Issue: Coast -To -Coast TV Starts Sept

Total Page:16

File Type:pdf, Size:1020Kb

Issue: Coast -To -Coast TV Starts Sept MARTIN CODEL's AUTHORITATIVE NEWS SERVICE OP THE VISUAL BROADCASTING ARTS AND INDUSTRY WITH AM , FM REPORTS PUBLISHED WEEKLY BY RADIO NEWS BUREAU, 1519 CONNECTICUT AVE. N.W., WASHINGTON 6, D.C. TELEPHONE MICHIGAN 2020 o VOL. 7, NO. 31 August 4, 1951 New Border Station Opens Ripe Market, page 1. FCC Experts to View NTSC Color Systems, page 4. In this TV Films May Supersede Live Networks, page 2. The TV Trade Picture Brightens, page 7. Issue: Coast -to -Coast TV Starts Sept. 30, page 3. NPA Loosens Materials Straitjacket, page 8. Haraden Pratt Gets Top Govt. Post, page 3. ' Trade, Financial, Mobilization Notes, pages 9-11. POWER BOOSTS ALL TO EVERYBODY'S GOOD: Up to 10 miles more coverage radius for some TV stations...better pictures for many televiewers...less interference annoyance... even the more effective use of built-in and indoor antennas. These are immediate benefits assured from TV transmitter power boosts now being authorized by FCC. Acting speedily to implement new FCC policy of permitting maximum powers on temporary basis pending end of freeze, Broadcast Bureau is proc- essing applications as fast as it can. By end of week, it had approved increases for 22 stations in 18 cities -- and all or most of 20 remaining applicants, plus others who may file, should be similarly notified in matter of a few more days. (For list of authorizations and applications still pending at end of week, see p. 4.) For this week's 22 stations, it merely means turning up power outputs of present transmitters -- in most cases to 5 -kw maximum -- to derive benefits of last week's special order (Vol. 7:30. & Supp. 74), which permits maximum effective radi- ated power (ERP) up to 50 kw. The 3 "community" stations are limited to 1 kw ERP. Majority of the stations will realize significant increases in powers radi- ated from their antennas as result of boosts granted this week. Some of the hikes, translated into ERP, are little short of spectacular. Miami's WTVJ should get big- gest proportionate boost so far -- tenfold jump in ERP to approximately 22 kw. One station will reach FCC's maximum of 50 kw ERP -- WHAS-TV, Louisville, which was authorized to turn its transmitter output up from .89 to 4.6 kw, instead of 5 kw, which would have shot it through the 50 -kw ceiling. That's a 500% hike -- from present 9.69 kw. Louisville's other outlet, WAVE -TV, goes from 7 to 25 kw. In New York, WJZ-TV announced it will turn up its power Aug. 9 from 3 to about 16.5 kw, -same day it moves from temporary antenna to main TV mast atop Empire State Bldg. WOR-TV gets boost from 9 to about 22 kw, WPIX from 3.6 to 5 kw ERP. Other typical increases in ERP expected as result of this week's actions: WGN-TV, Chicago, 11.2 to 28 kw; WBKB, Chicago, 11 to 20 kw; WSM-TV, Nashville, 14.4 to 27 kw; WHEN, Syracuse, 15 to 27 kw; KRLD-TV, Dallas, 15.1 to 30 kw; WXEL, Cleve- land, 21 to 25 kw; WTVN, Columbus, 6 to 19 kw. Note: It should be emphasized that ERP in TV isn't comparable to AM power. TV powers alone can't be used as criteria for comparison of station service areas -- which depend also on related engineering factors, such as antenna location and height and operating frequency. NEW BORDER STATION OPENS RIPE MARKET: Nice new market for TV receivers opens up with start, promised sometime between Sept. 1 & 15, of new station in Matamoros, Mexico, just across border from Brownsville, at southeast tip of Texas. New XELD-TV will operate on Channel 7, be programmed mostly in English -- for all practical pur- poses another American outlet, though licensed by Mexico to Romulo O'Farrill Sr., publisher of Mexico City Novedades, operating XETV there, Latin America's first TV. New 500 -watt RCA transmitter has already been delivered, along with studio Copyright 1951 by Radio News Bureau A(,,; www.americanradiohistory.com n 1.ºs, - 2 - and field camera chains and projection equipment. It's located on high hill outside Matamoros, so that its .1 Mv/m signal is expected to embrace coverage of 50 -mi. or more, taking in all or most of rich Cameron, Hidalgo & Willacy counties, to say nothing of substantial population cluster on Mexican side of Rio Grande. Those counties alone total more than 300,000 population, include wealthy towns of Brownsville, 1950 estimated population 36,000; Harlingen, 23,000; McAllen, 20,000; San Benito, 13,000; Edinburg, 12,000; Mission, 11,000; Mercedes, 10,000; Raymondsville, 9000; Weslaco, 7500. Matamoros has only 8000, but its environs also share in rich fruitlands and big irrigation projects of Rio Grande Valley. Manager Monte Kleban, an American, headquartering at 1111 S.E. Levee St., in Brownsville, has been lining up sponsorships in U.S. with considerable success, planning commercial operation along traditional lines --with kine-recording-services from the U.S. networks. Luis Guaragna, of RCA Victor Mexicana, is engineer in charge of construction. RCA subsidiary will send sets from Mexico City factory into Mexican area, but by far largest sales are expected on U.S. side -- with sets to be channeled from wholesale houses of major manufacturers in San Antonio and Houston. T T T T Sovereign Mexico is fully within its rights in authorizing station, for it has no freeze and is party to agreement with U.S. whereby Channel 7 is allocated to Matamoros. In same allocation plan, but frozen so far as U.S. applicants are con- cerned, are Channels 4 & 5 allocated to Brownsville. Senor O'Farrill's speedy enterprise will doubtless spur other Mexican inter- ests to hasten efforts to get border stations and get going before FCC ends freeze. They will thus gain same head start in capturing audiences that stations in Buffalo and Detroit have in as yet non -locally served Canada. The allocations agreement gives other Mexican border towns like advantages. For example, Juarez, opposite El Paso (130,000 population) gets Channels 9, 11 & 13 while El Paso gets VHF 2, 4, 5 & 7 and UHF 20 & 26, all frozen; Nuevo Laredo, oppo- site Laredo (51,000) is allocated VHF 11 & 13 while Laredo's VHF 3 & 8 and UHF 15 are frozen; Tiajuana, near San Diego (321,000) is allocated 6 & 12 while San Diego has one Channel 8 station in operation and VHF 3 & 10 and UHF 21, 27 & 33 frozen. Note: For Mexican channel allocations, see p. 60, TV Factbook No. 13. Also in Factbook are proposed U.S. & Canadian allocations, lists of pending applications. TV FILMS MAY SUPERSEDE LIVE NETWORKS: Conviction is growing in high places that most TV programming will eventually be on films -- whether produced by networks themselves or by other enterprisers. Reasons aren't hard to discern: (1) High cost of coaxial -microwave hookups -- largest item in TV's overhead -- so much higher than for radio that some can't see any chance for network TV, per se, to earn a profit. Cost will mount to staggering proportions when, now promised as of Sept. 30, transcontinental relays west from Omaha will permit linking merely 4 more TV cities into present networks -- at huge per -mile cost. (2) Control and editing of programs before telecasting, with just as good quality possible via modern film techniques as via wire or radio relays. Hence the networks' preoccupation not only with their profit -earning owned- & -managed TV outlets, but with all kinds of film techniques: kine-recordings, still requiring more development for quality; simultaneous filming of TV shows during per- formance, permitting superior quality; filmed shows produced exclusively for TV. NBC-TV has even gone so far as to plan making films of popular TV programs and stars for actual showings in movie houses (Vol. 7:26). "Except for news and special events, what's there on network TV that can't be shown just as well on a delayed basis?" to quote a top network executive. "And for news and special events, we can simply buy special hookups on a plug-in basis instead of contracting for monthly or yearly rentals of coaxial -microwave circuits." AT&T may not like it -- but, then, neither did the radio networks like it at first when high-fidelity recording came along, indistinguishable from live shows, offering just as good program fare, winning official recognition of FCC when it www.americanradiohistory.com - 3 - accepted the late Henry Bellows' suggestion (he was a radio commissioner, then a CBS v.p.) that they be given the euphemious label "electrical transcription." Many years passed before networks would deviate from self-imposed rule not to use recordings for anything but sound effects. Now they're all up to their ears in transcriptions, as are stations -- using them regularly for time -zone or time - clearance repeats, and even for such big -name network radio shows as Bing Crosby's. Everett Crosby, who runs his brother's Bing Crosby Enterprises, goes along with "Ike" Levy's fast -building rival Official Films Inc. (Vol. 7:22,27) in convic- tion that most future TV programming will be via film --at least 75%, he says. More- over, he told Advertising Age, TV program headquarters will eventually be Hollywood. Crosby said he has spent $2,000,000 to back up this belief, citing firm's highly successful "Fireside Theater" series (produced for Procter & Gamble), promis- ing new productions titled "Cry of the City," 30 -min. drama; "Inside Football," with coaches as commentators; "Freedom Hour," based on documents on the Freedom Train; "Parade of Champions," greats in sport; "The Chimps," animals with human voices.
Recommended publications
  • Devices for Enlivening the Presentation of Shakespeare in The
    184 THE VIRGINIA TEACHER [Vol. IV, Nos. 7-8 tion by putting out the very light of history structed. Thus we have activities in which and science. If ever any nation had a great the pupils can take a real part and gain valu- mission, it is ours. Let us not deceive our- able information through their contact with selves; the examples and the precepts of Jeffer- the actual construction far better than through son and Lincoln cannot be abandoned. If a mere general discussion, with no model to thinkers arise and teachers bestir themselves base their knowledge upon. our great democracy shall yet not fail. There is a great need for the use of ac- William E. Dodd tivities in the study of literature. No subject offered in the high school curriculum can plead a greater need. Although there has DEVICES FOR ENLIVENING been in the past a noticeable neglect along this line, it is thought that the educators of THE PRESENTATION OF the present day are waking up to the advant- SHAKESPEARE IN THE ages derived from the use of activities and are giving their much-needed influence to pro- HIGH SCHOOL mote this phase of education. The study of literature is no longer looked upon as a science. \ vHE subject matter of English con- It is now regarded primarily as an art, to be sists primarily of activities, not of learned by practice rather than by generali- information. It provides a means zation. The field of activities open in the for the development of ideals, attitudes, skill, study of literature is full and will be discussed and habits rather than for the acquisition of a in concrete form later.
    [Show full text]
  • Deceptionthe Llotnnnra of Ann» Bolryn Pnaannn
    ! Theatres under Uiei dlreclion'mmm." U. S. Zionist Plan Mine. Culp Walter Film Do AMEtttCA'8 EOKEMQBT THBATEEB AND HIT8. PHREOTlQW OF LK>; '"" Rcappcars Hampden Says Imports of Hugo Rlesenfeld AMi .1. .1 siit'BFl With A/ctors Here an HBrf*. Ripeiied Soprano At Not Injure f>nt. 1'arV W Is 30 Like Nullificatioii, Broadhurst RIVOLHt^K THE WINTER GARDEN'S EV08. AND BAT. MAT.. 50« t» $2.50..POP BROADHURff: Contlmtoua .AJ.,1. In Noon lo Ilt30 P. M. PTAH_C»it... Ui«_Kw<r BjiectacleJMAT. IBauer. Gabrilowitsch and Kreis- Produccr Dcelarea Tariff Would Greatest TODAY Rosenblatt Savs ler on Laughing Hit l fteate Also Beethoven Con- .ause Retaliation Ahroad and IN THE NI6HT WATGHrtt.OO. oert Program IuJ^Macbeth-' Harm U. S. Industry MSSUfCSHOW HampdeN Magistralc Asserts Judge No more distinguishcd nrtisls could Couveiitioual Production of American actors and actressea are OF 1931. OPENING TO-N1GHT -IMACBETrl h«ve been choscn for tho season's finn] to not being deprived of a livelihood as a DeceptionThe llotnnnrA of Ann» Bolryn pnaannn. Mem- Mack's Proviso Woiild Play Serves Make restilt of the hcavy importations of A Param-ount Pict.urit Willie & Eugene Howard "L1LIOM" BOOTH concert. by the Beot.hoven Association of lilm was tho Ilv F7an* Moinar. GEORGEffiiZ"rfo&VaS Have Given Power Over than tUoHO who ory the Hopkins "Ven- foreign productionn opin- SPECIAL MUSIC PROGRAM mOB. »:15. MAT. TO-M'W. 2:15. A THEATRE OUILD Produrtlon. appoared at Acolian ion exprcHticd yesterday by L. Auerbach, FIRST MATINEE TO-MORROWl. World Fund 11*11 last cvoning, Hnrold Bauer, Onsip lure a Little More vico-prcsident of the Export and Im- Thealre.
    [Show full text]
  • Early Cosmetic Contact Lenses for Hollywood Film Actors
    83 Hist Ophthal Intern 2015,1: 83-86 Early Cosmetic Contact Lenses for Hollywood Film Actors Robert F. Heitz, MD, PhD. Strasbourg Summary The first use of contact lenses to alter the look of actors in Hollywood goes back to the year 1939. That year, the optometrist Reuben Greenspoon from Berverley Hills had presented a demonstration of ocular molding on the living eye for educational films. Later on he adapted colored contact lenses to the actor Henry Hull for the movie Miracles of Sales and also to the actor Walter Hampton for North West Mounted Police. The next year Greenspoon modified on that manner the aspect of the eyes of Orson Welles and of Joe Cotton for the famous film Citizen Kane. In 1945, Greenspoon modifies the eyes of actor Herbert Marshal into blind eyes in The Enchanted Cottage. Reuben Greenspoon became the expert and the reference for the adapta- tion of cosmetical contact lenses for the entertainment industry of Hollywood. Key Words: Cosmetic contact lenses, film actors, Reuben Greenspoon. film producer Jerry Fairbanks in 1935 and Reuben Greenspoon, optometrist in produced with the cooperation of the editor of Beverly Hills (California), acquired a reputa- Popular Science Magazine. The series (1935- tion for supplying cosmetic contact lenses for 1949) was filmed in Magnacolor, as a enter- Hollywood film actors.1 tainment production to chronicle the progress of science, industry and popular culture du- Paramount's "Popular Science" (1940) ring the first half of the 20th Century. 3 In fact, the relationship between lens Miracle of Sale (1939) technology and the movie industry began when two patients, Jerry Fairbanks and Bob The first motion picture in which cos- Carlisle produced and directed respectively a metic contact lenses were used to create a film series named 'Popular Science’ and re- special eye effect was 'Miracles for Sale' pro- leased by Paramount Pictures.
    [Show full text]
  • Histoph Vol.1 Issue 1 Defin Histoph Layout 1
    83 Hist Ophthal Intern 2015,1: 83-86 Early Cosmetic Contact Lenses for Hollywood Film Actors Robert F. Heitz, MD, PhD. Strasbourg Summary The first use of contact lenses to alter the look of actors in Hollywood goes back to the year 1939. That year, the optometrist Reuben Greenspoon from Berverley Hills had presented a demonstration of ocular molding on the living eye for educational films. Later on he adapted colored contact lenses to the actor Henry Hull for the movie Miracles of Sales and also to the actor Walter Hampton for North West Mounted Police. The next year Greenspoon modified on that manner the aspect of the eyes of Orson Welles and of Joe Cotton for the famous film Citizen Kane. In 1945, Greenspoon modifies the eyes of actor Herbert Marshal into blind eyes in The Enchanted Cottage. Reuben Greenspoon became the expert and the reference for the adapta- tion of cosmetical contact lenses for the entertainment industry of Hollywood. Key Words: Cosmetic contact lenses, film actors, Reuben Greenspoon. film producer Jerry Fairbanks in 1935 and Reuben Greenspoon, optometrist in produced with the cooperation of the editor of Beverly Hills (California), acquired a reputa- Popular Science Magazine. The series (1935- tion for supplying cosmetic contact lenses for 1949) was filmed in Magnacolor, as a enter- Hollywood film actors.1 tainment production to chronicle the progress of science, industry and popular culture du- Paramount's "Popular Science" (1940) ring the first half of the 20th Century. 3 In fact, the relationship between lens Miracle of Sale (1939) technology and the movie industry began when two patients, Jerry Fairbanks and Bob The first motion picture in which cos- Carlisle produced and directed respectively a metic contact lenses were used to create a film series named 'Popular Science’ and re- special eye effect was 'Miracles for Sale' pro- leased by Paramount Pictures.
    [Show full text]
  • Risoner of Shark Island' Af Lyric, | Hit in Dance Give Varied Brings Tears for Innocent Doctor Who Team's Film Recital Here Treated Booth After Shooting Lincoln
    PAGE 4 THE INDIANAPOLIS TIMES MARCH 7, 1930 Coming to Loew's Indiana Has Stars Feature Circle's Twin Bill Milstein to 'Prisoner of Shark Island' af Lyric, | Hit in Dance Give Varied Brings Tears for Innocent Doctor Who Team's Film Recital Here Treated Booth After Shooting Lincoln Fred Astaire, Ginger Rogers Young Russian Violinist Warner Baxter Gives Excellent Characterization of Physician Assisted by Gloria Tip-Tap Way Through to Play Tomorrow Stewart and Other Stars: Eddie Peabody Tops Stage Show, Including ‘Follow the Fleet/ at English’s. Aunt Jemina of ‘Show Boat’ Fame. BY JOHN W. THOMPSON A program ranging from the sev- We Yankees are going to hang our heads in shame at the way our It looks like boom time for the enteenth century Cremonese com- JBffi treated Dr. Samuel Mudd. who set John Wilkes Booth s leg after ancestors May. Moore are seen Indiana this week with these tip- poser Vitali to Kodaiy. modern Hun- he had shot Lincoln, in "The Prisoner of Shark Island" at the Lyric. and Martin in toppers among tap-tappers, Fred garian writer, is to be presented by When rushed into the comedy steps as well as serious Booth TANARUS.) Astaire and Ginger Rogers, hitting Nathan Milstein, young Rusian vi- home, Dr. Mudd did dance specialties. (By J. W. physician's months of but the deck to Irving Berlin s music in olinist, at English’s tomorrow. It is any other doctor would have horrible punishment, what was put in a dun- “Follow the Fleet.” to mark the last of the regular Mar- But recaptured and done.
    [Show full text]
  • Bragdon Family Papers
    BRAGDON FAMILY PAPERS Department of Rare Books, Special Collections, and Preservation Rush Rhees Library Second Floor, Room 225 Rochester, NY 14627-0055 [email protected] URL: http://www.library.rochester.edu/rbscp BRAGDON FAMILY PAPERS Table of Contents Summary Information .................................................................................................................................... 3 Biographical/Historical note .......................................................................................................................... 3 Scope and Contents note ............................................................................................................................... 6 Administrative Information ............................................................................................................................ 6 Related Materials ........................................................................................................................................... 7 Collection Inventory ....................................................................................................................................... 7 Boxes 1-5. General correspondence ........................................................................................................... 7 Boxes 6-18. Family Correspondence, first series. ...................................................................................... 8 Boxes 19-26. Family Correspondence, second series ...............................................................................
    [Show full text]
  • Towards a Postmodern Macbeth| Directing Shakespeare in Contemporary Times
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1992 Towards a postmodern Macbeth| Directing Shakespeare in contemporary times Glenn Charles Williams The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Williams, Glenn Charles, "Towards a postmodern Macbeth| Directing Shakespeare in contemporary times" (1992). Graduate Student Theses, Dissertations, & Professional Papers. 3927. https://scholarworks.umt.edu/etd/3927 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY Copying allowed as provided under provisions of the Fair Use Section of the U.S. COPYRIGHT LAW, 1976. Any copying for commercial purposes or financial gain may be undertaken only with the author's written consent. University of Montana TOWARDS A POSTMODERN MACBETH: DIRECTING SHAKESPEARE IN CONTEMPORARY TIMES By Glenn Charles Williams BS, Liberty University, 1985 Presented in partial fulfillment of the requirements for the degree of Master of Fine Arts University of Montana 1992 Approved A Dean, Graduate School r Dat^/ UMI Number: EP35274 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • Evelyn Venable Scrapbook Collection
    http://oac.cdlib.org/findaid/ark:/13030/kt6489r0tn No online items Finding Aid for the Evelyn Venable Scrapbook Collection Processed by Performing Arts Special Collections staff. UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm ©2006 The Regents of the University of California. All rights reserved. Finding Aid for the Evelyn 279 1 Venable Scrapbook Collection Descriptive Summary Title: Evelyn Venable Scrapbook Collection Collection number: 279 Creator: Venable, Evelyn Repository: University of California, Los Angeles. Library. Performing Arts Special Collections Los Angeles, California 90095-1575 Physical location: COLLECTION STORED OFF-SITE: Advance notice required for access. Access Collection is open for research. Publication Rights Property rights in the physical objects belong to the Performing Arts Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish if the Performing Arts Special Collections does not hold the copyright. Preferred Citation [Identification of item], Evelyn Venable Scrapbook Collection, 279, Music Library Special Collections, University of California, Los Angeles. Biography Evelyn Venable was born in Cincinnati, Ohio on October 18, 1913, the only child of Professor Emerson Venable and Dolores Cameron. Evelyn's acting career began in her junior year, when at the age of 14 she was cast to play Juliet in her high school's production of "Romeo and Juliet".
    [Show full text]
  • Walter Hampdii
    FEB. 11, 1933 THE INDIANAPOLIS TIMES PAGE 5 ‘STATE FAIR’ AND ‘SIGN OF THE CROSS’ ARE NOW ON VIEW Irene Dunne Plays Role of an English Chorus Girl in ‘The Raynor Lehr Has Large Company of Singers. Dancers Secret of Madame Blanche,’ the Dramatic Fea- and Specialty Entertainers With Him in ‘Small-Town ture on Current Bill at the Palace. Boy/ Now on View at the Lyric Theater. than 100 000 people, among them eight of the screen's leading “O MALL-TOWN BOY." featuring Raynor Lehr and his thirty players Is stars, appear in Fox Film's “State MORF Fair,” now at the Apollo theater. presented as the headline stage attraction on the Lyric stage this The stars of the production are Janet Gaynor, will Rogers, Lew week. Ayres, Sally Eilers, Norman Faster, Dresser, Frank Craven and Other feature RKO vaudeville acts conclude the stage bill. Victor Jory. “Unwrit- 0 ten Law',” co-starring Greta Skeets Gallagher and Miss Mary Brian Gaynor, Rogers, Foster and Miss Dresser are seen as members of is the screen feature on view. a midwest farm - ; JMajk family enjoying their annual outing at the state fair. &olm- “Small-Town Boy" is a play that carries both a moral and love them* Ayres plays a newspaper reporter who covers the fair for his paper, and there is ample room for the speciality songs and dances which Lehr Miss Eilers portrays a carnival trapeze performer, Craven characterizes a offers in conjunction with the presentation. country storekeeper and Jory appears as a barker. Numerous musical numbers and vaudeville specialities are interspersed Henry King, who directed “State during the action of the play.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Hcweii Information Company 300 Nonfi Z ee b Road. Ann Arpor. Ml 48106-1346 USA 313761-4700 800/521-0600 Order Number 9427826 The rise of directorial influence in Broadway Shakespearean production: 1920-1950 Weiss, Steven Marc, Ph.D. The Ohio Stato University, 1994 UMI 300N.ZeebRd.
    [Show full text]
  • Hollins Student Life (1934 Oct 24) Hollins College
    Hollins University Hollins Digital Commons Hollins Student Newspapers Hollins Student Newspapers 10-24-1934 Hollins Student Life (1934 Oct 24) Hollins College Follow this and additional works at: https://digitalcommons.hollins.edu/newspapers Part of the Higher Education Commons, Journalism Studies Commons, Social History Commons, United States History Commons, and the Women's History Commons Recommended Citation Hollins College, "Hollins Student Life (1934 Oct 24)" (1934). Hollins Student Newspapers. 47. https://digitalcommons.hollins.edu/newspapers/47 This Book is brought to you for free and open access by the Hollins Student Newspapers at Hollins Digital Commons. It has been accepted for inclusion in Hollins Student Newspapers by an authorized administrator of Hollins Digital Commons. For more information, please contact [email protected], [email protected]. READ PEACE GO TO SENIOR EDITORIAL Hollins Student Life STUNTS VOLUME VII HOLLINS COLLEGE, OCTOBER 24, 1934, HOLLINS, VIRGINIA NUMBER 3 Regional Conference of Dr. Archibald Black W. I. L. Meets at Hollins Gives Series of Lectures • ---------------------------------~ Several Eminent Speakers President Roosevelt is Dr. Crawford to Address Delivers Four Addresses Discuss Peace Problems Welcomed by Roanoke the Press Conference on Religious Topics DELEGATES ATTEND DEDICATES VETERANS' TWO VIRGINIA COLLEGES PRESENTED BY Y. W. HOSPITAL AT WILL ENTERTAIN The Women's International League for SALEM V. I. P. A. One of the most interesting series of Peace and Freedom held its regional lectures 'ever given at Hollins College was meeting at Hollins October 12th-14th, President Franklin Delano Roosevelt The eighth annual convention of the presented here Sunday and Monday, Delegates from various colleges and many arrived in Roanoke at 3:30 P.
    [Show full text]
  • Heritage Gazette of the Trent Valley
    Heritage Gazette of the Trent Valley Index to the Heritage Gazette of the Trent Valley Vol Iss Month Year Page Title Author Keywords / Sources 1 1 February 1997 1 Heritage Gazette is Launched Gavard, Stephen 1 1 February 1997 2 Shared Heritage Dainton, Art 1 1 February 1997 3 When Trees Grew on Charlotte Street Jones, Elwood and Don Marlow Banks; John Harper Willcock 1 1 February 1997 4 When Trees Grew on Charlotte Street Harper, John Benuvenuto Cellini; R. G. Sturgeon; Margaret Milburn; schools; Eighty Years Ago: a retrospect Lundy; Wilson; Connors; Tanner; English; charcoal; Little Lake Cemetery; Charlbond; J Hampden Burnham; John Gilmour; McDermid; Leonard; Kylie; Davey; Peter Hamilton; Rev R J C Taylor; bridges; Harry Boyle; Paddy McNamera; Winch; Montgomery Hotel; Spencely; quarry; Tom Eastland; Louie (N T) Laplante; Charlie Perry; Charlie Hudson; Bertie Morrow; first sewer; Robert Nicholls; Judge Hall; Belleghem; road to Port Hope; Scott's Corners; George Bennett; Leary; Charlie Wiggin; Savoy Hotel; Harry Best; Blackstock; Dr King; Dunbar; Chinese laundry 1 1 February 1997 5 Charlotte Street looking east to George St, ca 1910 1 1 February 1997 10 Peterborough County Photographers Dunford, Fraser 1 1 February 1997 12 History Matters: Golf Played in Jones, Elwood Peterborough Golf and Country Club; Dennistoun; Hamilton; Peterborough earlier ... Haultain 1 1 February 1997 14 Victoria County Needlework Society 1 1 February 1997 15 Parent Finders Reeve, Jean 1 1 February 1997 17 Pines [266 Burnham Street] Kidd, Martha Harry Cassedy Rogers;
    [Show full text]