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Jacqueline Nova Sondag (1935-1975)

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Jacqueline Nova Sondag (1935-1975) La música del sigloXX HOMENAJE A LA COMPOSITORA COLOMBIANA JACQUELINE NOVA SONDAG (1935-1975) Domingo 18 de junio de 2000 • 11 :00 a.m. SALA DE CONCIERTOS BIBLIOTECA LUIS ÁNGELARANGO S A N T A F É D E B O G O T Á D. C. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. JACQUELINE, MÓ6~LLA NOVA MÚSICA EN COLOMBIA entro de sus colecciones, el Centro de Documentación Musical de la Dirección de Artes del Ministerio de Cultura, cuenta con valiosos manuscritos originales que son el testimonio material de la creación musical de compositores colombianos en su gran mayoría desconocidos. En 1 su interés por hacer conocer el valor y la importancia de este patrimonio musical, el Centro de Documentación Musical, en asociación con la Biblioteca Luis Ángel Arango del Banco de la República y con el Departamento de Música de la facultad de artes y humanidades de la Universidad de los Andes, se han vinculado al proyecto de recuperación y difusión del patrimonio musical colombiano, el cual, en esta ocasión, está dedicado a la compositora colombiana Jacqueline Nova Sondag (1935-1975) al cumplirse 25 años de su fallecimiento. Como resultado de la investigación realizada por el Centro de Documentación Musical sobre la vida y obra de la compositora, se ha programado una serie de actividades académicas y culturales que reflejan su .importancia en el ámbito musical colombiano y latinoamericano. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. AGRADECIMIENTOS Guy F. Nova Sondag Francisco Norden Coriún Aharonián Graciela Paraskevaídis Martha Enna Rodríguez Mario Gómez-Vignes Felipe Neira Santiago Lozano Universidad de los Andes Departamento de Música A viatur S.A. Fundación Patrimonio Fílmico Colombiano Orquesta Sinfónica de Colombia Área de Música, Dirección de Artes Unidad de Radio, Dirección de Comunicaciones Radiodifusora Nacional de Colombia 2 Emisora HJCK Los INTÉRPRETES IGNACIO P ACHECO Pianista - Cuba Nació en Camagüey (Cuba); inició estudios musicales con su madre y los continuó en la ENA (La Habana), hasta obtener su grado. Viajó luego a Moscú e ingresó al Conservatorio Chaikovski a la clase del profesor emérito Vladimir Natanson' en 1983 le fue conferido el título de maestría en las especialidades de pianista concertista pianista acompañante y profesor de piano. En 1971 obtuvo el tercer premio del concurso UNEAC en Cuba. En 1982 participó en el Concurso Internacional Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Paloma ü'Shea (España) y recibió mención y diploma. En 1987 le fue otorgado el Premio de la CMBF (Radio Musical Nacional de Cuba) por su labor de divulgación musical a través de grabaciones de concierto; el mismo año recibió el Gran premio EGREM de La Habana asignado al mejor disco en música de cámara. Como recitalista y solista de orquesta ha realizado giras y presentaciones en Cuba, Bélgica, España, Japón (donde grabó un CD), República Ucraniana, República Federativa Rusa, Checoslovaquia, Alemania y Colombia. Ha participado como solista en los festivales Janácek (Checoslovaquia) y Stunder der Musik (Alemania). Además de programas para la televisión cubana, ha grabado especiales por invitación de la televisión alemana. En Cuba ha sido docente de las especialidades de piano en el Instituto Superior de Arte, ISA; algunos de sus alumnos han sido laureados en concursos y festivales 3 internacionales. Actualmente está radicado en Colombia y es profesor en la Universidad de los Andes y en la Universidad Pedagógica Nacional. MARTHA ENNA RODRÍGUEZ Pianista - Colombia Realizó estudios de pedagogía musical y piano en el departamento de música de la Universidad Nacional de Colombia. Sus profesores fueron Inés de Tanaka Pablo Aré alo y Mireya Arboleda. Su trabajo La lúdica, integrante del proceso creativo, dirigido por el maestro BIas Emilio Atehortúa y presentado para optar al título de pedagogía musical fue laureado. Durante ocho años (1978-1986) fue directora y productora del programa Ciclos de música antigua de Musicar F .M. Stereo de Bogotá. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. A partir de 1981 ha asistido regularmente a los cursos latinomericanos de música contemporánea en calidad de alumna, conferencista invitada y docente. Gracias a estos cursos tuvo la oportunidad de trabaj ar repertorio contemporáneo para piano con Héctor Tosar Martine loste y Carles Santos y de realizar los estrenos de Stamp Music de 1. Lidholm, Ein Hauch van Unzeit de Klaus Huber, Piano, piano de Carlos Da Silveira Un lado, otro lado de Graciela Paraskevaídis y la Suite Juego de niños de Helmuth Lachenhann. En Colombia ha adelantado una activa campaña de divulgación musical mediante conferencias en Bogotá, Manizales, Leticia, Medellín e Ibagué. Como pianista de cámara se ha presentado en salas de Pasto Popayán, Tunja Bogotá, Manizales y Barranquilla yen el Sistema Nacional de Radio y Televisión. En Bogotá ha estrenado obras de compositores como Catalina Peralta y Gustavo Parra. 4 Ha publicado artículos en las revistas Arte y conocimiento Infancia, Texto y contexto Politeia Taller yen el Magazín Dominical de El Espectador. Actualmente se desempeña como docente en la Universidad de los Andes. LILIANA NIKOLOVA Soprano - Bulgaria Nació en Sofía (Bulgaria). De niña estudió violín y piano y terminó la carrera de canto clásico como alumna de famosos cantantes y solistas de la Ópera Nacional de Sofía y de pedagogos de la misma institución como Blagovesta Karmovatiova e Ylia Y osifov. Después de ganar el concurso entró a trabajar como soprano en la Ópera Nacional de Sofía; com~ miembro de ella participó en numerosas presentaciones y conciertos en Bulgaria, Alemania, Suiza, Austria Francia España, Holanda Italia y Grecia entre otros países. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Tiene un amplio repertorio de oratorios y óperas de diferentes épocas y estilos como Israel en Egipto de G. F. Handel; Misa de réquiem y Misa de coronación de W. A. Mozart; Pamina de la Flauta mágica,' Susana de Las bodas de Fígaro y Fiordiligi de Cosi jan Tutte de W. A. Mozart; canciones y Misa en mi bemol de F. Schubert; Réquiem alemán de J. Brahms; Liu de Turandot,' Mimí y Musetta de La bohemia de G. Puccini; Norina de Don Pascual de G. Donizetti; Elvira y Óscar de un Baile de máscaras de G. Verdi; Neda de J Pagliacci de R. Leoncavallo; la reina de Shemaka de El gallo de oro de N. Rimski-Kórsakov; La princesa Xenia de Borís Godunov de M. Músorgski y Antonida de ¡van Susanin de M. Glinka. Actualmente trabaja como docente de canto clásico en la Universidad El Bosque Universidad de los Andes y en la Escuela del Teatro Libre. 5 LUIS GUILLERMO CANO Violonchelista - Colombia Estudió en la Universidad Nacional de Colombia; continuó sus estudios en Puerto Rico con Adolfo Odnopossof, en Argentina con Wolfgang Melhom y Alberto Lysy, y música de cámara en Siena, Italia. Se desempeñó como violonchelista principal durante ocho años en la Orquesta Filarmónica de Bogotá y por diez años con la Sinfónica de Colombia; también fue miembro de la Filarmónica de Caracas y profesor en la Orquesta Juvenil de Venezuela. Durante seis años fue miembro de la Orquesta de cámara de Colombia y del Cuarteto Arcos con el cual realizó giras por Europa. Tocó con la Sinfónica Nacional de Costa Rica como primer violonchelo; con esta agrupación realizó giras por Europa, Estados U nidos y Centroamérica. Actualmente es primer violonchelo de la Orquesta Sinfónica de Colombia. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ANA MARÍA ROMANO G. Compositora - Colombia Nació en 1971. En 1999 obtuvo el grado en composición• con énfasis en electroacústica- en la Universidad de los Andes. Fue finalista en el primer y segundo Concurso de música electroacústica de la Alianza ColomboFrancesa en 1994 y 1995, respectivamente. Sus obras han formado parte de la programación de diversos festivales y ciclos: Festival de música contemporánea de Bogotá (1995 y 1999); A, B, Cs (and sorne others) ofLatin American Electroacoustics Composers (Concordia, Canadá, 1998); Concierto de las 4 M del Museo Nacional (1998); Compositores jóvenes colombianos (Centro Colombo Americano, 1999); Festival internacional de música electroacústica de Bourges (Francia 1999)· Colombia en la onda electroacústica (Fundación Gilberto 6 Alzate Avendaño, 1999) y VIII Festival internacional de música electroacústica - primavera en La Habana 2000 (Cuba, 2000). Ha asistido a seminarios y talleres con el ingeniero del IRCAM Camilo Rueda (1995) y los compositores Cornado Silva (1998), Coriún Aharonián (1999) y Graciela Paraskevaídis (1999). Actualmente trabaja en el Centro de Documentación Musical de la Dirección de Artes del Ministerio de Cultura. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. PROGRAMA JACQUELINE NOVA (1935-1975) Les méfaits de la lune Au clair de la lune (1966) Cuánto tiempo fuiste dos (1966) A veces un no niega (1966) De las hojas del verano (1967) Liliana N ikolova, soprano Martha Enna Rodríguez, piano Mesure -pour violoncelle et piano- (1965) Luis Guillermo Cano, violonchelo Ignacio Pacheco, piano 7 Fantasía (1963) Transiciones -para piano- (1965) Ignacio Pacheco, piano INTERMEDIO Oposición-fusión (1968) Creación de la tierra (1972) Montaje: Felipe Neira y Ana María Romano Operación de sonido: Ana María Romano Santafé de Bogotá, D. C. , 18 de junio de 2000 CONCIERTO No. 30 Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Notas al programa Ana María Romano G.* La primera parte del concierto está conformada por obras correspondientes a la etapa inicial de Jacqueline Nova; requieren de gran exigencia interpretativa y en la mayoría de ellas se observa la búsqueda y experimentación dentro de algunos de los lenguajes de vanguardia en su momento. Son pocas las obras de Jacqueline Nova que plantean dentro de su construcción una propuesta armónica tonal; las canciones Les méfaits de la lune (con texto de Paul Verlaine) y Au clair de la lune hacen parte de este reducido grupo.
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