The Moneychangers
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Arthur Hailey As Richard Nixon: Workplace Safety in Airport Christian B
Arthur Hailey as Richard Nixon: Workplace Safety in Airport Christian B. Long Abstract: In his best-selling 1968 novel Airport, Arthur Hailey takes psy- chological workplace stresses seriously, and he places white-collar work- place safety at the centre of his novel. The disaster narrative in Airport not only lands an airplane against the odds but also shows how important workplace safety is to the safe and continued functioning of the transpor- tation system. In this way, Hailey’s novel narratively and thematically registers changes in contemporary US culture that would soon take legis- lative form, as when Richard Nixon signed the Occupational Safety and Health Act in 1970. Keywords: Airport, air traffic controllers, Arthur Hailey, best-sellers, Occu- pational Safety and Health Act (OSHA), transportation, workplace safety Re´sume´ : Dans son roman Airport, paru en 1968, Arthur Hailey prend tre`s au se´rieux les diffe´rents stress psychologiques lie´s au milieu de travail, et place la se´curite´ des milieux professionnels au centre de son histoire. Air- port est un re´cit de catastrophe qui ne se contente pas de faire atterrir un avion contre toutes attentes, il montre aussi l’importance de la se´curite´ au travail pour le fonctionnement continu et suˆ r du syste`me de transport. Ce faisant, le roman de Hailey prend acte, dans la narration comme dans les the`mes, de changements qui, dans la culture e´tatsunienne contemporaine, allaient bientoˆt trouver leur forme le´gislative avec la ratification, par Ri- chard Nixon, de la loi sur la sante´ et la se´curite´ au travail (Occupational Safety and Health Act), en 1970. -
The Bestseller and the Blockbuster Mentality
The Bestseller and the Blockbuster Mentality McGowan, P. (2018). The Bestseller and the Blockbuster Mentality. In K. Curnutt (Ed.), American Literature in Transition, 1970-80 (pp. 210-225). (American Literature in Transition). Cambridge University Press. Published in: American Literature in Transition, 1970-80 Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2018 Cambridge University Press. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:26. Sep. 2021 Chapter Twelve: The Bestseller and the Blockbuster Mentality Philip McGowan The 1970s was a decade of important cultural and literary interest in the history of the United States for manifold reasons: aside from the first attempted impeachment of a president in over a century, and the celebration of the nation’s bicentennial marked by events that ran from April 1975 to July 4, 1976, the American literary world underwent a transition of irrevocable proportions. -
Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
Film Terms Glossary Cinematic Terms Definition and Explanation Example (if applicable) a screen direction rule that camera operators must follow - Camera placement an imaginary line on one side of the axis of action is made must adhere to the (e.g., between two principal actors in a scene), and the 180 degree rule 180 degree rule camera must not cross over that line - otherwise, there is a distressing visual discontinuity and disorientation; similar to the axis of action (an imaginary line that separates the camera from the action before it) that should not be crossed Example: at 24 fps, 4 refers to the standard frame rate or film speed - the number projected frames take 1/6 of frames or images that are projected or displayed per second to view second; in the silent era before a standard was set, many 24 frames per second films were projected at 16 or 18 frames per second, but that rate proved to be too slow when attempting to record optical film sound tracks; aka 24fps or 24p Examples: the first major 3D feature film was Bwana Devil (1953) [the first a film that has a three-dimensional, stereoscopic form or was Power of Love (1922)], House of Wax appearance, giving the life-like illusion of depth; often (1953), Cat Women of the Moon (1953), the achieved by viewers donning special red/blue (or green) or MGM musicalKiss Me Kate polarized lens glasses; when 3-D images are made (1953), Warner's Hondo (1953), House of 3-D interactive so that users feel involved with the scene, the Wax (1953), a version of Hitchcock's Dial M experience is -
The Moneychangers
The Moneychangers Upton Sinclair The Project Gutenberg EBook of The Moneychangers, by Upton Sinclair (#16 in our series by Upton Sinclair) Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Moneychangers Author: Upton Sinclair Release Date: June, 2004 [EBook #5829] [Yes, we are more than one year ahead of schedule] [This file was first posted on September 10, 2002] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK, THE MONEYCHANGERS *** Charles Aldarondo and the Online Distributed Proofreading team. THE MONEYCHANGERS By Upton Sinclair NEW YORK 1908 To Jack London CHAPTER I "I am," said Reggie Mann, "quite beside myself to meet this Lucy Dupree." "Who told you about her?" asked Allan Montague. "Ollie's been telling everybody about her," said Reggie. -
Untversity of HAWAI'i LIBRARY
UNtVERSITY OF HAWAI'I LIBRARY IMAGERY AND SYMBOL OF THE AIRPLANE IN AMERICAN FILM 1950-2004 A DISSERTAnON SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES MAY 2004 By Patrick Gerald O'Brien Dissertation Committee: Floyd Matson, Chairperson Paul Hooper Dennis Ogawa William Chapman David Swift © Patrick Gerald 0 'Brien 2004 iii ABSTRACT Hollywood has shown an unending affection for the airplane for nearly one hundred years. From fantasy, to war, to salvation, to heroism, to romance, to adventure, airplanes have been and continue to be a powerful symbol in American film. Two intertwined themes based on flight are menace and hope, and the tension between them has successfully driven many flying films. This may explain why film has featured the airplane as the archetypal machine of the twentieth century, just as, according to Leo Marx in The Machine in the Garden, the locomotive served as the archetypal machine in American literature of the nineteenth century. Specifically, this dissertation will focus on how cargo planes, bomber aircraft, commercial airliners, and all those aboard have been portrayed in film from 1950-2004. iv Table of Contents Abstract .......................................................... .. iv Chapter 1: Introduction................................................. 1 Chapter 2: Myth and Symbol in Flying Films 25 Chapter 3: The Menace of Flight 47 Chapter 4: Heroic Men and Flying Machines 75 Chapter 5: "Passin' Gas": Aerial Refueling Scenes. ...................... .. 110 Chapter 6: Atomic and Chemical Threats in the Sky 141 Chapter 7: Disturbed and Disturbing Passengers 169 Chapter 8: Cast Away: The Machine in the Sky 198 Chapter 9: Race and Gender in Flying Films 218 Chapter 10: Conclusion 248 Appendix: Filmography .......................... -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________8-16-10 I, _________________________________________________________,Charles Green hereby submit this work as part of the requirements for the degree of: Doctor of Philosophy in: English and Comparative Literature It is entitled: The Gospels of Faith and Doubt: A Novel This work and its defense approved by: Chair: _______________________________Michael Griffith _______________________________Leah Stewart _______________________________Jay Twomey _______________________________ _______________________________ The Gospels of Faith and Doubt: A Novel A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English of the College of Arts and Sciences by Charles Green M.A. University of Missouri May 2003 Committee Chair: Michael Griffith Abstract The Gospels of Faith and Doubt: A Novel explores the relationship between knowledge and belief. The narrator, Thomas Miller, tells the story of his best friend from childhood, Adam Ellison, who claims to be the second son of God. Though Thomas doubts the existence of God, much less Adam’s divinity, from an intellectual perspective, often he feels an instinctive, emotional pull toward faith. To reconcile these contradictory views, he writes the story of Adam’s life in two parts: one as a straightforward biography or memoir, the other as his own Gospel version of Adam’s life. With that structure in mind, the novel carries forward the structural interests of such novels as Vladimir Nabokov’s Pale Fire and Steven Millhauser’s Edwin Mullhouse: The Life and Death of an American Writer 1943–1954 by Jeffrey Cartwright. That dual structure allows me to merge two diverse traditions of fiction: the realistic and the speculative. -
The Treatment of Setting Novels by Arthur Hailey Diploma Thesis
MasarykUniversityBrno FacultyofEducation DepartmentofEnglishLanguageandLiterature The Treatment of Setting Novels by Arthur Hailey Diploma Thesis Brno2008 Supervisor: Writtenby: Ph.Dr.PavelDoležel,CSc.EvaMalíšková DECLARATION Iherebydeclarethatalltheliterarysourcesusedinthe thesisarestatedinthe bibliography. EvaMalíšková 2 ACKNOWLEDGEMENT Iwouldlike tothankPh.Dr.PavelDoležel,CSc.,forhisadvice,helpand supportinthecourseof mywork. 3 CONTENTS INTRODUCTION………………………………………………………………………...5 1ARTHUR HAILEY……………………………………………………………………..6 2WORKAND WORKINGENVIRONMENTINTHE REALISTIC NOVEL…….…11 3TRENDS INTHEPOST-WAR NOVEL……………………………………………...17 4HOTEL…………………………………………………………………………...……20 4.1Americannotionofahotelimplies awayoflife……………………………21 4.2Thelocationandthe prospectsoftheSt.Gregory……………………....…...23 4.3Everydayduties andeverydayworries………………………………………25 4.4Theemployees……………………………………………………………….28 4.5Servicesandtroubles……………………………………………………...…31 5AIRPORT……………………………………………………………………………...35 5.1The placesandtheweather…………………………………………………..36 5.2Thedeparturelounge………………………………………………………...38 5.3Thewarehouse……………………………………………………………….39 5.4ThecommunityofMeadowood……………………………………………...40 5.5Airtrafficcontrol…………………………………………………………….41 5.6Services………………………………………………………………………43 5.7Preparationofaflightandaflight…………………………………………...45 5.8Stow-aways…………………………………………………………………..49 6INHIGHPLACES…………………………………………………………………….51 6.1Canada……………………………………………………………………….52 6.2TheColdWar………………………………………………………………..54 6.3The plotandsetting………………………………………………………….55 6.4ThePrimeMinisterandhisCabinet…………………………………………58