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Triple J Hottest 100 2010 Voting Lists | Sorted by Song Name 1 VOTING OPENS 20Th December 2010 ‐‐‐ Triplej.Net.Au
TRACK NAME ARTIST NAME 10:10 Beautiful Girls (I'm) Stranded {Like A Version} Alexisonfire 1 + 1 Owl Eyes 10 Mile Stereo Beach House 1000 Years Coral, The 1997 Washington 21@12 Hot Hot Heat 3Mark Ghoul 40 Day Dream Edward Sharpe & The Magnetic Zeros '81 Joanna Newsom A New Little Dragon A.D.D S.U.V {Ft. Parrell} Uffie ABC News Theme {Remix} Pendulum Ace Of Hz Ladytron Acid Reign Violens Acts Of Man Midlake Addicted Bliss N Eso Adhere To Novocaines, The Afraid Of Everyone National, The Afraid Yet? Lacey After Dark {Ft. Mystery Jets} Count & Sinden, The Age Of Adz Sufjan Stevens Airplanes Local Natives Alive Goldfrapp All Around And Away We Go Twin Sister All Delighted People Sufjan Stevens All Fall Down Inland Sea All I Know Eagle & The Worm All I Want A Day To Remember All I Want LCD Soundsystem All Of The Lights Kanye West All Summer Kid Cudi, Rostam Batmanglij from Vampire Weekend & Best Coast All These Things Darren Hanlon triple j Hottest 100 2010 Voting Lists | sorted by song name 1 VOTING OPENS 20th December 2010 ‐‐‐ triplej.net.au All Things This Way Male Bonding Alors On Danse {Ft. Kanye West} Stromae Alpha Shallows Laura Marling Alter Ego Tame Impala Always Bag Raiders Always Junip Always Loved A Film Underworld Always Malaise (The Man I Am) Interpol Am I Ever Gonna See Your Face Again {Like A Version} Seabellies AM/FM !!! Ambling Alp Yeasayer American Slang Gaslight Anthem, The Anchorage Surfer Blood Anchors Amity Affliction, The And I Was A Boy From School {Like A Version} Grizzly Bear And Now jj And This Is What We Call Progress Besnard Lakes, The Andalucia Doves Andrew Emperors Angela Surf City Walkmen, The Animal Arithmetic Jonsi Animal Rights Deadmau5/Wolfgang Gartner Annie Orangetree Pond Another Trick Circle Pit Another Way To Die Disturbed Another World Chemical Brothers, The Answer To Yourself Soft Pack, The Anxiety Eddy Current Suppression Ring Any Which Way Scissor Sisters Anyone But Us Howl Anyone's Ghost National, The Anywhere She Went Amaya Laucirica Art House Audio Bliss N Eso As We Enter Damian "Jr. -
Record of Proceedings
PROOF ISSN 1322-0330 RECORD OF PROCEEDINGS Hansard Home Page: http://www.parliament.qld.gov.au/hansard/ E-mail: [email protected] Phone: (07) 3406 7314 Fax: (07) 3210 0182 Subject FIRST SESSION OF THE FIFTY-THIRD PARLIAMENT Page Thursday, 20 May 2010 REPORT ......................................................................................................................................................................................... 1717 Auditor-General .................................................................................................................................................................. 1717 Tabled paper: Auditor-General of Queensland: Report to parliament No. 6 for 2010—Using student information to inform teaching and learning—A performance management systems audit. ................................. 1717 SPEAKER’S STATEMENTS .......................................................................................................................................................... 1717 P150 Celebrations .............................................................................................................................................................. 1717 Conduct in the Chamber .................................................................................................................................................... 1717 APPOINTMENTS ........................................................................................................................................................................... -
The Role of Surf Music in the Development of Australian Popular
Surf, sun, and sound: The role of surf music in the development of Australian popular culture. An investigation of the iconic surf film, Morning Of The Earth, as a medium. Tim Gaze Submitted in fulfilment of the requirement for Doctor of Creative Industries School of Creative Practice Creative Industries Faculty QUT 2020 TABLE OF CONTENTS 1 STATEMENT OF AUTHORSHIP 4 ACKNOWLEDGEMENTS 5 ABSTRACT 6 1.0 INTRODUCTION 7 1.1 Research Question 11 1.2 Aims of following this research 14 1.3 Background 16 1.4 Music and surf movies 19 1.5 Description of DCI Format: Creative Projects One and Two 22 2.0 LITERATURE REVIEW 24 2.1 Surf Music 27 2.2 Eastern Origins 29 3.0 HISTORICAL CONTEXT OF PRODUCTION 35 4.0 METHODS 39 4.1 Research Design Flow Chart for Creative Projects One and Two 39 4.2 Step 1: Choosing and recruiting artists/bands 39 4.3 Step 2: Briefing the Artists 40 4.4 Step 3: Studio and Recording Planning 40 4.5 Step 4: Creative Leadership and Production Facilitation 41 4.6 Step 5: Mixdown 41 4.7 Step 6: Lay music against Films One & Two 42 4.8 Step 7: Final mixes and mastering the completed soundtracks 42 5.0 METHODOLOGY 44 5.1 Interviews 45 5.2 Participant Observation 45 1 5.3 Practice-based research: Describing the practice and its place 47 5.4 The Practitioner’s Lens: Situating the Practitioner 51 6.0 THE CREATIVE WORKS 55 6.1 Creative Project One and Creative Project Two links 55 6.2 Researcher’s response to Creative Project One: Reworked soundtrack 55 6.3 Researcher’s response to Creative Project Two: Reimagined soundtrack 56 7.0 DESCRIPTION OF PRACTICE 57 8.0 FINDINGS AND DISCUSSION 62 8.1 Reflections on what could be done differently 63 8.2 Artist responses to the Creative Works 64 8.3 Creative Industry responses to the Creative Works 66 8.4 Audience responses to QUT screening of the Creative Works 67 9.0 CONCLUSION 70 10.0 IMPLICATIONS FOR FURTHER RESEARCH 74 11.0 REFERENCES 76 12.