DOCSLIB.ORG

Scott Joplin: Complete Rags for Piano Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Scott Joplin: Complete Rags for Piano Free FREE SCOTT JOPLIN: COMPLETE RAGS FOR PIANO PDF Scott Joplin | 208 pages | 07 Apr 2000 | Hal Leonard Corporation | 9780793567737 | English | Milwaukee, United States Scott Joplin - Free sheet music to download in PDF, MP3 & Midi Digital Sheet Music. Create a playlist. Public Not listed Private. Other American artists. Search by criteria :. See less. Composer Scott Joplin. See more. Edson-Lopes Brazil. Buy sheet music books Joplin, Scott. Scott Joplin - United States USA. Scott Joplin between July and January ? April 1, was an African-American composer and pianist, born near Texarkana, Texas, into the first post-slavery generation. He achieved fame for his unique ragtime compositions, and was dubbed the "King of Ragtime. One of his first pieces, the "Maple Leaf Rag", became ragtime's first and most influential hit, and remained so for a century. He was blessed with an amazing ability to improvise at the piano, and was able to enlarge hi s talents with the music he heard around him, which was rich with the sounds of gospel hymns and spirituals, dance music, plantation songs, syncopated rhythms, blues, and choruses. After Scott Joplin: Complete Rags for Piano studied music with several local teachers, his talent was noticed by a German immigrant music teacher, Julius Weiss, who chose to give the year-old boy lessons free of charge. He was taught music theory, keyboard technique, and an appreciation of various European music styles, such as folk and opera. As an adult, Joplin also studied at an all-black college in Sedalia, Missouri. Eventually, 'the piano-playing public clamored for his music; newspapers and magazines proclaimed his genius; musicians Scott Joplin: Complete Rags for Piano his scores with open Scott Joplin: Complete Rags for Piano. This was written, according to opera historian Elise Kirk, to be a 'timeless story' about a young black 'heroine of the spirit who leads her people from superstition and darkness to salvation and enlightenment. Joplin's music returned to popularity in the early s with the release of a million-selling album of Joplin's rags recorded by Joshua Rifkin followed by the Academy award-winning movie The Sting which featured several of his compositions, such as 'The Entertainer'. In Joplin was posthumously awarded the Pulitzer Prize. Text source : Wikipedia Hide extended text Read all. Connect to add to a playlist. Added Scott Joplin: Complete Rags for Piano Share this page. Pop Out Player. Similar items. Other members composers. JavaScript is required. Connect to add to a playlist Added the List of compositions by Scott Joplin - Wikipedia Naxos Javascript not enabled. Creative Commons Attribution-ShareAlike 4. Creative Commons Attribution Share Alike 3. Work Title Original Rags Alt ernative. Daniels was the piano plugger for the Kansas City publisher Carl Hoffman when Joplin offered several works for publication in late Scott Joplin: Complete Rags for Piano was given an arranger credit for choosing the work for publication. Joplin, a classically trained pianist, was fully capable of notating his own music. Daniels became a rather well-known composer on his own with the song Hiawatha, a Summer Idyll. Rags ; For piano ; Scores featuring the piano ; For 1 player ; For orchestra arr ; Scores featuring the orchestra arr ; For flute, oboe, clarinet, bassoon, horn arr ; Scores featuring the flute arr ; Scores featuring the oboe arr ; Scores featuring the clarinet arr ; Scores featuring the bassoon arr ; Scores featuring the horn arr ; For 5 players arr ; For 4 recorders arr ; Scores featuring the recorder arr ; For 4 players arr ; For trombone, 3 euphoniums, tuba arr ; Scores featuring the trombone arr ; Scores featuring the euphonium arr ; Scores featuring the tuba arr. Contents 1 Performances 1. Performers Finale Aria Player. Javascript is required for this feature. Editor First edition. Engraver Galaktos. Wikimedia Commons Arranger Jochen Schmitz. Arranger Mitchell Kriegler. Arranger David Edward Kemp. Scott Joplin: Complete Rags for Piano 20th century. Wikipedia article. Original Rags (Joplin, Scott) - IMSLP: Free Sheet Music PDF Download The following is a complete list of musical compositions by Scott Joplin ca. Scott Joplin was born in Arkansas in aroundjust outside Texarkanaand was a street performer before settling in Sedalia, MissouriSt. Louis, Missouriand finally New York City where he died in He was an American composer and pianist, who achieved fame for his ragtime compositions, and was dubbed "The King of Ragtime". During his career, Joplin wrote over 40 original ragtime piecesone ragtime ballet, and two operas. Scott Joplin: Complete Rags for Piano of his first pieces, the " Maple Leaf Rag " has been recognized as the Scott Joplin: Complete Rags for Piano rag and influenced subsequent rag composers for at least 12 years thanks to its rhythmic patterns, melody lines, and harmony. His finances were precarious throughout his career, despite a steady income from the "Maple Leaf Rag". His first opera A Guest of Honor was lost after an unsuccessful tour in After the death of his widow, Lottie, in a number of manuscripts of unpublished work were lost and no copies of them are known to exist. When Joplin was learning the piano, serious musical circles condemned ragtime because of its association with the vulgar and inane songs of Tin Pan Alley. There are many inconsistencies between the titles of compositions, their subtitles and their respective cover titles, which was seen by the editor of the collected works as reflecting "an editorial casualness" on the part of the publishers, and indicating Scott Joplin: Complete Rags for Piano genre in which many dance-steps could be performed interchangeably. In many cases the publication date is the only indication of when the piece was composed. From Wikipedia, the free encyclopedia. Cover pages of various works. Retrieved March 16, Scott Joplin. A Guest of Honor Treemonisha Musical repertoire. Bach catalogue Handel Purcell Vivaldi. Beethoven Boccherini Haydn Mozart Schubert genre publications. Categories : Lists of compositions by composer Rags Music of St. Louis Texas classical music Lists of piano compositions by composer Piano compositions by American composers Piano compositions in the 20th century Compositions Scott Joplin: Complete Rags for Piano Scott Joplin. Hidden categories: Wikipedia articles needing clarification from May Articles with short description Short description is different from Wikidata Use mdy dates from September Articles with hCards Commons category link is on Wikidata. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons. Great Crush Collision March. Arranged by Charles N. Danielsalthough this involvement is doubtful. With Arthur Marshall. With Scott Hayden. The Easy Winners. The Entertainer. The Strenuous Life. The Ragtime Dance. A Guest of Honor. Lost — unpublished. Excerpt from A Guest of Honor. Announced in the Indianapolis Freeman, September 12, The Sycamore. The Favorite. The Cascades. The Chrysanthemum. The Nonpareil None To Equal. By Joseph F. Lambarranged by Joplin. Performed by the composer on a player piano in Lost — incomplete, and unpublished. Announced by the composer in the Indianapolis Freeman newspaper, September 4, Seen by biographer Rudi Blesh in Lost — announced in the Scott Joplin: Complete Rags for Piano York Age September 7, Baroque Bach catalogue Handel Purcell Vivaldi..
Load more

Recommended publications
  • The Abstracts
    THE ABSTRACTS Committee & International Boards Executive President of the Congress B Boris Vargaftig Brazil President of the Brazilian Society of Immunology Sérgio Costa Oliveira Brazil Honorary President of the Congress Sérgio Henrique Ferreira Brazil Executive Committee Consulting Scientific Committee Manoel Barral Neto Brazil Fernando Queiroz Cunha - Alberto Mantovani Italy Marc Peters Golden USA Treasurer Brazil Alexandre Salgado Basso Brazil Marcellus Souza Brazil João Santana da Silva Brazil Amanda Proudfoot Switzerland Marcelo Torres Bozza Brazil José Carlos Alves Filho Brazil Ana Campa Brazil Marco Aurélio Martins Brazil Mauro M. Teixeira Brazil Andrew Luster USA Marco Cassatella Italy Momtchillo Russo Brazil Antônio L . Teixeira Jr Brazil Mauro Martins Teixeira Brazil Niels O. S. Camara - Executive B. Boris Vargaftig Brazil Mauro Perretti England Secretary Brazil Bart Lambrecht Belgium Michael Parnham Germany Patrícia Torres Bozza Brazil Bernard Ryffel France Michel Chignard France Scientific Committee Cristovam Picanco Diniz Brazil Micheline Lagranderie France Mauro Martins Teixeira (Chair) Danielle G. Souza Brazil Miguel Soares Portugal Brazil Dario Zamboni Brazil Moises Bauer Brazil Fernando Queiroz Cunha Brazil Doulgas Golenbock USA Momtchillo Russo Brazil José Carlos Alves Filho Brazil Eddy Liew Scotland Niels O. S. Camara Brazil Kouji Matsushima Japan Edgar Carvalho Brazil Nikita Lomakin Russia Michel Chignard France Edson Antunes Brazil Patrícia Torres Bozza Brazil Momtchillo Russo Brazil Eugen Faist Germany Paul Foster USA Niels O. S. Camara Brazil Fernando Queiroz Cunha Brazil Paul Kubes Canada Patricia Torres Bozza Brazil Flávia do Nascimento Brazil Rafael Radi Uruguay Thiago M. Cunha Brazil Francisco Airton Rocha Brazil Reinaldo Salomão Brazil Local Committee Francisco R. M. Laurindo Brazil Renato Monteiro France Selma Maria Bezerra Jerônimo Gerard J Graham Scotland Renato S.
    [Show full text]
  • Amácio Mazzaropi's Filmography
    Amácio Mazzaropi’s Filmography Sai da Frente—Get Out of the Way São Paulo, 1952 Cast: Amácio Mazzaropi; Ludy Veloso Leila Parisi, Solange Rivera, Luiz Calderaro, Vicente Leporace, Luiz Linhares, Francisco Arisa, Xandó Batista, Bruno Barabani, Danilo de Oliveira, Renato Consorte, Príncipes da Melodia, Chico Sá, José Renato, o cão Duque (Coronel), Liana Duval, Joe Kantor, Milton Ribeiro, Jordano Martinelli, Izabel Santos, Maria Augusta Costa Leite, Carlo Guglielmi, Labiby Madi, Jaime Pernambuco, Gallileu Garcia, José Renato Pécora, Toni Rabatoni, Ayres Campos, Dalmo de Melo Bordezan, José Scatena, Vittorio Gobbis, Carmen Muller, Rosa Parisi, Annie Berrier, Ovídio ad Martins Melo—acrobats 80 minutes/black and white. Written by Abílio Pereira de Almeida and Tom Payne. Directed by Abílio Pereira de Almeida. Produced by Pio Piccinini/Companhia Cinematográfica Vera Cruz. Opening: 06/25/1952, Cine Marabá and 12 movie theaters. Awards: Prêmio Saci (1952) best supporting actress: Ludy Veloso. Nadando em dinheiro—Swimming in Money São Paulo, 1952 Cast: Amácio Mazzaropi; Ludy Veloso, A. C. Carvalho, Nieta Junqueira, Liana Duval, Carmen Muller, Simone de Moura, Vicente Leporace, Xandó Batista, Francisco Arisa, Jaime Pernambuco, Elísio de Albuquerque, Ayres Campos, Napoleão Sucupira, Domingos Pinho, Nélson Camargo, Bruno Barabani, Jordano Martinelli, o cão Duque (Coronel), Wanda Hamel, Joaquim Mosca, Albino Cordeiro, Labiby Madi, Maria Augusta Costa Leite, Pia Gavassi, Izabel Santos, Carlos Thiré, Annie Berrier, Oscar Rodrigues 152 ● Amácio Mazzaropi’s Filmography de Campos, Edson Borges, Vera Sampaio, Luciano Centofant, Maury F. Viveiros, Antônio Augusto Costa Leite, Francisco Tamura. 90 minutes/ black and white. Written by Abílio Pereira de Almeida. Directed by Abílio Pereira de Almeida.
    [Show full text]
  • Contents BCGS Staff
    Vol21 2_4p Cover R3 Final.qxp:NL 9/24/14 9:34 AM Page 1 BOSTON CLASSICAL GUITAR SOCIETY Volume21,No.2 newsletter Contents Letter to Members........................................2 BGO Follows Young Segovia........................3 Young Guitarists’ Workshop ........................4 Elephant in the Room ..................................5 Performance Parties ..................................6 The BGO in Madrid......................................7 Calendar ....................................................9 Classifieds ..................................................9 BCGS Staff Director [email protected] Treasurer GeorgeWard [email protected] Newsletter WillRiley,Editor [email protected] GeorgeWard,Production [email protected] BCGSBostonGuitarOrchestra ScottBorg,Director [email protected] PerformancePartyCoordinator J.OscarAzaret [email protected] Vol21 2_4p Cover R3 Final.qxp:NL 9/24/14 9:34 AM Page 2 BCGSNewsletter Volume21,Number2 Letter to Members 14th.Heisbyfaroneofthegreatestguitaristsofhis DearBCGSMembers, generation,andbothhisartistryandtechnicalwizardryhave impressedaudiencesworldwide.Finally,oursocietywillagain Ihopeyouareenjoyingthe hosttheNewEnglandGuitarEnsemblesFestival.NEGEFis beautyoftheNewEngland growingbyleapsandboundsandwehavethegreathonorof autumnseason!Weareonthe hostingCarloDomeniconi,agiantamongcontemporaryguitar cuspofbeginningatruly composers.RenounedforhisTurkish-inspiredcomposition
    [Show full text]
  • Dissertation Submitted in Partial Satisfaction of The
    Carnaval, Samba Schools and the Negotiation of Gendered Identities in São Paulo, Brazil by Carla Sacon Brunet A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Jocelyne Guilbault, Chair Professor Bonnie Wade Professor Emeritus Percy Hintzen Spring 2012 Carnaval, Samba Schools and the Negotiation of Gendered Identities in São Paulo, Brazil © 2012 by Carla Sacon Brunet Abstract Carnaval, Samba Schools and the Negotiation of Gendered Identities in São Paulo, Brazil by Carla Sacon Brunet Doctor of Philosophy in Music University of California, Berkeley Professor Jocelyne Guilbault, Chair The behaviors and interactions that enact specific gender identities are assumed by many Brazilians to be “natural.” Within the context of samba schools, the distribution of specific performance roles has always been informed by the assumption that there are natural feminine and masculine spaces. Thus, samba school members have well defined performance roles that are hierarchically structured. In this dissertation, I argue that gendered identities are constructed and articulated in the process of cultivating specific performance roles within samba schools. I am particularly interested in highlighting the ways in which specific femininities and masculinities came to be taught, learned and naturalized in the lives of samba school members, as they engage in strategies of social- and self-discipline while preparing for the carnaval parade each year. Central to my argument is the idea that dance/musical competence is intertwined with notions about the physical body and the nurturing of particular character dispositions.
    [Show full text]
  • 2012 Fest21 Program
    MARCH 23, 2013 NEW ENGLAND GUITAR ENSEMBLE FESTIVAL 2013 FEATURED ARTIST : ANDREW YORK FIRST LUTHERAN CHURCH 299 B ERKELEY ST. BOSTON , MA NEW ENGLAND GUITAR ENSEMBLE FESTIVAL 2013 Welcome to the 2013 New England Guitar Ensemble Festival! The Boston Classical Guitar Society is pleased to present a full-day event exploring the artistic and educational possibilities of the classical guitar ensemble. Joining us today are a diverse array of performing groups from col - leges and schools, as well as ensembles consisting of area professionals and enthusiasts. We are honored to have the incomparable Andrew York as our featured guest in the capacities of composer, performer, and instructor. The evening concert will begin with the world premiere of his groundbreaking BCGS-commissioned work, Hemingway , and continue with a solo recital consisting of original works and th selections from J.S. Bach’s 5 Cello Suite. The afternoon Members Concert continues the annual tradition of presenting area professional and advanced amateur players. A big thank you goes out to our dedi - cated and talented artists: George Attisano, Don Hague, Lin Hymel, Bob Margo (world premiere performance of a work by Frank Wallace), the McLellan-Wallace Duo, Mark Davis, The Pandora Duo, and Boston Mandolins. The BCGS is grateful to all of today’s performers, atten - dees, volunteers, supporters, sponsors, and members who make this event possible. Principal grant funding is provided by the Augustine Foundation and the rrrrrr D’Addario Foundation. Best regards, Daniel Acsadi
    [Show full text]
  • De 3364 0 13491 33642 8
    DE 3364 0 13491 33642 8 Isaac Albéniz: Suite Iberia arranged by the Brazilian Guitar Quartet world premiere recording Book 1 Book 3 1. Evocación (5:26) 7. El Albaicín (7:03) 2. El Puerto (4:21) 8. El Polo (6:24) 3. Corpus Christi en Sevilla (7:31) 9. Lavapiés (6:04) Book 2 Book 4 4. Rondeña (7:10) 10. Málaga (4:47) 5. Almería (8:44) 11. Jerez (8:38) 6. Triana (4:53) 12. Eritaña (5:13) TOTAL PLAYING TIME : 76:16 Brazilian Guitar Quartet Everton Gloeden and Luiz Mantovani, 8-string guitars Tadeu do Amaral and Edson Lopes, 6-string guitars Recording Producer: Brazilian Guitar Quartet BGQ photo: Suzane Medeiros Recording Engineer: Plínio Hessel, Jr. Package design: Tadeu Knudsen Editing: Tadeu do Amaral Backcover & inner tray photos: Harry Pack Mastering: Otávio Bertolo Creative Direction: Harry Pack, Tri Arts and Associates Recorded – July/August 2005, MCR Studio, São Paulo, Graphics: Mark Evans Brazil Special thanks: Plínio Hessel, Jr., Sérgio Cordeiro Campanelli, Digital Editing: ProTools Oswaldo Sperandio, Tadeu Knudsen, Beatriz L. Saghaard 24-bit Digital Processing: ProTools HD# System Monitor Loudspeakers : Genelec 1031A Microphones: Soundfield SPS422 Studio System Console: Manley 16x2 Mic Mixer 7 & W 2006 Delos Productions, Inc., P.O. Box 343, Sonoma, California 95476-9998 (707) 996-3844 • (800) 364-0645 • [email protected] Made in USA • www.delosmusic.com NOTES ON THE PROGRAM I saac Albéniz (1860–1909) was born in 1860 in Catalo - spired by folk elements, Albéniz rarely employs them nia. A child prodigy, he gave his first public concert on verbatim, preferring instead to reconfigure them ac - the piano at the age of four.
    [Show full text]
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Carnaval, Samba Schools and the Negotiation of Gendered Identities in São Paulo, Brazil Permalink https://escholarship.org/uc/item/235051jr Author Brunet, Carla Sacon Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Carnaval, Samba Schools and the Negotiation of Gendered Identities in São Paulo, Brazil by Carla Sacon Brunet A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Jocelyne Guilbault, Chair Professor Bonnie Wade Professor Emeritus Percy Hintzen Spring 2012 Carnaval, Samba Schools and the Negotiation of Gendered Identities in São Paulo, Brazil © 2012 by Carla Sacon Brunet Abstract Carnaval, Samba Schools and the Negotiation of Gendered Identities in São Paulo, Brazil by Carla Sacon Brunet Doctor of Philosophy in Music University of California, Berkeley Professor Jocelyne Guilbault, Chair The behaviors and interactions that enact specific gender identities are assumed by many Brazilians to be “natural.” Within the context of samba schools, the distribution of specific performance roles has always been informed by the assumption that there are natural feminine and masculine spaces. Thus, samba school members have well defined performance roles that are hierarchically structured. In this dissertation, I argue that gendered identities are constructed and articulated in the process of cultivating specific performance roles within samba schools. I am particularly interested in highlighting the ways in which specific femininities and masculinities came to be taught, learned and naturalized in the lives of samba school members, as they engage in strategies of social- and self-discipline while preparing for the carnaval parade each year.
    [Show full text]
  • Trans Tessituras Confounding, Unbearable, and Black Transgender Voices in Luso-Afro-Brazilian Popular Music
    Trans Tessituras Confounding, Unbearable, and Black Transgender Voices in Luso-Afro-Brazilian Popular Music Daniel da Silva Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Daniel da Silva All rights reserved ABSTRACT Trans Tessituras Confounding, Unbearable, and Black Transgender Voices in Luso-Afro-Brazilian Popular Music Daniel da Silva This dissertation shows how gay, trans and queer performers in Brazil, Portugal, and Angola, working in traditionally misogynistic, homo- and transphobic popular music genres, have successfully claimed and refigured those genres and repertoires through iterations of transgender voices and bodies. I show how Pabllo Vittar, Fado Bicha and Titica refigure normative gendered conventions of sex and song through trans formations of popular music genres. I locate them within a genealogy of queer Luso-Afro-Brazilian popular music practices and performances that deploy trans formations of voice, body, and repertoire. I trace a genealogy of transgender voice in Brazilian popular music to Ney Matogrosso’s 1975 debut release, through which I reveal a cacophony of queer, indigenous and Afro-Brazilian intersections; and in Portuguese popular music to António Variações 1982 debut, through whom I trace a fado genealogy of Afro-diasporic cultural practices, gender transgression and sexual deviance. Finally, I locate Titica’s music in practices of the black queer diaspora as a refiguring of Angolan postcolonial aesthetics. Together, these artists and their music offer a queer Luso-Afro-Brazilian diaspora in spectacular popular music formations that transit beside and beyond the Portuguese- speaking world, unbound by it, and refiguring hegemonic Luso-Afro-Brazilian discourses of gender, sexuality, race and nation.
    [Show full text]
  • Oficiais Da BRASA 2010-2014
    Oficiais da BRASA 2010-2014 Presidente: Peggy Sharpe, Florida State University (2008-2010) Presidente Eleito: Randal Johnson, University of California, Los Angeles (2010-2012) Vice Presidenta Eleita: Jan Hoffman French, University of Richmond (2010-2012) Diretor Executivo: Marshall C. Eakin, Vanderbilt University Secretária: Cecília Grespan, Vanderbilt University Comitê Executivo: Paulo Roberto de Almeida, Ministério das Relações Exteriores (2008-2012) Cristina Ferreira Pinto-Bailey, Washington & Lee University (2008-2012) Maria José Somerlate Barbosa, University of Iowa (2006-2010) Judy Bieber, University of New Mexico (2008-2012) Peter Beattie, Michigan State University (2006-2010) Jan Hoffman French, University of Richmond (2006-2010) James Green, Brown University (2010-2014) Kathryn Hochstetler, Waterloo University (2006-2010) Elizabeth Kiddy, Albright College (2008-2012) Maxine Margolis, University of Florida (2008-2012) Biorn Maybury-Lewis (2006-2010) Bryan McCann, Georgetown University (2010-2014) Marianne Schmink, University of Florida (2010-2014) Vania Penha-Lopes, Bloomfield College (2010-2014) Sônia Ranincheski, Universidade de Brasília (2010-2014) Comitê Acadêmico da BRASA X Mark Lokensgard, St. Mary’s University (presidente) Kátia Bezerra, University of Arizona Clémence Jouet-Pastré, Harvard University Victoria Langland, University of California, Davis Sônia Maria Ranincheski, Universidade de Brasília Lucio Rennó, Universidade de Brasília Marianne Schmink, University of Florida Brian Wampler, Boise State University 0 Presidentes
    [Show full text]
  • House Programme
    ಋᖚ୺ he Hong Kong Arts Festival is a prominent ࠗຝ̯ܰ Tarts event in the cultural calendar of Hong Δʥԓʪਂ Kong and the Asia Pacific region. Proudly ؿʼʝଞ stepping into its 33rd year, the Festival ಳም continues its vigorous pursuit of innovativeסԑe ɃɍɊɍ՚ development; the presentation of new works αc˚ፒዀ and the provision of quality arts. ೸ٻ࿚ᆅʘুұ௚ณcɺᒾ˞၀ ࠷ؿຝ͌ȹณᜮଠϦ͌e In terms of the number and diversity of programmes, the 2005 Festival is one of the ʌαᖚ୺ຝʑࢀҡᔔఒΛۜcஃ largest festivals to date, offering a wide variety ᅡɾɣዃαӢӮcݯࣵʑ̔΃Ρ of inspiring art, music and cultural ੓Ԟਝ჌Ίࡼၤ̯Δ၀ߜᐰϳᖚ programmes by prestigious international ࠭Ͳؿ൚ɓ࿫ˮc๫ผ˥ࠗಋ஛ artists and leading local talents. I am sure that ਝ჌ʼʝ஭ผࠛ૚ቤɈe the Festival will further enhance Hong Kong’s status as an international cultural metropolis. ΈϽᖚ୺ࡼ਄ၤܰωଞٴᔑϊᚭ ఻d I extend our warmest welcome to all؀ผcԎूࣵʑ̔ᜮଠʶ̈́ သጙϤᓊe participating artists and wish all local and overseas members of the audience a most enjoyable time. ւٽܧϷਂܧࠗಋऋПϷ TUNG Chee Hwa Chief Executive Hong Kong Special Administrative Region ˚࢐ᘆᖽ Message from the Chairman .਄ၤ଱ɍɊɍ։ࠗಋᖚ୺ warmly welcome you to the 33rd Arts Festivalٴ ᚭ ຝc஛ܰࠗಋʼʝވʥԓʪΔ IAs a premier event in the Hong Kong cultural ؿࠇ߬ʼʝଞԑcමၙਝ჌՗ԓʪ calendar as well as the Asia Pacific region, theਂ ᖚ୺၀ߜc˞ʥ̯Δ௚෮ݗึؿᖚ Festival presents the finest international andਂ ୺ɮАّe regional artists in an intense series of concerts and performances, as well as showcases the creativity ̯Ɂটʶ෰ᑢ஦༦੖ᅥʥʼʝԑ৻ອ of artistic talent in Hong Kong. c˞ʥࠗಋᑩ৛֚ܧ༅Х҈ࠨؿࠗಋ ԭɣ˚߬༅Хዀ࿚c Appreciation and thanks are due to our mainټপਥڌผ෯ഁ ˢࠨΛαԞྦྷࠗಋᖚ୺ຝؿྐྵషʻ subventing organisations – the Hong Kong ܛc҈ࠨ૯ߎᑢ҃e Government, through the Leisure and Cultural Services Department, and the Hong Kong Jockey ϊ̔cࠗಋᖚ୺ຝྦྷֺτᖳХዀ࿚d Club Charities Trust.
    [Show full text]
  • Clowns in Hospitals
    Research CLOWNS IN HOSPITALS - International - _________________________________________________________________________ CLOWNS IN HOSPITALS - International - Production Centro de Pesquisa e Desenvolvimento (Research and Development Center) Coordination Morgana Masetti Research Edson Lopes Revision Zernesto Pessoa, Morgana Masetti and Edson Lopes Edition Edson Lopes Collaboration Daiane Carina and Renata Truzzi 2 _________________________________________________________________________ SUMMARY Methodology .................................................................................................................................4 Analysis..........................................................................................................................................7 Organizations ..............................................................................................................................19 Conclusion ...................................................................................................................................27 3 _________________________________________________________________________ Clown in Hospitals – International – 2005. Methodology. After the completion of the Clowns in Hospital/Brazil survey in 2003, and the analysis of its results and revision of methods, in July, 2003, the Doutores da Alegria Study Centre initiated the development of the international phase of the study. Some alterations were made in the basic survey material, such as in the questionnaire and the way the organizations
    [Show full text]
  • Classical Guitar Ensemble and Jazz Guitar Ensemble
    KENNESAW STATE UNIVERSITY SCHOOL OF MUSIC Classical Guitar Ensemble and Jazz Guitar Ensemble Mary Akerman and Trey Wright DIRECTORS Thursday, April 12, 2018 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall One-hundred Seventh Concert of the 2017-18 Concert Season Jazz Combos 5:30 pm program ClassicalMARY AKERMAN, Guitar director Ensemble The Fool On the Hill | Lennon / McCartney, arr. Brouwer Morenita | Traditional, arr. Thorlaksson Bourrée | Leopold Mozart Ricercare | Andrea Gabrielli Corleone's Waltz | Nino Rota Si Bheag Si Mhor | Turlough O'Carolan, arr. Levesque Cantabile | Edson Lopes JazzTREY GuitarWRIGHT, director Ensemble Tear it Down | Wes Montgomery, arr. Trey Wright Maxine's Dream | Fred Hamilton Anything Goes | Cole Porter, arr. Simon Needle Simon Needle, solo guitar In Walked Bud / Blue Skies | Thelonious Monk / Irving Berlin, arr. Simon Needle Round Midnight | Thelonious Monk, arr. Ray Gogarty Cissy Strut | The Meters, arr. Trey Wright personnel Classical Jazz GUITARS GUITARS Aldo Cardenas Simon Needle Simon Needle Christian Moore Ben Champion Chris Marks Trey Dunnahoo Matthew Walker Diego Fonseca BASS Drew Lloyd DRUMS Zack Smith biographies Lecturer of Guitar ary Akerman teaches classical guitar at Kennesaw State University. Her educational credits include Bachelor's (cum laude) and Master's degrees in Performance from the University of Georgia. She Mcontinued her performance studies at Florida State University where she was a graduate teaching assistant. She was the recipient of Atlanta Music Club Scholarships and two scholarships for summer study in Spain with Jose Tomas. Additionally, she was selected by audition to perform in a masterclass with Andres Segovia. While at Florida State University, Mary Akerman won first prize in the Guitar Foundation of America Competition and subsequently gave the first winner's tour.
    [Show full text]