schon from Journey.” really inspiring.” Kelly: “It was a real mix of musical styles, including R&B, BEFORE THE RATHER RUDE interruption of 1982’s Bay memorable scenes of cult movie Boogie Nights. Who AOR and hard rock.” Area Thrash movement, San Francisco was the hotbed can forget the sight of actor Alfred Molina, coked up SO WERE YOUR FIRST MUSICAL VENTURES for AOR in America. -
IDOLS Gilles Larrain
Born in Da Lat, Vietnam in 1938, These arresting photographs may Gilles Larrain began an atypical life delight you. Perhaps they will offend that would see him living in Vietnam, you. They will almost certainly inspire Chile, Argentina, Canada, France, and you to ask questions about yourself America, all before the age of 16. He “I moved to New York City because of people like this. I wanted to be around the art crowd and the and your sexuality. They will not leave would have to learn many languages weirdos and the freaks...and here was a full-on book of them. I was like, where do I sign up? I wanted in.” you cold. The Halloween glamour of and integrate each new world, so the transvestite world is captured in it is not surprising that expression, —Ryan McGinley, from the Foreword these superb photographs by Gilles communication, and curiosity became Larrain. And, beneath the glitter and the framework for Larrain’s life pursuit, the pose, you will see the questing and the making of art. From architecture, to vulnerable souls of people you might painting, sculpture, creating happenings never meet outside these pages. People in New York City’s fabulous 60s, and living out their fantasies gallantly, photography, Gilles Larrain learned brilliantly, and desperately—posing the languages of his craft (in part by the disturbing challenge, “Who do you attending l’École Nationale Supérieure think YOU are?” des Beaux-Arts, Paris and MIT) as IDOLS he had those of his ever-changing Idols are revolutionary images environments growing up. -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
Untitled) 1961, That Spewed Shaving Cream, Grand Central Moderns Gallery, NYC
Critical Mass Happenings Fluxus Performance Intermedia and Rutgers University 1958-1972 By: Geoffrey Hendricks ISBN: 0813533031 See detail of this book on Amazon.com Book served by AMAZON NOIR (www.amazon-noir.com) project by: PAOLO CIRIO paolocirio.net UBERMORGEN.COM ubermorgen.com ALESSANDRO LUDOVICO neural.it Page 1 Critical Mass: Some Reflections M O R D E C A I - M A R K M A C L O W Icons of my childhood were the piles of red-bound copies of An Anthology that my father, Jackson Mac Low, received for having edited and published it. Despite his repeated declarations that he was not a part of George Maciunas's self-declared movement, my father's involve- ment in the first Fluxus book left him irrevocably tangled in it. I myself seem to have been influenced by my father's experimental, algorithmic approach to poetry, and ended up a computational astrophysicist, studying how stars form out of the chaotic, turbulent interstellar gas. I think there was some hope that with this background I might explain the true, or correct, meaning of the term "critical mass." Unfortunately, as a scientist, I have no special access to truth, and correctness depends entirely on con- text. Let me explain this a bit before discussing the term "critical mass" itself. Science is often taught as if it consisted of a series of true facts, strung together with a narrative of how these facts were discovered. The actual practice of sci- ence, however, requires the assumption that nothing is guaranteed to be true except as, and only so far as, it can be confirmed by empirical evidence. -
Heatwave Magazine Launch Fourth Issue Party with the Jackets (CH) & the Cavemen (NZ)
Mar 20, 2017 10:11 GMT Heatwave Magazine Launch Fourth Issue Party with The Jackets (CH) & The Cavemen (NZ) View embedded content here HEATWAVEis a collective of friends, music lovers and artists, that have come together to promote the best of rock’n’roll, indie, punk and related musical styles that the planet has to offer. Whilst primarily based in London, they boast contributors from across the globe who leave no stone unturned in finding the coolest new bands. HEATWAVE is now gearing up to put out their fourth edition and will launch it with a fun punk rock’n’roll party in London on Saturday 1 April. London is becoming a second home to Swiss band THE JACKETS it seems these days, so popular are they with the denizens of this town. Combining sixties garage, mod, '77 punk rock, psychedelia and their devotion to bands like MC5, The Monks, and The Music Machine, The Jackets bring a dynamic recipe to the garage rock'n'roll menu. What is important to note is that the Jackets are a rock’n’roll band - but it's the roll that makes the rock just that little bit better! Watch video on YouTube here Opening the live music for the evening are New Zealand quartet THE CAVEMEN, who made London their home late in 2015 and have so far hit the ground running, with their second album coming out last year on local and international label Dirty Water Records. These Auckland kids really hit town with a bang! Heatwave’s Penelope York wrote: ‘Listening to their debut self- titled album is like being in my own pit, surrounded by savage ghosts from former gigs'. -
Se Scumpesc Și Consultațiile Medicale Echivalent Cu Cel Puțin Trei Salarii Medii Brute Pe Economie
LECTURĂ Petre Roman s-a aflat, scurt întâlnirea cu d! ministru Radu Berceanu !a RAC Deva timp, și la Hunedoara MINIȘTRII VIN ȘI PLEACĂ, DAR Dl Petre Roman s-a aflat, Dl Petre Roman s-a Președintele Senatului a PROBLEMELE DIN MINERIT RĂMÂN scurt timp, și la Hunedoara interesat de soarta acestei mari reiterat problemele grele cu Ieri, la RAC Deva, precedată economico-financiară actuală a specificul de monoproducție al Vizita președintelui Se unități economice a județului care se confruntă economia de o întâlnire similară la RAH regiei, precum și grelele probleme zonelor Hunedoara-Deva-Brad, natului României și al Partidului Hunedoara și a țării, cu națională, țara întreagă și a Petroșani, a avut loc o întâlnire a cu care aceasta se confruntă în cel să fie incluse și unitățile Democrat, dl Petre Roman, în îndelungată tradiție în subliniat că este timpul să dlui Radu Berceanu cu noul consiliu de-al doilea semestru al anului aparținătoare de RAC. județul Hunedoara, în data de metalurgia românească și cu accelerăm procesul privatizării de administrație al acestei regii, cu 1998. De asemenea, liderii de Din cele relatate s-a 28 iulie a.c., a cuprins și o fructuoasă activitate, dar situată în toate domeniile, să se conducerile sucursalelor (în afară sindicat și conducătorii de desprins faptul că, până acum, exploatări miniere care au participat personalul din cadrul RAC s-a întâlnire la ,.Siderurgica” astăzi, din varii motive, pe un respecte cu strictețe legile de cele din Brad și Abrud, unde dl ministru a urmat să aibă o întâlnire la discuții au relevat problemele redus cu circa 45 la sută. -
Various Footloose (Original Motion Picture Soundtrack) Mp3, Flac, Wma
Various Footloose (Original Motion Picture Soundtrack) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Stage & Screen Album: Footloose (Original Motion Picture Soundtrack) Country: India Released: 1984 Style: Soundtrack, Pop Rock MP3 version RAR size: 1614 mb FLAC version RAR size: 1505 mb WMA version RAR size: 1334 mb Rating: 4.7 Votes: 696 Other Formats: AA MP4 MIDI DMF MPC MP2 XM Tracklist Hide Credits Footloose Backing Vocals – Marilyn Dorman, Richey Washington, Steve Wood Bass – Nathan EastDrums – Tris ImbodenGuitar – Buzz Feiten*Keyboards – Neil –Kenny A1 Larsen, Steve Wood Management [Kenny Loggins Management] – Larry 3:48 Loggins LarsonPercussion – Paulinho Da CostaProducer [Additional Production] – Lee DeCarloProducer, Written-By – Kenny LogginsRemix – Humberto GaticaSynthesizer [Bass], Percussion – Michael Boddicker Let's Hear It For The Boy Backing Vocals – George Merrill, Shannon RubicamGuitar – Paul Jackson*Management [Deniece Williams Management] – Alan Mink, –Deniece A2 International Artists Mgmt*, Myrna WilliamsMixed By – Erik Zobler, Tom 4:22 Williams Perry, Tommy VicariPercussion – Paulinho Da CostaProducer – George DukeSynthesizer [Prophet V], Synthesizer [Mini-Moog], Drums [Linn Drums], Synthesizer [Memory Moog] – George DukeWritten-By – Tom Snow Almost Paradise...Love Theme From FOOTLOOSE Bass, Acoustic Guitar – Keith OlsenDrums – Jim KeltnerElectric Guitar – Chas –Mike Reno SandfordKeyboards, Synthesizer – Bill CuomoManagement [Ann Wilson/Heart A3 And Ann Management] – Ken KinnearManagement [Mike Reno/Loverboy -
1. Carbon Copy: 6/25 – 6/29 1973
The online Adobe Acrobat version of this file does not show sample pages from Coleman’s primary publishing relationships. The complete print version of A. D. Coleman: A Bibliography of His Writings on Photography, Art, and Related Subjects from 1968 to 1995 can be ordered from: Marketing, Center for Creative Photography, The University of Arizona, Tucson, AZ 85721-0103, or phone 520-621-7968. Books presented in chronological order 1. Carbon Copy: 6/25 – 6/29 1973. New York: ADCO interviews” with those five notable figures, serves also as Enterprises, 1973. [Paperback: edition of 50, out of print, “a modest model of critical inquiry.”This booklet, printed unpaginated, 50 pages. 17 monochrome (brown). Coleman’s on the occasion of that opening lecture, was made available first artist’s book. A body-scan suite of Haloid Xerox self- by the PRC to the audiences for the subsequent lectures in portrait images, interspersed with journal/collage pages. the series.] Produced at Visual Studies Workshop Press under an 5. Light Readings: A Photography Critic’s Writings, artist’s residency/bookworks grant from the New York l968–1978. New York: Oxford University Press, 1979. State Council on the Arts.] [Hardback and paperback: Galaxy Books paperback, 2. Confirmation. Staten Island: ADCO Enterprises, 1975. 1982; second edition (Albuquerque: University of New [Paperback: first edition of 300, out of print; second edition Mexico Press, 1998); xviii + 284 pages; index. 34 b&w. of 1000, 1982; unpaginated, 48 pages. 12 b&w. Coleman’s The first book-length collection of Coleman’s essays, this second artist’s book. -
Sixties' Garage-Psych Legends Return with "This Is My Voice"
The Chocolate Watchband Photo: Greg Gutbezahl Feb 17, 2019 19:33 GMT THE CHOCOLATE WATCHBAND: Sixties’ Garage-Psych Legends Return With "This Is My Voice" Breaking out of the West Coast counter culture scene of the 1960s, The Chocolate Watchband, influenced by the British Invasion sounds, shook with an intensity and drive that saw them drench themselves in psychedelia while at the same time foraging an early proto-punk trough. Their influence has proved more potent than their sales were at the time, overshadowed by other groups and ripped off by music fat cats, theirs is a tale of returning to the stage to find that their fanbase has grown in the intervening half a century. So, sit back and take a ride with one of the original voices of the psych garage-rock scene. View embedded content here Sometimes it’s pretty cool to see the old timers getting their due. Over the years, a lot of the legends of ’60s garage rock who didn’t quite get the same level of recognition back in the day as some of their more famous peers have made a comeback after a lengthy hiatus. Bands like The Sonics and The Sloths come to mind as just a couple of the acts who’ve shown in recent years just how good a bunch of old guys playing garage rock can be. And now California garage/psych/proto-punk legends The Chocolate Watchband are back again with a new album, This Is My Voice. View embedded content here While the Chocolate Watchband reunited in 1999 after a 29-year hiatus, they've not released much new material since then.