2018 Performance Roles in Australia Victorian Opera

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Past Winners 2018 Performance Roles in Australia Victorian Opera CAITLIN HULCUP The Capulets and the Romeo - Convent Garden Award 2002 Montagues - Vienna State Opera Award 2004 JESSICA PRATT The Capulets and the Giulietta - Vienna State Opera Award 2008 Montagues DAVID PARKIN The Capulets and the Capellio -Lady Fairfax New York Scholarship Montagues 2009 Pelleas and Melisande - Vienna State Opera Award 2014 Arkel SIOBHAN STAGG Pelleas and Melisande Melisande - AIMS Award and AIMS Sundell Study Prize 2011 LIANE KEEGAN William Tell Hedwige - Convent Garden Award 1992 Pelleas and Melisande Genevieve SAMUEL DUNDAS Pelleas and Melisande Golaud - Lady Fairfax New York Scholarship 2013 ALEXANDRA FLOOD William Tell Jemmy - AIMS Award 2013 TOMAS DALTON Hansel and Gretel The Witch - Finalist Deutsche Oper Berlin Award 2016 Cameron Menzies- Director - The Magic Pudding - Bayreuth Opera Award 2008 and Berlin New Music Award 2011 OPERA AUSTRALIA SAMUEL DUNDAS La Boheme - Handa Marcello - Lady Fairfax New York Scholarship The Turk in Italy Prosdocimo 2013 ALEXANDER LEWIS - Lady Fairfax New York Scholarship The Merry Widow Danilo Danilovich 2006 The Nose The Nose/laryzhkin CHRISTOPHER HILLIER The Merry Widow Sylviane - Rockend National Opera Studio Lon- La Boheme - Handa Schaunard don Scholarship 2006 Rigoletto Ceprano WARWICK FYFE - Bayreuth Award 2009 Don Quichotte Sancho Panza Aida Amonasro The Turk in Italy Geronio NATALIE AROYAN -Lady Fairfax New York Scholarship Carmen Michaela 2008 La Traviata Annina Aida Aida JESSICA PRATT - Vienna State Opera Award 2008 Lucia di Lammermoor Lucia JOHN BOLTON WOOD La Boheme- Handa Benoit/Alcindoro - Metropolitan Opera Award 1973 ANNA DOWSLEY The Turk in Italy Zaida - Lady Fairfax New York Scholarship 2012 West Australian Opera SAM ROBERTS-SMITH Carmen Morales -Deutsche Oper Berlin 2016 PAULL-ANTHONY KEIGHTLEY Carmen Zuniga -Deutsche Oper Berlin 2017 RACHELLE DURKIN Cunning Little Vixen Fox -Lady Fairfax New York Scholarship 2000 Opera Q ANDREW COLLIS The Merry Widow Konrad Pritschich -German Opera Scholarship 1993 Don Giovanni The Commendatore Ruddigore or The Witch’s Sir Roderick Curse Murgatroyd ROXANE HISLOP Ruddigore or The Witch’s Dame Hannah -Lady Fairfax New York Scholarship Curse 1987 Pinchgut Opera Brenton Spiteri Handel’s Athalia Mathan -Finalist Deutsche Oper Berlin Award 2017 .

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(WA Opera Society
W.A.OPERA COMPANY (W.A. Opera Society - Forerunner) PR9290 Flyers and General 1. Faust – 14th to 23rd August; and La Boheme – 26th to 30th August. Flyer. 1969. 2. There’s a conspiracy brewing in Perth. It starts September 16th. ‘A Masked Ball’ Booklet. c1971. D 3. The bat comes to Perth on June 3. Don’t miss it. Flyer. 1971. 4. ‘The Gypsy Baron’ presented by The W.A. Opera Company – Gala Charity Premiere. Wednesday 10th May, 1972. Flyer. 5. 2 great love operas. Puccini’s ‘Madame Butterfly’ ; Rossini’s ‘The Barber of Seville’ on alternate nights. September 14-30. Flyer. 1972. D 6. ‘Rita’ by Donizetti and ‘Gallantry’ by Douglas Moore. Sept. 9th-11th, & 16th, 17th. 1p. flyer. c1976. 7. ‘Sour Angelica’ by Puccini, Invitation letter to workshop presentation. 1p..Undated. 8. Letter to members about Constitution Amendments. 2p. July 1976. 9. Notice of Extraordinary General Meeting re Constitution Change. 1p. 7 July 1976. 10. Notice of Extraordinay General Meeting – Agenda and Election Notice. 1p. July 1976. 11. Letter to Members summarising events occurring March – June 1976. 1p. July 1976. 12. Memo to Acting Interim Board of Directors re- Constitutional Developments and Confrontation Issues. 3p. July 1976. 13. Campaign letter for election of directors on to the Board. 3p. 1976. 14. Short Biographies on nominees for Board of Directors. 1p.. 1976. 15. Special Priviledge Offer. for ‘The Bear’ by William Walton and ‘William Derrincourt’ by Roger Smalley. 1p. 1977. 16. Membership Card. 1976. 17. Concession Vouchers for 1976 and 1977. 18. The Western Australian Opera Company 1980 Season.
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Jessica Pratt - Soprano
Jessica Pratt - Soprano Jessica Pratt est considérée comme l’une des meilleures interprètes de Bel cantos, même des plus difficiles du répertoire. Depuis ses débuts européens en 2007 dans Lucia di Lammermoor, la carrière de Jessica comprend des performances dans des théâtres et festivals comme le Metropolitan Opera New York, Teatro alla Scala of Milan, Gran Teatre Liceu of Barcelona, Zurich Opera, Deutsche Oper Berlin, le Vienna State Opera et le Royal Opera House Covent Garden. Elle a travaillé avec des chefs d’orchestre comme Daniel Oren, Nello Santi, Kent Nagano, Sir Colin Davis, Giacomo Sagripanti, Gianandrea Noseda, Carlo Rizzi, Roberto Abbado, Wayne Marshall et Christian Thielemann. Le répertoire de Jessica compte plus de 30 rôles différents, dont le plus célèbre est Lucia Ashton de Lucia di Lammermoor de Gaetano Donizetti dans plus de 27 productions, suivi de Amima de La Sonnambula de Vincenzo Bellini et Elvira de I Puritani du même compositeur. Elle est éGalement spécialiste du répertoire de Rossini : invitée fréquemment au Rossini Opera Festival à Pesaro, Jessica a tenu 12 rôles dans des opéras de ce compositeur, notamment les rôles principaux de Semiramide, Armida, Adelaide de BorGoGna, plus récemment Desdemona dans Otello au Gran Teatre de Liceu de Barcelone et Rosina dans Barbiere di Siviglia à l’Arena de Vérone. Un autre compositeur au centre du travail de Jessica est Gaetano Donizetti. Elle a fait ses débuts à La Scala de Milan avec La Prima Donna in Convenienze ed Inconvenienze Teatrali et plus tard, Lucia di Lammermoor. La saison dernière, elle a ajouté 4 nouvelles œuvres de Donizetti à son répertoire : La Fille du Regiment à l’Opera Las Palmas, Don Pasquale à l’ABAO de Bilbao, L'elisir d'amore au Gran Theatre Liceu de Barcelone et le rôle principal de Rosmonda d'Ingliterra en version de concert pour l’Opera di Firenze.
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RSTD OPERN Nov Dez 212X476 15.10.12 17:48 Seite 1
RSTD OPERN_Nov_Dez_212x476 15.10.12 17:48 Seite 1 Opernprogramm November 2012 November Franz Liszt Legende der heiligen Elisabeth 20.00 - 22.35 Hermann: Kolos Kováts, Sophie: Éva Farkas, Ludwig: Sándor Sólyom-Nagy, Elisabeth: Éva Marton, 1 Friedrich II. von Hohenstaufen: József Gregor, Ungarischer Magnat: István Gáti, Seneschal: István Gáti. Donnerstag Ungarische Nationalphilharmonie, Leitung: Árpád Joó, 1984. November Léo Delibes Lakmé 20.00 - 21.55 Nilakantha: Clifford Grant, Lakmé: Joan Sutherland, Mallika: Huguette Tourangeau, Hadji: Graeme Ewer, 3 Gerald: Henri Wilden, Frederick: John Pringle, Ellen: Isobel Buchanan. Samstag Australian Opera Chorus, Elizabethan Sydney Orchestra, Leitung: Richard Bonynge, 1976. November Bedrichˇ Smetana Die verkaufte Braut 20.00 - 22.25 Marenka: Dana Burešová, Jenik: Tomáš Juhás, Kecal: Jozef Benci, Vašek: Aleš Vorácek, 6 Mícha: Gustáv Belácek, Háta: Lucie Hilscherová, Krušina: Svatopluk Sem, Ludmila: Stanislava Jirku. Dienstag BBC Singers, BBC Symphony Orchestra, Leitung: Jirí Belohlávek, 2011. November Wolfgang Amadé Mozart Le nozze di Figaro 20.00 - 23.00 Almaviva: Tom Krause, Gräfin: Anna Tomowa-Sintow, Susanna: Ileana Cotrubas, Figaro: José van Dam, Cherubino: Frederica 8 von Stade, Bartolo: Jules Bastin, Marcellina: Jane Berbié, Basilio: Heinz Zednik, Don Curzio: Kurt Equiluz. Donnerstag Chor und Orchester der Wiener Staatsoper, Leitung: Herbert von Karajan, 1977. November Christoph Willibald Gluck Alceste 20.00 - 22.25 Admete: Paul Groves, Alceste: Anne Sofie von Otter, Oberpriester: Dietrich Henschel, Euandros: Yann Beuron, 10 Herakles: Dietrich Henschel, Herold: Ludovic Tézier, Orakel: Nicolas Testé, Apollo: Ludovic Tézier. Samstag Monteverdi Choir, English Baroque Soloists, Leitung: Sir John Eliot Gardiner, 1999. November Christoph Willibald Gluck Paride ed Elena 20.00 - 22.30 13 Paride: Magdalena Kožená, Elena: Susan Gritton, Amore: Carolyn Sampson, Pallade: Gillian Webster.
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Opera Australia Announces Exciting 2019 Season with Five New Productions for Melbourne
MEDIA RELEASE 16 August 2018 Opera Australia announces exciting 2019 season with five new productions for Melbourne Opera Australia today announced their 2019 Melbourne program, promising a truly spectacular season with five new productions, including one Australian Premiere, and featuring some of the world’s finest performers. “It’s a really incredible season” says Artistic Director Lyndon Terracini. “It will be one of the most outstanding seasons we have presented in recent years and we’re proud to be offering an array of new productions, particularly the Australian premiere of Rossini’s Il Viaggio a Reims.” Never staged in Australia before, a thrilling cast will perform Rossini’s jubilant score in Damiano Michieletto’s playful, large-scale production of Il Viaggio a Reims that brings some of the world’s most recognisable artworks to life. Alongside the Australian premiere, OA will present the Melbourne premiere of four productions this season. After receiving rave reviews, acclaimed director Sir David McVicar’s productions of Così fan tutte and Faust will be performed in Melbourne for the first time. Also making its Melbourne debut is Robert Andrew Greene and Dean Bryant’s popular operetta Two Weddings, One Bride and OA will return to the Coopers Malthouse in 2019 to present Aribert Reimann’s chilling Ghost Sonata. As well as the new productions two opera favourites will return; Elijah Moshinsky’s iconic interpretation of Rigoletto and Graeme Murphy’s much-loved production of Turandot. The 2019 season will see Melbourne play host to some of the finest opera singers in the world. “We have the best singers performing some of the western world’s greatest music, in productions by world renowned directors; there is definitely something for everybody” declared Terracini.
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Søvngængersken
SØVNGÆNGERSKEN La sonnambula Opera semiseria i 2 akter af Vincenzo Bellini – Teatro la Fenice 2014 Bellinis La sonnambula er ægte bel canto, hvis særkende er virtuos sang fremfor historie og stormusikalsk udvikling, og sværhedsgraden af de sanglige udfordringer er åbenbar for enhver. Det var datidens store sopran Giuditta Pasta (valgt af Bellini) der sang ved uropførelsen. I det 20. århundrede havde sangere som Maria Callas og Joan Sutherland stor succes i rollen som Amina (Søvngængersken). Sopranen Jessica Pratt løfter smukt arven som Amina i denne historie om forvikling og misforståelse, der foregår blandt et rejseselskab af skiturister i Alperne i 30’erne. Varighed: ca. 2t. og 20m. ex. pause. Denne "spændende og vittige" - i ordene fra Tysklands prestigefyldte Frankfurter Allgemeine Zeitung - ny produktion af Vincenzo Bellinis La sonnambula blænder med sine kærlige detaljerede og fantasifulde sæt, der gengiver et schweizisk alpint feriested i 1930'erne. (Bellini selv satte handlingen i en schweizisk landsby). Komplet med et majestætisk bjergpanorama, svævebane, bus og stor restaurant, for ikke at nævne de farverigt klædte resortgæster. Sætdesigner Massimo Checchetto har skabt en fortryllende billedbog med visuelle overraskelser. Den oprindelige handling 1.akt Amina og Elvino er blevet forlovede, hvilket fejres med en fest i landsbyen. Under festlighederne ankommer en fremmed til landsbyen, grevens søn, Rudolfo, der selv er vokset op i landsbyen. Rudolfo indlogerer sig på landsbyens kro, der drives af Lisa, der er forelsket i Elvino. Rudolfo deltager senere i festlighederne, og bliver til Elvinos store ubehag betaget af Amina, som Rudolfo overdænger med komplimenter. Senere på aftenen går Lisa op på Rudolfos værelse, hvor de to kurtiserer.
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Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
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Barcelona Obertura 2017-18
1 Welcome to Barcelona Obertura 2 We are proud to present a new Barcelona Obertura, Classic & Lyric season, a joint initiative of the Liceu Opera, the Palau de la Música and L’Auditori to promote Barcelona as one of the global cities where classical music matters. When major institutions with such vast history as the three promoters of Barcelona Obertura work together for their city, results are clear: an exceptional season that will help Barcelona gain fame for its excellence in the classical music scene. I want to thank the three institutions for their work and commitment, their directors and teams, as well as Barcelona Turisme. I also want to thank Fundació Banc Sabadell for sponsoring this catalogue. After two years working on the project and various press trips, we have achieved remarkable communication successes - with a dozen appearances in specialized and general international media - and we can say that Barcelona Obertura is contributing to make our city much more attractive and diverse. As a Barcelona Global member, I’m proud of this project and its future. Ramon Agenjo President of Barcelona Obertura and member of the Directive Board of Barcelona Global Barcelona Global is a private, independent and non-profit association made up of more than 700 professionals from all sectors aiming to make Barcelona one of the world’s best cities for talent and economic activity Musical Treasures Institutions from the most Liceu Opera seductive Palau de la Música Catalana Mediterranean city L'Auditori Discover Season 2017–18 Barcelona Classical music from Barcelona to the world 4 5 Musical Treasures in the most seductive Mediterranean city Pau Casals, Alícia de Larrocha, Federic Mompou, Josep Carreras, Jaume Aragall, Montserrat Caballé, Victoria de los Angeles, Jordi Savall, Cuarteto Casals..
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Adelaide Di Borgogna
UNITEL and CLASSICA present ROSSINI OpERA FESTIVAL PESARO Gioachino Rossini Adelaide di Borgogna Daniela Barcellona Dmitri Jurowski Jessica Pratt Orchestra del Nicola Ulivieri Teatro Comunale Bogdan Mihai di Bologna Gioachino Rossini Adelaide di Borgogna Conductor Dmitri Jurowski rediscovery that will delight every Rossini lover! From Orchestra Orchestra del Teatro the Rossini Festival in Pesaro comes the first staged Comunale di Bologna A performance since 1825 of “Adelaide di Borgogna”, written Chorus Coro del Teatro Comunale di Bologna in 1817 for Rome’s Teatro Argentina, which also produced Rossini’s Chorus Master Lorenzo Fratini “Barbiere di Siviglia” and “Cenerentola”. Set in medieval times, the libretto relates the tale of a king’s widow who is used as a pawn in Ottone Daniela Barcellona diplomatic and amorous intrigues, which lead to the victory of the Adelaide Jessica Pratt imperial politics of Emperor Otto I. Berengario Nicola Ulivieri Adelberto Bogdan Mihai The work unfolds a compact succession of brilliant arias, duets, Eurice Jeannette Fischer trios and quartets, of which especially the finales of each act Iroldo Francesca Pierpaoli provide particularly attractive high points: propelled along by Ernesto Clemente Antonio Daliotti the boisterous chorus and Rossini’s typical pumping rhythms, the soloists cut through the vocal and instrumental masses with Staged by Pier’Alli cleverly inserted coloraturas and high notes. Rossini thought so Video Director Tiziano Mancini highly of “Adelaide’s” music that he used no fewer than nine of its numbers in another work of his, “Edoardo e Cristina”. Length 137' The Rossini Festival has always nurtured its vocal talents, and many Cat.
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Call for Applications for the Post of Artistic Director Dossier
CALL FOR APPLICATIONS FOR THE POST OF ARTISTIC DIRECTOR DOSSIER FUNDACIÓ PALAU DE LES ARTS REINA SOFÍA CONTENTS CONTENTS....................................................................................................................................2 FINANCIAL INFORMATION............................................................................................................2 DESCRIPTION OF THE ARTISTIC PROGRAMME.............................................................................3 WHO’S WHO AT ‘LES ARTS’.........................................................................................................25 FINANCIAL INFORMATION Financial information for 2014 - 2016 can be found on the transparency portal of Fundació Palau de les Arts Reina Sofía. The information is contained in the section Información económica, presupuestaria y estadística > CCAA e Informes de auditoría (Financial, Budgetary and Statistic Information > Annual Accounts and Audit Reports) (available in Spanish). Details of productions, concerts, and programmes for 2015 - 2018 can be found on the Fundació Palau de les Arts’ transparency portal. See the section titled Información institucional, organizativa y de planificación > Plan de actuación y programa de actividades (Information on the Institution, Organisation and Planning > Action Plan and Programmed Activities) (available in Spanish). 2 DESCRIPTION OF THE ARTISTIC PROGRAMME FINANCIAL YEAR 2017: PRODUCTIONS AND CONCERTS Description and key information The 2016-2017 Season (September 2016 to January
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Ciro in Babilonia Gioachino Rossini
CIRO IN BAbILONIA GIOACHINO RossINI Michael Spyres Ewa Podleś Jessica Pratt Carmen Romeu Will Crutchfield Orchestra del Teatro Comunale di Bologna GIOACHINO RossINI CIRO IN BABILONIA Conductor Will Crutchfield Gioachino Rossini was only 20 years old when he wrote his fifth Orchestra Orchestra del Teatro opera, Ciro in Babilonia, for the Teatro Comunale Ferrara in 1812. Comunale di Bologna In this recording from the Rossini Opera Festival of Pesaro (Italy), Chorus Coro del Teatro stage director Davide Livermore sets the action in the 1920s, with Comunale di Bologna period black-and-white film inserts, lavish costumes in the Art Chorus Master Lorenzo Fratini Nouveau style, and decors highlighted by “Babylonian” elements. The production was a wildly cheered hit with the audience. Baldassare Michael Spyres Ciro Ewa Podleś The plot revolves around Baldassare, the King of Babylon, who Amira Jessica Pratt has captured the wife and son of the Persian king Ciro. Baldassare Argene Carmen Romeu wants to marry Ciro’s wife Amira and kill the child, but after many Zambri Mirco Palazzi intrigues, betrayals and battles, good triumphs over evil. Since Arbace Robert McPherson the work was to be premiered during Lent, when operas were Daniello Raffaele Costantini prohibited, Rossini combined an Old Testament subject with a Staged by Davide Livermore secular love story and declared the work a “scenic oratorio”. Video Director Daniele Biggiero The lead roles in this festival performance have been entrusted to distinguished stars such as Ewa Podleś (Ciro), whom the press calls Length approx. 165' “the only true Rossini contralto today after Marilyn Horne,” the commanding Michael Spyres (Baldassare), and Jessica Pratt Shot in HDTV 1080 (Amira), whose coloraturas and high notes incite storms of Cat.
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Jessica Pratt
JESSICA PRATT SerenadeVINCENZO SCALERA Serenade from Péchés de vieillesse (?G. Torre) Jules Massenet 1842–1912 Vincenzo Bellini 1801–1835 1 Ouvre tes yeux bleus 2.03 From Sei ariette No.3 from Poème d’Amour (P. Robiquet) 10 No.5 Per pietà, bell’idol mio 2.31 (P. Metastasio) Charles Gounod 1818–1893 11 No.1 Malinconia, ninfa gentile 1.29 2 Sérénade (V. Hugo) 4.07 (I. Pindemonte) Alfred Bachelet 1864–1944 12 La ricordanza (C. Pepoli) 5.25 3 Chère nuit (E. Adenis) 4.38 From Tre ariette (Anon.) Eva Dell’Acqua 1856–1930 13 No.2 Dolente immagine di Fille mia 3.04 4 Villanelle (F. van der Elst) 5.22 14 No.3 Vaga luna che inargenti 2.43 Léo Delibes 1836–1891 Gaetano Donizetti 1797–1848 5 Les Filles de Cadix (A. de Musset) 3.24 15 La zingara (C. Guaita) 3.53 16 Il barcaiolo 2.57 Gioachino Rossini 1792–1868 No.1 from Nuits d’été à Pausilippe 6 La separazione (F. Uccelli) 4.39 (L. Tarantini) 7 Mi lagnerò tacendo 2.32 17 Una lagrima (Preghiera) 4.09 from Péchés de vieillesse (P. Metastasio) from Matinée musicale (Anon.) 8 Addio ai viennesi (Anon.) 4.49 9 La fioraia fiorentina 3.56 62.18 Jessica Pratt soprano Vincenzo Scalera piano 3 Jessica Pratt Hailed by the New York Times as a soprano of ‘gleaming sound, free and easy high notes, agile coloratura runs and lyrical grace’, Jessica Pratt is considered one of today’s foremost interpreters of some of bel canto’s most challenging repertoire.
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Publicacion 1040.Pdf
Patrocinador principal de ABAO-OLBE LXVII 4 16, 19, 22 y 25 febrero 2019 SEMIRAMIDE Gioachino Rossini ACTO I Entra en el salón del trono Semiramide con todo su cortejo. El al margen Frente al gran templo de Baal, adornado para una celebración en su pueblo asiste también a la escena, que tiene lugar a la vista del honor, se encuentran sacerdotes y ministros. El sumo sacerdote mausoleo del rey Nino. La reina pide a todos el juramento de EN TORNO A SEMIRAMIDE EN WWW.ABAO.ORG su fidelidad a quien ella elija por rey, y anuncia que la persona Oroe vuelve en sí después de haber recibido en estado de trance Documentación para descarga gratuita en formato pdf. una amenazadora revelación del dios. Se abren las puertas del designada se convertirá en su esposo. A continuación pronuncia el nombre de Arsace como el elegido. Las diferentes reacciones • Sinopsis argumental templo y entran los nobles, los sátrapas, los magos y el pueblo no se hacen esperar: la ira de Assur, la consternación de Arsace y con incienso y otras ofrendas. Entre ellos llega Idreno, príncipe • Libreto completo en italiano y castellano Azema, el horror de Oroe. Idreno aprovecha para pedir a Azema de la India, y reza a Baal para conseguir sus deseos amorosos. • Discografía y videografía de referencia en matrimonio, lo que la reina le concede. En ese momento, un También el príncipe Assur, antiguo amante de la reina Semiramide, trueno estalla bajo tierra y salta un rayo. Aterrados, ven todos • Artículo: La perfección de la última opera seria de Rossini.
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