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Sessions Identified with This Symbol Address Broader Areas and Disciplines \Yithin Studio Art and Art History

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Sessions Identified with This Symbol Address Broader Areas and Disciplines \Yithin Studio Art and Art History '~ •, ·-' \ ->. ' -- -'- -.- _·, ' . ' ' --- \ \'· ._ ·\ G~, Conference Program 19 Open Session oo::J Sessions identified with this symbol address broader areas and disciplines \Yithin studio art and art history. Oll·Sile Session Sessions identified with this symbol will be held outside the Conference site. .., Pnu::Ucurn 1...111 Sessions identified with this symbol offer practical applications or deal with pedagogical issues. Museum Session liilJ Sessions identified with this symbol focus on issues of interest to curators and other museum professionals. Afmiated Sess!on rJ.I;] Sessions identified with this symbol arc sponsored by organizations affiliated with CAA. CAA. Comrnittoe Sess!on Sessions identified with this symbol arc sponsored by committees of CAA. ~.%-Session l3 Sessions identified with this symbol address the use of digital technology and the Internet in studio art, art history, and art education, 20 Tuesday- Thursday Morning lB f9 Thursday1 l'ebrnary 20 Tuesday Evening Wednesday Afternoon ARTs pace 6:30- 8:00p.m. 2:00- 5:00 p.m. NASSAU SUITE, 2'" FLOOR Ortentatron for !nterv!ewews Grant-Writing W'Hiknhnn Brimming with events and activi­ and Cand!dates for Artists: Parts 1 and 2 ties of special interest to CAJ\s EAST BALLROOM, 3'" FLOOR CONCOURSE ROOM F artist-members, ARTspace, intro­ duced at the 2001 Conference, Michael Aurbach, This Workshop is by reservation only. will extend over the full three days Vanderbilt University of the Conference. Part theater Wednesday Afternoon Laurie Beth Clark, and part lotmge, this conference­ 4:00- 5:30p.m. Univer:sity of\Visconsin, Madison within-a-conference will be the site for innovative progranuning, Mark L. Goldstein, ranging from artists' talks, per­ Goldstein & I\·lorris, LLP Historians of Islamic Art formances, and debates to social David M. Sokol, Business Meet~ng and networking opporttmities. University of Illinois at Chicago GIBSON ROOM, 2"' FLOOR Ali attendees are cordially invited to be stimulated and to converse, Emmanuel Lemakls, CAA enjoy, and relax at ARTspace. Women's Caucus for Art Look for ARTspace listings at the Bus! ness MeeUng beginning of each day's program. SUTTON PARLOR SOUTH, 2"" FLOOR Ongoing video, slide, and multi­ media presentations, as well as Wednesday Evening other offerings, are still evolving, 5:30 - 7:00 p.m. so please watch for the final list of events. EAST BAllROOM, 3'" FlOOR Welcome and Opening Remarks 8:00 - 9:30 a.m. Michael Aurbach, CAA President Fresh Start: Perk up your senses with complimentary coffee, tea, or The Honorable Kate D. Levin, juice, A detailed schedule of the Commissioner, N.Y.C. day's events will be available. Department of Cultural Affairs Presentation of Awards Keynote Address Off-S!U; Sessfon Roger Shimomura, F'racHcurn Uni\'ersity of Kansas Mt~seum Sesslor, 'Vednesday Evening AfliHated Society Sess!on 7:30 - 9:30 p.m. CAA Committee· S%sion The Whitney Museum of American Art 945 Madison Avenue at 75th Street ADMISSION BY TICKET ONLY Thursday Morning 21 011 View All Day: Thursday Morning AIM 1\r! in Molionlll 5:00 - 6:30 p.m. 7:30- 9:00a.m. Making Art Make Hii;lorv: Art as Institution TH7 An international festival of digital Art in Media/ Art History Technology MERCURY BALLROOM, 3'~ FlOOR and time-based media presented Media in Art TH4 Consortium by the University of Southern CHAIRS: Joann Byce, Otis College of Linda Nochlin, Institute of Fine Business M<>etln California School of Fine Arts. Art and Design; Sandra Esslinger, Arts, New York Uniwrsity, in SUTTON PARLOR CENTER, 2u FLOOR 'Viii also be available for viewing Mount San Antonio College conversation with Paul Tschinke.l, throughout the day on Friday. Queens borough Conununity College, For Low or Momy: A Cast City Uni\·ersity of New York, and Study of a ucaukuptr" 9:30 ~noon Queer Caucus for Art Jo Ann Wein, Queensborough Callrry Andrea Pappas, Business Meeting Community College, City Uni\·ersity Santa Clara University GRAMERCY B, 2"b FLOOR ~ of New York Tht Barmtt Adm Gallery: Freedom of Thursday Morning A Pionuring Jinturt in Cultural Now More than Ever? TH1 6:45- 7:45 p.m. 9:30- noon Diwrsity Janet G. Abbott, Social CHAIR: Ted Berger, Di:sc'""''"'" Translation: Pennsylmnia State University New York Foundation for the Arts Vision, Texts, Contexts TH6 Art, Commna, and tht Nation: Bring your laptop (on battery Participants to be announced. SUTTON PARLOR NORTH, 2~ 0 flOOR Bo;·dell's Shakespeare Galluy only, please) and share your \Vork! Pamela M. Fletcher, Come see what others have to CHAlRS: Mieke Bal, Uni\·ersity !2:30- 2:00 p.m. Bowdoin College show on laptops, from video to of Amsterdam; Joanne Morra, The New York Trilotw: slides to computer-only work Central Saint Martins College Minimalist JlOrk and the Art Gallery: Site, Context and Location~ to intcracti\•e work. Happy Hour of Art and Design Dan Graham, tht John Daniels A Case of The lower is no-host/ Come, show, look, Gallery, and the Field of Minima/ism, The Absmt Image: Tramlation Manhattan Cultural tell, hear, see, interact, network 1964-65 Rhea Anastas, as Both lmpossiblt and Counci!~s Residency with fellow artists, art historians, Cit)' Unh·ersity of New York Numar)' Gary Shapiro, PmgramsrH2 critics, writers, and students. Uni\'ersity of Richmond Moukhtar Kocache, Indicate your interest in partici­ liiii'l pating: [email protected] 1'.Artimlation bifore tht Ietttr": Lower Manhattan Cultural Council But How Did Use It?: HYiting, Dmwing, and You are welcome to bring your lunch. Defining Context in 8:00 - I 0:30 p.m. Blind Tinu Eve Meltzer, Buddhist ArlTHs Uni\·ersity of California, Berkeley 2:30 - 4:45 p.m. Safe Haven: Performance, SUTTON PARLOR SOUTH, 2"° FLOOR Video, and !he Body A Gotuback Ltxicon: Transttxluals, Irony Chef rH3 CHAIRS: Elizabeth Hammer, Fema!e ArtLsts Today m5 Translatmts, and the Allure of the The Metropolitan Museum of Art; A hybrid of an academic panel Fmaured Gaze Jillian St. Jacques, CI-IAlR: Hayley Barker, Denise P. Leidy, The Metropolitan and the popular cooking show. independent scholar College of the Redwoods Museum of Art CHAIRs: Beauvais Lyons, Tht Tnmslation of Photography: Guilty Pleamm Carey Lovelace, What's So Cool about This St1ifj University ofTe1messee, Knoxville; Amu MacDona/J's The International Art Critics Association At~ywa)'?: Buddhist Art and the Richard Purdy, Amumciations Rex Butler, Gmeral P~tblic Nicholas Ruocco, Trois RiviCres, Quebec Control b)' Looking: A Talk to Uni\·ersity of Queensland, Brisbane The Metropolitan Museum of Art Determine whrther Vision Is Political PRESENTERS: David Wilkins, Fibmd Philosophy: Translating and Pow~r~Orimted Dafita Ganani Museums, Buddhist Art, and Uniwnity of Pittsburgh; Sarah the HYittm into tht A~tdio- Vimal }..ftditation: A Contemporaty Smith, Montserrat College of Art; En~s, Outrage, a11d tht Toothless Nora M. Alter, Persputiw Saralt Loudon, Clark Bedford, Hirshhorn Museum; Pixel Carolee Schneemann Uniwrsity of Florida Seattle Art Museum Ruth Weisberg, University of Miranda July Southern California; Charles Jansen, Explaining Enlightwmmt: ~ Middle TCnnessee State University Difitling and Communicating Freedom o! Expression: Cot~ttxl in Buddhist Art COMMON·TATERS: Norie Sato, inde­ Now More than Ever? m1 Kathryn H. Selig Brown, pendent artist, Seattle, \Vashington; NASSAU SUITE, 2~° FlOOR independent scholar Diana Thorneycroft, CHAIR: Ted Berger, New York University of Manitoba Foundation for the Arts Participants to be announced. 22 Thursday Morning Conlfxt and thr Dtath Knell if Digital Art and the Critique The Art Evmt as Cult11ral Art History Ste\'en Kossak, Kristen BamnliCr, Maquiladora George Yudice, The Metropolitan Musetml of Art Cleveland Institute of Art New York Uniwrsity That Statue Is Doing What?: Building a Critiqur Format Re-rowring the Cityscape: An hnagiuing thr Sp11W if Buddhist for Studmt Im·olwmmt Individual Artist's Guide to Lfgally Installation Mimi Yiengpruksawan, Dianne Roman, Shepherd College Installing a Publir ll'orks ProjW in )~tie Uniwrsity Ntw 10rk City Michele Brody, One, T,w, Thm: It's Crit Tinu! artist Stephen Lamia, Dowling College Sea rcl1/ Research: Artists in the Archives TH9 !he Yellow Badg<e: Bauhaus He-visited? REGENT PARLOR, 2"~ FLOOR Ne-w to Ant!- Populism and llle Jiuda!sm and AnH·Semit~sm CHAIRS: Carla Rae Jolmson, Proliferation of in Medie-vai and Ronais~ ]'o'farymount College of Fordham ~(Good Des!gnn into san co Visual Cult me rH13 University; Janet Goldner, li1&2'1Sl TH11 BEEKMAN PARLOR, 2"~ FLOOR Antioch College SUTTON PARLOR CENTER, 2~° FlOOR CHA!As: Mitchell B. Merback, Starch I Sfattrt I Synrhronidty: Hunting CHAIR: Cher Krause Knight, Depauw University and Gathuing in thr 21st Cmtury Emerson College Carla Rae Johnson, Marymount Violattd Flesh, Exalted Stont, and the Plamud ObsolfS(fll(( a11d College of Fordham University South Fasade 1 Stmsbourg Cathedral Othrr Crimes against Modemism: Nina Rowe, DePaul University FMging Comuttions: Art and Life Iht Carter of Brooks Stevms in Mali Janet Goldner, Glenn D. Adamson, Christian Exputatiom of Jewish Antioch College Milw.mkee Art Museum Co11\'trsion: Vfsual Strategies Elizabeth A. Monroe, DDn't 1 Know 10u jnm1 Somewhere? The Crisis of tht Appropriaff: University of Southern California Stephen Spretnjak, artist Popular Culture and ((Bad Iasten in tht 1960s Patricia A. Morton, Jfwish Convnts and Criminals The Odd Couplf: Rmarrh and Uninrsity of California, Riverside in the Cantigas de Santa Marla: Srrendipity Teresa Jaynes, Testimonies 1 Text and Image Philadelphia Print Collaborative Spau, Time, and
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    S O N N A B E N D ROBERT FEINTUCH Born 1953 Jersey City, New Jersey. EDUCATION 1974-76 Yale University School of Art, M.F.A. 1970-74 Cooper Union, B.F.A. SOLO EXHIBITIONS 2014 Sonnabend Gallery, New York 2012 Akira Ikeda Gallery, Berlin 2011 Sonnabend Gallery, New York 2010 Sonnabend Gallery, New York 2006 CRG Gallery, New York 2004 Howard Yezerski Gallery, Boston 2002 CRG Gallery, New York, (catalogue) 2001 Howard Yezerski Gallery, Boston, (catalogue) 1999 Heat, CRG Gallery, New York 1996 The Middle Ages, CRG Gallery, New York 1994 Ruth Bloom Gallery, Santa Monica Studio La Citta, Verona, Italy, (catalogue) 1993 Daniel Newburg Gallery, New York 1992 Daniel Newburg Gallery, New York 1989 Galerie Alfred Kren, Cologne, Germany 1988 fiction/nonfiction, New York 1985 Madeleine Carter Fine Arts, Boston GROUP EXHIBITIONS 2014 Look at Me: Portraiture from Manet to the Present, Leila Heller Gallery, NY 2013 The Sonnabend Collection, Ca' Pesaro Galleria Internazionale d'Arte Moderna, Venice Come Together: Surviving Sandy, Dedalus Foundation, Industry City, and The Brooklyn Rail, Brooklyn, NY 2012 Sonnabend Gallery, New York 2011 Ileana Sonnabend. An Italian Portrait, Peggy Guggenheim Foundation, Venice (catalogue) 536 WEST 22 NEW YORK NY 10011 T. 212 627 1018 F. 212 627 0489 S O N N A B E N D 2009 Sonnabend Gallery, New York Lovers, On Stellar Rays, New York 2006 Sweets and Beauties, Fredericks & Freiser, New York 2005 Celebrate 22 Years, Tilton Gallery, New York 2004 Some of Their Parts, Howard Yezerski Gallery, Boston 2003 Me, Myself and I,
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