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Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
Forbidden Planet” (1956): Origins in Pulp Science Fiction
“Forbidden Planet” (1956): Origins in Pulp Science Fiction By Dr. John L. Flynn While most critics tend to regard “Forbidden Planet” (1956) as a futuristic retelling of William Shakespeare’s “The Tempest”—with Morbius as Prospero, Robby the Robot as Arial, and the Id monster as the evil Caliban—this very conventional approach overlooks the most obvious. “Forbidden Planet” was, in fact, pulp science fiction, a conglomeration of every cliché and melodramatic element from the pulp magazines of the 1930s and 1940s. With its mysterious setting on an alien world, its stalwart captain and blaster-toting crew, its mad scientist and his naïve yet beautiful daughter, its indispensable robot, and its invisible monster, the movie relied on a proven formula. But even though director Fred Wilcox and scenarist Cyril Hume created it on a production line to compete with the other films of its day, “Forbidden Planet” managed to transcend its pulp origins to become something truly memorable. Today, it is regarded as one of the best films of the Fifties, and is a wonderful counterpoint to Robert Wise’s “The Day the Earth Stood Still”(1951). The Golden Age of Science Fiction is generally recognized as a twenty-year period between 1926 and 1946 when a handful of writers, including Clifford Simak, Jack Williamson, Isaac Asimov, John W. Campbell, Robert Heinlein, Ray Bradbury, Frederick Pohl, and L. Ron Hubbard, were publishing highly original, science fiction stories in pulp magazines. While the form of the first pulp magazine actually dates back to 1896, when Frank A. Munsey created The Argosy, it wasn’t until 1926 when Hugo Gernsback published the first issue of Amazing Stories that science fiction had its very own forum. -
Sf Commentary 76
SF COMMENTARY 76 30TH ANNIVERSARY EDITION October 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION SF COMMENTARY No. 76 THIRTIETH ANNIVERSARY EDITION OCTOBER 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION COVER GRAPHICS Ditmar (Dick Jenssen) Introductions 3 GEORGE TURNER: THE UNRELENTING GAZE Bruce Gillespie 4 GEORGE TURNER: CRITIC AND NOVELIST John Foyster 6 NOT TAKING IT ALL TOO SERIOUSLY: THE PROFESSION OF SCIENCE FICTION No. 27 12 SOME UNRECEIVED WISDOM Famous First Words 16 THE DOUBLE STANDARD: THE SHORT LOOK, AND THE LONG HARD LOOK 20 ON WRITING ABOUT SCIENCE FICTION 25 The Reviews 31 GOLDEN AGE, PAPER AGE or, WHERE DID ALL THE CLASSICS GO? 34 JOHN W. CAMPBELL: WRITER, EDITOR, LEGEND 38 BACK TO THE CACTUS: THE CURRENT SCENE, 1970 George and Australian Science Fiction 45 SCIENCE FICTION IN AUSTRALIA: A SURVEY 1892–1980 George’s Favourite SF Writers URSULA K. LE GUIN: 56 PARADIGM AND PATTERN: FORM AND MEANING IN ‘THE DISPOSSESSED’ 64 FROM PARIS TO ANARRES: ‘The Wind’s Twelve Quarters’ THOMAS M. DISCH: 67 TOMORROW IS STILL WITH US: ‘334’ 70 THE BEST SHORT STORIES OF THOMAS M. DISCH GENE WOLFE: 71 TRAPS: ‘The Fifth Head of Cerberus’ 73 THE REMEMBRANCE OF THINGS PRESENT: ‘Peace’ George Disagrees . 76 FREDERIK POHL AS A CREATOR OF FUTURE SOCIETIES 85 PHILIP K. DICK: BRILLIANCE, SLAPDASH AND SLIPSHOD: ‘Flow My Tears, the Policeman Said’ 89 LETTERS TO THE EDITOR: ‘New Dimensions I’ 93 PLUMBERS OF THE COSMOS: THE AUSSIECON DEBATE Peter Nicholls and George Turner George and the Community of Writers 100 A MURMURATION OF STARLING OR AN EXALTATION OF LARK?: 1977 Monash Writers’ Workshop Illustrations by Chris Johnston 107 GLIMPSES OF THE GREAT: SEACON (WORLD CONVENTION, BRIGHTON) AND GLASGOW, 1979 George Tells A Bit About Himself 111 HOME SWEET HOME: HOW I MET MELBA 114 JUDITH BUCKRICH IN CONVERSATION WITH GEORGE TURNER: The Last Interview 2 SF COMMENTARY, No. -
Bsfs-B50-Pocket-Program.Pdf
Anti-Harassment Policy Balticon and other BSFS events are dedicated to providing a comfortable and harassment-free environment for everyone. In order to offer a welcoming and safe space for everyone, please be respectful of all others. Do not use slurs or derogatory comments about a person, group or category of people. This could include comments based on characteristics such as (but not limited to) actual or perceived race, national origin, sex, gender, sexual orientation, physical appearance, age, religion, ability, family or marital status or socioeconomic class. Do not behave in a manner disrespectful to another individual. The complete text of the BSFS Anti-Harassment Policy is available at http://balticon.org/wp50/wp- content/uploads/2015/07/Harassment-Policy.pdf. Pet Policy No pets allowed in Balticon function space. Weapons Policy All weapons, including but not limited to all swords, knives and replicas, projectile weapons including nerf toys and waterguns, must be peace bonded by designated convention personnel immediately upon the purchase of the weapon from a dealer or entering the hotel. It is your responsibility to be aware of and follow all laws regarding the possession of weapons. No sparring will be permitted in the convention. Balticon reserves the right to hold any weapons in violation until the end of the con. Failure to comply with this policy may result in the confiscation of your badge. MasQuerade Costumers are excepted for the time spanning a half hour before the Masquerade to a half hour after the MasQuerade. HOURS OF OPERATION Hours of Operation Function Location Friday Saturday Sunday Monday 10 am to MD 5 pm 10 am 1 pm; 10 am Art Show Salons to to reopen to A and E 7:30 pm 8 pm for sales 2 pm 2:15 to 5 pm New Garden Art Auction 2 pm MD Salon D MD Salon Friday 2 pm through Monday 5 pm F Entrance See Convention Operations for Lost & Found, Con Ops is beside security issues, late-night registration, to locate a the specific Balticon staff person, access to locked elevators functions spaces, etc. -
Lightspeed Magazine, Issue 78 (November 2016)
TABLE OF CONTENTS Issue 78, November 2016 FROM THE EDITOR Editorial, November 2016 SCIENCE FICTION Dinosaur Killers Chris Kluwe Under the Eaves Lavie Tidhar Natural Skin Alyssa Wong For Solo Cello, op. 12 Mary Robinette Kowal FANTASY Two Dead Men Alex Jeffers Shooting Gallery J.B. Park A Dirge for Prester John Catherynne M. Valente I've Come to Marry the Princess Helena Bell NOVELLA Karuna, Inc. Paul Di Filippo EXCERPTS The Genius Asylum Arlene F. Marks NONFICTION Media Review: Westworld The Geek’s Guide to the Galaxy Book Reviews, November 2016 Kate M. Galey, Jenn Reese, Rachel Swirsky, and Christie Yant Interview: Stephen Baxter The Geek’s Guide to the Galaxy AUTHOR SPOTLIGHTS Chris Kluwe Lavie Tidhar J.B. Park Alyssa Wong Catherynne M. Valente Mary Robinette Kowal Helena Bell Paul di Filippo MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2016 Lightspeed Magazine Cover by Reiko Murakami www.lightspeedmagazine.com Editorial, November 2016 John Joseph Adams | 1064 words Welcome to issue seventy-eight of Lightspeed! We have original science fiction by Chris Kluwe (“Dinosaur Killers”) and Alyssa Wong (“Natural Skin”), along with SF reprints by Lavie Tidhar (“Under the Eaves”) and Mary Robinette Kowal (“For Solo Cello, op. 12”). Plus, we have original fantasy by J.B. Park (“Shooting Gallery”) and Helena Bell (“I’ve Come to Marry the Princess”), and fantasy reprints by Alex Jeffers (“Two Dead Men”) and Catherynne M. Valente (“A Dirge for Prester John”). All that, and of course we also have our usual assortment of author spotlights, along with our book and media review columns. -
The Jeremiad in American Science Fiction Literature, 1890-1970
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2019 The eJ remiad in American Science Fiction Literature, 1890-1970 Matthew chneideS r University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, English Language and Literature Commons, and the United States History Commons Recommended Citation Schneider, Matthew, "The eJ remiad in American Science Fiction Literature, 1890-1970" (2019). Theses and Dissertations. 2119. https://dc.uwm.edu/etd/2119 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE JEREMIAD IN AMERICAN SCIENCE FICTION LITERATURE, 1890-1970 by Matthew J. Schneider A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2019 ABSTRACT THE JEREMIAD IN AMERICAN SCIENCE FICTION LITERATURE, 1890-1970 by Matthew J. Schneider The University of Wisconsin-Milwaukee, 2019 Under the Supervision of Professor Peter V. Sands Scholarship on the form of sermon known as the American jeremiad—a prophetic warning of national decline and the terms of promised renewal for a select remnant—draws heavily on the work of Perry Miller and Sacvan Bercovitch. A wealth of scholarship has critiqued Bercovitch’s formulation of the jeremiad, which he argues is a rhetorical form that holds sway in American culture by forcing political discourse to hold onto an “America” as its frame of reference. -
Generic Space Opera Jump V1.1.1 by Insertrandomnickname
Generic Space Opera Jump v1.1.1 By Insertrandomnickname Greetings, Captain, the bridge is yours! This universe is vast and unexplored, venture out and make your mark on it! On your journey you may encounter varied and exotic species, mysterious technology of civilisations long past, space-borne traders and buccaneers and vast stellar empires. Do not be overly concerned, for the most part your ship will be able to weather what space can throw at you, though you should take into account the briefing regarding the setting that was provided below, to better estimate exactly how much risk you are in on a day-to-day basis! You gain 1000 CP. Setting Roll once per list, or choose any combination of any number of options (including none) from all three lists by paying 50 CP once. Alternatively, if you’ve chosen to use this jump in combination with an existing property feel free to ignore this section. The Great Filter Life by itself is a statistical anomaly, requiring a multitude of factors to be just right to come into existence. How much rarer will an interstellar civilisation have to be? A theory has been proposed according to which at least one step on the way is prohibitively difficult. You can breathe easy - your kind likely already has passed that hurdle, but this will inform the evolutionary and technological level of beings you encounter on your travels. 1. Life Itself - Your mere existence is a miracle - nay, finding organic compounds at all in a vast and barren universe is. Life has only sprung forth in a few places and no matter how diverse life in the galaxies becomes it can be traced back to only a few sources, if not a single one. -
JOHN W. CAMPBELL an Australian Tribute JOHN W
Tribute CAMPBELL W. Australian An JOHN JOHN W. CAMPBELL An Australian Tribute JOHN W. CAMPBELL An Australian Tribute Edited by John Bangsund Published by Ronald E Graham EJohn Bangsund Canberra 1972 JOHN W. CAMPBELL: AN AUSTRALIAN TRIBUTE Published by Ronald E. Graham and John Bangsund Designed and printed by John Bangsund: Parergon Books PO Box 357 Kingston ACT 2604 Australia Distributed by Space Age Books 317 Swanston Street Melbourne 3000 Australia Cover printed by Paragon Printers, Canberra Interior printed on Roneo 865 duplicator, using Roneo R430X stencils and Roneo Canadian Paper Etectrostencils by Noel Kerr, Melbourne Copyright (01974 by John Bangsund Any part of this book may be reproduced with the permission of the author/s concerned, but the book as a whole may not be reproduced. Comments on the book are encouraged and will be considered for future publication unless otherwise indicated. First edition. Print-run 300 copies, of which 200 are for sale. Errata: Title page - For 1972 read 1974. Page 91 - The Introduction to Mr Tuck's bibliography has been largely re-written and extended by die editor, with whom die responsibility lies for any inaccurate statement. Page 98 - for Hockley, "Wog", read Hockley, Warwick. For any other errors discovered the editor, who should know better, may be held responsible. Production assistance: David Grigg, Joy and Vem Warren, but above all, and without whose encouragement die book might never have been completed, Sally Yeoland. ' Contents (OXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXO) JACK WILLIAMSON Foreword JOHN BANGSUND Introduction 1 A. BERTRAM CHANDLER 5 WYNNE WHITEFORD 8 ROBIN JOHNSON 10 JACK WODHAMS 12 JOHN PINKNEY 14 DONALD H. -
Journey Planet #7
7 THE SPACE ISSUE James Bacon • Claire Brialey • Chris Garcia • Anne Gray • David A. Hardy Nicholas Hill • Dick ‘Ditmar’ Jenssen • Jean Martin • Liam Proven Alastair Reynolds • Ang Rosin • James Shields • Bill Wright 1 Contact us at: contents [email protected] Editorials James Bacon, Chris Garcia, Pete 3 Young The LoC Box: Lightly edited by Claire Brialey 7 Our Readers Write Again... Acme Instant Fanzine Edited by James Bacon 18 Beginnings Jean Martin 22 Our Future in Space James Shields 25 The British Space Programme Nicholas Hill 29 The Space Race, Mark II Liam Proven 40 Into the Superunknown: The Death Alastair Reynolds 42 of Hard SF, and Why This Is Possibly a Good Thing Notes: ‘Space’ in Space Opera Dick ‘Ditmar’ Jenssen, Bill 48 Wright Mission: Atlantis Ang Rosin 49 Women in Space: The Program that Anne Gray 52 Almost Started Twenty Years Earlier Spacewar! Video Gaming’s Space Chris Garcia 60 Race My Life as a Space Alien Claire Brialey 62 Photo & illustration credits for this issue cover & page 6 – © David A. Hardy, used by permission. www.astroart.org. this page & page 48 – David Gunter (cc) 2008. pages 3, 17, 28, 47, 57 & 67 – via www.wordle.net. page 7 – Mathieu Struck, (cc) 2009. pages 22, 55 & 56 – NASA, public domain. page 25 – Chris Hagood, (cc) 2010. page 29 – Robert Harrison, © 2009, used by permission. page 32 – Kaptain Kobold, (cc) 2006. page 35 – Gary Henderson, (cc) 2006. page 36 – Pete Woodhead, © 2010, used by permission. page 37 – artq55, (cc) 2003. page 40 – Dave Malkoff, (cc) 2008. page 42 – Sue Jones, © 2009, used by permission. -
"Hard" Sf, with Its Emphasis on Science and Technology, Has Become Dated During
CHAPTER 5 "Hard" sf, with its emphasis on science and technology, has become dated during the last twenty-five years (Arbur, 1979), although Larry Niven, with his winning mix of wholly believable aliens and technology which operates logically and credibly within the laws of physics applying to Nivens space (Nedelkovich, 1980), has used this medium with resounding success during the last two decades. Nivens wildly exploring imagination has created the fantasies of alien engineering encountered in Ringworld (1972) and the amazing Piersons puppeteers introduced in his book of short stories Neutron Star (1968). In such short stories as "The Lion in His Attic" and "Talisman" (Limits, 1985), Niven has also used the more ancient "natural" magic of the universe to achieve his settings, a "maybe" time on Earth when old magic was dying out. But he also delights in making the present a more tenuous place in which to find oneself living; Lucifers Hammer (1977), written with Jerry Pournelle, impacts heavily on the reader because of its present day setting and its concentration on the view of world affairs created by the media. Some of its scenes would translate directly to a film set as they graphically describe the desperate need of journalists to obtain maximum media coverage of the end of the world, giving this book an immediacy with which all viewers of prime-time television news programs can readily identify. Throughout Nivens work there is a theme of optimism and a breath of humour can often be found pervading even the darkest moments. Whereas Ron Hubbard, for instance, threatens alien invasion from space monsters, recalling xenophobic attitudes from the 1950s "flying saucer" era, Larry Niven provides characters who are xenophiles such as Louis Wu in Ringworld, and scenes where the maximum entertainment is obtained from the wide variety of aliens present. -
GURPS Space.Qxp
Written by JON F. ZEIGLER and JAMES L. CAMBIAS Edited by WIL UPCHURCH Cover Art by ALAN GUTIERREZ, CHRIS QUILLIAMS, and BOB STEVLIC Illustrated by JESSE DEGRAFF, ALAN GUTIERREZ, CHRIS QUILLIAMS, and BOB STEVLIC ISBN 1-55634-245-4 1 2 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES ONTENTS C Life Support. 43 Step 14: Bases and Installations . 96 INTRODUCTION . 4 Gravity . 43 PUBLICATION HISTORY . 4 Weapons. 44 About the Authors . 4 5. ADVANCED Defenses . 45 WORLDBUILDING. 99 Sensors . 46 PACE 1. S . 5 Communications. 46 GENERATING STAR SYSTEMS . 100 SPACE AND SPACE FICTION . 6 Power . 47 Stellar Classification . 100 Why Space Travel? . 6 Laboratories. 47 Step 15: Number of Stars. 100 What’s Not in This Book . 6 Infrastructure . 48 Step 16: Star Masses. 101 Designing the Space Campaign. 7 Small Craft. 48 Step 17: Star System Age . 101 Hard and Soft Science Fiction . 7 Step 18: Stellar Characteristics . 102 Scale and Scope . 8 3. TECHNOLOGY. 49 Step 19: Companion Star Orbits . 105 Ships and Outposts . 8 Step 20: Locate Orbital Zones . 106 ADDING MIRACLES . 50 CAMPAIGN TYPES . 11 Step 21: Placing First Planets . 107 ECHNOLOGY REAS . 51 Realism. 11 T A Step 22: Place Planetary Orbits . 108 Biotechnology . 51 Strange New Worlds . 11 Step 23: Place Worlds . 109 Suspended Animation . 53 The High Frontier . 12 Step 24: Place Moons . 111 Bioships . 53 Alien Archaeology. 12 GENERATING WORLD DETAILS . 113 Computers and Communications . 55 Military Campaigns . 14 Step 25: World Types . 113 The Transparent Society. 56 Stop in the Name of the Law. 16 Step 26: Atmosphere. -
The Guide to Larry Niven's Ringworld HISTORY of KNOWN SPACE
ILLUSTRATED BY THE GUIDE TO LARRY NIVEN'S RING WORL D i. THE GUIDE TO LARRY NIVEN'S RING WORL D Kevin Stein Illustrated by Todd Hamilton James Clouse Design and Layout Kevin Stein Production Julian Jackson the Guide to Larry Niven’S Rincworld This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or inci¬ dents is purely coincidental. Copyright © 1994 by Bill Fawcett & Associates under license from New Frontier Entertainment All rights reserved, including the right to reproduce this book or portions thereof in any form. A Baen Books Original Baen Publishing Enterprises P.O. Box 1403 Riverdale, NY 10471 ISBN: 0-671-72204-2 Cover art by David Mattingly First printing, February 1994 Distributed by Paramount 1230 Avenue of the Americas New York, NY 10020 Library of Congress Cataloging-in-Publication Data Stein, Kevin THE GUIDE TO LARRY NIVEN'S RINCWORLD p. cm. ISBN 0-671-72192-5: $20.00 1. Niven, Larry. Ringworld—Dictionaries. 2. Science fiction, American—Dictionaries. I. Niven, Larry. Ringworld. II. Title. PS3564.I9Z87 1994 93-35023 813’.54—dc20 CIP Though the Ringworld is a very Solar gravity-which is powerful enough to personal vision, it has always had collapse a real Dyson sphere-is balanced by an aspect of collaboration. I finished sunlight falling on the inside. You use all of the the calculations for its spin while visiting some output of the sun for industrial power-as with friends, borrowing their books to find the for¬ a Dyson sphere.