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NEWSLETTER ISSN 1443-4962 No
Above: These images appear in an article by Dr Patricia Clarke (see ANHG 93.4.10). Left: Jennie Scott Wilson, c.1888. Centre: Jennie Scott Wilson on her wedding day, 1897. Right: Jennie Scott Griffiths, Brisbane, 2 May 1920. [Papers of Jennie Scott Griffiths, nla.cat-vn1440105] Below: Miscellaneous Receipts, Tickets, Cards and Conference Badges, 1916–1920 [Papers of Jennie Scott Griffiths, nla.cat-vn1440105] AUSTRALIAN NEWSPAPER HISTORY GROUP NEWSLETTER ISSN 1443-4962 No. 93 July 2017 Publication details Compiled for the Australian Newspaper History Group by Rod Kirkpatrick, U 337, 55 Linkwood Drive, Ferny Hills, Qld, 4055. Ph. +61-7-3351 6175. Email: [email protected] Contributing editor and founder: Victor Isaacs, of Canberra, is at [email protected] Back copies of the Newsletter and some ANHG publications can be viewed online at: http://www.amhd.info/anhg/index.php Deadline for the next Newsletter: 30 September 2017. Subscription details appear at end of Newsletter. [Number 1 appeared October 1999.] Ten issues had appeared by December 2000 and the Newsletter has since appeared five times a year. 1—Current Developments: National & Metropolitan 93.1.1 Fairfax Media: job cuts, strike and acquisition proposal Fairfax Media was in the headlines for three big reasons in the first week in May: (1) it announced it was going to cut one-quarter of its metropolitan journalistic staff; (2) its metropolitan journalists went out on strike for an “unprecedented” seven days; and (3) it received a proposal from a private equity firm interested in acquiring its metropolitan assets, principally Domain and its major mastheads, such as the Sydney Morning Herald, Age and Australian Financial Review. -
The Democratic Detriment of Episodic Television News
Pikkert. Function after Form … The McMaster Journal of Communication Volume 4, Issue 1 2007 Article 6 Function after Form: The Democratic Detriment of Episodic Television News Owen Pikkert McMaster University Copyright © 2007 by the authors. The McMaster Journal of Communication is produced by The Berkeley Electronic Press (bepress). http://digitalcommons.mcmaster.ca/mjc The McMaster Journal of Communication. Volume 4 [2007], Issue 1, Article 6 Function after Form: The Democratic Detriment of Episodic Television News Owen Pikkert Abstract This paper analyzes the impact of television news upon political mobilization and awareness. In particular, it places a strong emphasis on the inherent inability of episodic news to form a cognitive framework through which to understand current events. The paper begins with preliminary statements on the significance of television news and describes the limits of the paper’s scope. It then examines the correlation of episodic television news with political cynicism, the trivialization of news content, and the formation of a pro-establishment attitude among viewers. A greater stress is placed upon the way in which television news is presented than upon news content or on the paucity of social capital. In conclusion, an argument is made for the imposition of sound bite quotas, with the desire to counter the handicaps of the episodic medium. KEYWORDS: Episodic, news, television, trivialization, political bias, pro- establishment, political cynicism, television medium, reporting, sound bite, post-structuralism The McMaster Journal of Communication. Volume 4 [2007], Issue 1, Article 6 The McMaster Journal of Communication 2007 Volume 4, Issue 1 Function after Form: The Democratic Detriment of Episodic Television News Owen Pikkert McMaster University Introduction elevision, as a channel for expression and public debate, is crucial to the health of a democratic state. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Project Catalyst Magazine 2018
PROJECT CATALYST 2018 – THE EVOLUTION OF INNOVATION – HARVESTING IDEAS IN SUGAR TEN YEARS HARVESTING IDEAS FOSTERING INNOVATION CORAL & CANDY Catalyst growers inspiring The innovation challenge EMBRACING TECHNOLOGY next gen to 2030 Why farmers need data Image: Jeppersen Farm visit with Coca-Cola, WWF and Catalyst growers Mackay. TEN YEARS As we meet again for Project Catalyst Forum They say it takes a village to raise a child flow freely across mill and regional boundaries – 2018, we reflect on 10 years since a group of well I think it takes a community to deliver a this is part of the glue that holds our community forward thinking growers and representatives program like Project Catalyst. We are a diverse together. The other is that like-minded growers from Reef Catchments, WWF and Coca-Cola community of growers across multiple mill areas share a bond through the trials and forums that got together to form what is now a highly / growing regions, with partners from industry strengthens the community. Growers are able regarded and successful sugar cane innovation and government as well as service providers to talk to each other all year because of these program. and supporters. There is a commitment to connections. our community’s brand just like there is for a I never cease to be amazed at how Project sporting team and there will always be highs and 2017 was another year of media exposure for Catalyst has grown over the 10 years to cover lows, but by working together collaboratively we Project Catalyst highlighted by the September the three regions and involve more than 100 have grown and protected our community. -
Carrie Kennedy Work CV 2019 Sequential
Carrie Kennedy APDG production designer Tel: (613)9486 4112 Mob: 0408 349 576 Email: [email protected] www.carbencopy.com.au SELECTED CREDITS 2019 Hungry Ghosts Matchbox/SBSTV Producers: Stephen Corvini, Timothy Hobart, Production Designer: Carrie Kennedy Debbie Lee, Sue Masters Art Director: Rob Molnar Line Producer: Margaret Chong TV 4 x 1 hr drama series Director: Shawn Seet DOP : Bruce Young 2018 Bloom Playmaker/Stan Original Producers: Sue Seeary, David Taylor, David Maher, Production Designer: Carrie Kennedy Created by Glen Dolman Art Director: Ben Barber Line Producer: David Redman TV 6 x 1 hr drama series Directors: John Curran, Mat King DOP : Geoffrey Hall Ride Like a Girl 100 to 1 P/L/ Transmission Films Producer: Richard Keddie, Naomi Cleaver Production Designer Carrie Kennedy Rachel Griffiths, Felicity Stoward, Susie Montague Art Director : Ben Barber Director: Rachel Griffiths Feature film DOP: Martin McGrath 2017 2040 2040 P/L / Madman Entertainment Producer: Nick Batzias, Damon Gameau, Anna Kaplan Production Designers: Virginia Whitwell Carrie Kennedy and Luke Bubb Director: Damon Gameau Feature documentary film DOP: Hugh Miller Dr Blake Mysteries the Telemovie December Media/ABCTV Producers: George Adams, Tony Wright Production Designer: Carrie Kennedy Director: Ian Barry Line Producer : Lisa Wang Art Director: Ben Morieson DOP: Craig Barden Telemovie feature length period drama Offspring series 7 Endemol Shine Australia/Network Ten Producer: Imogen Banks Line Producer: Ross Allsop Production Designer: Carrie Kennedy -
Is the Government Listening? Now That the Uproar and Shouting About Alleged Bias Has Died Down, There Is Only One Issue Paramount for the ABC - Funding
Friends of the ABC (NSW) Inc. qu a rt e r ly news l e t t e r Se ptember 2005 Vol 15, No. 3 in c o rp o rat i n g ba ck g round briefing na tional magaz i n e up d a t e friends of the abc Is the Government listening? Now that the uproar and shouting about alleged bias has died down, there is only one issue paramount for the ABC - funding. The corporation has not been backward putting its case forward - notably the collapse of drama production to just 20 hours per annum. In the Melbourne Age, Director of ABC TV Sandra Levy referred to circumstances as "critical and tragic." around, low-cost end - we've pretty "We have all those important well done everything we can." obligations to indigenous programs, religious programs, science, arts, Costs up children’s programs ... things that the dramatically commercial networks don't, and yet Once the launch pad for great we probably battle along with about Australian drama, revelations that the a quarter of what they spend in a ABC's drama output has dwindled year - the disproportion is massive." from 100 hours four years ago to just Ms Levy's concerns have been 14 hours this year have received a lot echoed by managing director Russell of media attention. Balding and chairman Donald Ms Levy estimates that an hour McDonald, who have spent the past could cost anywhere from $500,000 few weeks publicly lamenting the to $2 million, 10 to 50 times more gravity of the funding crisis. -
The Screen Forever 2017 Advisory Board Revealed
THE SCREEN FOREVER 2017 ADVISORY BOARD REVEALED MEDIA RELEASE 3 AUGUST 2017: Screen Producers Australia (SPA) welcomes the new and returning members of the 2017 SCREEN FOREVER Advisory Board. This fresh collective of leading executive minds and creatives from across the Australian film, television and digital sectors will be supporting the development of the SCREEN FOREVER 2017 conference. SCREEN FOREVER is one of the largest annual congregations of screen industry professionals in the Southern Hemisphere, taking place in Melbourne, 14-16 November, 2017. The members of the SCREEN FOREVER Advisory Board play a critical role in helping Screen Producers Australia address the challenges, trends and success stories most relevant to the screen industry today. In the lead up to the SCREEN FOREVER conference, the Advisory Board works closely with Screen Producers Australia to create a diverse, engaging program of inspirational and information-packed sessions, networking events, keynote addresses, masterclasses, panel discussions, workshops, roundtables, pitching opportunities and the International Partnership Market. The 2017 SCREEN FOREVER Advisory Board includes: CHAIR: Neil Peplow, CEO AFTRS Jenni Tosi, CEO of Film Victoria Jon Casimir, CEO Legacy Media Kate Croser Producer, Kojo Entertainment Kylie Munnich, Senior Vice President, Sonar Nathan Mayfield, CEO Hoodlum Michael Carrington, Head of Kids TV, ABC Tracey Vieira, CEO, Screen Queensland Mike Cowap, Investment Manager, Screen Australia Therese Hegarty, Director, Content Distribution & Rights, Seven Network Jason Byrne, Producer, Guilty Content Special International Consultant: Simmone Overend Screen Producers Australia’s CEO Matthew Deaner said: “We are very fortunate to have the contribution and expertise of these exceptional screen executives and creatives from across the content industry and chaired by AFTRS CEO Neil Peplow. -
ABC NEWS Program Guide: Week 3 Index
1 | P a g e ABC NEWS Program Guide: Week 3 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 10 January 2021 ...................................................................................................................................... 3 Monday, 11 January 2021 ..................................................................................................................................... 9 Tuesday, 12 January 2021 ................................................................................................................................... 12 Wednesday, 13 January 2021 ............................................................................................................................. 15 Thursday, 14 January 2021 ................................................................................................................................. 18 Friday, 15 January 2021 ...................................................................................................................................... 21 Saturday, 16 January 2021 .................................................................................................................................. 24 2 | P a g e ABC NEWS Program Guide: Week 3 Sunday 10 January 2021 Program Guide Sunday, 10 January 2021 6:00am ABC News Update The top stories from ABC News, updating you on the latest headlines and the overnight -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS.. -
Sue Brooks, Sue Maslin and Alison Tilson. LISA FRENCH
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RMIT Research Repository Thank you for downloading this document from the RMIT Research Repository 7KH50,75HVHDUFK5HSRVLWRU\LVDQRSHHQDFFHVVGDWDEDVHVKRZFDVLQJWWKHUHVHDUFK RXWSXWVRI50,78QLYHUVLW\UHVHDUFKHUV 50,755HVHDUFK5HHSRVLWRU\KWWSUHVHDUFKEDQNUPLWHGXDX Citation: French, L 2003, 'Shared visions and creative partnerships - A team approach; Sue Brooks, Sue Maslin and Alison Tilson' in Lisa French (ed.) Womenvision: Women and the Moving Image in Australia, Damned Publishing, Melbourne, Australia, pp. 295-308. See this record in the RMIT Research Repository at: http://researchbank.rmit.edu.au/view/rmit:18778 Version: Published Version Copyright Statement: © 2003 Australian Catalogue Company Ltd Link to Published Version: http://trove.nla.gov.au/work/22998307 PLEASE DO NOT REMOVE THIS PAGE LISA FRENCH SHARED VISIONS AND CREATIVE PARTNERSHIPS A ‘team’ approach: Sue Brooks, Sue Maslin and Alison Tilson. LISA FRENCH n my final year at school, the honour of being one of a triumvirate was bestowed upon me. What this meant was that I was part of a team of three girls, the head and two Iothers—the key idea behind this structure being the team—‘the triumvirate’. We were responsible for being responsible, for being role models, mentors and champions of the school ethos. The idea of a triumvirate came from ancient Rome and referred to a board of three ruling men. I liked the play on this given that I attended a school for girls. I was offered a freethinking and feminist education (for which I will be eternally grateful). I can still remember a teacher telling us not to compete with each other, to work together and support each other. -
The Castle a Critical Study of a Feature Film Text
The Castle A Critical Study of a Feature Film Text This study programme uses the Australian feature film The Castle to exemplify the ways in which a text confirms or challenges the attitudes and values of its audience. BY TONY HUGHES Questions within the pro- * how attitudes and values are con- gramme will help students discover veyed in films how the construction of a text encour- The programme reinforces the view ages particular responses in its viewers. that: Students will be encouraged to view the * films are texts — all texts are ideo- film as a cultural artefact, considering logical the society that produced the film as * films are constructions, versions of well as the audiences that have viewed reality the film and generated its popularity. * films present complex sets of atti- Questions within the programme are tudes and values designed to explore the notion of: * films position the viewer to respond * text construction in certain ways * genre * film has its own language Dennis Denuto (Tiriel Mora) and Lawrence Hammill QC (Charles * attitudes and values * the values and attitudes presented are ‘Bud’ Tingwell) * point of view related to the values and attitudes of the * by viewing the film as a shaper of in- * verbal and non verbal language film’s audience TION formation The following elements will be * a text can reinforce or challenge a * by considering the film as position- central to this study: society’s existing attitudes and values ing the viewer * the shared conventions of narrative * viewers make sense of films through -
Electronic Document
GriffithREVIEW47.indb 1 21/01/2015 3:43 pm Praise for Griffith Review ‘Essential reading for each and every one of us.’ Readings ‘A varied, impressive and international cast of authors.’ The Australian ‘Griffith Review is a must-read for anyone with even a passing interest in current affairs, politics, literature and journalism. The timely, engaging writing lavishly justifies the Brisbane-based publication’s reputation as Australia’s best example of its genre.’ The West Australian ‘There is a consistently high standard of writing: all of it well crafted or well argued or well informed, as befits the various genres.’ Sydney Review of Books ‘This quarterly magazine is a reminder of the breadth and talent of Australian writers. Verdict: literary treat.’ Herald Sun ‘Griffith Review editor Julianne Schultz is the ultra-marathoner of Australian cultural life.’ Canberra Times ‘At a time when long form journalism is under threat and the voices in our public debate are often off-puttingly condescending, hectoring and discordant, Griffith Review is the elegant alternative.’ Booktopia Buzz ‘Griffith Review is a consistently good journal. There is some terrific writing on display as well as variety and depth to the issues being grappled with.’ The Age ‘Australia’s most important literary essay magazine.’ Courier-Mail ‘At once comfortable and thought-provoking, edgy and familiar, [it] will draw the reader through its pages.’ Australian Book Review ‘Griffith Review is a wonderful journal. It’s pretty much setting the agenda in Australia and fighting way above its weight… You’re mad if you don’t subscribe.’ Phillip Adams ‘Once again, Griffith Review has produced a stunning volume of excellent work.