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Patricia Murray Patricia Clum & Patricia M
PATRICIA MURRAY PATRICIA CLUM & PATRICIA M. MAKE-UP DESIGNER CANADIAN CITIZENSHIP & RESIDENCE / US RESIDENCE / IATSE 891 / ACFC HEAD OF DEPARTMENT FEATURE FILMS DIRECTOR/PRODUCER CAST THE ART OF RACING IN THE RAIN D: Simon Curtis Amanda Seyfried Fox 2000 Pictures P: Joannie Burstein, 2nd Unit Make-up Vancouver Patrick Dempsey, Tania Landau, Make-Up FX Artist Neal H. Moritz THE PACKAGE D: Jake Szymanski Daniel Doheny, Luke Spencer Roberts, Netflix EP: Shawn Williamson, Geraldine Viswanathan, Sadie Calvano, Brightlight Pictures & Jamie Goehring, Kevin Leeson, Eduardo Franco Red Hour Productions Haroon Saleem HOD & Make-Up FX Artist P: Ross Dinerstein, Nicky Weinstock, Ben Stiller, Anders Holm, Kyle Newacheck, Blake Anderson, Adam DeVine STATUS UPDATE D: Scott Speer Ross Lynch, Olivia Holt, Netflix P: Jennifer Gibgot, Dominic Rustam, Harvey Guillen, Famke Janssen, Offspring Entertainment & Adam Shankman, Shawn Williamson Wendi McLendon-Covey Brightlight Pictures HOD TOMORROWLAND D: Brad Bird Raffey Cassidy, Kathryn Hahn Walt Disney Pictures P: Damon Lindelof Make-Up Onset FX Supervisor Co-P: Bernie Bellew, Tom Peitzman PERCY JACKSON: D: Thor Freudenthal Missy Pyle, Yvette Nicole Brown, SEA OF MONSTERS P: Chris Columbus, Christopher Redman Fox 2000 Pictures Karen Rosenfelt, Michael Barnathan Make-Up FX Supervisor DAYDREAM NATION D: Michael Goldbach Personal Make-Up Artist to Kat Dennings Screen Siren Pictures EP: Tim Brown, Cameron Lamb HOD P: Trish Dolman, Christine Haebler, Michael Olsen, Simone Urdl THE TWILIGHT SAGA: ECLIPSE D: David Slade Ashley Greene, Bryce Dallas Howard, Summit Entertainment P: Wyck Godfrey, Greg Mooradian, Kellan Lutz Make-Up Artist Main Unit Karen Rosenfelt SLAP SHOT 2 D: Steve Boyum Stephen Baldwin, Gary Busey, Universal Pictures P: Ron French Callum Keith Rennie, Jessica Steen HOD JUST FRIENDS D: Roger Kumble Ryan Reynolds New Line Cinema P: Chris Bender, Bill Johnson, Make-Up FX Artist Michael Ohoven, J.C. -
Rentrée 2016 P
RENTRÉE 2016 P. 2 _ 3 RENTRÉE Dans l’offre multichaîne du Groupe, NT1 confirme son positionnement de chaîne de pur divertissement, fun et décomplexé, chaîne de prédilection d’un public féminin et jeune. Pour exprimer cette promesse, Secret Story, l’émission la plus connectée et la plus tweetée de la télévision française, célèbre son dixième anniversaire, avec Christophe Beaugrand. Divertissement encore avec la deuxième saison de La villa des cœurs P. 2 _ 3 P. brisés ou prochainement le nouveau Are you the one ?. La légèreté n’exclut pas d’être ancré dans la réalité. Avec Super Nanny ou On a échangé nos mamans, les magazines de coaching ont trouvé leur place sur la chaîne. Côté séries, les amateurs du genre vont se régaler avec les saisons inédites de 2 Broke Girls et Vampire Diaries, mais aussi revivre les aventures tumultueuses des internes de Grey's Anatomy. Une palette tout aussi riche côté cinéma où le rythmé Sexy Dance 5 - All in Vegas, RENTRÉE 2016 côtoie les comédies déjantées 22 Jump Street et Echange Standard ou NT1 RENTRÉE 2016 encore l’aventure avec 47 Ronin. DIVERTISSEMENT SECRET STORY – SAISON 10 INÉDIT Une production Endemol Productions Présenté par Christophe Beaugrand Secret Story fête ses dix ans ! Cette nouvelle saison, entièrement en HD, sera proposée sur NT1, TF1 et MYTF1. Pour fêter l’événement, une chaîne Secret Story, disponible sur MYTF1 et Youtube, proposera de retrouver les temps forts et les meilleurs moments des neuf saisons précédentes. Un dispositif élargi qui assure le plus large rayonnement à la marque Secret Story. -
Collective of Heroes: Arrow's Move Toward a Posthuman Superhero Fantasy
St. Cloud State University theRepository at St. Cloud State Culminating Projects in English Department of English 12-2016 Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy Alyssa G. Kilbourn St. Cloud State University Follow this and additional works at: https://repository.stcloudstate.edu/engl_etds Recommended Citation Kilbourn, Alyssa G., "Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy" (2016). Culminating Projects in English. 73. https://repository.stcloudstate.edu/engl_etds/73 This Thesis is brought to you for free and open access by the Department of English at theRepository at St. Cloud State. It has been accepted for inclusion in Culminating Projects in English by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy by Alyssa Grace Kilbourn A Thesis Submitted to the Graduate Faculty of St. Cloud State University in Partial Fulfillment of the Requirements for the degree of Master of Arts in Rhetoric and Writing December, 2016 Thesis Committee: James Heiman, Chairperson Matthew Barton Jennifer Tuder 2 Abstract Since 9/11, superheroes have become a popular medium for storytelling, so much so that popular culture is inundated with the narratives. More recently, the superhero narrative has moved from cinema to television, which allows for the narratives to address more pressing cultural concerns in a more immediate fashion. Furthermore, millions of viewers perpetuate the televised narratives because they resonate with the values and stories in the shows. Through Fantasy Theme Analysis, this project examines the audience values within the Arrow’s superhero fantasy and the influence of posthumanism on the show’s superhero fantasy. -
Falk Hentschel
Falk Hentschel Das Imperium Talent Agency Berlin (D.I.T.A.) Georg Georgi Phone: +49 151 6195 7519 Email: [email protected] Website: www.dasimperium.com Information Year of birth 1982 (39 years) Nationality German, American Height (cm) 179 Languages German: native-language Weight (in kg) 78 English: native-language Eye color green French: basic Hair color Blond Dialects New York accent: only when Hair length Long required Stature athletic / training Brooklyn-English: only when Place of residence Bend, Oregon required Cities I could work in All of them American: always Instruments Piano: medium Sport Diving (bottle), Horse riding, Karate, Kickboxing, skiing, Weight training, Western riding, Wing chun Dance Choreography: professional Profession Action / Martial arts actor, Actor, Dancer Pitch Baritone Other licenses PADI Divemaster Film 2018 Welcome to Marwen Role: Louis/Topf (LR) Director: Robert Zemeckis Producer: Jack Rapke Distribution: Universal 2016 Jack The Ripper Role: Frederick Abberline (LR) Director: Sebastian Niemann Producer: Simon Happ Distribution: Sat 1 2013 Extraction Role: Rudolph Martin (LR) Director: Tony Giglio Producer: Justin Bursch Distribution: Sony Crackle 2003 –… Brad Greenquist Film acting school 2012 Transcendence Role: Bob (SR) Director: Wally Pfister Producer: Christopher Nolan, Andrew Kosove, Aaron Ryder Distribution: Warner Brothers 2012 Vita Falk Hentschel by www.castupload.com — As of: 2021-07-06 Page 1 of 3 White House Down Role: Motts (SR) Director: Roland Emmerich Producer: Laeta Kalogridis Distribution: -
Portraying Positive Disability Representation in Children's Media
Western Kentucky University TopSCHOLAR® Mahurin Honors College Capstone Experience/ Thesis Projects Mahurin Honors College 2021 Emmie and the Enchanted Orchid: Portraying Positive Disability Representation in Children's Media Adrianna Waters Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/stu_hon_theses Part of the Creative Writing Commons, English Language and Literature Commons, and the Playwriting Commons Recommended Citation Waters, Adrianna, "Emmie and the Enchanted Orchid: Portraying Positive Disability Representation in Children's Media" (2021). Mahurin Honors College Capstone Experience/Thesis Projects. Paper 898. https://digitalcommons.wku.edu/stu_hon_theses/898 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Mahurin Honors College Capstone Experience/Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. EMMIE AND THE ENCHANTED ORCHID: PORTRAYING POSITIVE DISABILITY REPRESENTATION IN CHILDREN’S MEDIA A Capstone Experience/Thesis Project Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Arts with Mahurin Honors College Graduate Distinction at Western Kentucky University By Adrianna Waters May 2021 ***** CE/T Committee: Prof. Jessica Folk, Chair Prof. Carol Jordan Dr. Ted Hovet Copyright by Adrianna Waters 2021 ABSTRACT Disability representation in media and storytelling is often negative or inaccurate, with disability narratives equating disability to evil or lesser than abled bodies. The harmful representation is especially prevalent and dangerous in children’s media as the depiction of characters with disabilities may be children’s first introduction to disability, and thus the portrayal is likely to stay with them, especially as stories for adults continue to perpetuate the inaccurate representation of disabilities. -
3:10 to Yuma Leikstjóri
MYNDDISKAEIGN AMTSBÓKASAFNSINS Á AKUREYRI (bláar tölur í sviga á eftir titli þýða einkunn frá IMDb-kvikmyndagrunninum (1-10)) 3:10 to Yuma (1957) (7,7) 12 angry men (8,9) Leikstjóri: Delmer Daves. Aðalhlutverk: Glenn Ford, Van Leikstjóri: Sidney Lumet. Aðalhlutverk: Henry Fonda, Ed Heflin, Felicia Farr. (enska) Begley, E.G. Marshall. (enska) Vestrar Drama – Sakamálamyndir – Kviðdómur 3:10 to Yuma (2007) (7,9) 13 going on 30 (2004) (6,1) Leikstjóri: James Mangold. Aðalhlutverk: Russell Crowe, Leikstjóri: Gary Winick. Aðalhlutverk: Jennifer Garner, Mark Christian Bale, Gretchen Mol. (enska) Ruffalo, Judy Greer. (enska) Vestrar Gamanmyndir – Fantasíur – Rómantík The 3 worlds of Gulliver (1960) (6,3) 16 blocks (6,7) Leikstjóri: Jack Sher. Aðalhlutverk: Kerwin Matthews, Jo Leikstjóri: Richard Donner. Aðalhlutverk: Bruce Willis, Mos Morrow, June Thorburn. (enska) Def, Jenna Stern. (enska) Annar titill: Gulliver’s travels. Spennumyndir – Drama – Sakamálamyndir Ævintýramyndir – Fjölskyldumyndir – Fantasíur 16 years of alcohol (6,2) 4 luni, 3 saptamani si 2 zile (2007) (7,9) (Græna ljósið) Leikstjórn og handrit: Richard Jobson. Aðalhlutverk: Kevin Leikstjóri: Cristian Mungiu. Aðalhlutverk: Laura Vasiliu, Vlad McKidd, Laura Fraser, Susan Lynch. (enska) Ivanov, Anamaria Marinca. (rúmenska) Sakamálamyndir – Áfengissýki – Ofbeldi Titill á ensku: 4 months, 3 weeks & 2 days. 17 again (6,5) Drama Leikstjóri: Burr Steers. Aðalhlutverk: Zac Efron, Leslie Mann, 5 children & It (2004) - B (5,5) Matthew Perry. (enska) Leikstjóri: John Stephenson. Aðalhlutverk: Freddie Highmore, Gamanmyndir Tara Fitzgerald, Alex Jennings. (enska) 20 million miles to earth (6,3) Fantasíur – Fjölskyldumyndir – Ævintýramyndir – Galdrar – Álfar Leikstjóri: Nathan Juran. Aðalhlutverk: William Hopper, Joan Den 5:e kvinnan: del I & II (2002) (6,7) Taylor, Frank Puglia. -
Rentrée 2016 P
RENTRÉE 2016 P. 2 _ 3 RENTRÉE DIVERTISSEMENT LA VILLA DES CŒURS BRISÉS Une production AH Production Douze candidats répartis en une parfaite parité investissent une villa de rêve. Leur point commun ? Ils ne trouvent jamais l’amour et chaque nouvelle rencontre est une déception. Heureusement le « love coach » de NT1 va les aider à faire le point. Mélangeant les codes de la télé-réalité, du dating et du coaching, cette émission quotidienne réserve de multiples rebondissements. LA VILLA DES CŒURS BRISÉS – SAISON 10 SECRET STORY Une production Endemol Productions Présenté par Christophe Beaugrand Secret Story fête ses dix ans ! Cette nouvelle saison, entièrement en HD, sera proposée sur NT1, TF1 et MYTF1. Pour fêter l’événement, une chaîne Secret Story, disponible sur MYTF1 et Youtube, proposera de retrouver RENTRÉE 2016 les temps forts et les meilleurs moments des neuf saisons précédentes. Un dispositif élargi qui assure le plus large rayonnement à la marque NT1 Secret Story. SECRET STORY MAGAZINE 1/3 SUPER NANNY Produit par Shine France Elle est à la fois complice et ferme dans son approche de l’éducation des enfants au quotidien. Son caractère joyeux et ses conseils pertinents ont permis à Super Nanny de séduire les juniors et leurs parents, auxquels elle propose une méthode efficace pour retrouver une vie familiale plus sereine. Les téléspectateurs, eux aussi, l’ont adoptée ! SUPER NANNY ON A ÉCHANGÉ NOS MAMANS Produit par Adventure Line Productions Pendant une semaine, deux mamans que tout oppose vont être confrontées à des modes de vie très différents, en échangeant leur famille avec une autre. -
39.1 Fall 2016 Studies in Popular Culture
STUDIES IN POPULAR CULTURE 39.1 FALL 2016 STUDIES IN POPULAR CULTURE Studies in Popular Culture, a journal of the Popular Culture Association in the South, publishes articles on popular culture however mediated through film, literature, radio, television, music, graphics, print, practices, associa- tions, events—any of the material or conceptual conditions of life. Its con- tributors from the United States, Australia, Canada, China, England, Finland, France, Ireland, Israel, Italy, Scotland, Spain, and the Turkish Republic of North Cyprus include distinguished anthropologists, sociologists, psycholo- gists, cultural geographers, ethnomusicologists, historians, and scholars in comics, communications, film, games, graphics, literature, philosophy, reli- gion, and television. Direct editorial queries and submissions by email to editor Lynnette Por- ter, [email protected]; mailing address: Humanities and Communication Department, Embry-Riddle Aeronautical University, 600 South Clyde Mor- ris Boulevard, Daytona Beach, Florida 32114. Studies in Popular Culture ac- cepts submissions on all forms of popular culture (American or international) studied from the perspective of any discipline. Queries are welcome. Manuscript submissions should be sent via email as Microsoft Word attachments (author’s surname in the file name). Submis- sions typically total 5000 to 7500 words, including notes and bibliography. Manuscripts should be double-spaced, using 12-point Times New Roman font. Please note that the editing process may result in revisions that lengthen the essay. SPC is indexed in the annual MLA International Bibliography, and MLA documentation is required. Authors should secure all necessary copy- right permissions before submitting material. SPC uses blind peer review. The editor reserves the right to make stylistic changes on accepted manu- scripts. -
I Must Become Something Else”: Identity Construction and the Role of the Superhero in the TV Series Arrow
“I must become something else”: Identity construction and the role of the superhero in the TV series Arrow „I must become something else”: Identitätskonstruktion und die Superheldenrolle in der Fernsehserie Arrow by Mareike Sophie Wagner A thesis presented to the University of Waterloo and the Universitaet Mannheim in fulfilment of the thesis requirement for the degree of Master of Arts in Intercultural German Studies Waterloo, Ontario, Canada / Mannheim, Germany, 2020 © Mareike Sophie Wagner 2020 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. Ehrenwörtliche Erklärung Ich versichere, dass ich die Arbeit selbstständig und ohne Benutzung anderer als der angegebe- nen Hilfsmittel angefertigt habe. Alle Stellen, die wörtlich oder sinngemäß aus Veröffentli- chungen in schriftlicher oder elektronischer Form entnommen sind, habe ich als solche unter Angabe der Quelle kenntlich gemacht. Mir ist bekannt, dass im Falle einer falschen Versiche- rung die Arbeit mit „nicht ausreichend“ bewertet wird. Ich bin ferner damit einverstanden, dass meine Arbeit zum Zwecke eines Plagiatsabgleichs in elektronischer Form versendet und ge- speichert werden kann. ii Abstract This thesis deals with how the protagonist of the CW superhero TV series Arrow constructs his identity. Arrow tells the story of Oliver Queen, who returns home after being shipwrecked and assumed dead, to start working as the vigilante superhero Arrow. As a character leading a life split in two – a private and a superhero life – Oliver Queen has difficulties answering the ques- tion of who he really is, especially after his time as a castaway and his connection to various, more or less criminal organizations for which he had to take on different identities.