Bachelor of Arts by R K Narayan Summary and Analysis
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Malgudi: a Hallmark of Narayan's Fiction
www.TLHjournal.comThe Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal Impact Factor: 2.24 (IIJIF) MALGUDI: A HALLMARK OF NARAYAN’S FICTION DR. SUNEEL KUMAR M.A. & Ph. D (English) 232/1 l.i.g Awas Vikas Colony Kasganj Abstract Malgudi, now legendary, exists nowhere. It was the result of Narayan’s imagination. However, his powerful description and impressive presentation made Malgudi, as good, as a real life town. The a small town created by Narayan himself, had an imprint of traditional society. Narayan was no original thinker, nor he was interested in propagating any new idea. He largely subscribed to Hindu myths and legends. In this traditional setup, we come across clerks, doctors, tutors, school and college students, shopkeepers, house wives, film actors, artists, sculptors, journalists, astrologers, printers, etc. Rich people and beggars and even untouchables are no doubt present, but they are pushed in the background, leaving them to their fate. Narayan’s chief concern is with middle class common man, with a marked potential for the uncommon, trying to win attention for himself. They struggle towards maturity, within the accepted religious and social framework. The major characters, we come across in Malgudi, belong to the middle and upper-middle strata of society, which Narayan is intimately familiar with. Most of them are basically innocent. They are traditional and superstitious, by nature. They believe that everything in the universe is pre-ordained and that no amount of human efforts, can ease the situation; they are helpless creatures, tossed this way and that way, by the caprice of fartune. -
The English Teacher
The English Teacher The English Teacher is written by R.K. Narayan. The mentioned novel is critically analysed on the basis of theme, plot, characterisation, setting, social values, cultural values and philosophical values as depicted by Narayan. It was published in the year of 1945 and is preceded by Swami and Friends (1935) and The Bachelor of Arts (1937). The novel dedicated to Narayan’s wife Rajam, is not only autobiographical but also poignant in its intensity of feeling. The story is a series of experiences in the life of Krishna, an English teacher and his quest towards achieving inner peace and self development. The English Teacher novel is divided into eight chapters. Chapter -I Krishna is a main character of the present novel and he is a teacher of English in Albert Mission College, Malgudi, where he has been a student earlier. He recounts a typical day at work in the opening chapter of the novel. He goes about his work mechanically without deriving any real pleasure or satisfaction out of it. He is, therefore, amused when the Principal, Mr. Brown, convenes a meeting of the faculty after college hours to impress upon his colleagues, especially those in the department of English, to help maintain purity and perfection in the language. He is particularly agitated when the students adopt American spellings for English words, e.g., spelling “honours” as “honors”. Krishna tries to make light of the situation but his head and former teacher Gajapathy sides with Brown. He tells Gajapathy that there are blacker sins in this world than a dropped vowel but Gajapathy just walks away. -
Reflection of the Self Through Portrayal of Children in the Short Stories of R.K
ISSN: 2277-9655 [Bawa * et al., 6(10): October, 2017] Impact Factor: 4.116 IC™ Value: 3.00 CODEN: IJESS7 IJESRT INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY REFLECTION OF THE SELF THROUGH PORTRAYAL OF CHILDREN IN THE SHORT STORIES OF R.K. NARAYAN Dr Rippy Bawa* *Assistant Professor, Govt. (PG) Degree College, Udhampur DOI: 10.5281/zenodo.1012461 ABSTRACT R K Narayan is one of the best Indian writers in English sharing this status with Raja Rao and Mulkh Raj Anand. A highly acclaimed writer, master story teller, his characters and his portrayal of ‘Malgudi’ with coruscating virtuosity are testament to his enduring appeal to the readers and critics alike. He is one of the very few, writing in those times, who delved deep in the world of children to find his own childhood in them. His stories containing the child characters firmly establish his status as a writer with rare insight into child psychology. This insight, however, is rooted in Narayan’s own experiences as a child. His ouvre can be read as an autobiography of the author himself. Although the autobiographical strain invests all his writings, the present article is an attempt to study his short stories as reflection of his own personal experiences, particularly with reference to his childhood. Reading his stories give the readers a peep into his own life as a child taking into consideration the adult world as viewed by the innocent eyes of a child. The present paper also focuses on the plight of the children which generally goes unnoticed by the so called wise adult world and how the pure uncorrupt mind has to face harshness on the part of the elders in order to carve out a gentleman out of them KEYWORDS: Indian Writers in English; Malgudi; Childhood; Testament; Adult World; Plight; Autobiographical. -
The Place and Importance of Malgudi in the Novels of .K. Narayan
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 19, Issue 4, Ver. VII (Apr. 2014), PP 98-100 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org The Place and Importance of Malgudi in the novels of .K. Narayan Dr Sudarsan Sahoo Department of English Parala Maharaja Engineering College Sitalapalli, Berhmapur ,Odisha India Abstract: R.k.Narayan is a prolific Indian writer writing in English. His Fictions are immensely popular in India and abroad. Malgudi is the central focus of his imagination. This prominent place of the writer is the eternal source of the pleasures and sorrows of the characters of the novel. The writer the multitude sides of this imaginative location in almost all his novels. The chararacters presented in the fictions feel quite secured in the environment of Malgudi.Malgudi is really a dream for the readers. Keywords: Lalgudi, Mempi Hills, Malgudians, Nellap’s Groove, Sarayu River, Malgudi is the fictional setting of R.K. Narayan’s novels and stories. This place has comparable standard to the other writers of English Literature. It is compared to ‘boarder countries’ of Sir Walter Scott , ‘Lake District’ of William Wordsworth ,’’The Wessex’ of Thomas Hardy, or ‘five Towns’ of Arnold Bennet.Malgudi is an imaginary South Indian town round which Narayan has woven the complex pattern of the lives of his characters. The readers are taken to this imaginary land to laugh ,sympathise ,and share the vicissitudes of its inhabitants. This imaginary setting came to Narayan’s mind instantly: I remember waking up with the name Malgudi on Vijayadashami ,the day on which the goddess of learning is celebrated. -
Superstitious Belief in R. K. Narayan's
SUPERSTITIOUS BELIEF IN R. K. NARAYAN’S THE BACHELOR OF ARTS AND THE ENGLISH TEACHER T. REVATHIPRIYA PANDIT K. JAYAPRIYA M. Phil Research Scholar Research Supervisor PRIST University Assistant Professor Vallam Campus Department of English Tanjore - 613 127 (TN) INDIA PRIST University Vallam Campus Tanjore - 613 127 (TN) INDIA Indian English Literature is written by Indian people in English. It could be in the form of poetry, prose, fiction or drama. English is not our mother tongue and we are not native speakers of English, yet when in the early decades of the nineteenth century, English was introduced as the medium of instruction in our educational system, Indians were able to read Western literature that was available in English. They found the language and the literature versatile and some intellectuals took to conveying their social and religious thoughts in this language. The writings of people like Raja Ram Mohan Roy, Swami Vivekananda, Mahatma Gandhi and others started pouring in and gave rise to a body of prose literature having great socio-cultural relevance. Soon poets like Toru Dutt and many others took to writing poetry in English. But this literature was highly influenced by the style and content of English literature. INTRODUCTION Kushwant Singh is better known as an eminent Sikh historian, editor and journalist rather than a novelist. His novel Train to Pakistan is considered as an Indian classic and his latest novel The Company of Women has been hailed as a landmark in the history of Indian English fiction. R. K. Narayan’s narrative style usually follows the traditional pattern. -
Fantasy and Realism in the Novels of R.K. Narayan
© 2020 JETIR June 2020, Volume 7, Issue 6 www.jetir.org (ISSN-2349-5162) FANTASY AND REALISM IN THE NOVELS OF R.K. NARAYAN Vishnubhai P. Panchal TGT English, Jawahar Navodaya Vidyalaya Porbandar, Gujarat. ABSTRACT: This paper aims to reveal the ‘REALISM’ and ‘FANTASY’ present in R.K. NARAYAN’S novels. In the fiction of R. K. Narayan, there is an accurate representation of contemporary Indian life, traditions and culture in its vivid and realistic form. Social realism is observed minutely. Narayan is a pure storyteller, an artist who portrays reality in its real rare rhythm. Social customs and reality are portrayed vividly with unbiased objectivity and complete detached observation. He apprehends the delicate rhythms of modern Indian life in his well-known novels. He presents realism in the discerning of life- experiences through the characters of his fictional works. KEYWORDS: Social Reality, Fantasy, Live Landscape, Vivid Characters. R. K. Narayan (Rasipuram Krishnaswami Iyer Narayanaswami, 1906-2001) belongs to the age of Indian Freedom Struggle of 20th century. The three bright stars of Indian English literature, Mulk Raj Anand, R. K. Narayan and Raja Rao started writing their fiction, mainly in this period of great ferment and excitement. Some of their early works genuinely reflect the conditions and the problems that characterise the early decades of the twentieth century India and her people. All of them voiced the emotion of their age in their fiction, directly or indirectly. R. K. Narayan wrote Fifteen Novels, Five Volumes of Short-Stories, several Travelogues and Collection of Non-fiction, English Translation of Indian Epics, and the Memoirs My Days. -
Role of Realism and Fantasy in R. K. Narayan's Novels
KCG-Portal of Journals Continuous Issue -33 | March – April 2018 Role of Realism and Fantasy in R. K. Narayan’s Novels Realism is the doctrine that universals have an objective or absolute existence. This doctrine implies that matter as the object of perception has real existence and is neither reducible to universal mind or spirit nor dependent on a perceiving agent. It is opposite to idealism. This world has a reality, to elaborate more properly realism tends to regard things as they really are; they are characterized by practical view of life. Fantasy implies mental apprehensions of an object or perception. By this faculty we can perceive an object of apprehension and the image is impressed on the mind by an object of sense. In other words fantasy is a faculty of imagination. Hence, fantasy may be defined as the eccentric, the improbable which is hardly possible in real life. A novelist gives free vent to his imagination. He throws the laws of logic and natural causation to the winds. Thus, the result is fantastic and absurd. According to Uma Parmeswarn, “Narayan uses both fantasy and realism in eight of his ten novels, but they are not properly balanced. The first half often has excellent, realistically drawn setting, characterization, and action. About halfway through, there is a distinct break and fantasy takes over.” The critic Uma Parmeswaram continues her definition of fantasy in context with Narayan’s novels. Fantasy as an adjunct of comedy is a legitimate and effective device for a novelist to use. “In Narayan’s novel it serves its purpose within the immediate context, but becomes incongruous in the larger context which includes realistic persons and realistic situations. -
Traditionalism in R K Narayan's Novels
Quest Journals Journal of Research in Humanities and Social Science Volume 6 ~ Issue 8 (2018) pp.: 38-40 ISSN(Online) : 2321-9467 www.questjournals.org Research Paper Traditionalism In R K Narayan’s Novels Mrs.JasminA S FDP Substitute lecturer, Department of English, Iqbal College, Peringammala,Kerala,India ABSTRACT:R K Narayan was an Indian writer known for his works set in the fictional South Indian town of Malgudi.He is the one who made India accessible to the people in foreign countries -he gave unfamiliar people a window to people into Indian culture and sensibilities. His simple and modest writing style is often compared to that of the great -American author William Faulkner.His first Novel Swami and friends was published in 1935. Besides novels, he wrote short stories, travelogues, condensed versions of Indian epics in English and his memoir. KEYWORDS :Modernism;Orthodoxy;Traditionalism;Values Received 25 August, 2018; Accepted 0 8 September , 2018 © The author(s) 2018. Published with open access at www.questjournals.org INTRODUCTION R K Narayan upholds the old traditional values of life prescribed by the ancient Indian culture and embodied in Indian epics, Shashtras, Puranas, myths and mythologies. Naturally he gives the philosophy of traditionalism which permeals all of his novels. It is the fountain head from which his other philosophical concepts, such as Orthodoxy, superstition and the role of fate in life flow as its inseparable channels. He presents his concept of traditionalism through the middle class of Malgudi an imaginary small town in South India, which forms the background to all his novels. -
An Analysis of the Inherent Realism Prevalent in the Novels of R K Narayan
ISSN 2349-7831 International Journal of Recent Research in Social Sciences and Humanities (IJRRSSH) Vol. 3, Issue 2, pp: (155-158), Month: April 2016 - June 2016, Available at: www.paperpublications.org An Analysis of the Inherent Realism Prevalent in the Novels of R K Narayan Dr. Gopal Sinha Assistant Registrar (Administration), Indian School of Mines, Dhanbad 1. INTRODUCTION In the fiction of R. K. Narayan, one can find the true representation of Contemporary Indian Life, Traditions and Culture in its vivid and realistic form. The Social realism is extensively and minutely described. Narayan is a pure story teller, an artist who portrays reality in its real rare rhythm. Social customs and reality are vividly described with unbiased objectivity and complete detached observation. R. K. Narayan (Rasipuram Krishnaswami Iyer Narayanaswami,, 1906-2001) belongs to the age of Indian Freedom Struggle of 20th century.The three bright stars, luminaries of Indian English literature, Mulk Raj Anand, R. K. Narayan and Raja Rao started writing their fiction, largely in this period of great ferment and excitement. Some of their early works truly reflect the conditions and the problems that characterize the early decades of the twentieth Century India and her people. All of them voiced the emotion of their age in their fiction directly or indirectly. R. K. Narayan wrote Fifteen Novels, Five Volumes of Short-Stories, a number of Travelogues and Collection of Non-fiction, English Translation of Indian Epics, and the Memoirs “My Days”. 2. LITERARY WORLD OF R. K. NARAYAN The Major Novels: 01. Swami and Friends (1935) 02. The Bachelor of Arts (1936) 03. -
Characters Seekıng Lıberatıon in R. K. Narayan's Swamı
Hacettepe University Graduate School of Social Sciences Department of English Language and Literature English Language and Literature Programme CHARACTERS SEEKING LIBERATION IN R. K. NARAYAN’S SWAMI AND FRIENDS, THE BACHELOR OF ARTS AND THE ENGLISH TEACHER Sinem SAATLI Master’s Thesis Ankara, 2015 CHARACTERS SEEKING LIBERATION IN R.K.NARAYAN’S SWAMI AND FRIENDS, THE BACHELOR OF ARTS AND THE ENGLISH TEACHER Sinem SAATLI Hacettepe University Graduate School of Social Sciences Department of English Language and Literature English Language and Literature Programme Master’s Thesis Ankara, 2015 iii ACKNOWLEDGEMENTS I would like to express my deepest gratitude to my thesis advisor Assist. Prof. Dr. Sinan AKILLI who kept me “bold in blood” and taught me that discipline is the other word for motivation. He has become my main source of inspiration for writing this thesis because of his academic knowledge and his respect to his profession. I have taken many lessons from his commitment to teaching as a “teacher” and his modest attitude towards learning. He has always been a big chance for his students and the people around him because he never gives up believing that one can be better if s/he wants to be better. I would be acknowledging his contribution less than I should if I did not say that he has “saved my years of study” and he is such a hero for his students. I would also like to give my thanks to Prof. Dr. Burçin EROL and Prof. Rezzan SİLKÜ for their guidance and encouragement during my study. I owe a special word of thanks to Prof. -
R.K. Narayan: a Study in Transendence
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1989 R.K. Narayan: A Study in Transendence Mary Beatina Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Beatina, Mary, "R.K. Narayan: A Study in Transendence" (1989). Dissertations. 2635. https://ecommons.luc.edu/luc_diss/2635 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1989 Mary Beatina R. K. NARAYAN: A STUDY IN TRANSCENDENCE by Sr. Mary Beatina O. S. M. A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of Requirements for the Degree of Doctor of Philosophy March 1989 ACKNOWLEDGMENTS I gratefully acknowledge Dr. Harry Puckett,s encouragement and guidance. My thanks are also due to the readers Fr. Gene Phillips, S. J. and Dr. Micael Clarke for their critical reading and suggestions. ii VITA The author. Sr. Mary Beatina O. S. M., was born November 19, 1938 in Palayamcottai, Tamilnad, South India to Nazareth P. Rayen and Jesammal !Rodrigues) Rayen. She received her primary and secondary education in st. Ignatius Convent High School, Palayamcottai, South India, and completed her secondary education in March, 1954. Sr. Beatina is an alumnae of Holy Cross College, Trichy, South India (1954-58), Stella Matutina College of Education, Madras, South India 11967-68), St. -
The Magic Idyll of Antiquated India in R.K. Narayan Fiction
International Journal of Education and Information Studies. Volume 1, Number 1 (2011), pp. 15-18 © Research India Publications http://www.ripublication.com/ijeis.htm The Magic Idyll of Antiquated India in R.K. Narayan Fiction Darshana Rani Ph.D. Research Scholar, NIMS University, Jaipur, Rajasthan, India The problem that every writer on the orient has faced was “---- how to get hold of it? How to approach, How not to be defeated or overwhelmed by its sublimity, its scope and its awful dimensions?” India with his rich culture heritage, its various religions along with its populations, urban and rural, ostensibly appears to be the ideal ground for weaving and setting the tale in. The very vastness of the place results in offering in numerable themes to the writers and these themes in turn interact at various levels making the task somewhat Herculean in nature. R K Narayanan is one of the most famous and widely read Indian novelists. His stories were grounded in a compassionate humanism and celebrated the humour and energy of ordinary life Blotner in her dissertation published in 2005 calls R K Narayan as “deeply religious and confined to Hindu rituals.” In 1989 collection of essays, entitled A Story-Teller’s World Narayanan affirms his all commitment to reproduce in his works the India of culture and also narrative tradition, which has had its origin in the Ramayana and Mahabharata, the ten- thousand –year- old epics of India. Rasipuram Krishnaswamy Iyer Narayanswamy (R. K Narayan) was born on October 10, 1906 in Madras. His father was a provincial Headmaster.