DOCSLIB.ORG

Feria Internacional De Arte Contemporáneo International Contemporary Art Fair

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Feria Internacional De Arte Contemporáneo International Contemporary Art Fair Feria Internacional de Arte Contemporáneo International Contemporary Art Fair 19 Agradecimientos — Acknowledgements ARCOmadrid 2019 ha sido posible gracias al apoyo y colaboración de ARCOmadrid 2019 is made possible with the collaboration and support of COLABORACIÓN INSTITUCIONAL INSTITUTIONAL COLLABORATION PATROCINADORES SPONSORSHIPS PERÚ EN ARCO PERU IN ARCO COLABORADORES COLLABORATION MEDIOS OFICIALES OFFICIAL MEDIA AMORIN / ARTANTIC / ARTE MADRID / BERGÉ / BODEGAS OTAZU / BOMBAS GENS CENTRE D’ART / CAIXA FORUM – FUNDACIÓN “LA CAIXA” / CASA ÁRABE / CASA DE AMÉRICA / CASA DE MÉXICO / CASA DE VELÁZQUEZ / C ARTE C / CEART FUENLABRADA / CENTRO BOTÍN / CENTROCENTRO CIBELES DE CULTURA Y CIUDADANÍA / CENTRO DE ARTE ALCOBENDAS / CÍRCULO DE BELLAS ARTES / CLUB MATADOR / COLECCIÓN H.E.F. / CENTRO CULTURAL CONDE DUQUE / CONGRESO DE LOS DIPUTADOS / CONSEJERÍA DE TURISMO. COMUNIDAD DE MADRID / EL INSTANTE FUNDACIÓN / EMBAJADA DE COLOMBIA / EMBAJADA DE PORTUGAL / FLORIDA RETIRO / FUNDACIÓN MAPFRE / FUNDACIÓN MARÍA CRISTINA MASAVEU / FUNDACIÓN TELEFÓNICA / GANCEDO / HOTEL NH NACIONAL / HOTEL PASEO DEL ARTE / HOTEL WESTIN PALACE / IBERDROLA / INCOGA / INELCOM / INSTITUTO ITALIANO DE CULTURA / IVAM / LA CASA ENCENDIDA / MATADERO MADRID / MNCARS – MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA / MUSEO ABC DE DIBUJO E ILUSTRACIÓN / MUSEO CASA DE LA MONEDA / MUSEO DE AMÉRICA / MUSEO DE ARTE CONTEMPORÁNEO / MUSEO LÁZARO GALDIANO / MUSEO NACIONAL DEL PRADO / MUSEO THYSSEN- BORNEMISZA / NAVE SÁNCHEZ UBIRIA / NUBEL / REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO / SALA ALCALÁ 31 / SALA ARTE JOVEN / SENADO DE ESPAÑA / TABACALERA. ESPACIO PROMOCIÓN DEL ARTE / TAO ILUMINACIÓN / TASMAN PROJECTS / THE FLOWER ROOM / UNA MÁS UNA, GESTIÓN Y PRODUCCIÓN CULTURAL / VBO SPAGNA Sumario — Contents 20 Comité de Honor — Committee of Honour 21 Comité Organizador — Organising Committee 22 Organización — Organisation 23 Comisarios de ARCOmadrid 2019 — ARCOmadrid 2019 Curators 24 Comité Apoyo Perú en ARCO — Support Committee Peru in ARCO 25 Perú Comité Organizador — Organising Committee of Peru 27 Índices — Indexes Galerías y Secciones — Galleries and Sections 33 Galerías — Galleries 471 Proyectos Institucionales — Institutional Projects ARCO Espacios Culturales — ARCO Cultural Spaces Librerías — Bookshops 495 Revistas — Magazines 502 Publicidad — Publicity 545 Índices — Indexes Galerías por Países y Artistas — Galleries by Countries and Artists Su Majestad Don Felipe VI Rey de España Presidente de Honor de ARCOmadrid Honorary President of the ARCOmadrid The International Contemporary Art Fair once again occupies a privileged place in Madrid in its 38th edition. ARCOmadrid is presented as one of the most representative international platforms and as a meeting point for the distribution, promotion and dissemination of contemporary art. This commitment to art is one of the best investment destinations, as it is a safe and rising asset for individuals and companies. ARCOmadrid is therefore the best way to boost a sector that complements its strong economic nature with other values such as the promotion of culture and knowledge, prioritising the commercialisation of works of art together with the international profile of galleries and their artists. I am convinced that you will all appreciate the quality of ARCOmadrid, which this year brings together 205 galleries from 31 countries, in particular an interesting Latin American representation. On top of this quality comes another distinguishing feature: the innovative nature of ARCOmadrid as a fair to discover and study new talent and content. I trust the fair will be a relevant instrument for collectors and professionals. In addition, the presence of a guest country at the Fair is a very valuable contribution to its international recognition. This year, the guest country is Peru, with an interesting presentation that will be accompanied by an impressive display in the city. All this will showcase the lesser known aspects of art in Peru, both through a surprising journey to the past and to regions where new contemporary art movements have emerged, such as the Amazon. Besides, the importance of Peruvian videoinstallations and photography in recent decades will be highlighted. These works will be exhibited at Museo Nacional Centro de Arte Reina Sofía, Museo del Prado, Espacio Fundación Telefónica, Matadero Madrid and Conde Duque Cultural Center, among others. In addition, ARCOmadrid will provide an exceptional occasion to celebrate collecting in Latin America by offering several parallel projects going on at the same time. The Instante Foundation will host a show promoted by CIFO Europe with Peruvian artists from the collection of Ella Fontanals-Cisneros, Alberto Rebaza Torres, Armando Andrade de Lucio and Juan Carlos Verme Giannoni. The Santander Art Room will exhibit the Teixeira de Freitas collection; the San Fernando Royal Academy of Fine Arts will host the Eduardo and Mariana Hochschild collection, and Casa de América, the Jan Mulder collection. Thanks to the collaboration between IFEMA and the Chamber of Commerce, Industry and Services of Madrid, the capital city of Spain becomes the epicentre of current creation and cultural exchange during the five days in which ARCOmadrid takes place. All this thanks to a commitment towards the creation of artistic heritage through collecting and in a context in which galleries, artists and other professionals can expand their horizons. This edition of the International Contemporary Art Fair is presented as one of the most highly regarded events in the international cultural calendar and that is why we want to thank all the professionals, institutions and participants that make it possible for ARCOmadrid to maintain its innovative and dynamic nature in the art market. La Feria Internacional de Arte Contemporáneo vuelve a ocupar un lugar privilegiado en Madrid en su 38ª edición. ARCOmadrid se presenta como una de las plataformas internacionales más representativas y como punto de encuentro para la distribución, promoción y divulgación del arte contemporáneo. Esta apuesta por el arte supone uno de los mejores destinos para la inversión, ya que constituye un valor seguro y en alza para particulares y empresas. Por ello, ARCOmadrid se presenta como la mejor manera de dinamizar un sector que complementa su marcado carácter económico con otros valores como la promoción de la cultura y el conocimiento, priorizando la comercialización de obras de arte junto con la proyección internacional de las galerías y sus artistas. Estoy convencido de que todos ustedes apreciarán la calidad de Ángel Asensio ARCOmadrid 2019, que este año reúne a 205 galerías de 31 países, entre la Presidente de la Junta Rectora que destaca una interesante representación latinoamericana. A la calidad se de IFEMA President of the Governing suma otro rasgo diferencial, el carácter innovador de ARCOmadrid como feria de Board of IFEMA descubrimiento y estudio de nuevos talentos y contenidos, que confío cumplan su objetivo de ser un instrumento relevante para coleccionistas y profesionales. Además, la presencia en la feria de un país invitado es una aportación muy valiosa a su reconocimiento internacional. Este año lo protagoniza Perú, con una interesante presencia que se acompañará de un impresionante despliegue por la ciudad. Todo ello acercará los aspectos menos conocidos del arte en Perú, tanto a través de un sorprendente viaje al pasado o a regiones en las que han surgido nuevos movimientos de arte contemporáneo como en la Amazonía, así como reseñar la importancia de la fotografía peruana de las últimas décadas o las videoinstalaciones. Unas muestras que ocuparán desde el Museo Nacional Reina Sofía y el Museo del Prado, hasta el Espacio Fundación Telefónica, Matadero Madrid o el Centro Cultural Conde Duque, entre otros. Además, Madrid será un excepcional momento para celebrar el coleccionismo en Latinoamérica con la coincidencia de diferentes proyectos. El Instante Fundación acogerá una muestra promovida por CIFO Europa con artistas peruanos de la colección de Ella Fontanals-Cisneros, Alberto Rebaza Torres, Armando Andrade de Lucio y Juan Carlos Verme Giannoni. La Sala de Arte Santander exhibirá la colección Teixeira de Freitas; la Real Academia de Bellas Artes de San Fernando, la colección Eduardo y Mariana Hochschild, y Casa de América, la colección Jan Mulder. Durante los cinco días en que se desarrolla ARCOmadrid, y gracias a la colaboración entre IFEMA y la Cámara de Comercio, Industria y Servicios de Madrid, la capital de España se convierte en el epicentro de la creación actual y del intercambio cultural, con una apuesta por la creación de patrimonio artístico a través del coleccionismo y en un contexto en el que galerías, artistas y demás profesionales pueden expandir sus horizontes. Esta edición de la Feria Internacional de Arte Contemporáneo se presenta como unos de los encuentros mejor valorados del calendario cultural internacional y es por ello por lo que queremos dar las gracias a todos los profesionales, instituciones y participantes que hacen posible que ARCOmadrid mantenga su carácter innovador y dinamizador del mercado del arte. Every February IFEMA opens its doors to host ARCOmadrid, one of the greatest artistic events on the international calendar and, undoubtedly, a symbol of Spain’s avant-garde culture. The International Contemporary Art Fair celebrates its 38th year with updated content and an artistic programme that once again focuses on quality and an interest in discovering the names and proposals
Load more

Recommended publications
  • Alfredo Aceto Brains & Bronze
    Alfredo Aceto January 22 – March 5 2021 Curated by Laurence Favez Jeandin Brains & HIT Rue des Amis 1201 Geneva Bronze espace-hit.ch 1. Esercizi Muscolatura Orofacciale per Artisti I, III, IV, V, VI, VII, VIII, VIII, IX, X, XI 2020 Sérigraphie sur carton. 60 x 71 cm Unique 2. Bocca con Matita 3. 2. 2020 Bronze, peinture à l’huile. 17 x 5 x 3,5 cm Unique 3. Fabian Marti, 2020 Impression jet d’encre, cadre. 57 x 68 cm 4. d’Angleterre 2021 Chemise, corne, 43 x 31,5 x 8 cm 1. 4. Avec le soutien de ProHelvetia, de la Loterie Romande, du FMAC et du FPLCE Alfredo Aceto se pose la question du corps et de ses métamorphoses. Récemment contraint de rééduquer le muscle de sa langue, il expérimente le retour à l’appren- tissage oral, pourtant acquis lors de l’enfance. Cette oralité obtenue si lointainement semble être innée, puisque son application devenue naturelle absorbe le souvenir de l’initiation. Son réapprentissage apporte alors une conscientisation gestuelle et poé- tique, catalyseur de cette présente exposition. La série Esercizi Muscolature Orofacciale per Artisti est une suite d’exercices rédi- gés initialement par le médecin Daniel Garliner. Bien que destinées à ces mêmes problématiques myofonctionnelles et utilisées à des fins cliniques, ces courtes ritour- nelles empruntent des images et des codes propres à l’univers de l’enfance et de la fable. Onomatopées, images ou métaphores, elles mobilisent davantage de sens qu’elles n’en prétendent stimuler, et rejouent l’aller-retour emprunté récemment par l’artiste dans l’apprentissage infantile.
    [Show full text]
  • EL ARTE DE LA CALLE ENTRA AL MUSEO Exhibiciones 2º Período MAC Quinta Normal
    EL ARTE DE LA CALLE ENTRA AL MUSEO Exhibiciones 2º período MAC Quinta Normal HOJAMAC2015 NACIONAL INTERNACIONAL 16 maY 19 JUL NIVEL 2 QUIÉN SOY Y QUÉ QUIERO Salas 1 y 11 MERMA Sala 2 HELL AIN’T A BAD PLACE TO BE Salas 3 y 5 El segundo período expositivo de MAC Quinta Normal se articu- la en base a dos conceptos estrechamente relacionados: lo under y lo callejero. Lo underground toma fuerza en Europa durante la segunda mitad del siglo XX, aglutinando una serie de manifestaciones artísticas y culturales surgidas fuera de la Academia y de la institucionalidad oficial. El arte callejero es uno de muchos movimientos under, que se instala como reacción o alternativa a la cultura oficial. Lo callejero se refiere al arte urbano o street art, que supone cualquier expresión ar- tística que se desarrolla de forma espontánea en espacios urbanos, públicos y/o privados, la mayoría de las veces de forma anónima e PALABRAS CLAVE ilegal. El graffiti y la pintura mural, ejemplos de arte callejero, com- parten un espíritu under con otras expresiones artísticas no forma- Dibujo les como el tatuaje, el cómic o el fanzine. Todos poseen su particular Graffiti visualidad, implican una estética, pero además, una filosofía de vida. Instalación Las exposiciones de MAC Quinta Normal incorporan este espíritu Rock de lo marginal y una frescura proveniente de una factura más alejada Street art de la academia. El dibujo juega un rol esencial, al ser desplazado de Underground su rol histórico en las Bellas Artes y ahora tradicionalmente relegado Videoanimación a la categoría de boceto.
    [Show full text]
  • JACKIE SACCOCCIO 1963 Born in Providence, RI Lives and Works in Connecticut and New York, NY
    JACKIE SACCOCCIO 1963 Born in Providence, RI Lives and works in Connecticut and New York, NY Training 1988 MFA School of the Art Institute of Chicago, Chicago, IL 1985 BFA Rhode Island School of Design, Providence, RI Solo Exhibitions 2018 The Club, Tokyo, JP Solo booth, ADAA Art Show, Van Doren Waxter, New York, NY 2017 Spectral Hole, Rhona Hoffman Gallery, Chicago, IL Sharp Objects & Apocalypse Confetti, Eleven Rivington, New York, NY 2015 Degree of Tilt, Eleven Rivington, New York, NY Degree of Tilt, Van Doren Waxter, New York, NY Echo, Corbett vs. Dempsey, Chicago, IL 2014 Jackie Saccoccio, Eleven Rivington, New York, NY Portraits, Brand New Gallery, Milan, IT Portrait Gallery, Museo d'Arte Contemporanea VILLA CROCE, Genoa, IT 2013 Portraits, Corbett vs Dempsey, Chicago, IL 2012 Portraits, Eleven Rivington, New York, NY Paintings, Philip Slein Gallery, St. Louis, MO 2010 One to One, Eleven Rivington, New York, NY 2008 Interrupted Grid, Eleven Rivington, New York, NY Wall Intervention, Beatrice Room, RISD Gallery, Rome, IT 2006 In Transparency, Black & White Gallery, New York, NY 2003 Portage, Galerie Michael Neff, Frankfurt, Germany Bowery Poetry Club, (curated by Elizabeth Murray), New York, NY 2001 White Columns, White Room Project, New York, NY 1997 Lauren Wittels Gallery, Project Room, New York, NY Two Person Exhibitions 2013 Polychrome Fiction: Joanne Greenbaum and Jackie Saccoccio, Nerman Museum of Contemporary Art, Kansas City, KS Group Exhibitions 2017 Annual Invitational Exhibition, American Academy of Arts & Letters, New
    [Show full text]
  • JEFFREY GIBSON B. 1972, Colorado Lives and Works in New York
    JEFFREY GIBSON b. 1972, Colorado Lives and works in New York EDUCATION 2016 Honorary Doctorate, Claremont Graduate University, Claremont, CA 1998 MA, Royal College of Art, London, United Kingdom 1995 BFA, The Art Institute of Chicago, Chicago, Illinois 1992 Studied with sculptor Ernest Mirabal, Nambe, New Mexico SOLO EXHIBITIONS 2019 Jeffrey Gibson: Like a Hammer, Seattle Art Museum, Seattle, WA, catalogue Jeffrey Gibson: Like a Hammer, Madison Museum of Art, Madison, WI, catalogue Jeffrey Gibson: This is the Day, Blanton Museum of Art, Austin, TX, 2018 Jeffrey Gibson: Like a Hammer, Denver Art Museum, Denver, CO, catalogue (touring) Jeffrey Gibson: Like a Hammer, Mississippi Museum of Art, Jackson, MS, catalogue Jeffrey Gibson: This is the Day, Ruth and Elmer Wellin Museum of Art, Clinton, New York, catalogue (touring) DON'T MAKE ME OVER, The de la Cruz Gallery of Art, Georgetown University, Washington, DC 2017 In Such Times, Roberts & Tilton, Culver City, CA Look How Far We've Come!, Haggerty Museum of Art, Milwaukee, WI Jeffrey Gibson: Speak to Me, Oklahoma Contemporary Arts Center, Oklahoma City, OK 2016 A Kind of Confession, Savannah College of Art and Design Museum, Savannah, Georgia (traveling to Atlanta, Georgia) 2015 MARC STRAUS, New York, New York A. Lange & Sohne, New York, New York 2014 MARC STRAUS, New York, New York 2013 Love Song, Institute of Contemporary Art, Boston, Massachusetts Said the Pigeon to the Squirrel, National Academy Museum, New York, New York Tipi Poles Performing as Lines, Cornell Fine Arts Museum, Winter
    [Show full text]
  • Campolmi Irene CV (1).Pages
    Irene Campolmi CV Independent Curator Head of Exhibitions, Andersen’s Contemporary Curator, Code Art Fair Artistic Program 01. 04. 1987; Emails: [email protected]/[email protected] Website: www.irenecampolmi.com Mobile: +45 28697337 Proficiency: English (C2), Danish (C1); German (B1), French (B1); Spanish (B1) Italian (Native) IT Skills: Mac proficiency, Outlook, Excel, Power point, Word, prize.com, Mailchimp, InDesign, Filemaker, Tw i t t e r, Tumbl r, Facebook, Instagram and other social media QUALIFICATIONS AND COMPETENCES I am a qualified independent curator and researcher who worked for modern and contemporary art institutions for more than ten years. I have curatorial and managerial experience both in art museums and commercial art galleries. I have organized large-scale international conferences, talks, events and seminars in art institutions, universities and other parties. I have excellent administrative and organizational skills, and I am excellent in managing projects in time and creating networks with other curators, galleries and artists. EDUCATION 2013 -2017: PhD Fellowship in collaboration between Aarhus University and the Louisiana Museum of st Modern Art (Humlebæk, DK). PhD Thesis: The Art Museum of the 21 Century. Contemporary Curatorial Ethics and Research. 2015: J-1 Visiting Researcher and Curator at the Graduate Center, CUNY. Sponsor: Prof. Dr Claire Bishop. 2014: Visiting Researcher, School of Museum Studies, University of Leicester (UK). Mentor: Dr. Janet Marstine. 2011 - 2013: Research Fellow in the Max Planck Research Group “Objects in the Contact Zones: The Cross Cultural Life of Things”, Kunsthistorisches Institute of Florence. Group Leader: Dr Eva-Maria Troelenberg. 2009-2011: MA in Art History, History of Art Collecting and Museology, University of Florence Mark: 110/110 with honors and mention for publication.
    [Show full text]
  • Kant St. Kongensgade 3, Baghuset, 1264 Copenhagen
    KANT ST. KONGENSGADE 3, BAGHUSET, 1264 COPENHAGEN Ea Vasko Born 1980 in Helsinki. Lives and works in Helsinki, Finland Education: 2004-2009 University of Art and Design Helsinki, Finland Department of photography. Studies for Master of Arts 2005-2006 Musashino Art University, Tokyo, Japan Department of Imaging Arts and Sciences 2001-2004 University of Art and Design Helsinki, Finland Department of photography. Studies for Bachelor of Arts 2000-2001 Voionmaan opisto, Ylöjärvi, Finland Department of photography 1999-2000 Västra Nylands Folkhögskola, Karjaa, Finland Department of photography Exhibitions 2015 Solo exhibition: Ea Vasko - Ma, KANT Gallery, Copenhagen, Denmark 2014 FIN(N)ISH, Fresh contemporary art from Finland, Curated by Peter Surace, RARE Gallery. New York, USA 2012 Gallery TaiK, Vienna Art Fair, Austria Helsinki Abstract, Curated by Olaf Becker, Gallery Nikolaus Ruzicska, Salltzburg, Austria 2011 Touching Dreams - The Helsinki School, The National Museum of Photography, Copenhagen, Denmark Galerie Forsblom, (Jacob Hashimoto, Ola Kolehmainen, Ea Vasko, Niko Luoma, Kaarina Kaikkonen, Helsinki Gallery TaiK, Madrid Photo, Madrid, Spain Solo exhibition: Ea Vasko - Photographs, Gallery Pictor, Vihti, Finland Gallery TaiK, Arco International Contemporary Art Fair, Madrid, Spain 2010 Galerie Forsblom, ArtHelsinki, Helsinki, Finland Galerie Forsblom, Billnäs Summer, Billnäs, Finland Galerie Forsblom, Art Paris, France Helsinki School-Photography and video now, Meilahti Art Museum, Helsinki Echoes of Light, Nanna Hänninen, Rita Jokiranta,
    [Show full text]
  • One of a Kind, Unique Artist's Books Heide
    ONE OF A KIND ONE OF A KIND Unique Artist’s Books curated by Heide Hatry Pierre Menard Gallery Cambridge, MA 2011 ConTenTS © 2011, Pierre Menard Gallery Foreword 10 Arrow Street, Cambridge, MA 02138 by John Wronoski 6 Paul* M. Kaestner 74 617 868 20033 / www.pierremenardgallery.com Kahn & Selesnick 78 Editing: Heide Hatry Curator’s Statement Ulrich Klieber 66 Design: Heide Hatry, Joanna Seitz by Heide Hatry 7 Bill Knott 82 All images © the artist Bodo Korsig 84 Foreword © 2011 John Wronoski The Artist’s Book: Rich Kostelanetz 88 Curator’s Statement © 2011 Heide Hatry A Matter of Self-Reflection Christina Kruse 90 The Artist’s Book: A Matter of Self-Reflection © 2011 Thyrza Nichols Goodeve by Thyrza Nichols Goodeve 8 Andrea Lange 92 All rights reserved Nick Lawrence 94 No part of this catalogue Jean-Jacques Lebel 96 may be reproduced in any form Roberta Allen 18 Gregg LeFevre 98 by electronic or mechanical means, including photocopying, recording, or information storage retrieval Tatjana Bergelt 20 Annette Lemieux 100 without permission in writing from the publisher Elena Berriolo 24 Stephen Lipman 102 Star Black 26 Larry Miller 104 Christine Bofinger 28 Kate Millett 108 Curator’s Acknowledgements Dianne Bowen 30 Roberta Paul 110 My deepest gratitude belongs to Pierre Menard Gallery, the most generous gallery I’ve ever worked with Ian Boyden 32 Jim Peters 112 Dove Bradshaw 36 Raquel Rabinovich 116 I want to acknowledge the writers who have contributed text for the artist’s books Eli Brown 38 Aviva Rahmani 118 Jorge Accame, Walter Abish, Samuel Beckett, Paul Celan, Max Frisch, Sam Hamill, Friedrich Hoelderin, John Keats, Robert Kelly Inge Bruggeman 40 Osmo Rauhala 120 Andreas Koziol, Stéphane Mallarmé, Herbert Niemann, Johann P.
    [Show full text]
  • Tom Thayer B
    ! Tom Thayer b. 1970 in Chicago Heights, IL Lives and works in New Jersey Exhibitions / Performances 2019 Make a Pinch Pot Out of Your Mouth, Derek Eller Gallery, New York, NY 2018 Tom Thayer, BUREAU_AUDIO, Bureau Gallery, New York, NY, www.bureau.audio Tom Thayer: Witches and the Old West, Pocono Summmer Gathering, Mark Van Yetter Studio, Stroudsburg, PA 2017 Van Winkle’s Oblivion, Miko + Thayer, 11R, 195 Chrystie St, New York, NY 2016 Inaugural Exhibition, Romeo, New York, NY Corps of Discovery (for DEATH CULT Performance Festival), Lyles and King Gallery, New York, NY L.GRAY + T.THAYER present An Evacuation Music, (in collaboration with artist, Keith Connolly for his Issue Project Room artist residency, curated by Lawrence Kumpf, Artistic Director, Blank Forms), Issue Project Room, New York, NY Lucky Draw 2016 Spring Benefit, SculptureCenter, Long Island City, NY 2015 Officielle FIAC (art fair, Miko + Thayer, represented by 11R Gallery), Paris, France Afflict the Comfortable, (organized by Robert Boyers, editor, Salmagundi, and Ian Berry, Dayton Director, The Tang Museum), The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY Archetypes, Power and Puppetry: Jonathan Baldock, Anne Chu, My Barbarian, Tom Thayer, Kara Walker and Wayne White (curated by Kitty McManusZurko, Director/Curator, CWAM) College of Wooster Art Museum, Wooster, OH Tom Thayer IT’S HOUSE, (in collaboration with artist, Keith Connolly, organized by artist, Michael Krebber) Mousonturm, Frankfurt, Germany Abasement Vol.5: T.THAYER
    [Show full text]
  • Rona Pondick: the Metamorphosis of an Object at Worcester Art Museum
    IMMEDIATE RELEASE MEDIA CONTACT: Allison Berkeley Manager of Marketing and Public Relations [email protected] 508.799.4406 x3073 RONA PONDICK: THE METAMORPHOSIS OF AN OBJECT AT WORCESTER ART MUSEUM Internationally renowned contemporary artist featured in solo exhibition WORCESTER, Mass. (March 12, 2009) – Rona Pondick: The Metamorphosis of an Object opens at the Worcester Art Museum on April 18, 2009 and is on view through October 11, 2009. Rona Pondick Muskrat 2005 H: 10 inches (25.40 cm) W: 12 ½ inches (31.75 cm) D: 4 5/8 inches (11.68 cm) Since achieving international prominence in the early 1990s, Rona Pondick (b. 1952) has become one of the most accomplished sculptors of her generation. Over the past decade, she has combined both ancient sculptural methods and the latest computer technologies to produce a powerful group of hybrid sculptures that fuse human and animal bodies or human and flora forms. Unlike other considerations of her sculpture, this exhibition presents Pondick’s art as the lens for looking at centuries of world sculpture from the collection of the Worcester Art Museum that she feels resonate with her own creative process. Provocative juxtapositions of Pondick’s hybrids with a personal selection of historic sculptures illustrate her connections to the past and her understanding of the effects of artistic cross-fertilization. The exhibition features 14 examples of Pondick’s sculptures from the past decade and focuses on her particular interest in three aspects of sculpture—the communicative capacity of gesture and posture, the treatment of hair, and the effects of repetition. Exhibition Catalogue A catalogue for this exhibition, written by WAM Curator of Contemporary Art, Susan A.
    [Show full text]
  • Marc Straus Gallery.” Droste Effect
    MARC STRAUS Jeffrey Gibson b. 1972, Colorado Lives and Works in New York EDUCATION 1998 MA, Royal College of Art, London, United Kingdom 1995 BFA, The Art Institute of Chicago, Chicago, Illinois 1992 Studied with sculptor Ernest Mirabal, Nambe, New Mexico SOLO EXHIBITIONS 2018 Jeffrey Gibson, Ruth and Elmer Wellin Museum of Art, Clinton, New York (forthcoming) 2017 Travelling Retrospective, Denver Art Museum (forthcoming) 2016 Savannah College of Art and Design Museum, Savannah, Georgia (traveling to Atlanta, Georgia) 2015 MARC STRAUS, New York, New York A. Lange & Sohne, New York, New York 2014 MARC STRAUS, New York, New York 2013 Love Song, Institute of Contemporary Art, Boston, Massachusetts Said the Pigeon to the Squirrel, National Academy Museum, New York, New York Tipi Poles Performing as Lines, Cornell Fine Arts Museum, Winter Park, Florida The Spirits Refuse Without a Body, Shoshana Wayne Gallery, Santa Monica, California 2012 MARC STRAUS, New York, New York one becomes the other, Participant Inc, New York, New York one becomes the other, American Contemporary, New York, New York 2011 Jeffrey Gibson, 222 Shelby Street, Santa Fe, New Mexico 2010 Submerge, Arin Contemporary Art, Laguna Beach, California 2009 Totems, Sala Diaz, San Antonio, Texas 2007 Scope, Samson Projects, New York, New York 2006 Talkin’ Smack, Samson Projects, Boston, Massachusetts 2005 Indigenous Anomaly, American Indian Community House, New York, New York curated by Kathleen Ash-Milby 2004 The Urge That Binds, Samson Projects, Boston, Massachusetts, curated
    [Show full text]
  • JYRKI PARANTAINEN / CV Born 1962 in Tampere, Finland. Lives and Works in Helsinki. Education 1999 Licentiate of Arts (Photogra
    JYRKI PARANTAINEN / CV Born 1962 in Tampere, Finland. Lives and works in Helsinki. Education 1999 Licentiate of Arts (Photography), University of Art and Design Helsinki (now Aalto University – School of Arts, Design and Architecture) 1992 Master of Arts (Photography), University of Art and Design Helsinki Academic Experience 10–17 Professor of Photographic Art. Aalto University – School of Arts, Design and Architecture 06–10 Professor of Photographic Art. University of Arts and Design Helsinki 92–05 Lecturer, Assistant, courses and workshops: UIAH Solo exhibition 2015 Maa, Gallery Taik Persons, Berlin, DE 2012 Between Heaven and Earth. Gallery Heino, Helsinki 2008 Dreams and Disappointments, Galerie PF, Poznan, Poland Fire, KFA Gallery, Berlin Horizon, Gallery Heino, Helsinki 2007 Dreams and Disappointments, Herrmann & Wagner, Berlin 2006 Dreams and Disappointments, Amos Anderson Art Museum, Helsinki 2005 Orientations, Herrmann & Wagner, Berlin (catalogue) 2003 The Mystery of Satisfaction, Galleri Pio Diaz, Copenhagen 2002 The Mystery of Satisfaction, Academy of Fine Arts, Sarajevo Stage, Gallery Krista Mikkola, Helsinki 2000 Fire, i8 Gallery, Reykjavik (catalogue) Fire, The Nordic House, Reykjavik (catalogue) Fire, Foto & Contemparary, Turin, Italy Fire, Fotografiska Center, Copenhagen (catalogue) 1999 Fire, Contemporary Art Museum, Tampere, Finland 1998 Fire, Zinc Gallery in Luma, Stockholm Fire, The Finnish National Gallery Ateneum, Helsinki (catalogue) 1997 Earth, Le Parvis, Tarbes, France (catalogue) The Sparkling Circle of the Heavenly Host, (installation in public place) Helsinki 1995 Paldiski, f-Gallery, Malmö, Sweden C2H5 o No, Gallery Hippolyte, Helsinki 1993 Earth, Gallery Luukku, Joensuu, Finland 1992 Earth, Tapetenfabrik, Bonn, Germany, Center of Culture, Turku, Finland, Gallery Elvis, Pori, Finland 1991 Earth, Gallery Laterna Magica, Helsinki Selected group exhibitions 2018 Paysages – les maitres d`une ècole Finlandaise Jumièges Abbey, France.
    [Show full text]
  • Walead Beshty
    [email protected] — WWW.RODOLPHEJANSSEN.COM 1/20 Walead Beshty Biography Born 1976, London, United Kingdom Lives and works in Los Angeles Education 2002 MFA, Yale University School of Art, New Haven, CT 1999 BA, Bard College, Annandale-on-Hudson, NY Solo Exhibitions 2015 - Walid AlBeshti, Regen Projects, Los Angeles, CA USA - Insitute fo Fine Arts, New York University, NY - Disponible, Travesia Cuatro, Guadalajara, Mexico 2014 - Gastarbeiten, Capitain Petzel, Berlin, Germany - A Partial Disassembling of an Invention Without a Future: Helter-Skelt er and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench, The Barbican Center, Lon don, UK - Performances Under Working Conditions, Petzel, New York, NY - Thomas Dane Gallery, London, UK - Selected Bodies of Work, Regen Projects, Los Angeles, CA 2013 - Fair Use, The Power Station, Dallas, TX - Walead Beshty, Le 8 rue Saint-Bon, Paris, France 2012 - Travel Pictures, Thomas Dane Gallery, London, UK 2011 - PROCESSCOLORFIELD, Regen Projects, Los Angeles, CA - A Diagram of Forces, Malmö Konsthall, Malmö, Sweden / Centro de Arte Dos de Mayo, Madrid, Spain - Securities and Exchanges, Ullens Center for Contemporary Art, Beijing, China - Diapositives, Galerie Rodolphe Janssen, Brussels, Belgium [email protected] — WWW.RODOLPHEJANSSEN.COM 2/20 2009 - Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Gar den, Washington, DC - Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Muse um of Art, Ann Arbor, MI (Ex. cat)
    [Show full text]