Ramsey Lewis “Ramsey, Taking Another Look” November 2011
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Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Finding Aid to the Historymakers ® Video Oral History with Eldee Young
Finding Aid to The HistoryMakers ® Video Oral History with Eldee Young Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Young, Eldee Title: The HistoryMakers® Video Oral History Interview with Eldee Young, Dates: August 6, 2002 Bulk Dates: 2002 Physical 5 Betacame SP videocasettes (2:09:13). Description: Abstract: Bassist Eldee Young (1936 - 2007 ) was a member of the original Ramsey Lewis Trio and Young & Holt Unlimited. His album, "The Soulful Strut," was a certified gold record. Young also performed with other artists, including Dinah Washington, Dizzy Gillespie and Oscar Brown, Jr. Young was interviewed by The HistoryMakers® on August 6, 2002, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2002_127 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Eldee Devon Young was born on January 7, 1936, in Chicago, Illinois. His father, Walter, worked as a machinist and his mother, Beatrice, looked after the couple’s eight children. After learning the guitar from his brother at age ten, Young began playing the upright bass professionally at thirteen. He played at the After Hours Club on Sunday nights from 2:30 a.m. until dawn and then ate breakfast at home before heading to school. Young achieved great heights as a musician and could be heard on bass, cello and vocals with his own group, the Eldee Young Jazz be heard on bass, cello and vocals with his own group, the Eldee Young Jazz Quartet before his passing. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Kurt Elling February 2011 Kurt Elling Is Among the World's Foremost Jazz
Kurt Elling February 2011 Kurt Elling is among the world’s foremost jazz vocalists. He has been named “Male Singer of the Year” by the Jazz Journalists Association on half a dozen occasions in the past ten years, and during the same interval has been the perennial winner of the DownBeat Critics Poll. He is also a Grammy winner, and every record he has made has been Grammy nominated. Elling’s rich baritone spans four octaves and features both astonishing technical mastery and emotional depth. His command of rhythm, texture, phrasing, and dynamics is more like a virtuoso jazz instrumentalist than a vocalist. His repertoire includes original compositions and modern interpretations of standards, all of which are springboards for inspired improvisation, scatting, spoken word, and poetry. Declared The New York Times, “Elling is the standout male vocalist of our time.” Said The Washington Post, “Since the mid-1990s, no singer in jazz has been as daring, dynamic or interesting as Kurt Elling. With his soaring vocal flights, his edgy lyrics and sense of being on a musical mission, he has come to embody the creative spirit in jazz.” He has been featured in profiles for CBS Sunday Morning, CNN, on Ramsey Lewis’s Legends of Jazz, and in hundreds of publications. Elling has recorded and/or performed with an array of artists, including Terence Blanchard, Dave Brubeck, Jon Hendricks, Charlie Hunter, Al Jarreau, Christian McBride, and Kurt Rosenwinkel. He served as the Artist-in-Residence for the Singapore Music and Monterey Jazz Festivals. He has also written multi-disciplinary works for The Steppenwolf Theatre and the City of Chicago. -
View Album Insert
A0069 8110C jeremy monteiro My foolish heart... an acoustic anthology All Rights Reserved, National Library Board, Singapore by eussel wong 1. all the things you are (Hammerstein/Kern) (this version previously unreleased) 9:58 o Recording Engineers phot Ernie Watts & The Jeremy Monteiro Band, Live in Singapore r (recorded 21 February 1993) cove recorded by John Herbert, Piano-Jeremy Monteiro Tenor Sax-Ernie Watts Drums-Tama Goh Bass-Paul Martin 2. a night in tunisia (Gillispie) 6:43 Lion Studios, Singapore From the album, Jeramzee & Friends- Baek to Basics, released June 1986 recorded by Michael Ryan, Piano- Jeremy Monteiro Bass- Eldee Young Drums- Redd Holt Trumpet- Leroy Jones Tenor Sax- Charlie Gabriel Zee Live House, Taipei, Taiwan recorded by David Richards, 3. orchard road (Watts/Monteiro) 6:02 Mountain Studios, Montreux, Switzerland From the album "Jeremy Monteiro- Always In Love" released in 1990 Piano-Jeremy Monteiro Tenor Sax-Ernie Watts Bass- Charlie Haden Drums-A1 Foster recorded and mixed by Shah Tahir 4. my foolish heart (Washington/Young) 8:35 produced by Jeremy Monteiro From the album "Monteiro, Young & Hol , Blues For The Saxophone Club" released in 1990 Piano Jeremy Monteiro Bass Eldee Young Drums Redd Holt Alto Sax- Ernie Watts produced by Jeremy Monteiro & Ernie Watts 5. summertime (Gershwin) (previously unreleased not originally intended for release) 6:55 Executive & album producer (recorded off the"live" mixing board at Zee Live House, 17 May 1992, in Taipei, Taiwan Jeremy Monteiro, and included here for archival value.) Monteiro Music Pte. Ltd. Piano-Jeremy Monteiro Bass- Eldee Young Drums- Redd Holt Tenor Sax- Sonny Seals This album is dedicated to the memory of my late edited and mastered by John Herbert, 6. -
Joey Defrancesco with Jimmy Smith Remains #1 Suite
JazzWeek with airplay data powered by jazzweek.com • April 6, 2005 Volume 1, Number 20 • $7.95 In This Issue: Juno Awards for Jazz and Blues Presented . 4 Legends of Jazz on PBS This June . 5 Stamp for Yip Harburg. 9 Feldman Starts Firm . 11 Reviews and Picks. 16 Jazz Radio . 18 Smooth Jazz Radio. 23 Radio Panels. 27 News. 4 JAZZ REMIXED page 13 Charts: #1 Jazz Album – Joey DeFrancesco #1 Smooth Album – Kenny G #1 Smooth Single – Dave Koz JazzWeek This Week EDITOR Ed Trefzger ack in the mid-to-late ’80s, I had friends who wanted to be CONTRIBUTING EDITORS the next New Order, Orchestral Manoeuvres in the Dark, Keith Zimmerman Kent Zimmerman Bor Depeche Mode, all synthesizer bands from that period. Tad Hendrickson Armed with early versions of the sequencer program Cakewalk CONTRIBUTING WRITER and a pricey AKAI sampler, these guys sampled everything, from Tom Mallison jazz grooves, to grocery store commercials to a syndicated garden- PHOTOGRAPHY ing talk show host. At the time, I thought the stuff was pretty cool Barry Solof (and one of these days, I’ll dig out those LPs and 12 inches and PUBLISHER see if they hold up.) Anyhow, I bring this up because it was right Tony Gasparre about that time that jazz labels started to notice their records be- ADVERTISING: Contact Tony Gasparre ing sampled for dance records – usually without permission. To- (585) 235-4685 x3 or day, those same labels are opening their vaults to DJs to remix email: [email protected] and sample their vast catalogs, a practice that some purists decry. -
Biographical Description for the Historymakers® Video Oral History with Eldee Young
Biographical Description for The HistoryMakers® Video Oral History with Eldee Young PERSON Young, Eldee Alternative Names: Eldee Young; Life Dates: January 7, 1936-February 12, 2007 Place of Birth: Chicago, Illinois, USA Residence: Chicago, Illinois Occupations: Bassist Biographical Note Eldee Devon Young was born on January 7, 1936, in Chicago, Illinois. His father, Walter, worked as a machinist and his mother, Beatrice, looked after the couple’s eight children. After learning the guitar from his brother at age ten, Young began playing the upright bass professionally at thirteen. He played at the After Hours Club on Sunday nights from 2:30 a.m. until dawn and then ate breakfast at home before heading to school. Young achieved great heights as a musician and could be heard on bass, cello and vocals with his own group, the Eldee Young Jazz Quartet before his and could be heard on bass, cello and vocals with his own group, the Eldee Young Jazz Quartet before his passing. Young met pianist Ramsey Lewis at McKinley High School. They played together until after graduation in 1953, when Young toured with a blues band through the South. However, he was unsatisfied and his preference for jazz and bebop led him to return to Chicago. Lewis, drummer Isaac "Redd" Holt and Young formed the Ramsey Lewis Trio. The three worked hard to improve their skills. Young went on to study at the American Conservatory of Music. The Ramsey Lewis Trio released their first album in 1956, becoming hugely successful. Their albums The In Crowd and Hang on Sloopy went gold and the group sold out Carnegie Hall. -
Season 6 PR Draft ML
FOR IMMEDIATE RELEASE SFJAZZ Announces 2017-2018 Season Programming September 7, 2017 – May 27, 2018 Tickets on Sale to SFJAZZ Members, June 24 at 11:00amPST Tickets on Sale to Public, July 15 at 11:00amPST SFJAZZ.ORG (SAN FRANCISCO, CA, June 15, 2017) -- SFJAZZ announces artist programming for the 2017-18 season running September 7, 2017 to May 27, 2018 presenting concerts at the SFJAZZ Center’s Robert N. Miner Auditorium and Joe Henderson Lab, Herbst Theatre and the Paramount Theatre in Oakland. Tickets and ticket packages on sale to SFJAZZ Members, June 24 at 11:00amPST and on sale to public, July 15 at 11:00amPST. For more information, visit sfjazz.org. “The SFJAZZ Center was conceived as a community gathering place for artists and audiences to come together in an environment that encourages engagement and dialogue,” says SFJAZZ Founder and Artistic Director Randall Kline. “When that connection occurs we can be witness to something that moves us, something that makes us feel better for the experience and what can be described as a ‘transcendent moment.’ Since the SFJAZZ Center opened in January 2013, we have been fortunate to experience a number of these memorable dialogues and moments. The programming of the new season is presented to create even more of those moments and to continue embracing and encouraging more musical conversations.” The SFJAZZ Resident Artistic Director program was established to give today’s most innovative and influential musicians the chance to curate exclusive programming at the SFJAZZ Center often featuring unprecedented collaborations between world-renowned artists. Every two years, SFJAZZ selects a new group of forward-thinking musicians to participate in the program. -
JAZZ on the TUBE Story Inside! Published by Martin Wahl Communications
may/june 2006 issue 282 free jazz now in our 32nd year &blues report www.jazz-blues.com At Last...After 40 Years........ 25 AMERICAN PUBLIC TELEVISION JAZZ ON THE TUBE story inside! Published by Martin Wahl Communications Editor & Founder Bill Wahl Layout & Design Bill Wahl New Series on Public Television Operations Jim Martin Pilar Martin At long last - after four decades - react and respond to each other. I will Contributors we have a jazz series back on TV. And admit that having the opportunity to jam Michael Braxton, Mark Cole, it includes a bit of blues too. Legends on the closing theme with so many great Chris Hovan, Nancy Ann Lee, of Jazz with Ramsey Lewis began to players and singers was beyond my Peanuts, Mark Smith, Duane air on Public Television stations last wildest dreams.” Verh and Ron Weinstock. month. The much anticipated series, Each show in this ground-breaking produced by LRSmedia, is the first series is theme-based and includes con- Check out our new, updated web weekly network television jazz show versation with and performances by page. Now you can search for CD in 40 years. Each themed episode – some of today’s most important jazz and Reviews by artists, Titles, Record such as The Golden Horns, The Pi- jazz related musicians, including: Tony Labels or JBR Writers. 15 years of ano Masters and American Songbook Bennett, Chick Corea, Al Jarreau, Dave reviews are up and we’ll be going all – features intimate conversations and Brubeck, Billy Taylor, David Sanborn, the way back to 1974. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. RAMSEY LEWIS NEA JAZZ MASTER (2007) Interviewee: Ramsey Lewis (May 27, 1935 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: September 28-29, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 87 pp. Brown: Today is September 28th, 2011. This is the Smithsonian oral history interview with NEA Jazz Master Ramsey Lewis, pianist, composer, arranger, media personality, and entrepreneur, conducted in his home in Chicago. Good afternoon. Lewis: Good afternoon. How are you today? Brown: I’m fine. If we could just start by you stating your full name, your date of birth, and your place of birth. Lewis: Ramsey Emmanuel Lewis, Jr. Chicago, Illinois. May 27, 1935. Brown: If you could tell us your parents’ names and any information about their background, where they were originally from. Lewis: My mom’s name is Pauline Lewis. She’s from around Jackson, Mississippi. Her family was born out in the county, but the closest city was Jackson. In fact her brother eventually opened a funeral home in Jackson, Mississippi. My dad is from Georgia. Once again – I heard him talk about Atlanta. I heard him talk about Macon. But I think once again that he was out in the county and never identified the exact place where he was born. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 They met in Chicago at church. Didn’t know each other, but ended up at the same church. -
© 2010 Brian Matthew Felix
© 2010 Brian Matthew Felix ROCK BECOMES JAZZ: INTERPRETATIONS OF POPULAR MUSIC BY IMPROVISING ARTISTS IN THE 1960s BY BRIAN MATTHEW FELIX THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Jazz Performance in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctoral Committee: Associate Professor John “Chip” Stephens, Chair Associate Professor Gabriel Solis, Director of Research Professor Jim Pugh Associate Professor Erik Lund ABSTRACT The advent of rock and roll changed the jazz world’s relationship to itself and its musical public. The popularity of jazz, in decline since the rise of bebop in the mid-1940s, was further eroded by rock and roll’s rise to prominence in the mid-1950s. By the mid-1960s, the jazz world seemed to be faced with a choice: adapt to accommodate the burgeoning new genre or risk fading further into popular irrelevance. Many jazz artists chose to ignore rock, oftentimes viewing it as a simple-minded pursuit dominated by white artists stealing from black musicians. Other artists, though, chose to engage with the new music and bring it into the jazz world by interpreting rock repertoire. In a way, this trend was no different than the time-honored jazz tradition of interpreting contemporary popular songs. Interpreting rock songs and incorporating them into their repertoire was different, though, because of the many prejudices that jazz musicians held toward rock music and the relative simplicity of rock’s musical attributes. This paper is dedicated to the in-depth study of jazz versions of rock music in the 1960s. -
Pianist Emmet Cohen ‘Fills in the Gaps’ Between Traditional and Modern Jazz New Release Follows Months of Weekly Online Concerts
THE MAGAZINE OF THE APRIL 2021 NEW JERSEY JAZZ SOCIETY JerseyJazz VOLUME 49 ISSUE 04 EMMET COHEN’S Future Stride TRANSFORMING TRADITION IN THIS ISSUE ARTICLES/REVIEWS COLUMNS 08 Saturdays with 03 All That’s Jazz Ramsey Lewis 05 Editor’s Choice 13 Emmet Cohen’s Future Stride 36 From the Crow’s Nest 17 Jazz History: Scott LaFaro 22 Talking Jazz: John Lee 29 Rising Star: Jocelyn Gould 33 Remembering CORRECTION The bassist who played with Renee Rosnes Carol Fredette at the Paris Philharmonie and the Luxembourg Philharmonie in 2016 was Linda May Han Oh. Her name was misstated on page 14 of the ON THE COVER _ Emmet Cohen. ALL PHOTOS OF COHEN BY TAILI SONG ROTH 38 Other Views March 2021 issue of Jersey Jazz. NJJS.ORG JERSEY JAZZ APRIL • 2021 02 ALL THAT’S JAZZ BY CYDNEY HALPIN pril is Jazz Appreciation it’s potential, summed up and sanc- please contact me at [email protected]. lease join me on Saturday, April Month (JAM). Originally in- tified and accessible to anybody who 17 at 7 p.m. as we present our A tended as a catalyst to encour- learns to listen” — WYNTON MARSALIS osaic™ Box Sets for Sale. P Virtual Social featuring Chris- age people of all ages to actively NJJS has received two in- tian Fabian, Lance Bryant and Ja- participate in jazz, JAM heralds and ersey Jazz magazine is a wonder- M credibly generous dona- son Marsalis in a “conversation and celebrates the extraordinary heri- ful benefit of NJJS membership tions of used Mosaic™ Limited clips” presentation highlighting the tage and history of jazz.