Sessions Identified with This Symbol Address Broader Areas and Disciplines \Yithin Studio Art and Art History

$Sessions Identified with This Symbol Address Broader Areas and Disciplines \Yithin Studio Art and Art History$

•, ·-' \ ->. ' -- -'- -.- _·, ' . ' ' --- \ \'· ._ ·\ G~, Conference Program 19

Open Session oo::J Sessions identified with this symbol address broader areas and disciplines \Yithin studio art and art history.

Oll·Sile Session Sessions identified with this symbol will be held outside the Conference site. .., Pnu::Ucurn 1...111 Sessions identified with this symbol offer practical applications or deal with pedagogical issues.

Museum Session liilJ Sessions identified with this symbol focus on issues of interest to curators and other museum professionals.

Afmiated Sess!on rJ.I;] Sessions identified with this symbol arc sponsored by organizations affiliated with CAA.

CAA. Comrnittoe Sess!on Sessions identified with this symbol arc sponsored by committees of CAA.

~.%-Session l3 Sessions identified with this symbol address the use of digital technology and the Internet in studio art, art history, and art education, 20 Tuesday- Thursday Morning

lB f9 Thursday1 l'ebrnary 20

Tuesday Evening Wednesday Afternoon ARTs pace 6:30- 8:00p.m. 2:00- 5:00 p.m. NASSAU SUITE, 2'" FLOOR

Ortentatron for !nterv!ewews Grant-Writing W'Hiknhnn Brimming with events and activi and Cand!dates for Artists: Parts 1 and 2 ties of special interest to CAJ\s EAST BALLROOM, 3'" FLOOR CONCOURSE ROOM F artist-members, ARTspace, intro duced at the 2001 Conference, Michael Aurbach, This Workshop is by reservation only. will extend over the full three days Vanderbilt University of the Conference. Part theater Wednesday Afternoon Laurie Beth Clark, and part lotmge, this conference 4:00- 5:30p.m. Univer:sity of\Visconsin, Madison within-a-conference will be the site for innovative progranuning, Mark L. Goldstein, ranging from artists' talks, per Goldstein & I\·lorris, LLP Historians of Islamic Art formances, and debates to social David M. Sokol, Business Meet~ng and networking opporttmities. University of Illinois at Chicago GIBSON ROOM, 2"' FLOOR Ali attendees are cordially invited to be stimulated and to converse, Emmanuel Lemakls, CAA enjoy, and relax at ARTspace.

Women's Caucus for Art Look for ARTspace listings at the Bus! ness MeeUng beginning of each day's program. SUTTON PARLOR SOUTH, 2"" FLOOR Ongoing video, slide, and multi media presentations, as well as Wednesday Evening other offerings, are still evolving, 5:30 - 7:00 p.m. so please watch for the final list of events. EAST BAllROOM, 3'" FlOOR Welcome and Opening Remarks 8:00 - 9:30 a.m.

Michael Aurbach, CAA President Fresh Start: Perk up your senses with complimentary coffee, tea, or The Honorable Kate D. Levin, juice, A detailed schedule of the Commissioner, N.Y.C. day's events will be available. Department of Cultural Affairs

Presentation of Awards

Keynote Address Off-S!U; Sessfon Roger Shimomura, F'racHcurn Uni\'ersity of Kansas

Mt~seum Sesslor,

'Vednesday Evening AfliHated Society Sess!on 7:30 - 9:30 p.m.

CAA Committee· S%sion The Whitney Museum of American Art 945 Madison Avenue at 75th Street ADMISSION BY TICKET ONLY Thursday Morning 21

011 View All Day: Thursday Morning AIM 1\r! in Molionlll 5:00 - 6:30 p.m. 7:30- 9:00a.m. Making Art Make Hii;lorv: Art as Institution TH7 An international festival of digital Art in Media/ Art History Technology MERCURY BALLROOM, 3'~ FlOOR and time-based media presented Media in Art TH4 Consortium by the University of Southern CHAIRS: Joann Byce, Otis College of Linda Nochlin, Institute of Fine Business M<>etln California School of Fine Arts. Art and Design; Sandra Esslinger, Arts, New York Uniwrsity, in SUTTON PARLOR CENTER, 2u FLOOR 'Viii also be available for viewing Mount San Antonio College conversation with Paul Tschinke.l, throughout the day on Friday. Queens borough Conununity College, For Low or Momy: A Cast City Uni\·ersity of New York, and Study of a ucaukuptr" 9:30 ~noon Queer Caucus for Art Jo Ann Wein, Queensborough Callrry Andrea Pappas, Business Meeting Community College, City Uni\·ersity Santa Clara University GRAMERCY B, 2"b FLOOR ~ of New York Tht Barmtt Adm Gallery: Freedom of Thursday Morning A Pionuring Jinturt in Cultural Now More than Ever? TH1 6:45- 7:45 p.m. 9:30- noon Diwrsity Janet G. Abbott, Social CHAIR: Ted Berger, Di:sc'""''"'" Translation: Pennsylmnia State University New York Foundation for the Arts Vision, Texts, Contexts TH6 Art, Commna, and tht Nation: Bring your laptop (on battery Participants to be announced. SUTTON PARLOR NORTH, 2~ 0 flOOR Bo;·dell's Shakespeare Galluy only, please) and share your \Vork! Pamela M. Fletcher, Come see what others have to CHAlRS: Mieke Bal, Uni\·ersity !2:30- 2:00 p.m. Bowdoin College show on laptops, from video to of Amsterdam; Joanne Morra, The New York Trilotw: slides to computer-only work Central Saint Martins College Minimalist JlOrk and the Art Gallery: Site, Context and Location~ to intcracti\•e work. Happy Hour of Art and Design Dan Graham, tht John Daniels A Case of The lower is no-host/ Come, show, look, Gallery, and the Field of Minima/ism, The Absmt Image: Tramlation Manhattan Cultural tell, hear, see, interact, network 1964-65 Rhea Anastas, as Both lmpossiblt and Counci!~s Residency with fellow artists, art historians, Cit)' Unh·ersity of New York Numar)' Gary Shapiro, PmgramsrH2 critics, writers, and students. Uni\'ersity of Richmond Moukhtar Kocache, Indicate your interest in partici liiii'l pating: [email protected] 1'.Artimlation bifore tht Ietttr": Lower Manhattan Cultural Council But How Did Use It?: HYiting, Dmwing, and You are welcome to bring your lunch. Defining Context in 8:00 - I 0:30 p.m. Blind Tinu Eve Meltzer, Buddhist ArlTHs Uni\·ersity of California, Berkeley 2:30 - 4:45 p.m. Safe Haven: Performance, SUTTON PARLOR SOUTH, 2"° FLOOR Video, and !he Body A Gotuback Ltxicon: Transttxluals, Irony Chef rH3 CHAIRS: Elizabeth Hammer, Fema!e ArtLsts Today m5 Translatmts, and the Allure of the The Metropolitan Museum of Art; A hybrid of an academic panel Fmaured Gaze Jillian St. Jacques, CI-IAlR: Hayley Barker, Denise P. Leidy, The Metropolitan and the popular cooking show. independent scholar College of the Redwoods Museum of Art CHAIRs: Beauvais Lyons, Tht Tnmslation of Photography: Guilty Pleamm Carey Lovelace, What's So Cool about This St1ifj University ofTe1messee, Knoxville; Amu MacDona/J's The International Art Critics Association At~ywa)'?: Buddhist Art and the Richard Purdy, Amumciations Rex Butler, Gmeral P~tblic Nicholas Ruocco, Trois RiviCres, Quebec Control b)' Looking: A Talk to Uni\·ersity of Queensland, Brisbane The Metropolitan Museum of Art Determine whrther Vision Is Political PRESENTERS: David Wilkins, Fibmd Philosophy: Translating and Pow~r~Orimted Dafita Ganani Museums, Buddhist Art, and Uniwnity of Pittsburgh; Sarah the HYittm into tht A~tdio- Vimal }..ftditation: A Contemporaty Smith, Montserrat College of Art; En~s, Outrage, a11d tht Toothless Nora M. Alter, Persputiw Saralt Loudon, Clark Bedford, Hirshhorn Museum; Pixel Carolee Schneemann Uniwrsity of Florida Seattle Art Museum Ruth Weisberg, University of Miranda July Southern California; Charles Jansen, Explaining Enlightwmmt: ~ Middle TCnnessee State University Difitling and Communicating Freedom o! Expression: Cot~ttxl in Buddhist Art COMMON·TATERS: Norie Sato, inde Now More than Ever? m1 Kathryn H. Selig Brown, pendent artist, Seattle, \Vashington; NASSAU SUITE, 2~° FlOOR independent scholar Diana Thorneycroft, CHAIR: Ted Berger, New York University of Manitoba Foundation for the Arts

Participants to be announced. 22 Thursday Morning

Conlfxt and thr Dtath Knell if Digital Art and the Critique The Art Evmt as Cult11ral Art History Ste\'en Kossak, Kristen BamnliCr, Maquiladora George Yudice, The Metropolitan Musetml of Art Cleveland Institute of Art New York Uniwrsity

That Statue Is Doing What?: Building a Critiqur Format Re-rowring the Cityscape: An hnagiuing thr Sp11W if Buddhist for Studmt Im·olwmmt Individual Artist's Guide to Lfgally Installation Mimi Yiengpruksawan, Dianne Roman, Shepherd College Installing a Publir ll'orks ProjW in )~tie Uniwrsity Ntw 10rk City Michele Brody, One, T,w, Thm: It's Crit Tinu! artist Stephen Lamia, Dowling College Sea rcl1/ Research: Artists in the Archives TH9 !he Yellow Badg

Doing It Cmtml Mexican Style: r~em!rdst Poetics A11 Explonllio11 of tile "Ttotihuacdn in the Age of Museum Committee

Rn•ivtd" in Lau Cla55ie Ma;·a Art 'fransrwtiona!ism TH16 PETIT TRIANON, 3"~ FLOOR Cu!hna! Patrirnony: and Architecture Cristin L. Cash, GRAMERCY A, 2"" FLOOR Creative Solutions CHAJRS: Andrew C. Shelton, Ohio Unin~rsity of Texas, Austin to Questions of CHAIR: Mysoon Rizk, State University; Pamela J. Warner, Ownership rH20 A Lwgw~,gt of Relics Uni\'ersity of Toledo Uniwrsity of Delaware, Center for RENDEZVOUS TRIANON, 3"~ FLOOR Adam Herring, Southern Advanced Study in the VISual Arts I Am Not a Pnsian Miniaturt: Methodist Uni\·ersity cHAm: Susan Kennedy Zeller, The Art of Iranian Jlilmm in Exile from Dtiii(Wix to Impressionism: Brooklyn Museum of Art Stylistic Retrospection in Ancimt M~·a Aphrodite Desiree Navab, Signac and tht Gmealogy of a Art Megan O'Neil, Yale University University of Florida Mowmwt Kristin O'Rourke, Exundtd Loans of Artworks Uni\'ersity of Iowa with International Iudwmity: Late Classic Revivals in the Jlfsceml Imagtt)' a~~d Staining A Solution to the Disputt owr Cmtml Highlands: Questions as Signifim of Social Struggle Corot without Impmsionism Ownership of Cultural Property Raised by Cacaxtla and Xochiealco ill tllf JT{lrk of Shahzia Sikandtr Patricia Mainardi, The Graduate Sharon N. Lorenzo, The Graduate Debra Nagao, independent scholar Jessica Hough, The Aidridt Center, City University of New York Center, City Uni\'ersity of New York Museum of Contemporary Art Sil')•ls in 16th-Cmtur;• Mexico: Daul1igny's Exptrimu of Piau Constance Lowenthal, Prophrsying to tht New Cmtiles and tl)( Naturalist Landscape Constance Lowenthal, Inc. Penny C. Morrill, Michael DuffY, Rekha Rodwittiya: Tht Essmtials San Antonio Museum of Art East Carolina Uniwrsity Tht Return of tht Teikweidi Crizz~• of Foninism Sarita K. Heer, Bear House Posts to tbt Cape Ft_,x Memphis College of Art Modunity in Toms: Thr Pre-Raphaelite Crea!inu and Corporation Robin \\'right, Burke Paradigm Tim Barringer, Saving Murals rH15 Poetics of Silmce: Feminism and Musemn, University of\Va.shington Yale University EAST BALLROOM, 3"° FLOOR Cultural Differma Amna Malik, The Slade School of Fine Art CHAJR: Francis V. O'Connor, The Culture o! the Off-site (! lia independent scholar DJscusssANT: Hitomi Iwasaki, Modern Print TH19 View!r~g and Reviewing Queens Museum of Art GIBSON ROOM, 2•° FLOOR Fragonard~s Progress Conserving Congressional Munds of Love at The Flick in tht Capitol and the Libra')' CHAIRS: Bronwen Wilson, McGill Drawn to Maps: Collection rH21 of Congm" 1855-1900 University; Angela Vanhaelen, and This session will be he!d at Barbara A. Wolanin, U.S, Capitol Luther College, University of Regina Art TH17 The Frick Co!!eclion Thr Many Dimmsions of CMsm•ing WEST BAllROOM, 3u FlOOR Dying to See: Tbe Print and 1 East 70th Street Murals: Thm Case Histories Early ModmJ Ftars of Jlisiou (between Madison and Fifth Avenues) CHAIRS: Jean Robertson, Indiana Gillian Randell, Rose Marie San Juan, Uni\'ersity~Purdue University, CHAIR: Colin B. Bailey, Evergreene Painting Studios Uni\'ersity of British Columbia Indianapolis; Craig McDaniel, The Frick Collection Saving Progrmiw Era and New Deal Indiana St

Thursday Afternoon Steven Bleicher, 12:30 - 2:00 p.m. Association of Textual Art Institute of Fort Lauderdale Scholarship In Art History Kathleen Cohen, Writing !he Female Artist: San Jose State Uni\·ersity 1600 ~ 1900 TH24 Ar!Table, Inc. PETIT TRIANON, 3"° FLOOR Sue Gollifer, University of Brighton Art Paths: Altcma!ive

Careers in the Visual CHAIR: Julia K. Dabbs, Barbara Groseclose, Arts TH22 Uni\·ersity of Mllmesota, },:!orris Ohio St;tte University GRAMERCY A, 2'" FLOOR Seducing Public Opinion on l11tt David McCarthy, Rhodcs College CHAIR: Ellen Staller, ArtTable 18th-Cmtfll)' Frmch Fcmalt Artists Kathleen Walsh-Piper, Laura Auricchio, Connecticut CoUcgc Pam Shipley, Glass Roots Uniwrsity of Kentucky Art Musemn Tht Nnv H'otwm in the Studio: Female Alyson Baker, Socmtes Sculpture Park Artists iu Gilded Age Amtrimu Fictiou Iii Susan Ball, CAA Cynda Benson, Sawmah College of National Endowment Art and Design for the Arts A Mother's Touch: Smlpting the infonnation Session TH26A Association of Historians of Carur 1 Ab11stmia St. Ligcr Ef,ule MERCURY BALLROOM, 3"° FLOOR 19th-Century Art Alexis Boylan, Lawrence Uniwrsity Robert Frankel, Director of New Directions in 19th~ This session will be followed by Museums and Visual Arts, TH23 a business meeting. and Wendy Clark, Visual Arts SUTTON PARLOR CENTER, 2"" FLOOR Specialist, will discuss and answer CHAIR: Cordula Grewe, rill] questions relating to Federal Cohunbia Uni\·er:sity Catalogue Ralsonne Funding for Museums and Scholars Association Visual Arts Organizations The Emngma 1 the Musmm in Why Ills to available through the National tht uSputamlar" 19th CmtlH)' Reinvent the Wheel; Endowment fOr the Arts. At this Julia Noordegraaf, Historians session, arrangements can be Erasmus Universiteit Rotterdam Authoring Catalogues made for individual consultation Paint, Prim, and Pcmption: Anothn Ra!sonnBsTH25 relating to specific projects.

Look at American Cmre Painting 1 MURRAY HILL SUITE, 2"~ FLOOR tht 1840s Peter Brownlee, Operr Sessfon CHAIR: Steven Manford, George 'Vashington Uni\·er:sity independent scholar CAA International Committee Dtgas's Place de la Concorde: CAA, tile U,N,, Thr Cirdt of Talbot Larry Schaa£ Mourning the Loss 1 Alsaa and UNESCOTH27 University of Glasgow Pradtcum Andre Dombrowski, SUTTON PARLOR NORTH, 2u FLOOR University of California, Berkeley Julia Margaret Cameron Julian Cox, CHAIRS: James Rubin, State Museum Sesslorr The J, Paul Getty Museum Uni\'Crsity of New York, Stony Brook; Alfred Stitglitz Sarah Greenough, Carolyn Boyle Tttrner, Affllfated Socle!y Scss[on National Gallery of Art Pont Aven Sd10ol of Art

C/\A Committee Sesskm Man R~l)' Steven Manford, Following the recent annotmce independent scholar ment by the Bush administration 10-Sesslon that the U.S, intends to re-join UNESCO, the International Committee has undertaken to CAA Educa~ion Committee explore ways in which the College What Makes 'Vcu Think Art Association can collaborate Uwt Whatever You on projects and othenvise interact Do, .. Works?: Theories/ with the United Nations. The Strategies lot Art/At! Conunittee expects to ha\•e speak TH26 ers from both the international GRAMERCY B, 2'° FLOOR political and artistic worlds com

CHAIR: Kathleen K. Desmond, prise a panel for a discussion/ Centr.tl Missouri State Uniwnity workshop focused on these issues.

Palficipanfs to be announced. Thursday Afternoon 25

Thursday Afternoon Historians of 18th-Century National Council of Art 2:30- 5:00 p.m. Association of Historians Art and Architecture Administrators of American Art New Scholars Session TH28 Tru!ll or CAA Distinguished Refram!ng American: REGENT PARlOR, 2'" FLOOR in !he Blgilal Realm TH30 Scho!;;u·!s Sess!o11 in Honor Art !or !he Public: Current BEEKMAN PARLOR, a•• FLOOR o! Phyllis Pray Bober,H32 Ideas about Permanent CHAIR: Anne Betty Weinshenker, EAST BALLROOM, 3'" FLOOR Reinstallations rH34 Montclair State University CHAIR: Greg Watts, MERCURY BALLROOM, 3"" FLOOR 1Vletropolitan St.Ite College of Dmwr CHAIR: Ingrid D. Rowland, The Astronomy Imon if the Duchmt Participants to be announced. American Academy in Rome CHAIR: Teresa A. Carbone, du Maim: Kuowledge and Powtr in Brooklyn Museum of Art tlu Andm REgime Nina Lewallen Rtminiscmus of Phyllis Bobtr ~ James Ackerman, Reconstructing Porkopolis: The Sir Jmnts Th~mthill tllld the Dewration Visual Culture Caucus Harvard University Cindtmati JJ!Ing at the Ci11cimwti of a Hospital Andrea MacKean, Business MeeUng Art Muswm Julie Aronson Unin·rsity of Toronto Humanism iu Ancimt Rome RENDEZVOUS TRIANON, 3'" FLOOR and Jennifer Howe, Cincinnati Julia Haig Gaisscr, Piem Jean Marieflt and Pimmsi Art Museum Bryn Mawr College Lola Kantor-Kazovsky, Masttrs, Slaws, C(gar Stort Indians, Hebrew University of Jerusalem A Tastt of Antiquity or How Women's Caucus for Art and Shotguns?: Fred H't'lsotl a11d the Grua BrougM C1rrfggio to Rome New York Feminist Art Radiml Rcjramiug of AmtriCiltliJ Maureen Pelta, ~nsUtute: WorrHmls Art Pete Mauro, The Graduate Center, Moore College of Art and Design Historians of German and History in New York rn3t City Uni\·ersity of New York Central European Art SUTTON PARLOR SOUTH, a•• FLOOR Phyllis as Foodie Objuts, Narratiws, mtd Histoty: BoauJ of Directors Meeting Nancy Harmon Jenkins, CHAIR: Melissa Wolf, The Permanmt Collation of Ameritan HARLEM SUITE, 4"' FLOOR food writer \\'omen's Studio Center, Inc. Art at the Sheldon Art Gallery The Session will begin with a Daniel A. Siedell, Sheldon Joan Arbiter reading of the Emperor Hadrian's Memorial Art Gallery and Sculpture International poem, "Animu1a vagula blandula" Garden, University of Nebraska Sculpture Center Nancy Azara and conclude with a reading of Ptriod Rooms and tlu Nlw Successlul Sl;raleg,ies excerpts from Phyllis Pray Bober's Amrrican JJ!fng, Muswm of Fine for Providing Recognition Leila Daw I 995 Charles Homer Haskins Arts, Boston Elliot B. Davis lecture, "A Life of Learning." and Gerald W. R. Ward, Harmony Hammond CAA is grateful to the Samuel H. Kress Museum of Fine Arts, Boston and Institutions rH29 Foundation for funding the third CAA GIBSON ROOM, 2'" FLOOR Arlene Raven Ttlliug Talts Sylvia Yount, Distinguished Scholar's Session. High Museum of Art CHAIR: Jeff Nathanson, Comic GeniusrH33 International Sculpture Center Tradition, and !he WEST BALLROOM, 3"~ FLOOR Joe Seipel, Modem in British Ar! a01

Living with Modtrnism: C!Jarlts White's Ear~· Mumls and the Period Room Richard Torchia, Domrstirily a11d Rmewal in the JJ'ork &litirs if tbt wm Daniel Schulman, An::adia Unin•rsity Art Gallery; of Bm Nicholson Lee Beard Art Institute of Chicago Amy Hauft, Tyler School of Art

Ttlling Duoratiwly: Debates around Hi&·ard Robinson~ Modrm HomfS at Cnlssing the Line Valerie Smith, Abstraction and Modtmism in the Langston and Aberdrm: New Dml Queens Musewn of Art; Home in the L~rte 1920s and 1930s Housing ll)' tJnd for New Negroes Alan Michelson, artist Andrew Stephenson, Kelly Quinn, University of Maryland Thr MHsmm as JJ'orkplarr University of East London Jennifer Gross, Yale University Art Devices and Desires: Museum; Maureen Connor, cal1gtlag!l.s of Color The Visual Rhetoric of Queens College in ~ast Asian Visual Power and Culture TH36 in Renaissance and Writing Feminist SUTTON PARLOR NORTH, 200 FLOOR TH38 Art Histories rH40 PETIT TRIANON, 3"° FLOOR CHAIR: Mary M. Dusenbury, BEEKMAN PARLOR, 2"° FLOOR

University of Kansas CHAIRS: Arne Flaten, Virginia Tech; CKAJRs: Jennifer Milam, Adrian Randolph, Dartmouth College Color S)'lnbolism in Eady Chinese Uniwrsit:y of Sydney;

Fumrary Art Guolong lai, Art1 Power, tJIJd the Relics if Mary Roberts, University of Sydney Unin.,rsity of California, Los Angeles Saints Zmobius 11/Jd John the Mirror Mirror: Idmtifieatiou-in Baptist in Rmaissancc Flormct Radiance tmd Darknm: Color at tht Opposition within the Female Sputator Sally J. Cornelison, Heim1 Court Mary M. Dusenbury, Susan Sidlauskas, Unh'ersity of Kansas University of Kamas Uniwrsity of Pennsykania Fortune, Emu, and Fiaion: Color tJs Physimlity and Sexuality Edmonia Lfwis 1s Forever Free: Bartolomro Col/coni~ lmpresc and the in japmrm Bt4ddhist lmagtry Refiguring the African-American Rhrtorie of Triumph Jeanette Kohl, lkmni Kaminishi, Tufts Uniw:rsity Subjrrt in Post-Emancipation Societ)' Kunsthistorisches lnstitut Florenz Melissa Dabakis, Kenyon College Saret Colors: Descriptions if Tht Dowstiration of David Chinese Cemmics in the Littrattm Exotic Inversions: Egyptilin Royt~l in Rmaissanct Florwrr of Connoissmrship Stacey Pierson, H'omm and thr Orimtalism Deb11te Jacqueline Marie Musacchio, Perci,,al David Foundation of Mary Roberts, University of Sydney Vassar College Chinese Art City of Ptril,md Plmsure: Frmalt Art mtd Ritual at the Rnwissanrr DISCUSSANT: Amy McNair, FlSneric and the PIJOtomonttJges if Open Sess!on Papal Court Tristan \Veddigen, University of Kansas Marianne Brandt Elizabeth Otto, Institut fur Kunstgeschichte, Bern Utllwrsity of Michigan Negotiating Ute Boundaries Mmage \'trstu Meaning: What to The Body that Haunts Abstraction of Awner!can Modernism: Call "Propt~gt~uda" Evonne levy, Prartfcum Lisa Saltzman, Bryn Mawr College The New Negro Renaissance Uni\·ersity of Toronto as Case Study TH37 Mtiseum Session REGENT PARLOR, 2"° FLOOR ~13 The Work of Ar! in the Age CKAlRS: Susan Earle, Spencer Curator as ol Digital Museum of Art, The University Col!abor·ator rH39 CAA Committee Session of Kansas; Cheryl Ragar, MURRAY HILL SUITE, 2u FLOOR University of Kansas CHAlRS: Alan Michelson, artist; GRAMERCY B, 2~~ FLOOR The Case of Ebony and Topaz: Ingrid Schaffner, ct-WR: Margaret Morgart, Racial t111d Sexual Hybridity in Institute of Contemporary Art, Plwnb Productions Ht~rlem RmtJimma Illustrations University of Peimsyh'atlla Caroline Goeser, The H'ork of Art in the Age Al~out the Btl)•bmy Bush Uni\·er.sity of Houston if Digital Repn~durtion ReJux Ingrid Schaffiter, L1stitute of Douglas Davis, artist and critic Buildi11g Mort Stately Mansiom: Contemporary Art, Uniwrsity of Critiml Ntw Perspectiws for Pennsyh'atlla; Bonnie Collura, Virtual Spuies or Digital H'aste: Undersltl.nding Aaron Douglas Virginia Commonwealth University Ownership in the biformation Age Cheryl Ragar, Donna Tracy, Chaffey College Uninrsity of Kansas Thursday Ewning 27

Copyrig!Jt, Fair Ust, and Crmti\•e Fr.1111 Air to Air.' Thrtt ContfiiiPLlfliY)' Barmtt Ntwmtm's Stations of Thursday E\'ening Appropriation: A Model Pn1posal Northun Andean Immigrant Artists in the Cross and Rtligious Rhttorir 5:30- 7:00 p.m. Da\'id Lange, Duke University, the United StaffS JosC M. Rodeiro, Valerie Lynn Hellstein, and Jennifer Lange Anderson, New Jersey City University independent scholar ~[;j Duke Uni\'ersity Gmtemporary Encounttrs with tl)( Whm P11sh Couus to Show, or CAA Annual Alim: Two So 11th A.sian-Amtrimn Rt(-ad)dmsing Ntwman's lip itt Conference Committee From the Front Lines Artists Rebecca lVI. Brown, Iatt-1960s Amnira Patricia Kelly, How !o Develop a ol Prolesllo St. Mary.'s College of Maryland University of British Columbia Session for the Arnwa! Conference TH47 Engaged Art "1968" DiscussANT: Adriana Za\'ala, OJ Camhmd Flats and Black and SUTTON PARLOR SOUTH, 2'" FLOOR to the Present TH42 Tufts University JVhitt,' Banutt Ntwmmt's Stations RENDEZVOUS TRIANON, 3u FLOOR of the Cross Kathryn A. Tmna, CHAIRS: Ellen K. Le\'y, School of Part 2 of this session will be Museum of Modern Art, New York Visual Arts; Emmanuel Lemakis, CHAIRS: Be\'erly Naidus, Goddard held on Saturday afternoon. CAA College and the Institute for Social Prtsmre and Terror, Alimation aud Other participants to be announced. Ecology; Ann Schoenfeld, Printed Piety: Authmtitity: The Qutstion(ing) 1 Pratt Institute Bfing i11 Barnm Nfwman and Martin Art History Technology hnages in Context TH44 Htidegpr CJaude R. Cernuschi, Rumt Opfratiw Art Practia Consortium GIBSON ROOM, 2'° FLOOR Boston College and Cotmntmicativt Action The Impact of Bruce Barber, Nom Scotia CHAIRS: Jon L. Seydl, The J Paul Banutt Newman and Cmuillt New Tec;hnoic,girls College of Art and Design Getty Museum; Da\'id S. Areford, Pissam1 Joachim Pissarro, on I he Pedagogy ol University of North Carolina, Hunter College joflrtlf)' to My Lai: Tht ConstmcNon Arl History rn47A Greeruboro of Social Memory and the Making REGENT PARLOR, 2u FLOOR Home Is Where the Ar! if Art Carol Becker, School of the Betwtm Privatt Praytr tllld CHAIR: Laetitia La Follette, Art Institute of Chicago Corpora(( Idwtity: Madonna if Domestic Visual Culture Uni\'ersity of 1v1assachusetts at Amherst tlu Rosaty Prints in l6th-Cmtury Brotulcastiug into the Bd~· if thf Bras/ in Europe, 1300~1700 rH46 lta0• Esperan~a Camara, Digital Programs and the Changing Steffi Domike, Chatham College SUTTON PARLOR SOUTH, 2'" FLOOR University of St. Francis NatHrt 1 Visual Resoums, Robert Conapttwlism, Politidsm, CHAIRS: Rebecca Tucker, University Carlucci, Columbia Uni\'ersity Painttd Pri11ts and Piny: Att and tht Art of Ajrinm-American of Denver; Penny Howell Jolly, Examitwtiou if Two Print Strits by A Skills-Bastd Approach to lnumrtiw fJ{lmm Lisa Farrington, Parsons Skidmore College All1mht Darer Susan Dackerman, Homtwork ou the mb, Laetitia La School of Design Baltimore Musemn of Art Rqmsmting the Fiuni0• at Home: Jan Follette, Unin:rsity of Massachusetts \'1111 Eyck's Arno!fiui Doublt PortraU at Amherst Immigrant Artists PLlflllar Rtligiofls Prints and Grndcr Rolts iu Rmaissaurc in Cities: in llth-Cmtury Madrid: Smart Tf11fbers, Not Smart ClassrM/115 Marriagt Ellen Konowitz, State 1 A Con,ten1po1rary The Brotbuhood if Ave Maria Emily Haney, State Uni\'ersity of University New York, New Paltz Part 'l TH43 Maria Cruz de Carlos, New York, Rockland Community

GRAMERCY A, 2'~ FLOOR Compluterue University, Madrid The Borgherini Brdn10111: Northmt College J1stas in au Italian Homt CHAIR: Sm1a.nda K. Sanyal, The Art Pious Prints in 19th-Cmtur;• Robert G. LaFrance, Institute Institute of Boston at Lesley University Franu: Radimlism Tamed Orthodoxy 1 of Fine Arts, New York Uniwrsity H1lgariztd Joyce Polistena, Art libraries Society NegoNating Exputations of Raa, Pratt Institute Sra G1ds Battlt tmd Ptasants of North America Ethnidty, and Ajricmmess: Three Dana: Dcrorattd Housfhold Goods Artists~ Books- A Pane! Nigerian Artists in London in tlu DiscussANT: Da\'id Morgan, in Antwtrp Claudia Goldstein, Discussion on Institutional 1990s Nancy J. Hynes, art critic Valparaiso Uni\·ersity \Villiam Paterson Unin:·rsity Co!!ecting in the New York and journalist Regic•n rH48 DISCUSSANT: Mariet 'Vestermann, Home T!Jougl!ts jrll/11 Abroad: ~ MURRAY HILL SUITE, 2"~ FLOOR Institute of Fine Arts, New York Transatlantic Atsthetics and H11itian Art History Open Session Univcrsity CHAIRS: Deirdre E. Lawrence, Art LeGrace Benson, Bamett Newnwn rH45 Brooklyn lvlusetun of Art; independent scholar TRIANON BALLROOM, 3'° FLOOR MiJan R. Hughston, South Asian Artists in tlu Diaspora CHAIRS: Richard Shiff, Uni\·ersity Museum of Modern Art, New York Siona Benjamin, Trinity College of Texas, Austin; Ann Temkin, Milan R. Hughston, Philadelphia Museum of Art Museum of Modern Art, New York 28 Thursday Ewning

Deirdre E. Lawrence, Studied Spontaneity: Thr Graphic Brooklyn Musnm1 of Art Design Forum Design Pn1ms anJ Teaching o/ Hmr)' Desi1111 Studies K. Tomaszewski Kristina Lamour, Robert Rainwater, in tho Academy: The Art Institute of Boston at Lesley New York Public Libr.try Designing Our Future rH50 University Jae Rossman, Y:1le Art Library GRAMERCY 8, 2'° FLOOR

cHAIR: Rosanne Gibel, Art Institute of Fort Lauderdale Student and Emerging Association of Historians Professionals Committee Miodrag Mitrasinovic, of American Art Art History PI1Ds: Over Uniwrsity of Te.xas, Austin Business Meeting a Decade Later rH52A RENDEZVOUS TRIANON, 3'° FlOOR Raf.tel A. Farjado, GIBSON ROOM, 2xo FLOOR University of Denver CHAlR: Renate Sadrozinski, Cymbre Raub, University of California, Berkeley Association of Historians North Carolina State Unin·rsity Bruce Robertson, Uniwrsity of of 19th-Century Art Robin Landa, Kean University California, Sant.t Barbara, and Los Business Meet!ng Angeles County Museum of Art SUTTON PARLOR CENTER, 2''° FLOOR Victor Margolin, University of Illinois, Chicago Dara K. Sicherman, The GrJ.duate Center, City University of New York

Association for Latin American Art Foundations In Art: Off-site [! ~ Business M!3el!inq Theory and Education CAA Cultural SUTTON PARLOR NORTH, 2•° FlOOR FATE l

CHAlR: Kyra Belan, Society of Historians Vhonique Plesch, Colby College Broward Community College of Eastern European and Jonathan Hay, Institute of Russian Art Pwdkom Kwan-)'i11: Metamorphosis o/ the Fine Arts, New York University of !he Individual Grrat Compassionate Crystal Yang, !n Easte-rn and Central Ian Mclean, Uniwrsity of Museum Sess!on Unin·rsity of Georgia to<>e''" Art and \Vestern Australia The Pe~1p/e's GoJJess: Architecture rH52 MfiHalcd Society Session Michael Taussig, Tht QJf(m o/ Heawn as Jt.Jothtr PETIT TRIANON, 3•o FLOOR Columbia Uni\·ersity Earth Susan G. Jackson, CHAlR: Jan Cavanaugh, Marshall UniHrsity Vishakha N. Desai, Asia Society University of Oregon at Eugene Our Heawnl)' Mother, thr Divim Okwui Enwczor, Doam1enta I I BoJ)' Politics: Represmtations if MaJNIIW Kyra Belan, A reception for attendees Male anJ Fnnafc AtMttH in Early Broward Community College will immediately fol!ow. Sovift Art Nina Le\'Cnt, Humboldt Un.ivt-rsity, Berlin Association of Art Editors Layers if InJiviJualit)' within Business tbr Socialist Domestic Inttrior MERCURY BALLROOM, 3•~ FLOOR Lois R. Weinthal, Uniwrsity of Texas at Austin Thursday Evening 29

Thursday Evening Tile Golilic Revival The Advantages and Disadvantages of The H1wer of Church Pn1pagtmda 8:00- 10:30 p.m. and !he Middle Incorporating Online L.farning into the as Vimallmage in 19th-Cmtll1)' Restoration~ Studio Art Course Sarah Marshall, Oaxaca: Tht Case of Archbishop

Safe Haven: Pcnformance1 Recovery~ and Memory TH55 Unin•rsity of Alabama Gil/ow and "The Vwemble Martyrs

Video1 and the GRAMERCY B, 2'" FLOOR of Cajonos" Kellen Kee Mcintyre, A P~ntmit of an E-L.faming Teacher Female Artists The University of Texas, San Antonio CHA!R: Jean Brodahl, as an Art Educahlr Frank Pio NASSAU SUITE, 2"' FLOOR independent scholar Tht Powtr of Imagts in Sacred Spaw DISCUSSANTS: Gary Keown, CHAJR: Hayley Barker, 1111J the City Struts: Candombll Art Emancipating and Mtdiemlizing Southeastern Louisiana Uni\·ersity; College of the Redwoods iu Sal\•ador da Bahia, Brazil Barbados: The Building Projects Sue Gollifer, University of Brighton Heather M. Brooks-Shirey, Guilty Pleamres Carey Lm·elace, of H'illimn Hart Colcridgt Indiana University The lntonnational Art Critics (1789-18'19) Janice Mann, ~ Association Bucknell University Power aud the Palaa in Viceregal Art History Open Session Mexico City Michael J. Schreffer, Control by LMking: A Talk to The Mm~· Cothics of Francis H. Ancient Greek Art rH57 Virginia Commonwealth Uni\·ersity Determine whether VIsion Is Politiml Kimball Kevin Murphy, City PETIT TRIANON, 3'° FLOOR aud R1twr-Orimted Dafna Ganani University of New York, 11E/ mo/o de los pobrts": Lola Ah•arez CHAIR: Mark D. Fullerton, Graduate Center BmvoJs Photographs for El Maestro Et\1s, Outmge, and the ToMMess Pixel Ohio State Uni\'ersity Rural Robin Greeley, University Carolee Schneemann Persistmt Revivalism and the Probltm The Liftlikmm of Greek Art of Connecticut of the Past in German MtdiH•al Miranda July A, A. Donohue, Bryn Mawr College Archit((lllral Hist~1r)' tifter JJ'orld H'ar II Johanna Blokker, The Fabric of thr City: Images of Vi;;u;llily, Visual Agency, Institute of Fine Arts Ttxtile Production in Classiml Athms lnsli111lional and Visual !n Sheramy Bundrick, University TH59 the of East .r:'\s!an DiscussANT: Michael J. Lewis, of South Florida, St. Petersburg GRAMERCY A, 2'~ FLOOR Religious !cons TH54 Williams College

SUITON PLACE NORTH, 2'~ FLOOR The Archit((l!lrt of Klaros CHAIR: Melanie Herzog, and Didyma: Omrular Rit11al Edgewood College CHAIR: Cynthea J. Bogel, in the H'ake of a Bmer Past Uni\'ersity of\\~uhington Education and Professional Critique versus lnsmsitivity: Celeste Lovette Guichard, Practices Committees The Politics of Displa)' in a Global JJ'oodm Statues as Living Bodies: Co!tunbia University On!!ne Education: Environmmt Jennifer Vigil, Deciphering tht Meanings of the and Gr~iftiug ill Art and Art in Crtifting University of Arizona Dtposits wit!Jin Two Images of the Professional Cone-ems TH5B Clay Matthew Cofer, Saidaiji Order Peijung Wu, To Challmgc or Protut: AudimceJ REGENT PARLOR, 2'° FLOOR Bryn Mawr College University of California, Los Angdes Art, and Aeademic Freedom CHAlR: Kathleen K. Desmond, In the Shadow of Daedalus: Suspmsion Helen Klebesadel, University of Images of Effimcy and Their Central Missouri State Uni\·crsity of Disl1eliif in Aucimt Cruk Jitewing \Visconsin System \\'omen's Studies Roles in Buddhist rmd Daoist Practice Terrance J. Rusnak, Consortiwn; Ytuni Roth, Liturgies in Medieml China Incorporating the Studmt Ohio State Uni\·ersity Uni\'ersity of Colorado, Boulder Shih-shan Susan Huang, H1rtf~1lio iu Onliue G111rsts: Columbia University Pmctical and Pedagogical Strategies Our Lady: Tradition Mats Tulmology Sabrina DeTurk, LaSalle University Tey :Marianna Nunn, Musewn of Idols in the Ttmple: Idols and the Cult Association for International Folk Art, Santa Fe of Co1if11ri11s Julia K. Murray, Crtatiw Alternatiw Choius: Latin American Art Uni\'ersity of Wisconsin, 1v1adison JH·b-Based T((hnology as Show: The Flag Nancy Buchanan, ol Power/ Nuessary Pedagogical Tool California Institute of the Arts A Site/Sight of Image-Text Power of !mages in Augustus C. Brown, Jr., Opposition: Tht Reclining Buddha latin Amedcan A!·t TH5B DISCUSSANT: Ferris Olin, La Roche College Prcrinet if A1~'ltf Sonya Lee, SUITON PARLOR SOUTH, 2'~ FLOOR Rutgers University Uni\'ersity of Chicago Online Discourse Christine CHAIRS: Andrea Giunta, Buenos Aires Burrough, Brooks Colleg<" A New Sotcriologiml Function University; Laura Malosetti Costa, of Amida Raigo R1intings An Onliue Art History Course Buenos Aires University Fusae Candice Kanda, at the University of Maryland, Art Amdcmies as Institutions of Boston University Univtrsity nnk: New Adwnture A11thority: The Emergmre of Modem in the Virtual Classro,111J DISCUSSANT: \Vu Hwtg, Art i11 Emador (1900-1925) Eva J. Allen, University Uni\'ersity of Chicago Trinidad Perez, Universidad San of Maryland, University College Francisco de Quito 30 Thursday Evening

Byzantine Secular Art rH60 (/Passing" while Dancing: Ono Dix's SUTTON PARLOR CENTER, 2n FLOOR St!J-lnwntions of tht 1920s Susan Laikin Funkenstein, WEST BALLROOM, 3"" FLOOR CHAIR: Lynn A. Jones, Philadelphia University of "'isconsin-Parkside CHAIR: Endi Poskovic, lmagts of Hunting in Earl;• Byzantim NM Thert: Ttnaciaus Al1sma Steve Whittier College Art Anne McClanan, Portland State Murakishi, Cranbrook Academy of Art Uniwrsity Things Ftlt and Things Known: Rut RISsiug: Artistit Personat Drawing .Mrmory Tanja Softie, TIJe Invalidation of the leon Henry in the JJ{lrk of Kam JJ'alktr University of Richmond Maguire, John Hopkins University Gwendolyn DuBois Shaw, Munory, History, and Politics of Self: Toward a Definition of Smdar Art: Har\'ard University Tht Httilhm Sugar Ca11t Stories Tlu Case of tl}( Mainz Rider Jerry Philogcne, Skidmore College Anthony Cutler, Pennsylvania the State Uni\'ersity Wor!d1s Art rH63 Stmngt Encotmffrs: May Chan's TRIANON BLLROOM,3'" FLOOR Perjonmma Art as Transltttion How Christian Is It AllJway? Christine Conley, Maria Georgopoulou, CHAIR: John Onians, Unh·ersity of Ottawa Yale University Uniwrsity of East Anglia Wbrrt Is Homt? DiscussANT: Paul Magdalino, Mapping and the Geography of Art Jeanine Coupe Ryding, The School University of St. Andrews Thomas da Costa Kaufmann, of the Art Institute of Chicago Princeton Uniwrsity r:ictlve Art rH61 Canto (Comtr/Singing) Mapping Roma1usqtu Archituture EAST BALLROOM, 3'~ FLOOR Vaguer M. Whitehead, Eric Fernie, Courtauld Institute of Art Southern Illinois University, Carbondale CHAIRS: Antoinette laFarge, Tht Answtr Lies in thr Soil: The University of California, Irvine; E((./ogies of Dutch R1inting Lise Patt,lnstitute of Cultural Inquiry Elisabeth de Bieyre, Queer Caucus for Art The New Socittyjor Unh•crsal independent scholar Beyond '1The Usual HarmNJy lenore Malen, Mapping Islamic Arl Parsons School of Design Jonathan Bloom, Boston College the Queer Canon rH66 BlHe Scmn Christiane Robbins, BEEKMAN PARLOR, 2n FLOOR University of Southern California TnHtsopt!cs: CHAIR: James M. Saslow, Webcam Notworl

Sp)' vs. Spy: from Jl'cb Cam 11 liil Museum Session Brtwtm Virtuality amllndcxicalit_y: Society Consists of Quilt a to Nmlll)' Cam Jody Zellen, The Secret Life of Cornelia Limited Nt~mber of rodd Fellows"': independent artist/critic AH!Ikded Soc!oty Session Lumsden and Other Tapts by T'lr,l Gforge Catliu and Homosexuality Frtnktl Griselda Pollock, H'cbmms, H'ork, and H'atc!Jing: Issues James C. Boyles, University University of Leeds of Ial1or ami Surwillante in Drsktop of North Carolina., Chapel Hill and Command-Contn1l 19th-Cmt111J Arl Bronzes: as Brooke A. Knight, Emerson College Objuts '!f Homosexual Dtsire Se!t~Potha!ture rH62 Tht Body Artist's JJ'cbeam Michael 'V. Watkins, RENDEZVOUS TRIANON, 3'° FLOOR Louis Kaplan, Uni\·ersity of Toronto New York Public Library

CHAIR: Amy M. Mooney, .My VIsit: Miuhin·ous Inttrvmtions TouloHsr-Lmffrtc's Images of Lrsbian \Vashington State University; in Ttltspace 'Vendy Babcox, Paris Maura Reilly, Tufts University Cherise Smith, Stanford Unirersity "'estern Michigan Uni\·ersity Spiral Jf{lnun: Ltsbian Passing as St!f-Portn1iture: C!audt Critical Surwillana Michael Rush, Artists/Funinist Art in New Ztaland, Cahun, Marcel Moort, Their Mim,r Pahn Be.1d1 lnsitute of Contemporary Art 1975-1988 Judith Collard, lmagts Tirza Latimen, Uni\·ersity of Otago, New Zeahnd independent scholar Friday Morning 31

Friday, February 2I

ARTspace 12:00- 1:30 p.m. 2:00 - 4:30 p.m. Historians of German NASSAU SUITE, 2u FLOOR Services to Artists Seventh Annual and Central European Art 1 Committee Artists Interviews F3 Models of !he Visual 8:00 - 9:30 a.m. in Germany and Cenha! Fr·esil Star! Art versus Art World Following a conference tradition, Europe, 1800-2000 TH67 versus: Artist F2 stimulating talk in an interview MERCURY BALLROOM, 3u FLOOR On View All Day: format. CHAlRS: Joe Seipel, AIM Art in Motion Ill CHAm: Frederic J. Schwartz, Virginia Commonwealth Uniwrsity; Mary Lucier will be interviewed University College London An international festival of digital Clarence Morgan, by Barbara London. and time-based media presented University of Minnesota Lu Miirtm, the Ttxtuality of Time, Shirin Neshat will be interviewed by the Uniwrsity of Southern and the Profmionalization of thr Is there, at this point in our his by Feri Daftari. California School of Fine Arts. H-oman Artist Shulamith Behr, tory, a shift in thinking about the 'Vill be a\'ailable for viewing 5:30 - 6:30 p.m. Courtau.Id Institute of Art production, dissemination, and throughout the day. presentation of works of art? Are Bodilituss and thr Failure of the divisions between art and Photogmph)' in Early H'timar 9:00- II:30 a.m. entertainment blurring-Armani Germany Brigid Doherty, 6:30 - 8:30 p.m. at the Guggenheim, hip-hop in Johns Hopkins University ~ Brooklyn, pop culture images, and Artists Talk F4 Stmcturalist Theory and Functionalist The of counter-culture graphics? Young ArchitfCtzm in Pragut Circle Aesthetics artists may see the market aspect Critic John Yau, with artists Andrew Herscher, Han·ard University of the art world as foreign, unap Catherine Murphy and Sylvia CHAlR: Janet Koplos, Art in Alnrrica proachable, and, in some cases, Plimack-Mangold, discusses Empathy Resurgmt Juliet Koss, Emotional and Psychologiral Statts even irrelc\'ant. 'Vhat do galleries, realism in contemporary painting. Scripps College Rona Pondick museums, and curators want from Tlu Ethics of Anonymily: Micharl artists and what do artists want Quamity Has a Quality All Its Own Schmidt's Ei.n-heit, German History, from them? \Vhom do galleries, Annabeth Rosen, and the R11im cif the Phott1-Esmy curators, and museums look at University of California, Davis Michael W. Jennings, and why? Is the landscape shift Princeton University Extrmu Action as Smlpwrc ing? How does the artist traverse Samuel Nigro this new terrain?

~~ IJ'ork Site/Sight Leslie Vansen, Jeffrey Deitch, Student and Emerging University of\Visconsin-Milwaukec Deitch Projects Professionals Committee Meamring Achiewment Jeff Fleming, Part-"iirners: How Can Christopher McNulty, Des Moines Art Center They Be Protected? TH68 Auburn Uniwrsity GIBSON ROOM, 2u FLOOR Stephen Rosenberg. Perjormana Erin\~ Sotak Rosenberg and Kaufman Fine Arts CHAJRs: Harris R. Wiltsher, II, Florida A & M Uniw:rsity; Tracy Saul Ostrow, Miller, Vanderbilt University University of Connecticut, Storrs

Being Visible as an Adjtma Fawlry Roberta Smith, }..fcmber Irina Costache, California art critic, Nfw 10rk Tinus State University, Channel Islands Bring your own brown-bag lunch.

How Much R~rt-Timc? Gil R. Smith, Eastern Kentucky University

Educational Institutions aud Part-Time Faculty Jennifer Lynn Headley, George \Vashington University

Is Part- Time Teaching Bad forM)' Health? Ginger Sheridan, Jackson\'ille University

An Adftmct itt Paradise Leo Morrissey, independent artist 32 friday 1v[orning

Friday Morning Friday Morning Dtvdoping Contmt-Driwu 7:00- 8:30a.m. 9:00- II:30 a.m. Animation Currimlmn: Cast Study 1 Alan Hashimoto, Ut.lli St;lte University ~ rlli] CAA Committee Italian Art Society Dtwlapiug Conttllt-DriWIJ on Women in the Arts Renaissance Scul;p!t

Elizabeth Catlett Mora and CHAIRS: Denise Allen, DiscussANT: Karen Sullivan, June \Vayne will be honored The Frick Colleaion; Ringling School of Art and Design this year. Manfred Leithe-Jasper, This event will be held at the The Kunsthistorisches Museum, Vienna Differencing the Feminist American Folk Art Museum, Canon: Power and A Chalia, a Rtliquary, aud a 1 45 West 53rd Street lntemat!onai Discourses FB Crucifix: Ctllini's Projuts for thr Pre·registration required. TRAINON BALlROOM, a•~ FLOOR Papaf)' Beth L. Holman, The Bard See insert in this program. Gr.1duate Center for Studies in the CHAJRs: Whitney Chadwick, Decor.tti\'e Arts, Design, and Culture San Francisco State University; rlli] Hilary Robinson, uOpus" and Mastnpiue: Ctsart Community College University of Ulster Ta~g011e's Virgin Mourning the Professors of Art Dead Christ in tht J PaHl Cmy Femiuism-Art-luternationalism and Art History Mtmum Marietta Cambareri, Hilary Robinson, Bus! ness Musemn of Fine Arts, Boston University of Ulster GIBSON ROOM, 2'" FLOOR The Marblt Cn~und and the Stonr Sky All That Glittm Is Not Gold Nicholas Penny, National Gallery Edit Andras, Research Institute of Art, Washington, D. C. of Art History, Hungarian Pacific Arts Association Academy of Sciences Business Meeting Immaterial Designs: Michelangelo's

GRAMERCY B, 2"~ FLOOR Drawingfor a Gmdrlltf,rmn and Sandhyabhasha: Codrd Languagt the Question if }.Jedium Saralt E. itt the Art of Cautempomry Iudiau Lawrence, Cooper-Hewitt Museum JJ'omm Artists Mary-Ann 1vlilford-Lutzkcr, Mills College Medals, Mtdia, and Meanings: Jacopo da Truzo, tht Habsf,urgs, and a ColJ The Tmnsmission of Jf'esttm Afary Tudor Luke Syson, The Ftminist Theor)' and thr Victoria and Albert Museum, London Dtvrlopmmt of Chi1usr Feminist Art Jia Fangzhou, curator and art critic

Native American Animation: Traditional Artists/Scholars: for Ourselves nolkalions F7 in lhe 21st Century F9 RENDEZVOUS TRIANON, a•~ FLOOR SUTTON PARLOR NORTH, 2"" FLOOR CAb, Comml!\88 Session cHAm: Craig Caldwell, CHAJR: Phoebe Farris, Uni\'ersity of Arizona Purdue Uni\'ersity 3D Animation: Why Do JOu Nud A Conwrsalio11 am011g ludigmous to K11ow So Matl)' Other Things? Artists afross Time and Space Dennis Summers, Edgar Heap of Birds, College of Creati\·e Studies, Detroit Un.iwrsity of Oklahoma Frmuhistd Dtsign Demands: Dynamic Ku't-(Hawaiiall for Rtsistana) Art Dm11mds Joshua Mosley, Hawaiian Art as Politiml Uniwrsity of Pe1msylvania Activism Kauka de Silva, Kapiolane Conummity College Friday Morning 33

l11trrvilws with Tmmau Lowe Artists wrms Conservators: A Tht Spaificity of Tn1wl, Jo Ortel, Beloit College Red11clionist Pamdigm Susan White, or E11rope as Studio Mark Godfrey, Childhood: l'.gain F12 \Vhitc Conservation Sen·ices Slade School of Fine Art Explori11g Imm and lntupreting SUTTON PARLOR SOUTH, 2'° FLOOR Contempom1y American Indiau/ The Conservator as Artist: lnnomtion Paris-Ntw 10rk-l977 First Nations Art from an l11digmous CHAIRS: David Humphrey, Parsons frDm Tradition Richard Minsky Romy Golan, The Graduate Center, Ptrsptcti\•e Gail Tremblay, School of Design; Ellen Brooks, City Uniwrsity of New York The Evergreen State College New York Uniwrsity Fle·(de)l'iniing Abstract Made in Bergyk: The Nebato Factory Expressionism F14 Instructions 011 thr Care and Usr Rtstoling Child&.X'li Lawrence Hegarty and thr Pn1duction of Amtrim11 Art EAST BALLROOM, 3"° FLOOR of Whitr Space: A Coyou Primtr for i11 the Ntthrrlands Paula Feldman, Fair)' Tab and thi Famib• tl1t Next Major Columb11s Dimwtr;• CHAIRS: Ellen G. Landau, Courtauld Institute of Art Romana Judith Linhares Duane Slick, Rhode Island Case \Vestern Reserve University; School of Design Poo-thi Mayumi Lake Joan M. Marter, Rutgers University Architectural Migrations In the tuner!cas: Modem DiscussANT: Ellen Handler-Spitz, The Triumph of Amtriran Painting: Between Creation and Architectural Unirersity of Maryland Source and/or Targtl Irving Sandler Destruction: The Aesthetics Pract!ce1 and of "konodasmn F10 The Pragmatir Ethics of across Natlona! Borders F16 MURRAY HILL SUITE, 2-o FLOOR ~ Abstract Exprmionist Action GRAMERCY B, 2'" FLOOR The of Labor Michael Schreyach, CHNR: Fin barr B. Flood, CHAIRS: Eric Mumford, Washington i rt Tnrl ""'" University of California, Berkeley New York University; Zoe Strother, University; Keith Eggener, NASSAU SUITE, 2u FLOOR University of California, Los Angeles Alchml)' and the Unknown in University of Missouri-Cohunbia CHNR: Janet Koplos, Art iu America Adolph Gottlitb's Pictographs From Nose jobs to Annihilation: Oscar Ntimt)'tr a111l H'allaa Mary MacNaughton, Maya Post-Pn,duaion Sculptural Emotional and Psyhologiral States K. Harrison: Pau-American and Scripps College Modifitation Bryan R. Just, Rona Pondick Regional biflumas in Mid-Cwttll)' Tulane University Louist Bourgeois and Abstract Modernism Linda Phipps, Quantity Has a Q~tality All Exprcssio11ism: Symbolism and University of California-Berkeley Ic011odasm and the Traniformation of Its Own Annabeth Rosen, S11bjutivity Laura D. Meyer, H'tlrangal's kirti-toranas into H'c.rks University of California, Davis Tlu Matflrt JJ~rk of Max Cello Uniwrsity of California, Los Angeles of Islamic Architultm, 1323-1600 in M£xico: Rethinking Amtrican Extreme Action as SmlptHrt Phillip B. Wagoner, Materialism and Mytl1 in Cobra Modemism and thr Mexiran School Samuel Nigro \Vesleyan University and Abstract Expmsionism of Arthiutture Juan Heredia, JJ'£,rk Sitt/Sight Leslie Vansen, Karen L. Kurczynski, Institute Uni\·ersity of Pennsylvania Restoration as Re-Cuation Uni\·ersity of\Visconsin-Milwaukee of Fine Arts, New York Uniwrsity at the Sainu-Chapellc of Paris TlJt Hispanic Image: 1\vo Cmturits Meredith Cohen, Mcamriug Achirwmmt Abstract Exprtssionism and of Packaging an Arrhitutural Exotic Columbia Univer:>ity Christopher McNulty, the Immigrant Other Leonardo Diaz-Borioli, Auburn Uniwrsity Linda Stratford, Asbury College Massadmsetts Institute of Technology Rureating Destroyd Dtstnutiom: Felix CmeliiJ's uArt Hmdals" Perjormana Erin V. Sotak Tht Topology of Exchange: Tmnsnalional Transatlantic: European Dario L. Gamboni, Collaborations in Art and Arrhituture and Amerlc:an Art ln H1e Universiteit van Amsterdam i11 Carlos Rail/ Villanm\•a's Cit;· HH30s and Hr?Os F15 Uniwrsity Monica Amor, Unsettling Mommunts: ltomdasm American Institute WEST BALLROOM, 3"" FLOOR State Uni\·ersity New York, New Paltz as the Inwm of Cmsorship after for Conservation CHA!RS: Christine Mehring, Ap,ntheid John Peffer, Smith College Artists, f?estorers 1 Diploma/it Architects: ArthHr Y.1le University; Scott Rothkopf, and bjrJcl:iv::ty F13 Erickson in Jf'ashington and DiscussANT: Eric Reinders, Han,ard University BEEKMAN PARLOR, 2x~ FLOOR David Childs in Ottawa Emory Uni\·ersity aGo Hht": Cmnan Artists Isabelle Gournay, University CHNRS: Jay Krueger, National Gallery in the US. in the l960s and of Maryland; Jane Loeffler, of Art; Rebecca Anne Rushfield ~ l970s and thr Imu of National University of Maryland African Modernity An Artist Treats a Paitlting: Cbfford Idmtity Julia Bernard, !n G!o!)a~ Contexts F11 Still's "CorrutiwnTreatmmt of J.-\V. Goethe-Universitiit, Frankfitrt

GRAMERCY A, 2'~ FLOOR 1957K Heather Galloway, Ide 11 tifimt ions/ Translations: Intennuseum Consen'ation Association CHAIRS: Salah Hassan, Grrr)' Schum and Lawrma Uhnrr Cornell University Artists as Restorers or Cousrrvation Eric H. DeBruyn, Herron Pallicipanfs to be announced. Collaborators Joyce Hill Stoner, School of Art, Indiana University \Vinterthur Museum 34 Friday Morning

llfluta Poosls: ~ Friday Afternoon FHtd P!ctlllr!rtf] Silence F17 Art History Open Session 12:00- 1:30 p.m.

PETIT TRIANON, 3'~ FLOOR French ·nth~ and HHh~Centmy ft.n F19 CHAlRs: Giovanna Perini, SUTTON PARLOR CENTER, 2'~ FLOOR Universid degli Studi di Urbino; Association of College

Giancarla Periti, CHAIR: Betsy Rosasco, and University Museums and Johns Hopkins University Princeton University Art Museum Galleries Protecting the The Unspeaking Likmw: Silma and Abmh11m B\1sse: Femi11ist and Prldwx and Pcwmanence of lnttriority in l7th-Cmtur)' Dutch Elise Goodman, University of University A~·t Museums F21 Porlraitlln Stephanie S. Dickey, Cincinnati, Raymond Walters College PETIT TRIANON, 3'" FLOOR Indiana Unh·ersity-Purdue Uni\·ersity, S)•mptoms 1 Being: Dmartes, De Indianapolis CHAIR: Bonnie G. Kelm, Strm, and tlu MEnagerie at Hrsai/les Uniwrsity Art Museum, Uniwrsity Oratoriatl Quifl11de from Federico Paula Lee, University of South Florida of California, Santa Barbara Barocd to Pietn) da Corlona Jeau-fnHIJlliS de 1i·oy's tableaux de Ian Verstegen, Temple Uni\'ersity The Case 1 tlu Muscarelle Museum mode: Defining a Fashionable Cmre of Art at the Colltge of H1lliam Giulio Mmui11fs T!Jeory 1 Pai11li11g as itJ Earb• l8th-Cmt11ry France and Mal)' Bonnie Kelm, Poesia ct Historia Muta: Silma as Denise Amy Baxter, Unh·ersity Art Museum, University lnwlltion Frances Gage, National University of California, Santa Barbara of California, Santa Barbara Gallery of Art, W.Hhington, D. C. The Salon of Cupid and Psyche at the The Ismes and Pn1bltms Faud b)' the Silmt JJ1tmss: Bellori's A11udott HOtel de Soubise: Duomtiw Stmugy, MeKissick Muswm This Rut Year 1the Viahimua, and the Stmggle D)'nastic Idmtif)~ and the Power Lynn Robertson, McKissick betwem Silmu and Spmh at the 1 Submission Mimi Helhnan, Museum, University of South Carolina Capella Sant'Andrea, San Gregorio independent scholar .Magno Sheila McTighe, AAM's Role ill Assisting University Rupture and Contilmil)• in Cardm Courtauld Institute of Art Art Musmms Beth 1vlerritt, Repmmtation in 18th-Cmtfll)' Americ.m Association of Nluseums france Joseph Disponzio, Han·ard University Graduate School of Design Lfgallswes and Problnns Cudtund Polky and the for Univffsil)• Musmms Visual A11·ts: Historical and The CrHk:a! View in Stephen E. \Veil, Cmter for

Pontica! F1B Arnerlcan Art1 1800·'"HH5 F20 Museum Studies, Smithsonian MERCURY BALLROOM, 3'° FLOOR GIBSON ROOM, 2"" FLOOR Institution

CHAIR: Kimerly Rorschach, CHAIR: Janice Simon, Smart Musetun of Art Uniwrsity of Georgia

Pr;JC!Icum Modem Art and the Politics Aesthetic Erasures: Samud E B. 1the Muswm in 1820s Franu Morse's Thtories of Art Patricia Martha \V.ud, Uniwrsity of ChicJ.go Johnston, Salem State College

Abandoning uPmdmt Eclecticism": uOJ Superior Mtrit": American Millfated Sodcty Sesslon Frwch Cultural Policy during the Artisan Societies 1111d the Aesthetic Third Republic Toby Norris, of Utility Ethan Robey, State CAA Committee Sosslor~< Northwestern University Unh·ersity of New York, Binghamton

Postwar Ameritatl Research into The Critic Revitwed: The Role the Nature of Crcativit)': Whose of Royal Cortissoz in the Making lnwstmmt, Whose Bmifit? Thea of August11s Saint-Caudms Petchlcr, University of Minnesota Elizabeth Lee, Dickinson College

Caps in the C~tlwral Ruord: BfllCk John Shw1 and The Connoisseurs Adolmmts, Idmtity Dtvelopmmt, K.1tlterine 1vlanthorne, The Graduate and Art William Charland, Center, City University of New York MichigJ.n State University Alain Locke, James A. R1rter, and DISCUSSANT: Cli\'e Robertson, Meyer Schapiro: 1930s Del1ates Queens Uniwrsity, Kingston, Canada 011 a "Racial Art" in Art Front Patricia Hills, Boston University Friday Afternoon 35

~[;J Jolly Grun Giants: Addrtssing lSStus 15th-Century Flemish Domestic Association of Historians of CAA Publications Committee qJ Diwrsit;• awl SiZi in Art History Paintings Annette LeZotte, American Art Problems of Publishing S~tn't)' Coums Sarah GiJI, Wichita State University Strangers in the N!ght?; for Tentn·e and Promotion Santa Rosa Junior College The Intimate Mommt: Public Case Studies in Visual In tho Arts and Att ll!!stowy 0p£mting the No-Budgtt C11ller)': Primcy in the Dutch Goldm Agt Culture a11d Amer!can F24 T!Je Survh•11lqj Exhibitiom Julie Hochstrasser, A!·t F22 MERCURY BALLROOM, 3'° FLOOR in thr Gmmnmity Collrgr Uni\·ersity of Iowa SUTTON PARLOR CENTER, 2'° FLOOR CHAIR: Catherine Asher, Thomas Morrissey, Community CHAIR: Angela Miller, CAA Publications Committee, College of Rhode Island International Survey "rashington Uniwrsity Uni\·ersity of Minnesota of Jewish Monuments Crmting a m·b-Bascd Course Ancient: Synagct.gt.Jcs F28 Tile Liviug Dtath cf His tO I)' Painting: Today, the publication of schol Supplnumt to the Art HistOI)' Surwy GRAMERCY A, 2'° FLOOR Dalliel Huntington's Republican arly art books is influenced by Melissa Hall, Westchester

Court Jochen Wierich, Northwest many external concerns, including Community College CHAIR: Rachael B. Goldman, Museum of Arts and Culture the cost of color reproductions, Rutgers University The Cou11mmity Collegt 1111d Loml the difficulty of obtaining picture Rtpmmtiug Dtli11: A Case Study Musmms: R~rtnerships in Education Htlios ,md the Zodiac Cyle rights, and new pressures on uni in the Vlm11l Culturt cf a Slaw Sheldon Hurst, Adirondack in Anrimt Paltstinian Synagogues versity presses and tenure commit Dagutrrtotype Jasmine Alinder, Community College Jodi Magness, tees. "'hat constitutes a tenure California State Uni\'ersity/\Voodrow University of North Carolina book or article in this environ \Vilion Foundation ment? \Vhere might electronic Getty Research Institute The Temple that IJ'on't Quit: Lo~,1kiug Hig/; 11nd Low: Tht publications, museum catalogues, F26 Constmrting Sacrtd Spaa in Aucimt MidwHfmt Laudsmpt and the or curatorial projects fit in? Is an RENDEZVOUS TRIANON, 3"" FLOOR Judaism, Earb• Christianity, and Emcrgma cf 1111 Aerial Atsthair artist's tenure exhibition equiva Florida's Theme P11rks Joan CHAIR: Thomas Crow, Jason Weems, Stanford University lent to a book, for tenure-review Branham, Providence College Getty Research Institute purposes? Conflicting Utas itJ Chrisli1111 uOnb• for the sake cf Looking": Deans, department chairs, and and Jewish Iconography in Ancimt Au Aristocmtic Couwrsation Pieu CAA Committee on members of tenure and promotion Synagogues Lucille Roussin, in l9tll-Cmtury Britain Women in the Arts committees are urged to attend. Benjamin Cardozo School of Law Cassi Albinson Ru!es of Engagement: Catherine Asher, New Discowrifs in the Smv!va~ StwabJf]ies for uPittura gobbau: Biographical University of N1innesota; 1 Synagogue at Dura-E11n1pos VVomen fn the Arts F23 Asptcts i11 C!ra\'aggio s Deposition Vice President for Publications, CAA Richard A. Grossman, MURRAY HILL SUITE, 2u FLOOR Rudolf Preimesberger independent scholar Katherine Haskins, lhle University CHAIR: Susan Messer, Painting Biogmphy: Portmiturt as Art Library Solar Cults in the Greco-Roman Uni\·ersity of\Visconsin-Whitewatcr Narratiw Kathleen Nicholson 1111d Lnte AtJtiqut Milim: Context Beatrice RehJ, Judith K. Brodsky, Rutgers Center for the Htlios and Zodiar Imag(s Cambridge University Press for lnnovatin~ Print and Paper in E11rb• Sytwgogut Mosaic Floors Edward Sullivan, Historians of Stephanie Pryor, Ttlfts Uni\·ersity Leslie King-Hallllllond, New York University Netherlandish Art Maryland Institute, College of Art DiscussANT: Sam Gruber, tho Botmdades Lindsay Waters, L1ternational Surwy of Jewish June \Vayne, artist of Public and Private in Har\·ard University Press Monuments Northern Art; Flo \Vong, artist 1350'''1600 F27 rill] liJ !iiti'l BEEKMAN PARLOR, 2'° FLOOR Community College CHAIRS: Andrea Pearson, Professors of Art and Bloomsburg Uniwrsity; Art History Lisa Deam, Valparaiso Uniwrsity

Issues F25 Tile "Pri\'ate" P11blic Collations GIBSON ROOM, 2'° FLOOR cf the Royals: Mthhior de Hl111duo£tcr in Royal Collations Joy Kearney, CHAIRS: Sheldon Hurst, Duo Vertaalburo, Maastricht Adirondack Community College; Thomas Morrissey, Tnmiforming Pri\•ate Spaa into Community College of Rhode Island Public Idmtity: Signature Spaas itt 36 Friday Afternoon

r.i.!3 Italian Art Society Queer Caucus for Art Southeastern College and Publishing on Art Conference in Italian Art: The Sense Lesb!an~! Bh and Southern Art: Issues of Touch F29 Trans·Tilemed Arl F31 of and Identity F33

REGENT PARLOR, 2'~ FLOOR TRIANON BALLROOM, a•~ FLOOR SUTTON PARLOR NORTH, 2n FLOOR

CHAIRs: Diane Cole Ahl, CHAIR: Tee Corinne, CHAIR: Betsy Fahlman, Lafayette College; Victor Coonin, artist and independent scholar Arizona State University Rhodes College Ken 'Vissoker, Duke University Press Southrm Idwtity: Thr Contimling Toucl, ami Tactility in Italian ugacy o/the LOST CAUSE Judith P. Stelbomn, Alice Street Smlpture: Old Practices and New Pamela Sintpson, Editions/Harrington Park Press Thtories Geraldine Johnson, Washington and Lee University University of Oxford Michael Denncny, A Lcgac;' if Duay: M;•th and Stonewall Editions Visible Tnues if Touch: Manuscripts Narmtiw in tlu WOrk if Fottr in Jltnice Helena SzCpc, Cornelia\~ Sontag, Parkstone Press Cotlfemporary New Or/tailS Unin·rsity of South Florida Artists Carol Leake, Claude J. Summers, GLBTQ: Loyola University, New Orleans Stai11ed Glass in l5th~Cmtury An Onllne Encydoprdia of Gay, Tttsratl)': Experimmting with Lesbian, Bisexual, Transgender, Sarah Albritton: A11 Artist in and tlu Lmniuous Mtdimn and Queer Culture if Hcr Comnumity Saul Zalesch, Renee K. Burnam, Louisiana Ted1 University independmt scholar

Titia11's Noli Me Tangere, the Radical Art Caucus Offsite (3 r.i.!3 Qutrelle des Femmts, and tht Art and labor, American Institute Question if Fmralc Sputatorship Part 2: CondUions of for Conservation Lisa M. Rafanelli, Work and Adivisrn F32 through New York University SUTTON PARLOR SOUTH, 2'" FLOOR Looking: Ex;uni:nirlg Postwar Painting F34 cHAm: Paul Jaskot, DePaul University This session will be held at the Gradualf Studmts and Labor Emily Whitney Museum of American Art, Pacific Arts Association Pugh, City University of New York 945 Madison Avenue at 75th Street Exhii>i!ing Pacific Arts F30 Open Session GRAMERCY B, 2u FLOOR Rnt~ Time Famlty and Labor Attendance is by reservation only. Joanna Gardner-Huggett, CHAIRS; Carol S, Ivory, CHAIR: Andrea Kirsh, DePaul University Washington State University, Pullman; independent scholar Virginia-Lee \Vebb, Artists mul Labor Acti\•ism Prad!cum A conversation with Carol The Metropolitan Museum of Art Fred Lonidier, Uniwrsity Mancusi-Ungaro, Paintings of California, San Diego Baining and Sulka Art in tht Conservator and Director of MrmHm fiir Volkfrkundt, Conservation, The \Vhitney J\ffltlated Sodety Session Haml111rg: An Iconographic Anab'sis Museum of American Art, and George A. Corbin, Lehman College Director, Center for Conservation CAA Cornmftlee Sess!on and the Graduate Center, City of Modern Art, Harvard Uni\·ersity of New York University Art Museums, and colleagues. Thr Margarlf Mtad Hall if Ruific Pfoplts, American Muswm if Natural Hisll1ry: Tht Liws if an Exhibition Diane Losche, University of New South \Vales

11Samting Tm" or uSamtung Nating": Exhibiting Contempomry Papua New Gttinta Art and the Politics if Authrnticit;• Pamela C. Rosi, Stonehill College Friday Afternoon 37

Friday Afternoon fiminillf H1wtr in the Mowm!Jy: New Beginnings for Rmaissance Thfophilr Silwstre's Histoire des 2:00 - 4:30 p.m. Quem Anne of Dmmark 1111d Flormce: Lucretius aiJd Pien1 di artistes vivants: Biograplry mtd the Quem Hmrirtta Maria of Frana Cosimo's Early Man Pamls Conapt of tht Artist in l9th~Cmtury Anastassia Novikova, Ashley West, France Michele Hannoosh, University College, London University of Pennsylmnia Saint Catharine's College, Arlisls and the Making University of Cambridge and Remaking of Dri\'f~By Dit•as: The Fmwle A Porlal>le Siudiolo.- The 1499 Museums F35 Politician in Indian Billboard Art Hypnerotomachia PoJiphili and Om or Two Tempemmwtal Cfzamus MERCURY BALLROOM, 3'g FLOOR and tlu Aesthetics of Postcolonial Courtly Culture in the Rwaissana Paul Smith, University of Bristol Politics Sujata Moorti, April Oettinger, CHAJR: Jeffrey Abt, Tht Eye~ H't'tmss iu Medardo Rosso's Old Dominion Uni\'ersity University of Hartford \Vayne State Uniw:rsity Casting Puformauces Sharon jacopo Ragazzoni and the Limits Hecker, independent scholar Alrxandrt Lmoir's Jardin Elys!e at The Artist's S!udio of Biography in Rmaissaucc T'tnice tht Mus!t dts momwtmts jmnJais: as a Subjec! lor Arl: Obsen•ing the Obserwr: Eywitmss Blake De Maria, MtmMy, Mdancboly, and the Middlt Biogmphies if Hmri de ToulouSt University of Santa Clara Agts Mary B. Shepard, F37 Lmtrec Laura Morowitz, independent sd10lar BEEKMAN PARLOR, 2n FLOOR Wagner College

Tht Arrival of Moderuism Delayed: CHAms: Michael Belshaw, Open Animated Type F39 Art and the fi\JIIar Berlin Artists and tht National University; Marsha Meskimmon, 11 RENDEZVOUS TRIANON, 3'~ FLOOR on lerrorism F41 Calluy, 1862-1889 Loughborough Uni\·ersity; MURRAY HILL SUITE, 2"" FLOOR Isabel Balzer, \Vebster University Neil Sharp, independent scholar CHAJR: Sharon L. Butler, Eastern Connecticut State University CHAIR: Norman Cowie, Boltanksi's MemO')' Imagts: Rmwking Studio/Studillm: Artists' Pnutia Fordham University F'rwcb Museums in tht Aftermath in Rmaissana Rome Kinetic Ijpography: Constmctiug of '68 Rebecca J. DeRoo, Carol M. Richardson, a History Keith Cmnmings, The Arts Ecouomy Post~ 9/ ll \Vashington University Open Uniwrsity Pe1m State University Rosanne Martorella, \Villiam Patterson University Artists' Altmwtiw Spaw and uDieu~ TaMe~Cuwttt": Brassai' LtssotJs from the Dynamic S;•mbol Their Impact 011 Muswm Dtsign and the Repmmtation of tht Smlptor's Systtms in Early Video Games Art Capital of the 21st Cmtury? The Wouter Davidts, Ghent Uni\·ersity Studio ill Minotaure i11 1933 Matt Woolman, Impact of Septtml1tr lltb 011 thr New Jon Wood, Henry Moore Institute Virginia Commonwealth University l'Ork Art H'orld a11d Its Global Statm Julia Rothenberg, The Graduate ~ Gmder, Ethnirity, aud Modemism Time-Based Artists aiJd tht Center, City University of New York CAA Committee on i11 the Studio~Bedroom of Robert Usc if Text Rick Delaney, Women in the Arts Colmott Jody B. Cutler Southwest 1vllisouri State University JJ'atercolors, A Homymoo11, Rtintings, From to Hillary: Posters, Peiformana, Imtall11tions: Modmlimt, MwtOI)', 1111d the The B/a,.k Cmph Geoff Kaplan, Gender and Repn,sentR,Iio.n Fifl)• liars of American Art Agaimt Studio in tht Iau Drawings of Califoria College of Arts and Crafts in !he Realm ol Politics F36 JJ'ttr Josephine Gear, E\•a Hesse Hilda Werschkul SUTTON PARLOR NORTH, 2"° FLOOR DISCUSSANT: Jeff Bellantoni, New York Uni\·ersity Mercy College CHAIR; Laura Auricchio, [813 Nancy Shaw, New York Uni\·ersity Connecticut College Art History Open Session r1.'§ How to H'agt a Priwtc JJ'ttr 11gaimt Quem Zmobia of Palmyra Italian Renaissance Art: tht H'tlr against Terrorism (Aaording Association of the Historians Mmtifistations of Gmdertd Powtr The Renaissance to thr Mttrquis de Sade) Paul Chan of 19th-Century Art in Hmddms Iconography F38 The Witness; Wr·itiaa Sight Gag Sherry Millner, Cynthia Finlayson, REGENT PARLOR, 2'3 FLOOR !he life o! !he 19!11- College of Staten Island, City Brigham Young Unil'mity CHAIR: Patricia Fortini Brown, Century Attis! F40 Uni\·ersity of New York Painting JJ'omm and Pown ill Aztec Princeton University GIBSON ROOM, 2'° FLOOR Mary Patten, School of the Hist~1ries Lori Boornazian Diel, Tlu Codex Rustichi and tht cHAJ"' Elizabeth C. Childs, Art Institute of Chicago Texas Christian University Constnution of Ewt)'day \Vashington University Dispatches from the F11111re: Digitial Patronage 011 the Periphery: Ear&• Experimcc itJ QuattnlCfllfl1 Florma JJ1st as Amerimw The Galt Zapatismo Ricardo Dominguez, Modtrn Royal H'omm and tbt Self Saundra 'Veddle, Drury Uniwrsity Biography, 1816 Susan Rather, Thing. Tank for The Tiling Fashioning of Power in the Kingdom The Classical Mawad in The Unin:rsity of'IC.xas at Au.stin of Naplts Aislinn Loconte, Rnwisstmt£ Art: A Re~Examination Uniwrsity of Oxford of lf'ttrburg's r•Pat/JQs fOrmula" Heather A. O'Leary, Columbia University 36 Friday Mternoon

DiscussANT: Irene Winter, Aesthetic/ Anti··Aosthetic: Radical Art Caucus Harvard University Beyond the itnpass:e F46

Art ftrld Labor! Part i F42 TRIANON BALLROOM, 3"~ FLOOR PETIT TRIANON, 3'° FlOOR CHAIRS: }runes Meyer, CHAlR: Stephen F. Eisenman, International Center Emory Uni\'ersity; Toni Ross, Northwestern University of Medieval Art University of New South \%lcs Picturing the Heali11g Arts: Fabffs of Prl1perty: The Unurtain Readymade, Fo11nd Ol~ut, 1!00~1500 F44 Rewards of Artislie Labour in Ian~ Photograph Margaret Iversen, SUTTOfJ PARLOR SOUTH, 2'~ FLOOR c. 1751-1776Katie Smith, University of Essex Courtauld Institute of Art CHAIRS: Jean A. Givens, UniwTsity Species of Series: Lists and of Connecticut; Karen M. Reeds, Art ami Labor Sura Levine, the Anti-Atstbetic Briony Fer, Princeton Research Forum, National Hampshire College University Cotlegr, London Coalition of Independent Scholars Labor and Mass Media: CilfSfppe Scnmal Couupwal Ol~uts: What M11kes Illustration Medieal in thr Pellizza 1s The Fourth Estate Helio Oiticiea and Bmziliatl Milldlt Ages? Peter Murray Jones, Michael Zimmennan Pl1stmodrmism Anna Dezcuze, King's College, Cambridge; )ale Uniw"Sity Courtau.ld Institute of Art Praisionism, Mass Industrialism, Picturing Health: The Cardm aml a11d the Fjjaammt of Artistic Llll1or, Beauty Knows No R1in Llllldscape in the 14th Cmttlt)' Sharon Corwin, University of Alexander Alherro, Tacuinum Saniratis Agnes A. Bertiz, California, Berkeley Uni\·ersity of Florida Uni\·ersity of Southern California

DISCUSSANT: Andrew Hemingway, Thr Fabric of thr Bod;•: Leonardo da Architects in New York City1 Uni\·ersity College, London Jl/nd 1md Calm's De constitutione 1865~'1930 F47 Part 2 of this session will be artis medicae Monica Azzolini, GRAMERCY B, 2" FLOOR held on Saturday afternoon. University of"'ashington CHNRS: Matthew Postal, New The Uses of Rralfsm: Early Modem )'Ork City Landmarks Pr.:-sen'ation Illustnlttd Botany Claudia Swan, Commission; Mary Beth Betts, Northwestern Uni\·ersity New York City Landmarks of Prernodern Cultmes Pr.:-sen'ation Commission tlmwgh DISCUSSANT: Alain Touwaide, and Etlmol!is!oi'VF43 Smithsonian Institution "A Good Sto1y Marred in the TellingJJ:

GRAMERCY A, 2•~ FLOOR J C. Cady and the Metrl1politan Opera Hor~se Brian C. Clancy, CHAIRS: Sharon E. J. Gerstel. ~ Rutgrrs Uniwrsity Uniwrsity of Maryland; Linda Safran, Floored: Catholic University of America lo !he Site oil he Floor HfYts and Tallant and the Arehitetlure Prac!lcurn in Contempon:uy Art F45 of Popr~lar Anmsmunt in New lOrk, Tradition and Change in Pre WEST BALLROOM, 3'° FLOOR 1900-1917 Peter Donhauser Columbian Art and Cultun 11 Jeffrey Quilter, Dumbarton Oaks CHNR: Robin Hill, H'hy Not Live in a PalMer: Uniwrsity of California at Da\'is An American Virsailles, 1916-1917 AHII!2\r)l.'l Sodoty SClssfon Shamanism, Ethnography, and Thomas P. Sonuna, Pre modem Images: A Case Study of Floors, Aesthetic-Illusions and Mary Washington College CAA Comm!Hoo Sosslon a Paleolithie "Baton" Stephen Gavel, Anti-IIlttsiom WilliamS. Wilson, independent scholar City University of New York Ralph Thomas milker and the Barda;· J-1sry Ttltphone Building: Arehitatural Gift Exchange and Visual Hybridity Found on the Floor Lisa Wainwright, OmatnmtatiMJ during the Interwar in the Expression of International School of the Art Institute of Chicago Period Meredith Arms Bzdak, Kingship, l400-l200 B. C. E. Down and Dirty: Material Resistana Ford Farewell Mills and Gatsch, Marian Feldman, University of in the L11te 1960s Suzaan Boettger, Artchitects, LLC. California, Berkeley art historian and critic DiscussANT: Kate Holliday, Ethnography as Dtmystification A Phmommology of the Floor: Seeing University of Texas, Austin Carolyn Tate, Texas Tech University Where H't Stand Robert Berlind, Rlfterns of Pi~rimage in RuralFranee: Pur.:hase College, State Uni\'ersity The Case }.1r a ThtOI)' of Sacred Spaee of New York across Time Marcia Kupfer, independent scholar Friday Evening 39

Friday Afternoon Two Thtories 1 Organic Dtsigu: Depmdwt 011 Sarial Rrlations: Iho Se!f~f'Jlol·t~-fdt in 4:45 - 5:45 p.m. Louis Sullivan's Funttianalism and An Atsthetics 1 Aaivist Art Pmrtiu Late Art F48 Jay Hambidge's Dynamic Symmetry Mario Ontiveros, Uniwrsity of EAST BALLROON, 3'D FLOOR Mc:et the Candidates Christina Cogdeli, California, Los Angeles RENDEZVOUS TRIANON, 3n FLOOR California State Uni\'crsity, Fullerton CHAIR: Robert Rosenblum, }.·~ Daib• Constitution: A Prajut New York Uni\'ersity Pollack's Drtlim if a Biocmtric Linda Pollack, artist, Los Angeles Friday Evening Arl: The Challwge '!f His and Gai11g, Going, Calif: Iwn Albright's 6:00 - 8:30 p.m. Ptttr B!akr's Ideal /I.JustJHJJ The Classical Last Sc!f~Partmits John Cio&lo, Elizabeth L. Langhorne, Was II Revered? F54 Case \\'estern Reserw Uniwrsity Apprc•acihes to the Central Connecticut State Uni\·ersity PETIT TRIANON, 3~° FLOOR of Women Artists, W!Jat Ctm H'r Lllmt jnlllt Ray 1400-1800 F50 CHAIR: Luba Freedman, LichttiJStein's Se!f~Partraits? SUTTON PARLOR SOUTH, 2"" FLOOR The Hebrew Uniwrsity of Jerusalem Carol Salus, Kent State Uni\·ersity Audience Research and CHAIRS: Babette Bohn, Texas Hadrian's Pantheon and tht Puiklean Mt, Myself, a11d I: Piml Manzoni's Evaluation in Art Museums Christian Uniwrsity; Judith W. Acropolis Timothy Parker, Living Self-Portrait Gerald Silk, F52 Mann, St. Louis Art Mu.setml Uni\'ersity of Texas, Austin Temple Uni\·ersity SUTTON PARLOR NORTH, 2n FLOOR Art inside thr Cloisttr: Artist NullS Michelallgtlo's Htraic }{male Rejl{(ting India: Stlf-Partraits by CHAIR: Robert Eskridge, in l5th-Cmwry Italy Kathleen Nudts: 11Hameric 11 but Utulassical Fmnasc\1 Clemmtt Betty Scid, The Art lnstitt1te of Chicago Arthur, James Madison Unin·rsity Jonathan Nelson, Art Institute of Chicago JV!uu Scimtific Methods Mat Artistic Syracuse Uni\'ersity in Florence Lomting Lavinia Fontana uBrwmiug" Ronlmmdt: lltsumasa Discaum: Arguing jar a11 Arts-BaSfd Caroline P. Murphy, R1ssiot1 and Alltiquity in Ita&•, Mtlrimura as tht Old Masur Appn1ach Margaret A. Lindauer, University of California, Riverside 1550-1750 Estelle Lingo, Sharon Matt Atkins, Arizona State Uni\"ersity Michigan State Uniwrsity Rutgers Uni\·ersity Hiwun and Inttllrrt1wl Pn1ptrt;• Ttaching and Ltarning in the Culllm in Earry Madtrn Priutmaking Classicism and Caricaturt, Marika Mori Carol Eliel, Los if Art Exhibitions Nevin Mercede, Evelyn Lincoln, Brown University 1760-1830 Charles A. Cramer, Angeles County "tvfusemn of Art Antioch College Suffolk Uni\'Crsity Artemisia Pla)'S tht Gmdtr Tht Camplcxil)' if thr VIsitor Tile Hybl'i

On PhMagraphic Hybridity: Evaluating Amrrican Idwtitits: A Comp,le>:i!y and Biocentrism Imaging Iran in the 19th Cmtury New Look at the Braokb'll Musmm of Emergence F55 and Modernism F61 Frederick N. Bohrer, Art Stephania Rosenstein, MURRAY HILL SUITE, 2"" FLOOR GRAMERCY A, 2u FLOOR Hood College Brooklyn Museum of Art CHAIR: Philip Galanter, CHAIRS: Oliver Botar, University Campltx Agency mrd Suballfrtt DISCUSSANT: Annie V. F. Storr, New York Uniwrsit:y of Manitoba; Isabel Wiinsche, Idmtitits ill tht Fraser Album New School Uniw·rsity, Smithsonian International University Bremen A11 Owrvitw of Compltxity Sciwce Debra Diamond, Smithsonian lnstitulion Ruben R. Puentedura, Institution, Freer and Sackler Galleries On the Animation of the Inorganic: Bennington College Iebmdigkrit, B(\wglichkrit iu Earry Nation an VIew: Prtsmtathm and ~ Modcmist Discourse Spyros Papetros, Artworks Crtatfd to Vlmalizt and Rtprmnt11tian at tllf Imperial }.Jmwm Performance in the Wake The Warburg and Courtauld Institutes Sonif>• Compltx Data in Rral-Time 1 Japan Alice Y. Tseng, ol2001: lnsliltl!ional Andrea Polli, Hunter College Harvard University Htrbtrt Rtad: Anarchy and AlJstraction Allan Antliff, Sli•al,eglies F53 Imitating Naturt: From Chana Smlpting Africans jar tht National University of Alberta MERCURY BALLROOM, 3"° FLOOR Oprrations to Dtttrminislic Chaos Musmm of .Natuml Histor)' of Paris Paul Hertz, Northwestern University Maria P. Gindhart, Crllular Form and Call{(tiVt Lift: CHAIR; Ellen Fernandez-Sacco, Georgia State UniwTsity UMpian Mtgastnuturts in Earry Uni\·ersity of California, Berkeley Rifams an Art/Stimce Inttrrrlalionsips 20th-Cnllll1)' Archituturt and Througb a Complex Lens Europa Mllllia: Eun1pt as Exotic John Jota Leaiios, Plauuing Jeannette Redensek, Ellen K, Levy, School of Visual Arts OtlJ(r in 19th-Cwtury DahamtmJ performance artist The Graduate Center, City Art Suzanne Preston Blier, mscussANT: Philip Galanter, Uniwrsityof New York James Luna, perform.mce artist Har\'ard University New York University 40 Friday Evening

The New Arl A Taxing Asscssmmt: Tl!e 1941 Profanation, Sacralization, and 1970··2001: Reviewing the Real Estate Survry of New l'Ork P~tradigm Crisis: Thr Tretltmmt Components of Radicalism City as Archi\'f and Iuwgt of Art during the Frmch Revol11tion !n the F56 Gabrielle Esperdy, School of Richard Simon Clay, TRIANON BALLROOM, 3'° FLOOR Architecture, New Jersey Institute University of Birmingham of Technology CHAIR: Jonathan Harris, Tuhniquts if Epiphml)': Thmrg)' Uniwrsity of Liverpool Idmtification IHmtcd: Photography, and Enlightened Apparatus biformatioll Dat11bam, aud tht 2lst Barbara Maria Stafford, Structure, Sign, and Subjut: Cmtury Archive Jonathan Finn, Uni\'ersity of Chicago The Social Bam for Art History Now University of Rochester Jonathan Harris, Capuchin Sai1Jis 1111d thr Catholic Uniwrsity of Liverpool Enlightmmwt: Tlu Casr of San Tile in Medieval Lormzo Nuo\'O Jeffrey L. Collins, Marxist Arsthetics: The Ewryday Art; The Body as University of Washington Srlf, thr llM 1 Art/Aesthrtir Srlf, Medieval Art F5B and tht Art Objut Fred Orton, Angtlim Km!ffmatm and uModtrn" SUTTON PARLOR CENTER, 2"~ FLOOR Univmity of Leeds Rtligious Ptlinting in Rome at the CHAJR: Kerr Houston, Eud of the 18th Cmtuty R,suolonial HJbridity and Mtxica/1 Maryland Institute College of Art Wendy Wassyng Roworth, Atsthetics: A Qutstion if Approach University of Rhode Island Fa biola Martinez, London Institute Tlor Body and Blood 1 Christ at H'eingartm Abbl)' Marxism, PtlSUolonial Studies, Christine Sciacca, and Latin Amerim David Craven, Columbia Unh·ersity Uni\·ersity of New Mexico, ami Its Boundaries F60 Albuquerque Tht lJtology if tht Byzantillf Body BEEKMAN PARLOR, 2"" FLOOR Politic: Tht lmptrial Body in Vimal Collutingjor the British "P11blic" in CHAIRS: Catherine Levesque, Politin Elena Boeck, Yale Unin·rsity tht Domestic lntnior, 1798-1824 The College of\Villiam and Mary; Anne Nellis, Brown Uni\·ersity Role Models: Embodying Monastic David R. Smith, Idmtity in lltb-Century England University of New Hampshire ((Can tht Masttr's Tools": Sowing the Benjamin Withers, Indiana Suds of Radicalism in the Amdcmy Pastoral Silma and Painterly University at South Bend Kirsten Buick, Uniwrsity of Sr!f-Cousdoumm i11 16th-Cmt~try New Mexico, Albuquerque Corpoml Punishmmt ill Late Italy Una Roman D'Elia, Mtdin·al Sewlar Art Erik Inglis, Queen's University Open session Photo-Archives and Oberlin College Flirting with the Limits of Pastoml New Histories of lntnvimality and tht Body Promiswity Tbe Story of Combaut F57 in Claus Stuur's Swlpwrr and Made Nina E. Serebrennikov, GIBSON ROOM, 2"° FLOOR Sherry Lindquist, Davidson College CHAIR: Eleanor M. Hight, St. Louis Uniwrsity Pairing Rags with Riclus: jmt Strm's Museum Sessfon University of New Hampshire Poultry Yard as Pastoral Portrait Oaauic Imaginings in Frmch Kimberlee Cloutier-Blazzard, Aifi11Bled So del}' Sessfon Photographic Arthivts Historians of 1Bth·Century Uni\·ersity of Virginia Catherine De Lorenzo, Art and Architecture CAA Comrn!Hee Session Romt's Pastoralism and Some J'crsions University of New South \Vales Sacred and Profane in of Good Taste Vernon Hyde Minor, Enlighi

Saturday, February 22

Arch~tecture and Sideways Glances: ARTspace pedagogy is to rise to the occasion V~sual Culture F61 Modemist Architecture NASSAU SUITE, 2"° FLOOR and carve out new modes of con WEST BALLROOM, 3"" FLOOR ti!IIOtiUI11he Eyes testation and liberation, then art o! J.\tt!sts F63 8:00- 9:30a.m. practice must encompass a mastery CHA!RS: Jonathan Massey, RENDEZVOUS TRIANON, 3u FlOOR of the rules of engagement. Syracuse Uniwrsity; Fresh Start Joanna Mernrood, Bard College CHA!R: Anna Novakov, Coco Fusco, The Atlas Group; St. Mary's College of California Claire Pentecost; Trevor Paglen; Photograph;~ Archituttm, Abstmctioll On View All Day: Aaron Gach Claire Zimmerman, The Graduate Visible: Phantom Auhituture AIM Arlin Motion Ill Centtr, City Univtrsity of Ntw York Cheryl Goldsleger, artist An international festival of digital Ptraption and Tmuslation: O.EP.C. i11 199 and time-based media presented Gropius, Photograph;~ Building Mary Ellen Carroll, artist by the Uni,•ersity of Southern 7:30- 9:00a.m. Karen Koehler, Smith Colltge California School of Fine Arts. Ewryday Modtrn CAA Annual \Vill also be available for viewing Built Images: Herzon and De Sa Schloff, Maine College of Art Business Meeting throughout the day on Friday. Mmron's Library of the Ebmwalde RENDEZVOUS TRIANON, 3n FLOOR Technical School Philip Ursprung, ~ 9:30- Il:30 a.m. See your CAA Board of Directors lnstitut fiir Geschichte und Theorie der From the TransceruJenta! in action. You are cordially invited Architektur, Zurich Services to Artists lo I he Social: Re,del'iniog to attend this important meeting Committee (Post) Sputamlar Spaa "'""m'" Art F64 to hear the latest reports on Helene Furjin, Uni\'ersity REGENT PARLOR, 2u FLOOR Safety and Hazards what's happening at CAA. of California, Los Angeles of Artist Works paces CHAIR: Klaus Ottmann and Materials n SAt lnttrsubjativity in RumiJs 9:30 a.m. -Noon CHAIR: Duane Slick, Cellar Dennis Raverty, Foundations in Art: Rhode Island School of Design Iowa State Uniwrsity Re,sil,lill"'!he Canon: Theory and Education Alan Cantara, Contemporary African Formal!swn: Effort of Imagination: Empathy itJ Rhode Island School of Design leach!~1g Color as Rutminimalism Carrie Lambert, a New lens sA4 Cu!tum F62 Northwestern University Tom Ouimet, Yale University BEEKMAN PARLOR, 2n FLOOR BRYANT SUITE, 2u FLOOR l11dividual Creation wrms Social 12:00 - 2:00 p.m. CHAIR: Allnee Bessire, CHAIR: Barbara Nesin, Spelman College Consciomtuss: Art for tht Third Maine College of Art Millwnium Agnes Denes Rtd Ochre i11 Prehistoric Art Preserving Your Work: Con~ Longing and Belonging: David Kathleen Kimball, Lynn Herbert, servation and Arch iva! Issues Goldblatt and the Conupt of Home Union Institute and Uniwrsity Contemporary Arts Museum, Houston with an i:I'OPIHISiS on Elec· 011 the Tip of Africa Leora Maltz, honic :and Digital Work sA2 Politimlly Incorrect? The Powtr Han>ard Uni\·ersity and Perils of Color Use CHA!R: Joyce Hill Stoner Photo Fragmmts: Dissuting Zarina Nancy Morrow, Participants to be announced. Bhimji and Rotini Fa11i~Kn.)'ode Kansas State University Se\•en Nelson, University of 2:30 - 5:00 p.m. Are You Colorblind or Somtthiug?: California, Los Angeles The Ctdwre of the Color Co!ifttud Pe

Selling the Simple Lifr: G~tsta~· Association for Textual Sticklefs Cniftsman Homes Scholarship in Art History Janna Eggebeen, The Graduate tho Un!rnag!mtb!e sA9 Vltruv!us Hedivivt.ts: Center, City Uni\'ersity of New York MURRAY HILL SUITE, 2'D FLOOR Mind ovor WV'Iatter'? sA5 DISCUSSANT: Sarah E. Lawrence, CHAlRs: Jennifer Gonzalez, GRAMERCY B, 2u FLOOR Cooper-Hewitt, National Dt>sign Uniwrsity of California, Santa Cruz; CHAm: Tina \Valdeier Bizzarro, Museum, P.rrsons School of Design Mary Beth Heffernan, Rosemont College Occidental College

On Albtrti Reading Vitmvius ~ Networking MtmO')' in Post- fH-dl Jane A. Aiken, Virginia Ted\ fHivocate or Intruder?: Ctrtl/1111 Art Sabine Eckmann, Critks In Artists' Washington University Vitmvim Britmmims and Studios sA7 the l11jlumce of Palladia in Imagining Passages: The Mtmorial TRIANON BALLROOM, a•• FLOOR 18th-Century English Architecture to H'altcr Bmjamin at PortlJOII Patrizia Granziera, Uniwrsidad CHAlR: Douglas Dreishpoon, Shelley Hornstein, York University Autonoma del Estado de Morelos Albright-Kitox Art Gallery Memorializing the Past ill South Afrim Vitruvius Illuminatus: Enlightmment Leon Golub, artist AndrCs Mario Zervig6n Theor)' and the Greek Ideal Irving Sandler, State University DISCUSSANT: Krzysztof "\Vodiczko, Christopher Drew At·mstrong, of New York, Purchase Massachusetts Institute of Technology Columbia Uni\'ersity Gregory Volk, art critic Vitmvius on the Mind: Two The HTtnk.;! and [slam Lite l8th-Cmtll')' Polish Petah Coyne, sculptor in the Westem f:f.ye Amatmr Architects Considered (14iJ3""i"f50) SA10 Carolyn Guile, Princeton Unin;rsity In a SUTTON PARLOR SOUTH, 2'° FLOOR G!obai Context sAe DISCUSSANT: Maureen Pelta, CHAIR: James G. Harper, RENDEZVOUS TRIANON, au FLOOR Moore College of Art and Design University of Oregon

CHAIR: Karen Fiss, The Dual Faus of the 11Crcat Turk": California College of Arts and Crafts Early Depictions Susan Spinale, Decorative Al'ts Orimtalism and Counter Harvard Uniwrsity and Don:wsUc Desiqn sA6 Orientalisllt-Futtlre Prmtlt Diirer's D1pictiom of tlu Ottoman SUTTON PARLOR NORTH, 2~° FLOOR or Futllre Past? Hazel Clark, T11rks-A Cast of Early Modem Parsons School of Design CHAlR: Maria Atm Conelli, Orimtalism? Heather Madar, Fashion Institute of Technology Africa a11d Ajricanisms in Global Uniwrsity of California, Berkeley

Fashion Design Victoria Ravine, 11 The Grand GoUt Rtvisittd: Tlu '7uditha Triumphaus : Europeatl University of lm\'d Museum of Art Domestic Interiors of Gillu-Marie Figuratiom of the 0/lomml Oppmord Jean-Francois Bedard, r~llty City Jeffrey L>aba, Empire and the r?emtian State Ml1S8\W\ Sssslon Cohm1bia University Hm'ard University KarenMedis Barzman, Binghamton Uni\·ersity Ruling Taste: Domrstic Idwtity 1111d Dtsign i11 1980s Drsign aud Social Position Barulona Viviana Narotzky, "Th( Jo.Jool/ Has 5Mrtcd to Blad": Abigail Harrison Moore, Kingston University, United Kingdom Tintoretto and the Turks Uni\'ersity of Leeds Benjamin Paul, Har.-ard University DISCUSSANT: Maud Lavin, School Colonizers a11d Natiws in thf House: of the Art Institute of Chicago Giambauista Tie polo's uOrimtal" The Prvjwional Personae rf H'clmm Spect11tl1rs tmd the Tranifomwtion of Designtrs in Imperial CtrtlltliJY Cultured Othtrness Jol1anna Fassl, Despina Stratigakos, Columbia Uni\nsity Illinois State University

Oriwtalism and the Making of a l9th-Cmtury American Fami&': Frtdtric Edwin Church's Court Hall tll 0/ana Kimberly Rhodes, Hollins Uniwrsity Saturday Morning 43

Visual and Tex/Hal Rtpmmt11tions ~ o'f 1\ll

1 850~1940 SA11 l8th-Cmwry Spai11 Nena Couch, EAST BALLROOM, a•~ FLOOR Contests over P!um!ism SUTTON PARLOR CENTER, 2'° FLOOR Ohio State University fmm the HHJOs to sA17 cHAIRs: W. J. T. Mitchell, GRAMERCY A,2~• FLOOR CHAIRS: Vojtech Jirat-\V.1siutynski, JJ'omm and Drm in Sp,tin during the University of Chicago Qu'een's University; John Zarobell, L11ttr 18th-Cmtury: Vimal Expmsion CHAIR: Lane Relyea, Fiw H'ap to Makt Vim a! St11dies More Philadelphia Museum of Art of a Ne\V Sorillbilil)' Jesusa Vega, Northwtstern Uniwrsity Dif.fimlt James Elkins, School of Uni\·ersidad Autonoma de Madrid CEzanne's Pn1viudals: the Art Institute of Chicago Charles Gaines, A Category in Modernism Sput11rle and Sc!f-Stylizllfion: Spanish California Institute of the Arts Vfsual Ctdture and Its Disrontmts Nina Athanassoglou-Kallmyer, Idmtity and the Cultural Vlmalization Nicholas Mirzoeff, State Catherine Lord, Uniwrsity of Delaware of Bullfighting Tara Zanardi, University of New l'Ork, Stony Brook Uni\·ersity of California, Irvine Uni\·ersity of Virginia Sffing Classicism on the Medittrrmucm Vimal Cultun As Ajrira Janet Hess Lane Relyea, C0t1st: Tbt Politics of Sfgnac's Northwestern Uniwrsity Cultural Ceogmpby Anne Dymond, Disciplines of the Vimal Unin'rsity of Lethbridge Keith Moxey, Colmnbia Katy Siegel, Hunter College, University, Clark Art Institute City University of New York Reinvmting the Modem, Rdnseribiug REGENT PARLOR, 2u FLOOR Frmrhness: Alsaa at the 1925 H'c>rld's Visual Culturt, C11ltural Stwlies, Howard Singerman, CHAIRS: Amy Lyford, Fair Elizabeth Hornback, awl Contemporar)' Art Thtory University of Virginia Occidental College; Carol Payne, University of N1ichigan, Dearborn Richard Leslie, School of Visual Arts Carleton Uni\·ersity, Ottawa Abstract Painli"g The Cttltuml Dialectics of British ProdHring/ Contmlling Spwaelt: HQnce RemovecP sA1B Landscape in Fnma, r. 1900-1920s ~ Pmidmtial Spmh in Media Reportagt BRYANT SUITE, 2'" FLOOR Anne Helmreich, Some Stories Conc,arn Ulrich Keller, University of Texas Christian University the Construction of the CHAIR: Jane A. Sharp, California, Santa Barbara New Observer sA16 Rutgers Uni\·crsity The Barl1arian at tht Gate: Francis Thr Sputarlt of thr Mediatization: WEST BALLROOM, a•• FLOOR Pieabia's Cb,,llmgt to the Parisian Against Geomtlry: AbstMeli~l/1 Exptrirnring Ew111s Othtrwise Avant-Garde Sara Cochran, CHAIR: 'Varren Neidich, artbrain,org in Hung,lriatl Art of tht 1980s Vincent Lavoie, McCord Courtauld Institute of Art Eva Forgacs, Musewn of Canadian History l11tmwl Time Mac!Jillts Art Center College of Design DiscussANT: Roger Benjamin, Chris Bnmi, independent curator Tht Sputaelt of Tnwma: Mass Media National Institute of the Arts, Subalttrn Subjutivities a11d i11 the M11smm Terri \Vcissman, The Potties of AugmmteJ Spaa Australian National Uniwrsity Dtwlopi11g Abstractions Columbia Uni\·ersity Lev Ma.novich, Uniwrsity of Maria.ngeles Soto-Diaz, California, San Diego A Cemttu)' of Images: Meditations Hampshire College 011 the B11ritll of P!Jot~"'gmphs Jane Mindmapping: The Browsn as American Society for Martin Patrick, Illinois State Blocker, University of Minnesota 11 Vimal Mapping of Nmml R(Jponsts 18th-Century Studies University Cristi.ne Vlong Beyon1d the Pyrenees: Natasha Kurchanova Diagm1m11f11g tht Brain arr:d Constwctfons of and the Joseph Dumit, Massadtusetts l

Porformative Practices Off-site fi) fiill Saturday Morning in Asian A i-t sA20 10:30 a.m.- 1:00 p.m.

GIBSON ROOM, 2'~ FlOOR for a Practice: Futures for Contemporary CHAIR: Woodman Taylor, Off-site li) fiill Self-Taughl Artists and Unh·ersity of lllinois at Chicago The Timeless Genius Outsider Part 1 sA21 of Leonardo da VInci: Things to Do with a Hand scroll This session will be held New Research sA22 R1ittting: Findiug Meaning for the at the American Folk Art Museum, This session will be held at Ear-Pirktr De-nin D. Lee, 45 West 53rd Street. The Metropolitan Museum of Art, Stanford University CHAIRS: Brooke Davis Anderson, 1000 Fifth Avenue at 82nd Street. Negotiating Idmtit)': Piiia Dtsign American Folk Art Museum; CHAIR: Carmen C. Bambach, Textiles and tht ProjW if Philippim Colin Rhodes, The Metropolitan Musewn of Art Nationalism B. Lynne Milgram, Loughborough University Ontario College of Art and Design Pirro di Cosimo and Leonardo Ajttr Finster awl bt)'Ond Term Dennis Geronimus, Pnjormatiotts: Drawing Hl)ttlt Jl~ifart: Assming Rmnt Approachts New York Uniwrsity and thr JJ't.Jrld Renate Dolunen to Srlj~Tallght/Outsider Art and Artists Norman Girardot, On Ltotwrdo Not Finishing Zhao Mn~u's Autumn Colors on Lehigh Uniwrsity David Cast, Bryn Mawr College the Qiao and Hua Mountains as P((lagogiral Model for Hhtmt Art Homrgnllflld: Rr\'isiOitil~ tht Bianm Maria as La Bdle Ftrrotmilrt Adrian Kahn, The School J1sionar)' Artists Randall Morris, Denise M. Budd of the Art Institute of Chic-ago American Folk Art Musewn LtouardoJs K11ira11 St. ]nome: Tlu TM if Artmaking Ntgati\'e Implications if Framing More than Stylt Irene Chan, Uni\·ersity of Maryland t!Jt Artist as St!f-Taught: Cmtering Geraldine R. Lampke Bass the Leaming Experimre Tbc Srimre i11 Leonardo's Botanital Kristin G. Congdon, Drawings Renzo Baldasso, University of Centr.tl Florida Columbia University Eddie Arniug, Alo:andtr SarktonJ and the Creati011 if a Self~ Taught Artist Pamela Jane Sachant, University of Delaw.1re

Open Session Examining Cmttrs for tht Disadvantagtd: What Is Outsider Art? Cheryl Rivers, American Folk Art l\1useum Prndlcum Rutiving Martin Ramirtz Bernard L. Herman, Unh·ersity of Delaware

CAA Comm!Hee Session Saturday Afternoon 45

Saturday Afternoon cover the basics from the view Offsite ~ ~ liiil I 2:30 - 2:00 p.m. points of the law, the rights Professional Practices American Society of holder, the scholar, the museum, Committee Hispanic Art Scholars sA28 ~ and the publisher. M'rl for GRAMERCY B, 2'° FLOOR tion, research, and other actiYities Unh·ersity of Florida the generous sponsorship of this from the Hispanic Society. All meeting. interested parties are welcome. Emador's First Art journal a11d the llru~guard Roots of I11digmism Visual Culture Caucus Michele Greet, Institute of Thai, and 111e ~ Fine Arts, New York Uniwrsity Design Forum Other Islamic Art: Business Meeting and Visual Culture sA27 Between ·~westeml) Inttrdisdplinary Futures: I.atino PETIT TRIANON, 3'~ FLOOR SUTTON PARLOR CENTER, 2'" FlOOR and ~'Non"Westemjj? sA29 Studies and Fimal Culture SUTTON PARLOR SOUTH, 2u FlOOR Roberto Tejada, Dartmouth College CHAIR: Sallie McCorkle,

Penmylvania State University CHAIR: Renata Holod, DiscussANT: Laura J. Crary, Historians of British Art University of Peimsylvania Presbyterian College Thr Objm as Ambassador: Lozi H'ood Business Meeting Bowls and the Politics of Envisioning Imcrsections bnwem Photogrc~phy RENDEZVOUS TRIANON, 3n FLOOR @llil Barotsrland Karen Milbourne, al/(1 Pai11ti11g in Qajar Iran Uni\·ersity of Kentucky DaYid Roxburgh, CAA Committee on Harvard Uniwrsity Intellectual Property and Caringjor Objects a11d Inhabiting Museum Committee Association of Art Editors t!Jf Intnior Charles Rice, Historical Images in Litmny Texts ln!ellec!ual and Clearing and Uniwrsity of New South \Vales Zeren Tanindi, Uludag Uniwrsity em-Atiiu~ Excellence: Permissions: How To, ConHYIOri Ground in Maki11g It Matter: The Vlmal Image and Ifxt in Modem Islmnic Tol When To sA24 Museums sA25 Cult11re of the Computer Smm Art: The Casa of Sadequain BEEKMAN PARLOR, 2n FLOOR MURRAY HILL SUITE, 2'~ FLOOR Michele Wlllte, Wellesley College Iftikhar Dadi, Cornell Uni,·ersity CHAIRS: Robert Baron, CAA CHAIRS: Margaret Conrads, Pojormat/Cf Rrlics and Rmmants: Islamic Art: Aesthetirs, Ideology, Committee on Intellectual Property; The Nelson-Atkins ~\'1useum of Art; Material Remindtrs of Immaterial Acts Religion Nada M. Shabout, EYe Sinaiko, CAA Annie V. F. Storr, New School Jessica Wyman, Queen's University Austin College \Vhat does an author publishing Uniwrsity, Smithsonian Institution Tw~) Sides, Six Cards, Ma11y in the arts today need to know Linda Ferber, Hands Paul Zelevansky, about copyrights and permissions? The Brooklyn Museum of Art California Institute of the Arts \Vhat does an artist need to know about controlling his or her copy Helen Shannon, rights? \Vhat is copyright and hmv New Jersey State Museum long does it last? \Vhat is the dif Jolm Weber, San Francisco ference between public domain Museum of Modern Art and fair use? This practical ses sion-with time for Q & A-will 46 SmrrJ.a.y Afternoon

Saturday Afternoon B. Rights, \A!ork in Progress: 2:30- 5:00p.m. and l'lisk Ma:na.gem:mi Presentations CAA Professional Dc>vrlltlpm

The TEACH Act: Thr Reifvana Jason 'Veems, Stanford Unin·rsity A Practical Guide to the if the TEACH Act to E-publishing Prob!em of !nte!ledual Rise Wilson, New York Uniwrsity Kemteth Crews, Indiana Uniwrsity Rights in the and Indiana UninTsity Copyright Erika Vogt, CalifOrnia Institute Electronic Envi:·on Management Center of the Arts for NINCH is grateful to Cowan, Liebowitz AuH1ors, Pubiishers1 & latman, PC for and Users sA30 the generous sponsorship of this BEEKMAN PARLOR, 2'" FLOOR Radical Art Caucus meeting. Art and Labor1 Part 2 sA33 CHNRs: Robert A. Baron, CAA BRYANT SUITE, 2u FLOOR Conunittee on Intellectual Property;

David Green, National Initiati\'c Art?: Issues of !drmlilv In CHNR: Stephen F. Eisenman, for a Networked Cultural Herit.tge the Notion Northwestern Uni\'ersity (NINCH) of Arts in the Amerlcas sA31 Tl>e Artist as JJ'orker: Radical SUTTON PARLOR CENTER, 2'° FLOOR Responses to the New Dml Federal Art On!!r~o: CHNRS: Jessica Christie, East Pnjats \Varren Carter The Rights issues Carolina University; Ron Graziani, lf'ris Socialist Rtalism Forml Labor? lntn,dutti(ln: The State !if Play if East Carolina Uniwrsity Christina Kiacr, P11Mishing Art History tmd Criticism Cdebmtion: Cttftuml Revh•al Columbia University Online or "What is E-publishing?u or ln\'mttd Tradition? Susan Clnm, Artist and WOrker? The Labar if Megan A. Smetzer, ~vfetropolitan Museum of Art Da~'id Smith Paula Wisotzki University of British Cohunbia Cming an Art Joumal Online: Pinot Callizio's Industrial Painting: Kay H'alkingstick's Acth,ism: J-SIOR a11d The Art Bulletin Towards a Surplrts if Life Frances Art, Idmtity and thr PolWcs Jeffrey Ctutard, Debcvoise & Straccy, Uniwrsity College, London of the Quill((llfenal)' Plimpton; CAA Leg.tl Counsel Lisa Roberts-Seppi, Uniwrsity !n the Live Startiug an Art HisiOl)' E-joumal: of Illinois at Urbana-Champaign for Self·Expression, Tlu Rights lssttes for u l9t!J-Cmtroy Edgar Hfflp of Birds: Postt\,fonitrl? Socia! Activisrn~ and Art JJ0rldwide"Petm Chu, Seton Inumalional Aborigimllity Corrnnerc!a~ Hall Uniwrsity, Association of W. Jackson Rushing, Ar!ists and !he Historians of 19th-Century Art; University of Houston Con:hHnpomry Sheets sA34 Peter Trippi, Brooklyn Museum GRAMERCY A, 2~° FLOOR of Art, Association of Historians Tlu Postcolonial Site if the Slash: of I 9th-Century Art Native Aflltrican AriS, Cultural CHNR: Muhammad Enamu.l Idmtities, and the Politics of Social Huque, Uniwrsity of Toronto Mw@y Margaret A. Lindauer, 48 Hours/48 Rooms: A Case Strtdy Arizona State Uninrsity Ingrid Bachmann, Idmtity and the Mountain Symbol Concordia Uni\·crsity at Santiago Atitlan, Guatemala lnterwntions in Public: Jessica Christie, Local Context/Global Impact East Carolina University Michael Piazza, Columbia College, School of the Art Institute; Uniwrsity of Illinois, Chicago

Our Art, Ormelws Moriah Carlson and Alice Wtt Saturday Afternoon 47

Subtnjuge, Intervmtion, and Strut Crrlos Cape/an: Ca~tght betwan Credibilityjrom Beijing to Britain To Cosmopolitanism 11nd Pfriphny; Anne Graham, Uniwrsity of

CHAIR: Sunanda K. Sanyal, The Art Grrhard Richttr /Adolf Eirhmmm: Ellipsis i11 Symbolist TmnsllltiOJI: Institute of Boston at Lesley University Art and the Nazi Past in Htst- m~r JVhistlcr and Mallarmf Hfst Germall)' Paul B. Jaskot Mary Ann Caws, The GrJ.duate Doubled Idmtities: Cultural Cntssings Center, City University of New York in Conumporary Black British Art Thr Re-Edumtion cj Gerhard Richter: Dorothy Rowe, University of Surrey Socialist Realism, tlu r'Third Path" 1111d Elutiw Affinities: A Painffr thf H)st-Modern Polemifs of Painting Looks at Whistler Ellen Phelan, Disrobing and Redressing in Indian Jeanne Nugent independent artist Aesthetics Rekha Menon, State University of New York, Buffalo Blurring Richter Mim Schorr DiscussANT: Saralt Burns, Indiana University Be)'Cttd Nation, 0Htside Tradition: Controwrsies in Contnnpomr;• Chinm Art Kuiyi Shen, Ohio Uni\'ersity 48 Saturd.1y Afternoon

r..i.!;J Offsite [! liill Historians of British Art Inclusive"''"'"~ ~.Jh!!t!cu!tun:.t!ism and for a ~c:ug!thre Practice: Art In the Co!ordaU Futures tor Postco!on!a! Age sA42 "'''"'T"""''''' Artists and

WEST BALLROOM, 3'~ FLOOR Outsider Art! Part 2 sA44 This session will be held at CHAIR: Jennifer \Vay, the American Folk Art Museum, University of North Texas 45 West53rd Street My British Rusport (with CHAIRS: Brooke Davis Anderson, Acknowledgonmts to Vladimir American Folk Art Museum; Mayakovsk)9: Thoughts 011 Idmtitirs Colin Rhodes, and Ethnidties in Contemporary Art Loughborough Uniwrsity Gen Doy, DdvlonttOrt University Inside 110utsider Art": Reflations on Out of Sight or Out of Site? Diwrsity an Outsider Aesthftic in Contemporary and Citizmship in Couumporary Art C11lture David Parker, Pauline de Souza, Birbeck College, Uniwrsity College, Northampton Unh·ersity of London Texas Gram: A Smsc of Q11intessmtially Un-British? Artists Piau Susan J. Baker, of the Chimsc Diaspora in Britain Uni\'Crsity of Houston-Downtown Susan Pui San Lok, University of East London Dismssing Pop11lar Art in the Carfl,bran-JVhere Do lOu Start? DISCUSSANT: Jeffrey Rosen, Where Do lOu Co? How Do lOu The University of Chicago Get Tbtr(? Allison Thompson, Barbados Community College Offsite D liilJ Prophet, Quem, Doctor: Natllfs Dr>si,gnec! lor Children sA43 without Margins Jeffrey Hayes, This session will be held at the Uni\·crsity of Wisconsin-Milwaukee Bard Graduate Center, 18 West 86th Street Depth-Charged Art: Hmt)' Darger, (between Central Park West Ivan Albright, and tbe Natttrt o/ bmer and Columbus Avenue), Life Michael Bonesteel, INTUIT: Center for Intuitive and Outsider Art CHAlR: Kenneth Ames, Bard Graduate Center

Friedrich Froebel's Gifts Tamar Zingver, Princeton University

John Dnwy, Fmuk Llo)'d Wright, and an Architecture for American Childhood Dale Allen Gyure, Lawrence Technological University

Jlhmar's 1Wew Child": Alma CAll CommH\os Scss!Orl Buschrri's Aw1nt-Cardr Design at the Bauhaus Dara Kiese, Graduate Center, City Uniwrsity of New York

Olifrct Lmons: Design, Creativit)~ and Postwar Educational Toys Amy Ogata, Bard Graduate Center

Buildiug Baby Archiucture and Intermlifutivity Da.nielle Schwartz, McGill University