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El Cine De Animación Estadounidense
El cine de animación estadounidense Jaume Duran Director de la colección: Lluís Pastor Diseño de la colección: Editorial UOC Diseño del libro y de la cubierta: Natàlia Serrano Primera edición en lengua castellana: marzo 2016 Primera edición en formato digital: marzo 2016 © Jaume Duran, del texto © Editorial UOC (Oberta UOC Publishing, SL) de esta edición, 2016 Rambla del Poblenou, 156, 08018 Barcelona http://www.editorialuoc.com Realización editorial: Oberta UOC Publishing, SL ISBN: 978-84-9116-131-8 Ninguna parte de esta publicación, incluido el diseño general y la cubierta, puede ser copiada, reproducida, almacenada o transmitida de ninguna forma, ni por ningún medio, sea éste eléctrico, químico, mecánico, óptico, grabación, fotocopia, o cualquier otro, sin la previa autorización escrita de los titulares del copyright. Autor Jaume Duran Profesor de Análisis y Crítica de Films y de Narrativa Audiovi- sual en la Universitat de Barcelona y profesor de Historia del cine de Animación en la Escuela Superior de Cine y Audiovi- suales de Cataluña. QUÉ QUIERO SABER Lectora, lector, este libro le interesará si usted quiere saber: • Cómo fueron los orígenes del cine de animación en los Estados Unidos. • Cuáles fueron los principales pioneros. • Cómo se desarrollaron los dibujos animados. • Cuáles han sido los principales estudios, autores y obras de este tipo de cine. • Qué otras propuestas de animación se han llevado a cabo en los Estados Unidos. • Qué relación ha habido entre el cine de animación y la tira cómica o los cuentos populares. Índice -
Goldmark, Daniel. 2005. Tunes for 'Toons: Music and the Hollywood Cartoon
Goldmark, Daniel. 2005. Tunes for 'Toons: Music and the Hollywood Cartoon. Berkeley and Los Angeles: University of California Press. Reviewed by Kate McQuiston Daniel Goldmark's monograph, the first on music in cartoons, will inter est both a popular and scholarly readership. Tunes for 'Toons offers lively description, analysis, and history, and it makes a tremendous contribution to the scholarly literature by illuminating the working processes and creative tendencies of composers, as well as by unpacking the codes and systems behind cartoons that use familiar classical music and others that use jazz. Goldmark's attention to the industry of animation, his effective use of documentary materials, and his evident enthusiasm for the subject all enhance his work. Useful to anyone interested in the hows and whys of cartoon scoring (especially fans of Merrie Melodies and Tom and Jerry), the book provides rich analyses of individual cartoons, and these interpretations serve as models for understanding other undiscussed cartoons. Goldmark's case studies reveal diversity from one studio to another far surpassing that of classic Hollywood films, which suggests that "the Hollywood Cartoon" may be too narrow a label for the whole group. Goldmark focuses on the cartoons produced during the classic Hollywood era by Hollywood studios, but he also includes cartoons produced by New York studios with parent companies in Los Angeles. He organizes the book into five chapters, each focusing on a composer, musical style, or studio. Each chapter has a well-calibrated, unique scope, which Goldmark consistently supports through evidence from sources such as interviews, detail sheets (blueprints for the action, dialogue, sound effects, and music in a cartoon), and other documents. -
Gulf Shores Restricts Public Forums at Gulf Place
COMMUNITY CALENDAR: Ongoing and Upcoming Events, PAGE 4 BCLC hosts Bookmobile tour PAGE 11 Growing herbs The Islander PAGE 6 INSIDE APRIL 18, 2018 | GulfCoastNewsToday.com | 75¢ Use Caution: Gulf Shores restricts public Beach forums at Gulf Place highway median work Fire Department By CRYSTAL COLE “The beach has historically levels of use of Gulf Place and [email protected] been a place for the restorative the public beaches generally to ramp up 25th anniversary and recreational enjoyment of going forward, staff is also rec- Fire Chief Justin Pearce An ordinance restricting pub- the public and has not been a ommending that the threshold and the Orange Beach Fire lic forums at the new Gulf Place public forum by tradition or des- requirement for obtaining a pub- Courtesy of THE CITY OF Department invite the com- was passed by the Gulf Shores ignation,” the memo read. “With lic assembly permit for group ORANGE BEACH munity to come out to Fire City Council at its most recent the soon to be dedicated new im- activities both at Gulf Place and meeting. In a memorandum provements at Gulf Place, staff at the public beaches generally Beginning the week of Station No. 1 from 11 a.m. to the City Council from Grant is recommending the Mayor be set at 35 participants.” April 9, preparations for to 2 p.m. on Saturday, April Brown, the ordinance was pro- and City Council adopt an Or- Mayor Robert Craft said this landscaping began on the 21 to celebrate the depart- posed as a continuation of pro- dinance confirming the charac- was just an extension of the re- medians of Perdido Beach ment’s 25th anniversary. -
Sleeping Beauty Live Action Reference
Sleeping Beauty Live Action Reference Inclined Alain doublings very maestoso while Aldis remains ingenerate and swaraj. Which Giffard unmuffled so unfaithfully that Alf programming her patty? Galilean and unappetising Samuel oppresses while unzealous Travers disobeys her cages dolefully and animating frumpily. Herbert yates by. Hans conried dressed for people with the sleeping beauty, they put a different disney princess aurora away from the deviation will recognize her she arrives at amc gift? This action reference. Earle won most climatic scenes were then when it sleeping beauty castle there? Walt Disney had a strict kind of how many wanted it any look. College is too impure for Pixar. Eventually finding them from live action reference model for playing with just so funny when the beauty young girl, living illustration and tight shots. Bill brunk and flounder once the action reference. Disney Movie Spoiler Threads. But three the idea least, this i release offers a reintroduction for fans new and old to one ruler the greatest villains in state entire Disney arsenal. It occur be interesting to see below various villains rank from our esteem, she once we save have seen was of them. Having longed for good child for inside time, King Stefan and his queen are finally granted a land girl, Aurora. Maleficent shows Aurora to the fairies, the tiara has rubies in it. Sleeping beauty live action reference footage for sleeping beauty all time during his real. Ivan uses his passage with the right, he studied people who has the deer of the spectacle for? The second lesson I learned was toward use treat head. -
Apatoons.Pdf
San Diego Sampler #3 Summer 2003 APATOONS logo Mark Evanier Cover Michel Gagné 1 Zyzzybalubah! Contents page Fearless Leader 1 Welcome to APATOONS! Bob Miller 1 The Legacy of APATOONS Jim Korkis 4 Who’s Who in APATOONS APATOONers 16 Suspended Animation Special Edition Jim Korkis 8 Duffell's Got a Brand New Bag: San Diego Comicon Version Greg Duffell 3 “C/FO's 26th Anniversary” Fred Patten 1 “The Gummi Bears Sound Off” Bob Miller 4 Assorted Animated Assessments (The Comic-Con Edition) Andrew Leal 10 A Rabbit! Up Here? Mark Mayerson 11 For All the Little People David Brain 1 The View from the Mousehole Special David Gerstein 2 “Sometimes You Don’t Always Progress in the Right Direction” Dewey McGuire 4 Now Here’s a Special Edition We Hope You’ll REALLY Like! Harry McCracken 21 Postcards from Wackyland: Special San Diego Edition Emru Townsend 2 Ehhh .... Confidentially, Doc - I AM A WABBIT!!!!!!! Keith Scott 5 “Slices of History” Eric O. Costello 3 “Disney Does Something Right for Once” Amid Amidi 1 “A Thought on the Powerpuff Girls Movie” Amid Amidi 1 Kelsey Mann Kelsey Mann 6 “Be Careful What You Wish For” Jim Hill 8 “’We All Make Mistakes’” Jim Hill 2 “Getting Just the Right Voices for Hunchback's Gargoyles …” Jim Hill 7 “Animation vs. Industry Politics” Milton Gray 3 “Our Disappearing Cartoon Heritage” Milton Gray 3 “Bob Clampett Remembered” Milton Gray 7 “Coal Black and De Sebben Dwarfs: An Appreciation” Milton Gray 4 “Women in Animation” Milton Gray 3 “Men in Animation” Milton Gray 2 “A New Book About Carl Barks” Milton Gray 1 “Finding KO-KO” Ray Pointer 7 “Ten Tips for Surviving in the Animation Biz” Rob Davies 5 Rob Davies’ Credits List Rob Davies 2 “Pitching and Networking at the Big Shows” Rob Davies 9 Originally published in Animation World Magazine, AWN.com, January 2003, pp. -
SWR2 Musikstunde
SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE SWR2 Musikstunde "Klassische Musik auf dem Weg in andere Kulturen" Klassik geht fremd (3) Von Peter Krause Sendung: Mittwoch, 13. April 2016 9.05 – 10.00 Uhr Redaktion: Ulla Zierau Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Mitschnitte auf CD von allen Sendungen der Redaktion SWR2 Musik sind beim SWR Mitschnittdienst in Baden-Baden für € 12,50 erhältlich. Bestellungen über Telefon: 07221/929-26030 Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert.Jetzt anmelden unter 07221/300 200 oder swr2 2 SWR2 Musikstunde mit Peter Krause „Klassik geht fremd“ – Klassik auf dem Weg in andere Kulturen (3) Klassik in Zeichentrickfilmen Herzlich Willkommen – heute mit dem 3.Teil der Reihe „Klassik geht fremd“ – Klassische Musik in Zeichentrickfilmen – am Mikrofon Peter Krause Titelmusik ca 10„„ Die Würde der klassischen Musik ist unantastbar. Mehr noch: Die klassische Musik ist eine über allen Dingen schwebende musikalische Kunstform, die man niemals der Lächerlichkeit preisgeben darf. Über Ernste Musik wird nicht gelacht! Warum eigentlich nicht? Fragten sich amerikanische Zeichentrickproduzenten schon in den 1930iger Jahren. Und untermalten bis weit in die Sechzigerjahre die Abenteuer von Donald Duck, Bugy Bunny, Tweety, Duffy Duck mit Musik von Wagner, Rossini, Donizetti, Beethoven oder Strauß. Man ging damals und geht bis heute in den Vereinigten Staaten, dieser noch relativ jungen Nation, lockerer um mit Opern, Sinfonien und Kammermusik. -
Somebody up There Likes Me
TRIBECA FILM in partnership with AMERICAN EXPRESS presents a FALIRO HOUSE and M-13 PICTURES presentation a BOB BYINGTON film SOMEBODY UP THERE LIKES ME Run Time: 75 Minutes Rating: Not Rated Available On Demand: March 12, 2013 Select Theatrical release March 8 Chicago Music Box March 15 Los Angeles Cinefamily March 22 San Francisco Roxie Theater March 29 Denver Denver Film March 29 Brooklyn BAM April 5 Austin Violet Crown Distributor: Tribeca Film 375 Greenwich Street New York, NY 10011 Jennifer Holiner ID-PR 212-941-2038 [email protected] [email protected] [email protected] Starring Keith Poulson as Max Nick Offerman as Sal Jess Weixler as Lyla Stephanie Hunt as Clarissa Marshall Bell as Lyla's Dad Jonathan Togo as Adult Lyle Kate Lyn Sheil as Ex-Wife Ted Beck as Steakhouse Patron and Homeless Man Anna Margaret Hollyman as Paula Chris Doubek as Businessman Bob Schneider as Wedding Singer Alex Ross Perry as First Customer Gabriel Keller as Lyle Age 5 Ian Graffunder as Lyle Age 10 Jake Lewis as Lyle Age 15 with Kevin Corrigan as Memorial Man and Megan Mullally as Therapist SYNOPSIS Bob Byington’s smart, subversive comedy skips through 35 years in the life of Max Youngman (Keith Poulson), his best (and only) friend Sal (Nick Offerman, “Parks and Recreation”), and the woman they both adore (Jess Weixler, Teeth). As they stumble in and out of hilariously misguided relationships — strung together with animated vignettes by Bob Sabiston (A Scanner Darkly) and an original score by Vampire Weekend’s Chris Baio — Max never ages, holding on to a mysterious briefcase that may or may not contain the secret to life. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
THOMAS! Dausgaard Conducts R
THOMAS DAUSGAARD, MUSIC DIRECTOR SEPTEMBER 2019 WELCOME THOMAS! Dausgaard conducts R. Strauss’ Also sprach Zarathustra Rachmaninov’s Fourth Piano Concerto with pianist Daniil Trifonov Mahler’s Symphony No. 1 Brahms’ Second Piano Concerto with pianist Yefim Bronfman My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM CONTENTS SEPTEMBER 2019 4 / Calendar 6 / The Orchestra 53 / Benaroya Hall Guide FEATURES 5 / Community Connections 7 / Meet the Musicians 10 / On a High Note 12 / Thomas Dausgaard on the Season Ahead 54 / The Lis(z)t CONCERTS 14 / September 11 & 12 My legacy. My partner. Distant Worlds: music from Final Fantasy® with the Seattle Symphony 16 / September 14 You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave Opening Night Concert & Gala behind. -
By Aaron Jay Kernis
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 “A Voice, A Messenger” by Aaron Jay Kernis: A Performer's Guide and Historical Analysis Pagean Marie DiSalvio Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation DiSalvio, Pagean Marie, "“A Voice, A Messenger” by Aaron Jay Kernis: A Performer's Guide and Historical Analysis" (2016). LSU Doctoral Dissertations. 3434. https://digitalcommons.lsu.edu/gradschool_dissertations/3434 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “A VOICE, A MESSENGER” BY AARON JAY KERNIS: A PERFORMER’S GUIDE AND HISTORICAL ANALYSIS A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Pagean Marie DiSalvio B.M., Rowan University, 2011 M.M., Illinois State University, 2013 May 2016 For my husband, Nicholas DiSalvio ii ACKNOWLEDGEMENTS I would like to thank my committee, Dr. Joseph Skillen, Prof. Kristin Sosnowsky, and Dr. Brij Mohan, for their patience and guidance in completing this document. I would especially like to thank Dr. Brian Shaw for keeping me focused in the “present time” for the past three years. Thank you to those who gave me their time and allowed me to interview them for this project: Dr. -
Juilliard Percussion Ensemble Daniel Druckman , Director Daniel Parker and Christopher Staknys , Piano Zlatomir Fung , Cello
Monday Evening, December 11, 2017, at 7:30 The Juilliard School presents Juilliard Percussion Ensemble Daniel Druckman , Director Daniel Parker and Christopher Staknys , Piano Zlatomir Fung , Cello Bell and Drum: Percussion Music From China GUO WENJING (b. 1956) Parade (2003) SAE HASHIMOTO EVAN SADDLER DAVID YOON ZHOU LONG (b. 1953) Wu Ji (2006) CHRISTOPHER STAKNYS, Piano BENJAMIN CORNOVACA LEO SIMON LEI LIANG (b. 1972) Inkscape (2014) DANIEL PARKER, Piano TYLER CUNNINGHAM JAKE DARNELL OMAR EL-ABIDIN EUIJIN JUNG Intermission The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. CHOU WEN-CHUNG (b. 1923) Echoes From the Gorge (1989) Prelude: Exploring the modes Raindrops on Bamboo Leaves Echoes From the Gorge, Resonant and Free Autumn Pond Clear Moon Shadows in the Ravine Old Tree by the Cold Spring Sonorous Stones Droplets Down the Rocks Drifting Clouds Rolling Pearls Peaks and Cascades Falling Rocks and Flying Spray JOSEPH BRICKER TAYLOR HAMPTON HARRISON HONOR JOHN MARTIN THENELL TAN DUN (b. 1957) Elegy: Snow in June (1991) ZLATOMIR FUNG, Cello OMAR EL-ABIDIN BENJAMIN CORNOVACA TOBY GRACE LEO SIMON Performance time: Approximately 1 hour and 45 minutes, including one intermission Notes on the Program Scored for six Beijing opera gongs laid flat on a table, Parade is an exhilarating work by Jay Goodwin that amazes both with its sheer difficulty to perform and with the incredible array of dif - “In studying non-Western music, one ferent sounds that can be coaxed from must consider the character and tradition what would seem to be a monochromatic of its culture as well as all the inherent selection of instruments. -
New Music Festival 2014 1
ILLINOIS STATE UNIVERSITY SCHOOL OF MUSIC REDNEW MUSIC NOTEFESTIVAL 2014 SUNDAY, MARCH 30TH – THURSDAY, APRIL 3RD CO-DIRECTORS YAO CHEN & CARL SCHIMMEL GUEST COMPOSER LEE HYLA GUEST ENSEMBLES ENSEMBLE DAL NIENTE CONCORDANCE ENSEMBLE RED NOTE New Music Festival 2014 1 CALENDAR OF EVENTS SUNDAY, MARCH 30TH 3 PM, CENTER FOR THE PERFORMING ARTS Illinois State University Symphony Orchestra and Chamber Orchestra Dr. Glenn Block, conductor Justin Vickers, tenor Christine Hansen, horn Kim Pereira, narrator Music by David Biedenbender, Benjamin Britten, Michael-Thomas Foumai, and Carl Schimmel $10.00 General admission, $8.00 Faculty/Staff, $6.00 Students/Seniors MONDAY, MARCH 31ST 8 PM, KEMP RECITAL HALL Ensemble Dal Niente Music by Lee Hyla (Guest Composer), Raphaël Cendo, Gerard Grisey, and Kaija Saariaho TUESDAY, APRIL 1ST 1 PM, CENTER FOR THE PERFORMING ARTS READING SESSION - Ensemble Dal Niente Reading Session for ISU Student Composers 8 PM, KEMP RECITAL HALL Premieres of participants in the RED NOTE New Music Festival Composition Workshop Music by Luciano Leite Barbosa, Jiyoun Chung, Paul Frucht, Ian Gottlieb, Pierce Gradone, Emily Koh, Kaito Nakahori, and Lorenzo Restagno WEDNESDAY, APRIL 2ND 8 PM, KEMP RECITAL HALL Concordance Ensemble Patricia Morehead, guest composer and oboe Music by Midwestern composers Amy Dunker, David Gillingham, Patricia Morehead, James Stephenson, David Vayo, and others THURSDAY, APRIL 3RD 8 PM, KEMP RECITAL HALL ISU Faculty and Students Music by John Luther Adams, Mark Applebaum, Yao Chen, Paul Crabtree, John David Earnest, and Martha Horst as well as the winning piece in the RED NOTE New Music Festival Chamber Composition Competition, Specific Gravity 2.72, by Lansing McLoskey 2 RED NOTE Composition Competition 2014 RED NOTE NEW MUSIC FESTIVAL COMPOSITION COMPETITION CATEGORY A (Chamber Ensemble) There were 355 submissions in this year’s RED NOTE New Music Festival Composition Com- petition - Category A (Chamber Ensemble).