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CREAM NEWS 28

OPEN CITY DOCS JURY

CLARE TWOMEY PRODUCING PRODUCTION AT TATE AWARDS AND HIGHLIGHTS

CREAM and CAMRI joined Clare Twomey concluded her the book Styling South Asian Youth the doctoral training partnership year as Lead Artist for Tate Exchange Cultures: Fashion Media and Society TECHNE-2, which received five years with a two-day workshop Producing (IB Tauris) and the Open Space of AHRC funding and will be annually Production: A Place for Shared Labour, special issue of International Journal awarding 57 PhD scholarships. 8-9 September, Tate Modern. Workshop of Fashion Studies (issue 5.2) on TECHNE’s existing members Royal participants created 12 large banners, South Asian fashion studies. Holloway University of London, with Ed Hall and Jeremy Deller taking Mykaell Riley curated the University of Brighton, Kingston part on 9 September. exhibition Bass Culture 70/50, a University, University of Roehampton, Shirley Thompson received an four-week exhibition exploring the University of Surrey and University Honorary Doctorate from The University impact of Jamaican and Jamaican- of the Arts London were joined by of the West Indies at Mona, Jamaica. influenced music on British culture, the University of Westminster, Brunel She featured on the Top 100 Powerlist which took place at Ambika P3, University and Loughborough University of Most Influential African, African 25 October - 23 November, with a London. Caribbean and African American series of accompanying events. The David Bate received the 2018 Royal People 2018-2019. She was awarded exhibition was presented as part of Photographic Society Education Award Influencer of the Year in the Black Bass Culture Research, a three-year for his contributions to photography British Women in Business Awards, AHRC-funded research project. education. His essay The Key Concept 27 October, and became a finalist in Joshua Oppenheimer received was listed number 1 in the article ‘The Innovator in Creative Industries at the a £59,000 Creative Europe MEDIA Best 7 Photography Textbooks’ by Ezvid Variety Catherine Awards. grant towards the development of his Wiki. Hena Ali was invited to the Houses musical , The End. The End will be David Campany has been of Parliament to participate in a panel his first narrative feature and follows announced as the Curator for the to explore the developments in youth a wealthy family in a palatial bunker, Biennale für aktuelle Fotografie 2020, cultures and fashion media within 20 years after the world has ended. a three-city six-museum biennial taking Afghanistan, Bangladesh, Bhutan, has been appointed place in Mannheim, Ludwigshafen and , Maldives, Nepal, Pakistan and Nicola Triscott CEO at FACT Liverpool. Heidelberg. Sri Lanka, to celebrate the launch of

CREAM NEWS EDITORS ISSUE 28/ WINTER CENTRE FOR RESEARCH & EDUCATION IN ARTS & MEDIA JULIAN ROSS 2018 FACULTY OF MEDIA, ARTS & DESIGN URIEL ORLOW MICHAEL MAZIÈRE THE BATHERS AND THE SWIMMERS

PUBLICATIONS EUGENIE SHINKLE The new issue of MIRAJ (7:2) on artists’ Michael Goddard published the Things’ in the exhibition catalogue Irving moving image in South Asia, guest edited book chapter ‘Capitulation to the Penn: Paintings (Apparition); ‘Luigi Ghirri: by Rashmi Sawhney & Lucia Imaz King, Laibach war-machine’ in the edited book Architecture, World and Image’ in the was published. The launch took place Gesamtkunstwerk Laibach (Laibach WTC), exhibition catalogue Luigi Ghirri: The at the University of Westminster, 21 edited by Daniela Kirchstein, Johann Landscape of Architecture (Triennale di November, and speakers included Rosie Georg Lughofer, and Uwe Schütte. He Milano); ‘David Campany & Cornelia Thomas. MIRAJ is edited by Michael co-organised and participated in its book Parker in conversation’ in Silver and Mazière and Lucy Reynolds. launch at IKLECTIK, London, 3 October. Glass: Cornelia Parker and Photography He also published the book chapter (Hayward Gallery Publishing); May Adadol Ingawanij’s article ‘Missions of Dead Souls: A Hauntology of ‘Kodachrome Red: Fred Herzog, Todd ‘Art’s Potentiality Revisited: Araya the Industrial, Modernism and Esotericism Papageorge and Harry Gruyaert’ in RVM Rasdjarmrearnsook’s Late Style and in the Music of Joy Division’ in the edited magazine no. 1, the ‘Red’ issue; ‘Making Chiang Mai Social Installation’ was volume Heart & Soul: Critical Essays on Art from Art’ in the exhibition catalogue published in Artist-to-Artist: Independent Joy Division (Rowman & Littlefield), edited A Matter of Light. Nine Photographers Art Festivals in Chiang Mai, edited by by Martin J. Power, Eoin Devereux, and in the Vatican Museums (Contrasto); David Teh and David Morris (Afterall Aileen Dillane. ‘Migrant Mother, 1936’ in the exhibition Books). May was also commissioned catalogue Dorothea Lange: Politics of to write an essay, ‘Follow the Carl W. Jones published his book Seeing (Barbican Art Gallery/Prestel); Sparrows’, for the screening of Anocha chapter ‘Racism and Classism in Mexican and ‘Modern Vision: Revisiting Film und Suwichakornpong’s film Mundane History, Advertising’ in Meanings & Co.: The Foto, the 1929 exhibition that blended which screened at the ICA, London, 11 Interdisciplinarity of Communication, photography and cinema’ in Aperture, no. July. Semiotics and Multimodality (Springer), 231 (Summer). edited by Alin Olteanu, Andrew Stables Lucy Reynolds published a review and Dumitru Borun. John Wyver published the article of the exhibition Orgasmic Streaming ‘Starting at School: Researching the 1952 Gardening Electroculture at Chelsea Space Eugenie Shinkle published the BBC “School TV Experiment”’ on the BBC for the Summer 2018 issue of Art Review. following articles: ‘Fluid Topographies: Blogs website and ‘Making Harold Pinter’s Water, Power, Myth’ in the magazine Julian Ross published ‘No. 541 by Art, Truth & Politics’ for the Illuminations Foam #50; ‘The Complex Business of Tomatsu Shomei’, co-written with Jelena website, where he recalled producing Living: Photography, Modernism, and Stojkovic, in the journal Photography Pinter’s Nobel Lecture in 2005. the Landscape of Overspill’ in London & Culture, vol. 11, issue 1. His article Overspill (Relief Press), edited by James Hena Ali published the article ‘ ‘Japanese Artists’ Film in 1968-69’ was Smith; ‘Where the Forest Ends’ in billboard advertising: Constructing gender published in the exhibition catalogue Hollental und Himmelreich, edited by interpretation through fashion tropes’ Fluorescent Chrysanthemum Revisited Christina Stohn; ‘All the Things in Life: in the International Journal of Fashion (Laznia Centre for Contemporary Art), Design, Advertising and Photography Studies, issue 5.2. edited by Jasia Reichardt. He was in The Architectural Review’ in Pylot, commissioned to write the following David Bate published his book chapters issue 9 (Autumn/Winter); and ‘Painting, essays: ‘Kazuo Hara: Shoes Still On’ ‘Jacques Ranciére and Photography’ Photography, Photographs: George for Open City Documentary Festival; in Companion to Photography Theory Shaw’s Landscapes’ in George Shaw: A ‘Ethics of the Landscape Shot: AKA Serial (Routledge), edited by M. Durden and Corner of a Foreign Field (Yale University Killer’, reworked from its original version J. Tormey, and ‘Cameraphones and Press), edited by Mark Hallett. published in the edited collection Slow Mobile Intimacies’ in The Evolution of the Cinema, for Document ; and David Campany edited the book Jeff Image: Political Action and the Digital ‘Copy-and-Project: 1960-70s Japanese Mermelstein: Hardened (Mörel Books) Self (Routledge), edited by CREAM alumni Experimental and Expanded and the latest issue of The Photobook Marco Bohr and Basia Sliwinska. His book Cinema’ for the website Collaborative Review, no. 15 (Aperture). He published Art Photography (Tate) was translated Cataloging Japan. the following articles: ‘Painting and Other into Italian. His essay on Jeff Wall’s URIEL ORLOW SOIL AFFINITIES, 2018 EXHIBITIONS

Uriel Orlow presented a series of solo 1 September - 4 November; Leviathan London, 9-10 November. Artists’ books exhibitions in South Africa: Theatrum at The Atlantic Project, Plymouth, 28 by him and Cally Trench from 2009 to Botanicum at POOL, Johannesburg, September - 21 October; Leviathan: the present were on display in the Harrow 4 September - 3 November; Grey, Memories of the Future Pt. 2 at HE.RO Library, London, October - January 2019. Green, Gold at Market Photo Workshop, Gallery, Amsterdam, 3 November - 22 David Campany’s project Dialogue, a Johannesburg, 7 September - 21 October, December; Leviathan at A Tale of a Tub, transatlantic visual conversation between which included the Johannesburg Rotterdam, 17 November - 27 January David and Anastasia Samoylova, had an book launch for Theatrum Botanicum 2019. He also took part in the following exhibition at Galerie Andreas Schmidt, (Sternberg Press) and a panel discussion group exhibitions: Gwangju Biennale: Berlin, 15 September - 3 November. on 7 September; an installation and Imagined Borders, 7 September - 11 audio works at Institute for Creative Arts, November; Delirium/Equilibrium, Kiran Julian Ross coordinated the for University of Cape Town, 11 September; Nadar Museum of Art, New Delhi, 19 the exhibition Fluorescent Chrysanthemum and Imbizo Ka Mafavuke and other Plant August - 30 October; Delfina in SongEn: Remember, curated by Jasia Reichardt, Stories at Durban Art Gallery, Durban, Power play at SongEun ArtSpace, Seoul, at Laznia Centre for Contemporary Art, 14 September - 28 October, which 30 August - 1 December. Gdansk, Poland, 18 December - 24 included a walkabout, panel discussion February 2019. He was an advisor for the Clare Twomey exhibited Vase: and recording session on 15 September. exhibition Japan Modern at Smithsonian Silkeborg at Museum Jorn, Silkeborg, He also had a solo exhibition with newly Institute, Freer|Sackler Gallery, Washington Denmark, on view until 10 June. She also commissioned work Soil Affinities at Les D.C., 29 September - 21 January 2019. exhibited the commissioned work Medals Laboratoires d’Aubervilliers, Paris, 11 for the Future at National Memorial October - 8 December. Another solo Arboretum, 12 December - 31 March show Remnants of the Future is taking 2019. place at Visual in Carlow, Ireland from 21 September to 20 January 2019. In Phoebe Cummings represented the addition Uriel participated in the following UK as part of the exhibition European group exhibitions: Ways of Learning at Ceramic Context at Bornholm Art Museum, Grand Union Birmingham 7 September - Denmark, 15 September - 11 November. 9 December, Floraphilia at Akademie der She participated in the group exhibition Künste der Welt, Cologne, 15 September Flipside at Fold Gallery, London, 19 July - - 18 November; Herbarium at Art Space 18 August. Gnesta, 22 September - 28 October; The Mitra Tabrizian had a solo exhibition Atlantic Project, Plymouth, 28 September Leicestershire at Gallery De Montfort - 21 October; A grammar built with rock University, Leicester, 14 September - 27 at Human Resources, Los Angeles, 29 October. She also participated in the September - 4 November, Choreography group exhibitions ‘Crossing Lines: I Have of the Frame, Kunsthalle Exnergasse, no fear, a selection from the Arts Council Vienna, 8 November - 15 December, Collection’ at Highlanes Gallery, Ireland, Kunst:Szene Zurich, Helmhaus, Zurich 30 24 November - 26 January 2019, and November - 20 January 2019 and You ‘Beyond the documentary’, Museum never know the whole story, Kunstmuseum of London, which was on view until 11 Bern, 18 December - 7 April 2019. November. Shezad Dawood’s Leviathan project Philip Lee’s artists’ books were shown has been touring in the form of solo at New York Art Book Fair, MoMA PS1, 21- exhibitions: Leviathan: On Sunspots and 23 September, and Small Publishers Fair, Whales at Barakat Contemporary, Seoul,

CREAM NEWS ISSUE 28/WINTER 2018 NADINE BENJAMIN IN WINDRUSH WOMEN, KINGS PLACE, 2018 SCREENINGS+PERFORMANCES

Photography Magazine, Autumn 2018, Michael Mazière presented a talk Uriel Orlow screened his Mafavuke and reviewed the exhibition London Nights and screening of his work as part of film trilogy at the Institute for Creative Arts, for the same publication, Summer 2018. the screening series Cinema Parenthèse University of Cape Town, 11 September, #6, curated by Daniel A. Swarthnas, in and presented a lecture-performance at Ozlem Koksal co-wrote the article ‘A Cinema Galerie, Brussels, 19 October. He Iziko South African Museum, Company’s Hand that Holds a Machete Race and screened his 16mm films from the 1980s Garden, Cape Town, 12 September. Representation of the Displaced in Jacques in their original format of a period when He had a screening and launch event Audiard’s Dheepan’ with Ipek A. Celik in he was a member of the London Film- of his publication Theatrum Botanicum Third Text, 156, vol. 33, no. 1, January Makers’ Co-op and editor of the avant- (Sternberg Press) at La Colonie in Paris 2019, the online version of which was garde film magazine Undercut. on 25 September. His work was included published in December. in Art & Film at Nona, Mechelen on 22 Tereza Stehlíková presented her short Mitra Tabrizian published her October. He also presented his two screen films at the event From You to Me: Four photographic work in Making it Up (V&A film Veilleurs d’Images at the MAMI film Generations of Women at Czech Centre Publishing and Thames & Hudson), festival in in the section the New London, 30 November, where she was in edited by Marta Rachel Weiss, and How Medium III on 29 October. Uriel presented conversation with Claire Pajaczkowska. We See: Photobooks by Women (10x10 his lecture performance Grey, Green, Gold Photobooks), which included her book Mitra Tabrizian screened her film The (and Red) at Iziko South African Museum Another Country (2012). Insider (2018), a commissioned work to in Cape Town in September, and as part of accompany Albert Camus’ The Outsider, Manifesta in Palermo as well as at Grand Sarah Pucill published her book at Print Room, the Coronet, 14 September Union in Birmingham in November. chapter ‘Intermediality in the tableaux - 13 October. Her feature Gholam (2017) vivants in Magic Mirror (75min, 2013) Philip Lee and Cally Trench performed screened at The Barbican, 11 September, and Confessions To The Mirror (2016)’ in Golden Philip during Enshrine at the as part of their London Nights programme, Experimental and Expanded Animation: Crypt Gallery, London, curated by the Thanet Film Society at Palace Cinema, New Perspectives and Practices (Palgrave Sameer, 21 July. Broadstairs, Kent, 7 October, and Theatr Macmillan), edited by Vicky Smith and Mwldan, Cardigan, Wales, 16 December. John Wyver produced the live Nicky Hamlyn. cinema broadcast of Royal Shakespeare Sarah Pucill screened Confessions to Company’s production of Romeo and the Mirror (2013) at Pugnent FIlm Festival Juliet, 18 July, and The Merry Wives of Series Fuck Narration at Chimeres Space, Windsor, 12 September. He co-produced Athens, 15 September, and Mirrored the dance film Hofesh Shechter’s Clowns, Measure (1996) at Jeu de Paume, Paris, which was broadcast on BBC Two on 22 24 November. September. Samuel Stevens was the 2018 Shirley Thompson had a concert artist-in-residence at Tyneside Cinema, Women of the Windrush Tell Their Stories Newcastle upon Tyne. He curated a at Kings Place, London, 22 September. screening ‘Left Film Front - Workers’ Film Her art songs were performed at St. Today’ and presented a talk on 23 August John’s Smith Square, London, as part of at the Tyneside Cinema. their event Fall Festival: Portrait of a Life Julie Marsh presented an artist talk (or Many): Art Songs from the African at Close Up Cinema and a site-specific Diaspora, 12 October. performance at Brick Lane Mosque, 24 May Adadol Ingawanij was on the October, and gave an artist talk on at The jury for Open City Documentary Festival, Auditorium, Harrow Campus, 3 December. 4-9 September.

ISSUE 28/ WINTER 2018 CREAM NEWS ASSEMBLY TALK

CONFERENCES AND TALKS

Shirley Thompson gave a keynote Refugee Image’ at The Left Photography Phoebe Cummings was invited to lecture ‘Cultural diversity on classical Conference at Nova University, , take part in the public seminar ‘Agenda music composition and performance’ for 9-10 November. He led a two-day Art and Craft: What is your question?’ at the BU Race Equality Annual Event at the documentary and post-documentary the Oslo National Academy of the Arts, 23 University of Bournemouth, 5 October, workshop for Turkish photographers who November. and a keynote lecture for the Annual Race are photographing refugees as part of David Campany gave his lecture ‘Jeff Lecture at Leeds Beckett University, 17 Images of Refugee, Ankara, November. Wall’s Conversations with Photography’ at October. May Adadol Ingawanij gave a Mudam Luxembourg, 22 October. He was Clare Twomey gave her keynote keynote lecture ‘Keywords for Thinking in conversation with Gerry Johannson at lecture ‘Clay as an Action’ at Moving about Artists’ Moving Image Practices in The Photographers’ Gallery, 18 October. Futures Symposium, Leeuwarden, National Southeast Asia’ at the film seminar Shifting Rosie Thomas gave her talk Keramiekmuseum Princessehof and the Undergrounds in East and Southeast Asia, ‘Remembering the Hunterwali’s Whip’ at Fries Museum, 26 October. National Gallery Singapore, 27 October. the symposium Impersonation in South Sarah Pucill gave a keynote Michael Goddard was an invited Asia, as part of Madison South Asia presentation and screened her film Taking speaker for the Autumn Film School at Conference, at University of Wisconsin- My Skin (2006) with at the Family Ties Slovenska Kinoteka, Ljubljana, 23-25 Madison, 11-14 October. She took Network Day Conference on Intimacy October. part in the External Mentor Program at at Ravensbourne University, London, 6 Washington State University that involved Hena Ali co-presented the paper October. She presented her diptych of films working on collaborations with Clare ‘Designer’s emotion in the design process’ Magic Mirror (2013) and Confessions to Wilkinson, previously a CREAM visiting with Monica Biagioli and Silvia Grimaldi the Mirror (2016) and participated in a research fellow, and giving a talk and at the conference Design Research Society: panel at the symposium Claude Cahun a practice-based research workshop at Catalyst, Limerick, 25-28 June. The paper and Marcel Moore at the crossroad o the Portland State University and Washington was published on UAL Research Online. Approaches and Subjects at CNRS Site State University. She also gave a talk Pouchet, Paris, 16 June. David Campany organised a day of on Indian cinema history at the inter- public talks on the theme of ‘The Exhibition departmental research seminar at the Nicola Triscott gave a keynote as Medium’ at Paris Photo, 10 November. University of Washington, Seattle, 22 lecture ‘Citizen Stewardship in the Age He gave the talk ‘So present, so invisible: October. of Algorithms’ at the conference Beyond Conversations on photography’ at Yale the Obvious (BtO) Conference ctrl+shift Mitra Tabrizian was in conversation University, 19 November. HUMAN: Arts, Sciences and Technologies with Parveen Adams at AA School of in Coded Societies’ in Timisoara, Romania, Jane Barnwell was an invited speaker Architecture, 16 November, and took part 25-27 October. at Birkbeck University where she presented in the panel discussion Dark is the Night ‘The Designer’s Story: Filmmaking in Conversation at Museum of London, 9 John Wyver was a keynote speaker at from the perspective of the production November. the conference Pinter in Film, Television designer’, July, and was also an invited and Radio at University of Reading, 19 Shezad Dawood presented at the speaker at the conference Looking into September. symposium ‘LEVIATHAN: Art, Ethics, the Upside Down: Investigating Stranger Schizophrenia & the Marine Environment David Bate was a keynote speaker Things, University of Leeds, 14 December. at HE.RO Gallery, Amsterdam, 24 at the Fotobiennalen Symposium 2018: Iwona Abrams presented at the November, organised as part of The Post-Photographic Image at the conference IMPACT 10 (International Amsterdam Art Weekend and in the Fotobiennalen in Copenhagen, Denmark, Multidisciplinary Printmaking Conference) context of his Leviathan project. 31 August. He gave his keynote lectures at Centro de Acción Social y Cultural ‘Fotodata’ at the Post Photography Festival, de Caja (CASYC) Santander, Spain, 1-9 Fotobiennale at The Photographers Gallery September. in Copenhagen, September, and ‘The 94.2mm

JINI RAWLING DEAR CHILD INSTALLATION, 2018 CONFERENCES AND TALKS

Uriel Orlow gave a keynote was commissioned to write the following presentation at the conference Politics of essays: ‘Kazuo Hara: Shoes Still On’ Nature at University St. Gallen, 11-13 for Open City Documentary Festival; October. ‘Ethics of the Landscape Shot: AKA Serial Killer’, reworked from its original version Christopher Fry presented at the 21st published in the edited collection Slow Generative Art Conference in Verona, 18- Cinema, for Document Film Festival; and 20 December. ‘Copy-and-Project: 1960-70s Japanese Margherita Sprio gave a keynote and Expanded at the conference Migration, Memory Cinema’ for the website Collaborative and Contemporary Italian Cinema at Cataloging Japan. He gave an extended University of Kent, 22 November. She was introduction to a screening of dumb type in conversation with Suni Gupta at Crypt performance documentations at Eye Gallery, London, 20 October, as part of Filmmuseum, Amsterdam, 2 October, the Bloomsbury Festival. and the film Funeral Parade of Roses at The Barbican, 23 September, and KINO Iwona Abrams gave a presentation Rotterdam, 9 October. at the International Multidisciplinary Printmaking Conference, IMPACT 10, att Neal White presented a talk on his Centro de Acción Social y Cultural de recent project ‘The Deep Field’, and Caja, Santander, Spain, 1-9 September. associated fieldwork methods to Gradcam, part of the EARL network, at Dublin Lucy Reynolds participated in the panel Institute of Technology in Dublin on 25 discussion Margaret Tait: Film Poems at October. BFI Southbank, London, 5 November, and ran the weekend workshop on feminism and , F is for Film, F is for Feminism at Glasgow Women’s Library, LUX Scotland, 23-24 November. Julian Ross presented at the conference Symbiotic Cinema: Confluences between Film and Other Media at Linnaeus University, Växjö, Sweden, 6-8 September. He was in conversation with the following filmmakers: Kazuo Hara as part of Open City Documentary Festival, 6 September, and International Documentary Festival Amsterdam (IDFA), 17 November; with filmmaker Anastasija Pirozenko at Corridor Project Space, Amsterdam, 11 October; with filmmaker Park Jungbeom at Regent Street Cinema as part of London Korean Film Festival, 11 November; with filmmaker Naomi Kawase as part of IDFA, 18 November; and with artist Basir Mahmood at Corridor Project Space, Amsterdam, 29 November. He

ISSUE 28/ WINTER 2018 CREAM NEWS BASS CULTURE OPEN CITY DOCS JURY AMBIKA P3 NEAL WHITE ECOLOGY OF SENSE

RESEARCH NEWS AND CREAM EVENTS

CREAM collaborated with Birkbeck Sonali Joshi co-organised the workshop. bio-artists, as well as collaborating on a Institute of the Moving Image, LUX A CREAM-supported screening of John project called ‘ Surfing the Semiosphere’, Moving Image, Goethe-Institut London, Torres’s film People Power Bombshell: The led by Judith Van der Elste, studying the Open City Documentary Festival and the Diary of Vietnam Rose took place at Close- implications of biosemiosis on interspecies German Screen Studies Network to present Up as part of the festival. communications and the development of Chamisso’s Shadow: A Journey to the remote-sensing robots. Our British Academy Visiting Fellow Bering Sea in Three Chapters by Ulrike Graiwoot Chulphongsathorn CREAM and Film and Video Umbrella Ottinger at Regent Street Cinema, 20-22 curated the screening series Screening (FVU) co-presented an evening of films by July. the Forest at Berwick Film and Media Arts Jane and Louise Wilson at Regent Street EX-ART: Liquid Imaginary, organised by Festival, 20-23 September. The event was Cinema, London, 18 December. May Adadol Ingawanij and Neal presented in collaboration with CREAM White, took place on 20 July at University and was based on his research as visiting of Westminster and was presented in fellow. Together with May Adadol collaboration with Westminster Institute Ingawanij, he also presented the ‘Earth of Advanced Studies. The event included as History: Moving Images and Ecologies conversations with Shezad Dawood in Southeast Asia’, a CREAM-supported and Charles Lim, a transdisciplinary panel seminar at University of Westminster and a discussion involving Nicola Triscott and a screening at Close Up Cinema, London, 9 screening curated by May. December. David Martin-Jones (University of Glasgow) and Lucy Davis (Aalto Hyphen: An Evening with NANG, co- University) were the key speakers. curated by Julian Ross and Maryam Tafakory, celebrated the launch of Nicola Triscott will convene the NANG 4: IN&OUT, co-edited by Julian conference Hidden Leaders: Women and Maryam, at Regent Street Cinema, Pioneers in Art, Science and Technology 5 September, as part of Open City (1960s and after) at the Science Museum, Documentary Festival. The event included London, November 2019, in a partnership a screening and a panel discussion, which between Science Museum, Arts Catalyst included contributors CREAM Visiting and University of Westminster. A call for Researcher Graiwoot Chulphongsathorn, papers will be issued in January 2019. Shama Khanna and artist Rehana Zaman, Clarey Twomey became an Honorary and was moderated by the two co- Fellow at Plymouth College of Art. She curators. was interviewed by the British Library for CREAM co-presented the workshop the National Life Story collections, and ‘Asia through the Aperture: Regional specifically Crafts Lives, which became framings in cinema and art’ at University publicly available in December. of Westminster, 18 September, as part Neal White recently returned from of Aperture: Asia & Pacific Film Festival. a residency in Finland, with Speakers included Hammad Nasar (Stuart Finnish Bioart Society with selected Hall Foundation), Sonali Joshi (Aperture), artists, curators and academics, as part Julian Ross and artist-filmmakers Maryam of; Field Notes; An Ecology of Senses at Tafakory, Shireen Seno and John Torres. the Kilplisjarvi Biological Field Station. May Adadol Ingawanij, Graiwoot During the fieldwork, he studied the Chulphongsathorn, Julian Ross and varied practices and research methods of

CREAM NEWS ISSUE 28/WINTER 2018 MATTHIAS KISPERT WORK HARD DREAM BIG PHD NEWS Congratulations to all CREAM PhDs who Scent of Jati Trees had its world premiere Conference on Landscape and Cinema, were awarded their PhDs: Deniz Sözen at London Film Festival, 12 October. University of Lisbon, 3-5 December. for her PhD in Visual Arts ‘The Art of Un- Matthias Kispert gave a presentation Treasa O’Brien’s film Town of belonging’; Sunil Gupta for his PhD in at the Ninth Annual Conference of the Strangers was nominated for an award at Photography by Published Work ‘Queer International Initiative for Promoting Cork Film Festival where it screened 13 Migrations’; Stuart Cumberland Political Economy (IIPPE) at Juraj Dobrila November. She was also on a panel at for his PhD in Visual Arts by Published University of Pula, Croatia, 12-14 Doc Day during the festival. Work ‘Sensible Signs: Pictures and Not September. Paintings After Conceptual Art’; and Jini George Clark showed his work in a Rawlings for her PhD by Published Work George Mind was awarded the curated screening for the Taiwan Biennial with ‘Dis-locations and Broken Narratives: Globally-Engaged Research Scholarship at the National Taiwan Museum of Fine Art articulating liminal and interstitial to present her paper ‘Bound Together on 6 October, as well as at a site-specific a experiences through a series of moving by a New Sympathy: Collaboration and outdoor projection Chin Pao San cemetery, image and mixed media installations’. Women’s Practice of Studio Portraiture Taiwan. He also gave a lecture at TCAC in in Britain, 1888-1938’ at the American Taipei in August and is part of the Village Historical Association Annual Meeting Video Festival 2018 at Jatiwangi Art Welcome to our latest cohort of CREAM in Chicago, January 2019. She gave Factory, Indonesia. PhDs: Camille Waring (MPhil/PhD a presentation at the conference Maren Hahnfeld’s Winter in Eden, her Photography); Maren Hahnfeld Understanding British Portraits at National body of work in film and photography, (MPhil/PhD Visual Arts); Dora Szilagyi Portrait Gallery, London, 9 October. She was on view in the group exhibition Time (MPhil/PhD Visual Arts); Ruth West published the following article ‘Picturing and Movements of the Image in Caldas da (PhD Creative Media by Published Work); the modern woman: Lena Connell’s studio Rainha, , 15-16 November. Davoud Molaayi-Alamouti (MPhil/ portraits of suffrage figures (1907-1914)’ PhD Film); Edward Hackett (MPhil/ in The PhotoHistorian and the blog post PhD Music); Karin Bareman (CREAM ‘The First World War through a woman’s Scholar on studentship, MPhil/PhD lens: Olive Edis and Madame Yevonde’ on Photography); Clara Colotti (MPhil/PhD the NPG blog. Music); Marine Hugonnier (PhD Film Hueyuen Choong performed by Published Work); Madeline Castrey percussion for the musical Butterfly Lovers (MPhil/PhD Music); Reka Komoli at Tristan Bates Theatre, London, as part (MPhil/PhD Photography). of Mélange The New Jol Thomson performed at Haus Festival, 12-15 September. der Kunst, Munich, 10 July, with an Deniz Sözen gave a presentation introduction by Stefan Schönert, as part on her practice-based research at the of the exhibition Blind Faith. She gave a workshop Empire, off-center, organised talk with geographer Sasha Engelmann as by Empires of Memory Research Group, part of the Constructing Realities Lecture at the Max Planck Institute for the Study Series at UCL, 11 October. He moderated of Ethnic and Religious Diversity in the discussion between Heinz Wismann Göttingen, Germany, 1 November, and at and Stavros Katsanevas at the Aerocene the Aesthetics of Kinship and Community symposium at Palais de Tokyo, Paris, 26 Graduate Symposium at Birkbeck, October. University of London, 30 November. George Clark exhibited at the Taiwan Guilherme Carréra gave a Biennial, Taichung, 22 September - 10 presentation at the International February 2019. His film Jatiwangi / The