{TEXTBOOK} the Paris Architect Ebook, Epub

Total Page:16

File Type:pdf, Size:1020Kb

{TEXTBOOK} the Paris Architect Ebook, Epub THE PARIS ARCHITECT PDF, EPUB, EBOOK Charles Belfoure | 416 pages | 20 Aug 2015 | ALLISON & BUSBY | 9780749019471 | English | London, United Kingdom a book review by Judith Reveal: The Paris Architect: A Novel In the 20th century, the Art Deco style of architecture first appeared in Paris, and Paris architects also influenced the postmodern architecture of the second half of the century. Cathedral of Notre-Dame de Paris — Renaissance wing of the Louvre , by Pierre Lescot. Palais Garnier — by Charles Garnier. Remains of a Roman wall beneath the square in front of Notre-Dame de Paris. Very little architecture remains from the ancient town of Lutetia , founded by a Celtic tribe known as the Parisii in about the 3rd century BC. The center of Roman administration was on the island; the Roman governor's palace stood where the Palais de Justice is located today. The right bank was largely undeveloped. The Roman forum was on the summit of the hill, under the present Rue Soufflot, between the boulevard Saint-Michel and rue Saint-Jacques, [1]. The Roman town had three large baths near the forum, supplied with water by a kilometer-long aqueduct. It was the largest of the three baths, one hundred meters by sixty-five meters, and was built at the end of the 2nd century or beginning of the 3rd century BC, at the height of the town's grandeur. Though the population of the town was probably no more than 5—6 thousand persons, the amphitheater measured meters by meters, and could seat fifteen thousand persons. Fifteen tiers of seats remain from the original thirty-five. It was built in the 1st century AD and was used for the combat of gladiators and animals, and also for theatrical performances. Another notable piece of Gallo-Roman architecture was discovered under the choir of Notre-Dame de Paris; the Pillar of the Boatmen , a fragment of a Roman column with carvings of both Roman and Gallic gods. It was probably made at the beginning of the 1st century during the reign of the Emperor Tiberius to honor the league of the boatmen, who played an important part in the town's economy and religious and civic life. It is now on display in the Roman baths at the Museum of the Middle Ages. Other fragments of Gallo-Roman architecture are found in the crypt under the square in front of the Cathedral of Notre Dame; and in the Church of Saint-Pierre de Montmartre , where several Roman columns, probably from a temple, were re-used in the late 12th century to build a Christian church. Interior of Saint-Pierre de Montmartre — Interior of Saint-Julien-le-Pauvre — Unlike the Southern France , Paris has very few examples of Romanesque architecture; most churches and other buildings in that style were rebuilt in the Gothic style. An earlier church had been destroyed by the Vikings in the 9th century. The oldest elements of the original church existing today are the tower the belfry at the top was added in the 12th century , and the chapel of Saint Symphorien, on the south flank of the bell tower, built in the 11th century. It is considered the earliest existing place of worship in Paris. The gothic choir, with its flying buttresses, was added in the midth century, it was consecrated by Pope Alexander III , in It was one of the earliest Gothic style elements to appear in a Paris church. Romanesque and Gothic elements are found together in several old Paris churches. The church of Saint-Pierre de Montmartre — is the only surviving building of the vast Abbey of Montmartre, which once covered the top of the hill; it has both ancient Roman columns and one of the first examples of a Gothic arched ceiling, in the nave near the choir. The interior of the church of Saint-Julien-le-Pauvre — has been extensively rebuilt, but it still has massive Romanesque columns and the exterior is a classic example of the Romano-Gothic style. The former priory of Saint-Martin-des-Champs — has a choir and chapels supported by contreforts and a Romanesque bell tower. It now belongs to the Musee des Arts et Metiers. Upper chapel of Sainte-Chapelle — Ceiling of the lower chapel of Sainte-Chapelle — Capet and his successors gradually enlarged their kingdom through marriages and conquests. The tallest structure was the Grosse Tour, or great tower, built by Louis le Gros between and It had a diameter of The ensemble of buildings seen in the image at right as they were between and included a royal residence, a great hall for ceremonies, and four large towers along the Seine on the north side of the island, as well as a gallery of luxury shops, the first Paris shopping center. The Palace was used occasionally for special ceremonies and to welcome foreign monarchs, but housed the administrative offices and courts of the Kingdom, as well as an important prison. The Great Hall was destroyed by a fire in , rebuilt; another fire in destroyed the residence of the King, the tower of Montgomery. During the French Revolution , the revolutionary tribunal was housed in the building; hundreds of persons, including Queen Marie Antoinette , were tried and imprisoned there, before being taken to the guillotine. After the Revolution the Conciergerie served as a prison and courthouse. It was burned by the Paris Commune in , but was rebuilt. The prison was closed in , and the Conciergerie became a museum. It is distinguished by the crenelation at the top of the tower. It originally was a story shorter than the other towers, but was raised to match their height in the renovation of the 19th century. The tower served as the primary torture chamber during the Middle Ages. The tallest tower, the Tour de l'Horloge, was constructed by Jean le Bon in , and modified several times over the centuries. The first public clock in Paris, was added by Charles V in The sculptural decoration around the clock, featuring allegorical figures of The Law and Justice, was added in century by Henry III. A vestige of the wall of Philippe Auguste , in the Le Marais quarter — Much of the architecture of medieval Paris was designed to protect the city and King against attack; walls, towers, and castles. Between and , King Philippe-Auguste began construction of a wall five kilometers long to protect the city on the right bank. The wall was reinforced by seventy-seven circular towers, each no more than six meters in diameter. He also began construction of a large castle, the Louvre , where the wall met the river. The Louvre was protected by a moat and a wall with ten towers. In the center was a massive circular donjon or tower, thirty meters high and fifteen meters in diameter. It was not then the residence of the King, but Philippe Auguste placed the royal archives there. Another walled complex of buildings, the Temple, the headquarters of the Knights Templar , was located on the right bank, centered around a massive tower. The city on the right bank continued to grow outwards. The Louvre, now surrounded by the city, was given rich decoration and a grand new stairway, and gradually became more of residence than a fortress. To protect his new palace and the eastern flank of the city, in Charles began building the Bastille , a fortress with six cylindrical towers. It was completed in Unlike the Sainte-Chapelle in the city, the interior of the Sainte-Chapelle of Vincennes was not divided into two levels; the interior was a single space, flooded with light. The choir of the Basilica of Saint-Denis completed , the birthplace of the Gothic style. The later eastern portion of Notre-Dame de Paris , with its spire and flying buttresses — The upper level of Sainte-Chapelle , the summit of Rayonnant Gothic The church of St-Gervais-et-St-Protais about The style of Gothic architecture was born in the rebuilding of the chevet of the Basilica of Saint-Denis , just outside Paris, finished in Twenty years later, the style was used on a much larger scale by Maurice de Sully in the construction of the Cathedral of Notre-Dame de Paris. The construction continued until the 14th century, beginning with the twin towers on the west toward the choir in the east. At the western end, the walls were supported by buttresses built directly against the walls; in the center, completed later, the walls were supported by two steps of flying buttresses. In the last century of construction, the buttresses were able to cross the same distance with a single stone arch. The towers on the west were more stately and solemn, in the classic Gothic style, while the eastern elements of the Cathedral, with its combination of rose windows, spires, buttresses and pinnacles, belonged to more elaborate and decorative style, called the Gothic rayonnant. The church of Saint-Pierre de Montmartre was rebuilt with ogives , or Gothic pointed arches. The supreme example of the new style was the upper chapel of Sainte-Chapelle , where the walls seemed to be made entirely of stained glass. The Gothic Style went through another phase between and about ; the Flamboyant Gothic , which combined extremely refined forms and rich decoration. The style was used not only in churches, but also in some noble residences. The house of Nicolas Flamel , considered the oldest house in Paris, was actually a kind of hostel. The houses in Paris during the Middle Ages were tall and narrow; usually four or five stories. They were constructed of wooden beams on a stone foundation, with the walls covered by white plaster, to prevent fires.
Recommended publications
  • The View from Rome
    4/26/2019 The View From Rome » 2010 » April http://traditional-building.com/Steve_Semes/?m=201004 Go JAN FEB MAY ⍰ ❎ 51 captures 18 f 18 Feb 2012 - 8 Apr 2016 2011 2012 2013 ▾ About this capture The View From Rome Steven W. Semes Home About Steven W. Semes Our Other Blogs Clem Labine’s Traditional Building Clem Labine’s Period Homes Switcher Archive Archive for April, 2010 Can’t We Just Get Along? New and Old Buildings in Context April 15th, 2010 No comments What is the proper relationship between historical architecture and the production of new buildings and cities? Are architects and preservationists inevitably at odds, or is there a common objective that potentially unites them? Why do we assume that the architecture of the present and the architecture of the past are entirely different things that must be handled by entirely separate sets of experts? It is necessary to examine these questions in the light of a recovered traditional architecture and urbanism. The Louvre, Paris, shows how an architectural ensemble can grow over the course of centuries while maintaining essentially the same style. Within the courtyard, the central pavilion and the right half of the facade were designed by Jacques Lemercier to continue (and, in the case of the bays to the right of the center tower, to precisely imitate) the facade on the left half, built to the design of Pierre Lescot a century earlier. Photo: Steven W. Semes Historically, restoration or completion of old buildings and the design of new buildings were simply different aspects of a single discipline.
    [Show full text]
  • Grand Mosque of Paris a Story of How Muslims Rescued Jews During the Holocaust Written and Illustrated by Karen Gray Ruelle and Deborah Durland Desaix
    Holiday House Educators’ Guide An ALA Notable Children’s Book An Orbis Pictus Award Recommended Title “This . seldom-told piece of history . will expand . interfaith relations.”—The Bulletin Themes • Anti-Semitism/Bigotry • Courage • Fear • Survival • Danger • Hope Grades 3 up HC: 978-0-8234-2159-6 • $17.95 PB:978-0-8234-2304-0 • $8.95 The Grand Mosque of Paris A Story of How Muslims Rescued Jews During the Holocaust written and illustrated by Karen Gray Ruelle and Deborah Durland DeSaix About the Book The Grand Mosque of Paris proved to be an ideal temporary hiding place for escaped World War II prisoners and for Jews of all ages, including children. Paris had once been a safe haven for Jews who were trying to escape Nazi-occupied Germany, but in 1940 everything changed. The Nazis overtook the streets of Paris, and the city was no longer safe for Jews. Many Parisians were too terrified themselves to try and help their Jewish friends. Yet during that perilous time, many Jews found refuge in an unlikely place: the sprawling complex of the Grand Mosque of Paris. Behind its walls, the frightened Jews found an entire community, with gardens, apartments, a clinic, and a library. But even the mosque was under the watchful eyes of the Nazis, so it wasn’t safe for displaced Jews to remain there very long. Karen Gray Ruelle and Deborah Durland DeSaix tell the almost unknown story of this resistance and the people of the Grand Mosque and how their courage, faith, and devotion to justice saved the lives of so many.
    [Show full text]
  • Some Non-Human Languages of Thought
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2019 Some Non-Human Languages of Thought Nicolas J. Porot The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3396 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SOME NON-HUMAN LANGUAGES OF THOUGHT by NICOLAS POROT A dissertation submitted to the Graduate Faculty in Philosophy in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2019 © 2019 NICOLAS POROT All Rights Reserved ii Some Non-Human Languages of Thought by Nicolas Porot This manuscript has been read and accepted for the Graduate Faculty in [program]in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Some Non-Human Languages of Thought by Nicolas Porot Advisor: Eric Mandelbaum This dissertation asks: What might we learn if we take seriously the possibility that some non-human animals possess languages of thought (LoTs)? It looks at the ways in which this strategy can help us better understand the cognition and behavior of several non-human species. In doing so, it offers support, from disparate pieces of the phylogenetic tree, for an abductive argument for the presence of LoTs. Chapter One introduces this project.
    [Show full text]
  • Renaissance Walking Tour 4
    King François I, France’s “Renaissance Prince”, and his Italian-born daughter-in- law Catherine de Medici, dominated 16th-century France both politically and architecturally. François I had his hand in buildings of every kind from the Louvre palace, to the huge church of Saint-Eustache, to the Paris city hall, the Hôtel de Ville. You’ll visit these sites on this tour. Catherine de Medici shared her father-in-law’s passion for building, although almost none of her construction projects survived. But you can and will visit the Colonne de l’Horoscope, a strange remnant of what was once Catherine’s grand Renaissance palace just to the west of Les Halles market. From there, the walk takes you through the bustling Les Halles quarter, stopping to admire the elegant Renaissance-style Fontaine des Innocents and the beautifully restored Tour Saint-Jacques. The walk ends in the trendy Marais, where three Renaissance style mansions can still be admired today. Start: Louvre (Métro: Palais-Royal/Musée du Louvre) Finish: Hôtel Carnavalet/ Musée de l’Histoire de Paris (Métro: Saint-Paul) Distance: 3 miles Time: 3 - 3.5 hours Best Days: Tuesday - Sunday Copyright © Ann Branston 2011 HISTORY Religious wars dominated the age of Catherine de Medici and her three Politics and Economics sons. As the Protestant reformation spread in France, animosities and hostilities between Protestants and Catholics grew, spurred on by old family The sixteenth century was a tumultuous time in France. The country was nearly feuds and ongoing political struggles. In 1562, the Huguenots (as French bankrupted by wars in Italy and torn apart repeatedly by internal political intrigue Protestants were called) initiated the first of eight religious civil wars.
    [Show full text]
  • LATERAN IV to IGNORANTIA SACERDOTUM by Andrew B
    TEACHING THE CREED AND ARTICLES OF FAITH IN ENGLAND: LATERAN IV TO IGNORANTIA SACERDOTUM By Andrew B. Reeves A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Medieval Studies University of Toronto © Copyright by Andrew B. Reeves 2009 Abstract Title: Teaching the Creed and Articles of Faith in England: Lateran IV to Ignorantia sacerdotum Submitted by: Andrew B. Reeves Degree: Doctor of Philosophy (2009) Department: Medieval Studies, University of Toronto This study examines how English laypeople and clergy of lower ranks were taught the basic principles of Christian doctrine as articulated in the Apostles‘ Creed and Articles of Faith. Chapter one addresses the theological and historical background. Over the course of the twelfth century, school-based theologians came to place an increasing emphasis on faith as a cognitive state while at the same time moral theologians sought to make sure that all Christians had a basic participation in the life of the Church. These trends led to an effort by the Church as an institution to make sure that all Christians had at least a basic understanding of the Christian religion. Chapter two examines how the episcopate carried out a drive to ensure this basic level of understanding through the venues of councils, synods, and deanery and archdeaconry meetings. In all three of these venues, the requirements of making sure the laity know the Creed and Articles of Faith were passed on to parochial clergy, and through these clergy to the laity. Chapter three concerns one particular aspect of presenting the basics of doctrine to the laity, viz., preaching.
    [Show full text]
  • UC Santa Barbara Electronic Theses and Dissertations
    UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Piety as a Call to Action: Christian Devotion Encouraged through Representations of the Adult Life of Christ Permalink https://escholarship.org/uc/item/3nz763fj Author Koford, Caitlin Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Piety as a Call to Action: Christian Devotion Encouraged through Representations of the Adult Life of Christ A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History By Caitlin Alexandra Koford Committee in Charge: Professor Sharon Farmer, Chair Professor Carol Lansing Professor Elizabeth DePalma Digeser Professor Cynthia J. Brown December 2019 The dissertation of Caitlin Koford is approved. ________________________________________ Cynthia J. Brown ________________________________________ Elizabeth DePalma Digeser ________________________________________ Carol Lansing ________________________________________ Sharon Farmer, Committee Chair September 2019 Piety as a Call to Action: Christian Devotion Encouraged through Representations of the Adult Life of Christ Copyright Ó 2019 By Caitlin Koford iii ACKNOWLEDGMENTS First and foremost, I want to extend a sincere thank you to my advisor, Sharon Farmer. Thank you for introducing me to manuscript BnF français 187 six years ago, thank you for always providing sound advice and thank you for your continued support of this project. I am also grateful to the other members of my committee, Carol Lansing, Beth DePalma Digeser and Cynthia Brown, for their guidance over the years. I would like to thank the UCSB History Associates for awarding me two different fellowships, which allowed me to travel to the Bibliothèque nationale de France and the Bodleian library at Oxford to investigate many of the manuscripts analyzed in this dissertation.
    [Show full text]
  • Domaine National Du Palais Royal -Bury Fountain
    LOCATIONS N°49914 updated: 05/28/2020 Domaine National du Palais Royal -Bury fountain 75001 Paris France Contact the commission Film Paris Region, Ile-de-France Film Commission | +33 (0)1 75 62 58 07 Credits: www.l'artnouveau.com Credits: Commission du Film d'Ile-de-France Caption: Caption: Credits: Commission du Film d'Ile-de-France Credits: Commission du Film d'Ile-de-France Caption: Caption: Credits: Commission du Film d'Ile-de-France Caption: LOCATION TYPE CATEGORIES YARD Fountain ENVIRONMENT City GENERAL PRESENTATION LOCATION CONDITION TYPE Well maintained LOCATION HISTORY After the wall Charles V had built around Paris was torn down, Cardinal de Richelieu asked Jacques Lemercier to construct a monumental palace with a large garden near the Louvre (1634). For a long time, the palace was called the Palais Cardinal, before becoming what it is today: the Palais Royal. The prelate gave the house to the crown in 1636, and it was the residence of the Orléans family from 1661 and even became a center of power during the Regency. The main wing, which faces the Louvre, was finished and remodeled by Contant d’Ivry in the 18th century, then by Fontaine in the 19th century. The theater, today the seat of the Théâtre français, burned down on several occasions and was rebuilt in 1791. At the end of the 18th century, Louis-Philippe d’Orléans (the future Philippe-Egalité) needed money and launched a major real estate development project in 1780. He commissioned Victor Louis to build apartment buildings with identical facades around the three sides of the garden.
    [Show full text]
  • Henri Labrouste: Structure Brought to Light Is the Condensed Result of Several Years of Research, Goers Are Plunged
    HENRI LABROUSTE STRUCTURE BROUGHT TO LIGHT With essays by Martin Bressani, Marc Grignon, Marie-Hélène de La Mure, Neil Levine, Bertrand Lemoine, Sigrid de Jong, David Van Zanten, and Gérard Uniack The Museum of Modern Art, New York In association with the Cité de l’architecture & du patrimoine et the Bibliothèque nationale de France, with the special participation of the Académie d’architecture and the Bibliothèque Sainte-Geneviève. This exhibition, the first the Cité de l’Architecture et du Patrimoine has devoted to Since its foundation eighty years ago, MoMA’s Department of Architecture (today the a nineteenth-century architect, is part of a larger series of monographs dedicated Department of Architecture and Design) has shared the Museum’s linked missions of to renowned architects, from Jacques Androuet du Cerceau to Claude Parent and showcasing cutting-edge artistic work in all media and exploring the longer prehistory of Christian de Portzamparc. the artistic present. In 1932, for instance, no sooner had Philip Johnson, Henry-Russell Presenting Henri Labrouste at the Cité de l’Architecture et du Patrimoine carries with Hitchcock, and Alfred H. Barr, Jr., installed the Department’s legendary inaugural show, it its very own significance, given that his name and ideas crossed paths with our insti- Modern Architecture: International Exhibition, than plans were afoot for a show the following tution’s history, and his works are a testament to the values he defended. In 1858, he year on the commercial architecture of late-nineteenth-century Chicago, intended as the even sketched out a plan for reconstructing the Ecole Polytechnique on Chaillot hill, first in a series of shows tracing key episodes in the development of modern architecture though it would never be followed through.
    [Show full text]
  • The Employment Conditions of Native-Born People with Immigrant Parents: a Comparison Between France and the United States
    Université Paris I Panthéon – Sorbonne U.F.R. de Sciences Économiques Thèse pour le doctorat en Sciences Économiques Présentée et soutenue publiquement par Charlotte LEVIONNOIS Le 24 avril 2017 THE EMPLOYMENT CONDITIONS OF NATIVE-BORN PEOPLE WITH IMMIGRANT PARENTS: A COMPARISON BETWEEN FRANCE AND THE UNITED STATES Sous la direction de : Christine ERHEL Membres du jury : Mme Christine ERHEL, Maître de conférences à l’Université Paris I, directrice de thèse M. Jérôme GAUTIE, Professeur à l’Université Paris I, président M. Philippe LEMISTRE, Ingénieur de recherche CNRS à Toulouse 1, HDR, rapporteur M. Mathieu NARCY, Maître de Conférences au Conservatoire National des Arts et Métiers, suffragant Mme Ariane PAILHE, Directrice de recherche CNRS à l’INED, rapporteure 2 L’université Paris I Panthéon – Sorbonne n’entend donner aucune approbation, ni improbation, aux opinions émises dans les thèses ; ces opinions doivent être considérées comme propres à leurs auteurs. 3 4 A mes parents, 5 6 REMERCIEMENTS Parce que ces quatre années de thèse ont été très riches, intellectuellement mais aussi humainement, de nombreuses personnes sont à remercier. Je voudrais avant tout remercier Christine Erhel de m’avoir introduite dans le monde de la recherche et sans qui cette thèse n’aurait pas pu être initiée. Je lui suis reconnaissante de m’avoir permis de concrétiser cette envie de travailler sur les questions d’intégration. Elle a dirigé ce travail avec beaucoup de bienveillance, tout en me laissant une grande liberté de recherche. Je remercie également tous
    [Show full text]
  • Colleague, Critic, and Sometime Counselor to Thomas Becket
    JOHN OF SALISBURY: COLLEAGUE, CRITIC, AND SOMETIME COUNSELOR TO THOMAS BECKET By L. Susan Carter A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of History–Doctor of Philosophy 2021 ABSTRACT JOHN OF SALISBURY: COLLEAGUE, CRITIC, AND SOMETIME COUNSELOR TO THOMAS BECKET By L. Susan Carter John of Salisbury was one of the best educated men in the mid-twelfth century. The beneficiary of twelve years of study in Paris under the tutelage of Peter Abelard and other scholars, John flourished alongside Thomas Becket in the Canterbury curia of Archbishop Theobald. There, his skills as a writer were of great value. Having lived through the Anarchy of King Stephen, he was a fierce advocate for the liberty of the English Church. Not surprisingly, John became caught up in the controversy between King Henry II and Thomas Becket, Henry’s former chancellor and successor to Theobald as archbishop of Canterbury. Prior to their shared time in exile, from 1164-1170, John had written three treatises with concern for royal court follies, royal pressures on the Church, and the danger of tyrants at the core of the Entheticus de dogmate philosophorum , the Metalogicon , and the Policraticus. John dedicated these works to Becket. The question emerges: how effective was John through dedicated treatises and his letters to Becket in guiding Becket’s attitudes and behavior regarding Church liberty? By means of contemporary communication theory an examination of John’s writings and letters directed to Becket creates a new vista on the relationship between John and Becket—and the impact of John on this martyred archbishop.
    [Show full text]
  • Marian Calendar December 1
    Marian Calendar December 1 - Our Lady of Ratisbon, Bavaria (1842) One of the most famous examples of Our Lady’s bounty in granting favors to the wearers of the Miraculous Medal occurred less than ten years after the medal had been struck. Alphonse Rathisbonne was a French Jew who had no religion. When his brother Theodore became a Catholic and then a priest, Alphonse was filled with aversion. He was a typical intellectual of the nineteenth century, a worshipper of humanity, who sneered at anything spiritual in his pride and ignorance. In November 1841, Alphonse found himself in Rome, although his itinerary had not called for a stop in the Eternal City. There he met Baron de Bussiere. The Baron urgently requested him to wear the Miraculous Medal and to recite daily the prayer of Saint Bernard, “The Memorare.” Alphonse did so in the spirit of acceptance and of dare but without the slightest bit of faith. On January 20, 1842, Monsieur de Bussiere saw Alphonse walking along the street and invited him into his carriage. They stopped at Saint Andrea delle Fratee because the Baron wished to see a priest there. In order to kill time, Rathisbonne entered the church. He was not very much impressed and was walking around rather listlessly. Suddenly the church seemed to be plunged into darkness and all the light concentrated on one chapel. Very much startled he saw there our Blessed Mother bathed in glorious light, her face radiant. He went toward her. She motioned with her right hand for him to kneel.
    [Show full text]
  • Sara Galletti Le Palais Du Luxembourg De Marie De Médicis 1611–1631 the Luxembourg Palace Is One of Those Rare Early Modern B
    Books Sara Galletti penetrates the restrictive and often-secretive building reports. Here, Galletti traces the Le palais du Luxembourg de Marie social life of the court, to show us how alterations made to the building as the de Médicis 1611–1631 many rooms there were, how they were property changed hands, from Maria’s Trans. Julien Noblet; Paris: Éditions Picard, used, and who was admitted to them. The death in 1642 through the mid-eighteenth 2012, 294 pp., 6 color and 165 b/w illus. second advance in our understanding of the century. As few of the original plans survive, €53.00, ISBN 9782708409354 building is contained in the final chapter, historians have often relied on later draw- which undertakes a careful architectural ings and depictions, made for different The Luxembourg Palace is one of those and iconographic reading of the palace. purposes. Some of these, as Galletti shows, rare early modern buildings that remains Inspired very self-consciously by the Pitti are more reliable than others. Casual read- central to the day-to-day life of a capital city. Palace in Florence, the Luxembourg reveals ers may find this chapter hard going. The This national landmark today houses the much about the perception and reception discussion is largely descriptive and, to Sénat, the upper chamber of the French of Italian architecture in France, during a the extent that it leaves behind the figure parliament, while from the garden, it is crucial period in the evolution of French of Maria, detaches itself somewhat from familiar to countless Parisians and tourists.
    [Show full text]