Still on the Road 1993 Spring Sessions

Total Page:16

File Type:pdf, Size:1020Kb

Still on the Road 1993 Spring Sessions STILL ON THE ROAD 1993 SPRING SESSIONS APRIL 27 Austin, Texas KRLU-TV Studios, Filming of Willie Nelson 60 th birthday party. 28 Austin, Texas KRLU-TV Studios, Filming of Willie Nelson 60 th birthday party. MAY 19 Los Angeles, California Grandma’s Warehouse, Mike Seeger Session Malibu, California Bob Dylan's Garage Studio, World Gone Wrong Sessions Still On The Road – Bob Dylan 1993: Spring Sessions 14065 KRLU-TV Studios Jesse H. Jones Communication Center Building B The University of Texas At Austin Austin, Texas 27 April 1993 Filming of Willie Nelson 60 th birthday party. 1. Hard Times (Stephen Foster) 2. Hard Times (Stephen Foster) Bob Dylan (vocal and guitar), John Jackson (guitar), Tony Garnier (bass), Bucky Baxter (accordion), Marty Stuart (mandolin). Note. These tracks are not circulating. Stereo studio recording. Session info updated 28 April 2001. Still On The Road – Bob Dylan 1993: Spring Sessions 14070 KRLU-TV Studios Jesse H. Jones Communication Center Building B The University of Texas At Austin Austin, Texas 28 April 1993 Filming of Willie Nelson 60 th birthday party. 1. Hard Times (Stephen Foster) 2. Hard Times (Stephen Foster) 3. Pancho And Lefty (Townes van Zandt) 1-2 Bob Dylan (vocal and guitar), John Jackson (guitar), Tony Garnier (bass), Bucky Baxter (accordion), Marty Stuart (mandolin). 3 Bob Dylan and Willie Nelson (shared vocal and guitar) backed by The Healing Hands of Time Band: Reggie Young (guitar), Mark Goldenberg (guitar), Robbie Turner (pedal steel guitar), Marty Stuart (mandolin), Mickey Raphael (accordion), Benmont Tench (keyboards), Mark O’Connor (violin), Don Was (bass), Kenny Aronoff (drums). Unauthorized Releases (The release is unauthorized and is not associated with or approved by Bob Dylan or his current recording label). 2-3 released in the UK on DVD Bob Dylan Live Transmissions: Part One, RMS 2661 , March 2008. Official release 2-3 released on the VHS: Willie Nelson The Big Six-O: An All-Star Birthday Celebration, Fox Video 5934 , released 2 February 1994. Notes Broadcast by CBS 22 May 1993. Track 1 is not in circulation. The broadcast and the video also contain parts of an interview with Bob Dylan, in which he comments on Willie Nelson as song-writer and musician. 2-3 stereo studio recordings, 10 minutes. Session info updated 24 September 2014. Still On The Road – Bob Dylan 1993: Spring Sessions 14072 Grandma’s Warehouse Los Angeles, California 19 May 1993 1. Ballad Of Hollis Brown Bob Dylan (vocal & guitar), Mike Seeger (5-string banjo). Released on MIKE SEEGER: THIRD ANNUAL FAREWELL REUNION. Rounder CD 0313 , November 1994. Stereo studio recording, 6 minutes. Session info updated 15 December 1994. Still On The Road – Bob Dylan 1993: Spring Sessions 14075 Bob Dylan's Garage Studio Malibu, California May 1993 1. World Gone Wrong (traditional, arranged by Bob Dylan) 2. Love Henry (traditional, arranged by Bob Dylan) 3. Ragged And Dirty (traditional, arranged by Bob Dylan) 4. Blood In My Eyes (traditional, arranged by Bob Dylan) 5. Broken Down Engine (traditional, arranged by Bob Dylan) 6. Delia (traditional, arranged by Bob Dylan) 7. Stack A Lee (traditional, arranged by Bob Dylan) 8. Two Soldiers (traditional, arranged by Bob Dylan) 9. Jack-A-Roe (traditional, arranged by Bob Dylan) 10. Lone Pilgrim (B.F. White, Adger M. Pace) 11. Twenty-One Years (?) 12. 32-20 Blues (Robert Johnson) 13. Hello Stranger (A. P Carter) 14. Goodnight My Love (?) 15. Mary And The Soldier (traditional, arranged by Bob Dylan) Bob Dylan (vocal & guitar). 7 Bob Dylan harmonica. Note 11–14 listed in Clinton Heylin: Bob Dylan. The Recording Sessions [1960 – 1994]. St. Martin’s Press December 1995, page 190. Official releases 1-10 released on WORLD GONE WRONG, Columbia 474857 2 , 24 October 1993. 1-10 released in remastered versions on WORLD GONE WRONG, Columbia 88691924312-38 as part of the CD box THE COMPLETE ALBUM COLLECTION, VOL. ONE , 5 November 2013. 4 released on 3 CD box set DYLAN, Columbia 88697114202-D3 , 1 October 2007. 12 released on TELL TALE SIGNS: THE BOOTLEG SERIES VOL. 8 RARE AND UNRELEASED 1989-2006, Columbia CKB 735797 , 6 October 2008. 15 released on TELL TALE SIGNS: THE BOOTLEG SERIES VOL. 8 RARE AND UNRELEASED 1989-2006, Columbia CKC 735797 (DeLuxe Edition) , 6 October 2008. References World Gone Wrong Review – The Telegraph 47 (Winter 1993) World Gone Wrong: The Songs – The Telegraph 47 (Winter 1993) Thoughts on World Gone Wrong – by John Stokes, On The Tracks #10 (Spring 1997) Stereo studio recordings. Session info updated 24 November 2013. Still On The Road – Bob Dylan 1993: Spring Sessions .
Recommended publications
  • Christie's to Offer Dolly Parton's Swarovski Crystal-Studded Dulcimer
    PRESS RELEASE | NEW YORK | FOR IMMEDIATE RELEASE : 15 SEPTEMBER CHRISTIE’S TO OFFER DOLLY PARTON’S SWAROVSKI CRYSTAL-STUDDED DULCIMER LEADING A SALE TO BENEFIT ACM LIFTING LIVES® COVID-19 RESPONSE FUND Dolly Parton performing with the dulcimer at her 50th Anniversary concert at the Grand Ole Opry / © Grand Ole Opry | Photo by Chris Hollo NEW YORK – Christie’s announces an exciting online-only charity auction entitled “NASHVILLE: An Auction to benefit ACM Lifting Lives® COVID-19 Response Fund” led by a Swarovski-crystal bedazzled four-string dulcimer owned by Dolly Parton for 30 years accompanied by its original stand and used by the artist as she celebrated her 50th Anniversary performing at the Grand Ole Opry in 2019. The dulcimer is estimated at $50,000 - 100,000, and leads a sale featuring items generously donated by country music’s biggest names, including Reba McEntire, Tim McGraw, Marty Stuart, Bernie Taupin, and Trisha Yearwood. The auction will receive a special mention during the live broadcast of the 55TH ACADEMY OF COUNTRY MUSIC AWARDS™ hosted by Keith Urban on Wednesday, September 16 (live 8:00 ET/delayed PT) on CBS. ACM Lifting Lives® is the philanthropic arm of the Academy of Country Music® dedicated to improving lives through the power of music™. Christie’s auction dates and additional lots will be announced at a later date. Dolly Parton comments: “Seeing my country music community suffer due to the pandemic has broken my heart. It was important to donate the dulcimer that was designed for my 50th Opry Anniversary so we can raise awareness and much needed funds to keep these folks on their feet before we can open the doors to our stages once again.” Lyndsay Cruz, Executive Director, ACM Lifting Lives, comments: “We are immensely grateful to the artists in the Nashville community and beyond who have generously donated items for this auction in collaboration with Christie’s.
    [Show full text]
  • The Poetry of Music Handout 2020
    NICHOLE WILSON HOW CAN USING MUSIC IN THE CLASSROOM Nichole Wilson teaches ENCOURAGE STUDENTS TO ACTIVELY ENGAGE Advanced Placement English Literature and WITH THE ANALYSIS OF POETRY ? English 4 at William Mason High School. She is also the Grade 12 ELA Team Leader at Mason, and a Teacher Most students enter our AP English Literature classrooms Leader Liaison for the state lacking experience with poetry analysis. Even those that of Ohio. claim to enjoy and even write poetry are intimidated by the She is an AP English Literature Consultant, Mentor, prospect of an academic approach to the genre. The students’ and Exam Reader, and has spoken about best practices at a number of conferences, including the fear leads to resistance, which leads to halting and superficial Advanced Placement Annual Conference (2017, discussion, which makes our jobs as teachers all the more 2018, 2019) and the College Board's National Forum (2013, 2015, 2017). Through the J. William Fulbright challenging. However, most students LOVE music and feel program, Nichole taught Literature, Language, and comfortable discussing it. Ask a student to memorize a sonnet, Media Studies at East Norfolk Sixth Form College in England. She has also worked as a journalist for a forget it. But ask them to recite the entire catalog of Beyonce daily newspaper, and as a Public Relations Director lyrics? No problem. And there is poetry to be found in song and adjunct instructor at Mount Vernon Nazarene University. She is not a musician. lyrics: striking diction and imagery, inventive use of metaphor, playful assonance and consonance, and most importantly, complex human stories.
    [Show full text]
  • Study Guide for Teachers
    Study Guide For Teachers The Doo -Wah Riders In Country Coast to Coast Presented by: Young Audiences (866) 500-9265 www.yanj.org www.yaep.org ABOUT THE PROGRAM For twenty years, the Doo-Wah Riders have been riding their own patch of the musical range throughout the west. The Doo-Wahs are an amazing band with a unique, original sound using guitars, fiddles, harmonica, accordion and of course, their voices! They define their sound as "high energy country with a cajun twist". Their tight musicianship and powerful arrangements of classic and original songs have made them favorites everywhere they go! BACKGROUND INFORMATION FOR STUDENTS Country Music has its origins in the folk music of Great Britain and Ireland. The music changed and grew in America because of the influence of music brought from other parts of Europe, Latin America and Africa. Country Music moved from the farm to modern America due to radio. Artists became professionals, but the simple harmonies and themes of writing about working people has never changed. In the 1950’s country Music started to become strongly influenced by cross over artists like Johnny Cash and Elvis Presley. Today, Country Music is being strongly influenced by pop music. VOCABULARY WORDS Cajun music The music of Louisiana. Strongly influenced by the local French descendants. The predominant instruments of Cajun music are the fiddle and the accordion. Country music An American musical style with roots in the South. It is also strongly influenced by Western cowboy music and folk music. Most of the instrumentation country music is in string instruments such as banjos, guitars and violin, and a non-string instrument such as the harmonica.
    [Show full text]
  • Deana Carter Danny Myrick
    Deana Carter DEANA CARTER, the daughter of famed studio guitarist and producer Fred Carter, Jr., grew up surrounded by musical greats, including Willie Nelson, Bob Dylan, Waylon Jennings, and Simon & Garfunkel. She developed her songwriting skills at writer’s nights throughout Nashville, but her real break came when one of her demo tapes fell into the hands of Willie Nelson, who remembered Deana as a child. Impressed with how she’d grown as a songwriter, Nelson asked Deana to perform along with John Mellencamp, Kris Kristofferson, and Neil Young, as the only female solo artist to appear at Farm Aid VII in 1994. Her 1996 debut album Did I Shave My Legs for This? quickly climbed to the top of both the country and pop charts, quickly achieving multi-platinum status. "Strawberry Wine,” the first single from the album, was awarded CMA's 1997 Single of the Year. Seven albums and a decade later, Deana is still writing and producing for both the pop/rock and country markets when not on the road touring. Her superstar success continues to be evident. Her chart topper “You & Tequila,” co-written with Matraca Berg and recorded by Kenny Chesney, was nominated in 2011 as CMA’s “Song of the Year” and received two Grammy nods. Carter also recently co-wrote and produced a new album for recording artist Audra Mae while putting the finishing touches on her own Southern Way of Life that hit the shelves last December. Danny Myrick DANNY MYRICK is an award winning songwriter and musician based here in Nashville.
    [Show full text]
  • Billy Bob Thornton Interview
    A Conversation with Billy Bob Thornton by Frank Goodman Puremusic 1/2002 I had known that Billy Bob was slated to star in the new Travis Tritt video, “Modern Day Bonnie and Clyde.” Brother JB is our publisher, and he and my brother-in-law Gary Falcon manage Travis, so I’d been privy to the video developments. Everybody was up about it, it was obviously not going to be your average Country video. It doesn’t take much to get me to pack a suitcase and go almost anywhere, my gypsy ways never changed. So when it occurred to JB that flying me out to L.A. might land us a Puremusic interview with Billy Bob Thornton about his new record, I was basically in the air. I didn’t mind waiting for JB to turn up at LAX a couple of hours after me, I was engrossed in Ann Patchett’s The Magician’s Assistant, and having a big time. We got out to the high desert location, outside Palmdale. There’s an old abandoned little motel out there called The Four Aces, it’s used exclusively for videos and movies today. The desert’s funny like that. Something goes out of business, they just leave it there and walk away, let the elements have at it. I took some pictures of this old Spanish-style mortuary, I liked the sign that said “Open.” I really enjoyed the record, Private Radio. I know, we don’t usually cotton to records by actors. Visions of William Shatner singing “Lucy in the Sky with Diamonds” or the shocking crooning of Jim Nabors comes to mind.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
    MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me​ is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away.
    [Show full text]
  • The Cambridge Companion to Bob Dylan Kindle
    THE CAMBRIDGE COMPANION TO BOB DYLAN PDF, EPUB, EBOOK Kevin J. H. Dettmar | 204 pages | 20 Apr 2009 | CAMBRIDGE UNIVERSITY PRESS | 9780521714945 | English | Cambridge, United Kingdom The Cambridge Companion to Bob Dylan PDF Book Was he dying? There can be no doubt that Dylan saw Another Side as marking a shift in his career. At 65, Bob Dylan becomes the oldest living artist to hit the top spot. This song still feels contemporary in its sarcasm, and all the more devastating for its brightness. The conventional wisdom of the music business in the s and s was that artists toured only to support new albums. Tambourine Man. Their touchstones are the musicians, musical styles, and values of a folkloric past, all made relevant by the sheer conviction with which they are evoked. And why should there be? Moreover, he evades history by cloaking his songs in the avowedly timeless music of blues, ballads, and gospel. But he was also living in a moment of plagiarism — accused of plagiarizing Homer, in a culture that was generally plagiarizing ancient Greece — and, at 60, in the same age group as the Dylan of Modern Times, railed against the unfair forces that cast him away. The feeling of these arrangements, however, was closer to latter- day Elvis whose death in shook Dylan badly and interrupted the writing of the Street Legal songs or even Neil Diamond whose manager, Jerry Weintraub, was working with Dylan at the time. While his musical range shows the influence of virtually every sort of American popular music, he found this material more than sufficient for his purposes.
    [Show full text]
  • Lesson Plan for Ovation Documentary Song by Song: Dolly Parton “9 to 5”
    Lesson Plan for Ovation documentary Song by Song: Dolly Parton “9 to 5” Grade Level – 9-12 Music Language Arts Materials for teacher Ovation’s website www.ovationtv.com/educators Note: It is recommended that teachers view all programming clips associated with this lesson prior to using the content in class. National Standards for Arts Education Music – Grades 9-12 Standard 6 – Listening to, analyzing and describing music Standard 7 – Evaluating music and music performances Standard 9 – Understanding music in relation to history and culture Curriculum Extension for English Language Arts Part I of the lesson is offered as an English Language Arts curriculum extension. It addresses general skills in reading, oral communications, and researching. An additional writing activity is included at the conclusion of Part II. Lesson Overview Students will gain an understanding of the career and music of Dolly Parton, by viewing and discussing segments of a documentary about this legendary country music artist. They will learn about the distinctive musical style of Parton and the personal qualities that helped make her a renowned performer. They will analyze and assess the lyrics and music for a song she composed and performed, “9 to 5,” for the film of the same title. Students will enhance their reading and research skills, exploring topics related to the documentary and to the featured song. The lesson is divided in two parts. Part I includes viewing program clips and discussing content relating to Dolly Parton’s career and her music, in particular the song “9 to 5.” Part II includes analyzing and discussing musical elements of the song “9 to 5” and its association to the film of the same title.
    [Show full text]
  • Steve Earle Townes Biography
    Steve Earle Townes Biography Steve Earle had two reasons for coming out with this long-planned tribute to Townes Van Zandt now. The first reason is practical. Earle is currently pushing himself to finish a years-in-the-making novel, and he wants to see it in print before the publishing business goes belly up. The second is a more personal concern. Like all artists worthy of the name, Steve Earle loves the truth, and in the case of Van Zandt, he sees that the waters are muddying before his eyes. Very often over periods of years, the truth first becomes myth and myth later becomes truth. In regards to his teacher, hero and friend Townes Van Zandt, Steve Earle was not about to let that happen. “I’m very thankful that when I got out of jail I started meeting people like Jay Farrar and other people his age that knew Townes chapter and verse,” he says. “I’ve always been very thankful for that. But a lot of what powered that is a take on roots music that comes from alternative music, and the crowd that kind of attached itself to Townes was the same kind of people that have White Light / White Heat in the front of their record collection so everybody knows how intense they are when they have a party. I love that record, but I don’t think I’ve listened to it all the way through since I bought it.” “I’m tryin’ not to kill myself,” he laughs. Van Zandt’s reputation has been under something of an overhaul since the dawn of the 1990s.
    [Show full text]
  • Biography: Willie Nelson
    BIOGRAPHY: WILLIE NELSON OUTLAW LEGEND Willie Nelson’s talents as a singer and songwriter have reached into almost every corner of country music for almost 60 years. During the 1970s, he and Waylon Jennings were considered the most important figures in the Outlaw movement. Born into the Great Depression on April 30, 1933, in tiny Abbott, Texas, he was raised by his paternal grandparents. He started writing poems at age five. His grandfather gave him a guitar at age seven, and he soon started writing songs. In his twenties, Nelson scraped by as a radio disc jockey and door-to-door salesman while trying The Outlaws, a collection of songs that became the to break into the Texas music scene. After his first country album to be certified platinum, with songwriting began to attract attention, he moved more than one million in sales. The album featured to Nashville in 1960, and he was hired for $50 a Nelson-Jennings duets, launching them as one of week as a songwriter while he struggled to launch country’s most famous duos. a recording career. Like Jennings, Nelson moved away from the Outlaw But even as he wrote hit after hit for other artists, image by the end of 1970s, but he continued to Nelson’s bluesy singing clashed with pop-country blaze his own path. In 1978, he released an album styles of the 1960s. After his home burned down that featured pop standards, which went on to in 1970, he moved back to Texas, hoping to build multi-platinum success. By the 1980s, he was acting a regional performing career.
    [Show full text]